Posts Tagged ‘Long Island City’
Tales of Calvary 2- Veterans Day
-photo by Mitch Waxman
21 Roman Catholic Union soldiers are interred amongst the 365 acres of first Calvary Cemetery in Queens, nearby the cuprous waters of the much maligned Newtown Creek.
The wars of the 20th century, terrible in scope and vulgar in effect, cause us to overlook these men who vouchsafed the American Republic in the 19th century as we focus in on the veterans of the second thirty years war which modernity myopically calls World Wars One and Two. Woodrow Wilson proclaimed a federal holiday called Armistice Day in 1919, celebrating the anniversary of the legal end of the first World War in 1918. Congress agreed, seven years later, and then took six years to pass an act which made Armistice day an official United States federal holiday celebrated on November 11 annually.
Ed Rees, a populist Representative from the state of Kansas during the post World War 2 era, spearheaded a successful campaign in 1953 to have “Armistice Day” reclassified as “All Veterans Day” so as to include the veterans of WW2, and the ongoing conflicts fought by our “permanent government” on the world stage.
from nycgovparks.com
On April 28, 1863, the City of New York purchased the land for this park from the Trustees of St. Patrick’s Cathedral and granted Parks jurisdiction over it. The land transaction charter stated that Parks would use the land as a burial ground for soldiers who fought for the Union during the Civil War (1861-65) and died in New York hospitals. Parks is responsible for the maintenance of the Civil War monument, the statuary, and the surrounding vegetation. Twenty-one Roman Catholic Civil War Union soldiers are buried here. The last burial took place in 1909…
The monument features bronze sculptures by Daniel Draddy, fabricated by Maurice J. Power, and was dedicated in 1866. Mayor John T. Hoffman (1866-68) and the Board of Aldermen donated it to the City of New York. The 50-foot granite obelisk, which stands on a 40 x 40 foot plot, originally had a cannon at each corner, and a bronze eagle once perched on a granite pedestal at each corner of the plot. The column is surmounted by a bronze figure representing peace. Four life-size figures of Civil War soldiers stand on the pedestals. In 1929, for $13,950, the monument was given a new fence, and its bronze and granite details replaced or restored. The granite column is decorated with bronze garlands and ornamental flags.
-photo by Mitch Waxman
Many of the combatant nations observe November 11th as Armistice Day, or Remembrance Day.
It is hard for we moderns to conceive of the psychological pathologies of the post Victorian era, as our “end of the world scenario” is played out as either an expanding cloud of nuclear fire, or some “romeroesque” dystopia populated by hordes of disease maddened and resource starved ghouls- either way- it involves the apocalyptic ascendance of one of the “ism’s”.
Have no doubts though, that the world which created Calvary ended in an apocalypse, and our modern world was built upon the ashes of the Fin de Siècle.
from wikipedia
In many parts of the world people take a two-minute moment of silence at 11:00 a.m. as a sign of respect for the roughly 20 million people who died in the war, as suggested by Edward George Honey in a letter to a British newspaper although Wellesley Tudor Pole established two ceremonial periods of remembrance based on events in 1917.
-photo by Mitch Waxman
The soils of Calvary, a vast cocktail of loathsome and ghoulish ichor, contain many Civil War dead- as well as citizen soldiers from every conflict since. Forgotten and long neglected, the obelisk and its attendant bronzes are in a tremulous condition, etched at by a century of pervasive industrial pollution arising from Newtown Creek, and the greater city beyond.
from a newtown pentacle post, from july 31 of 2009, titled “Up and through Calvary”
Daniel Draddy was an irish speaker from County Cork, and the son of John Draddy- a stonecarver and prolific author in the Irish language who hailed from a family on Quaker Road. In context, they came from what modernity would describe as “an oppressed religious underclass involved in an ethnic and cultural war with an aggressive and powerful neighbor willing and and able to actively engage in state sponsored genocide and ethnic cleansing“ but which they would have called the Irish Potato Famine.
Daniel maintained his marble studios on 23rd street in Manhattan, near the east river. Known as a cultured and gracious host, he was beloved by the Tammany men. Contemporaries describe him as a first class carver, mechanic, historian, and he had the ability to write in the Irish language “druidically”.
Resemblance of the monuments to the tombs of ancient Egypt is no accident. The men who built this were Free and Accepted Masons.
This is masonic iconography, with its obelisk splitting the solar wisdom into the four cardinal directions and the four deities of the spaces found between standing watch at intersecting 45 degree vectors. Such falderol was quite in vogue after the Civil War, look at the Capitol Dome or Supreme Court building in Washington D.C. for similar thematic elements.
Don’t forget- Draddy was a stonecutter, from a family of stonecutters. That made him a Free and Accepted Mason, who’s existential threat was the subject of much Catholic liturgy. The Masons, especially after their successes in the Lowlands and North America in the 17th and 18th centuries, were considered a dangerous fifth column in the power structure of Europe. In the United States, the origins of the mythology surrounding them was beginning to form. In the 19th century men like Draddy would have been considered as subscribing to an “ism”, and its odd to find such iconography in a Catholic cemetery. The Church bore a special antipathy toward the Masons in this period of time, and even today they officially shun members.
-photo by Mitch Waxman
The statues here at Calvary’s Soldiers Monument seem to have been the original castings of a much reproduced statuary design. Placed here in 1866, they predate the identical statues found at Green-Wood Cemetery, and exact issuance of the mold has been confirmed in New England, North Carolina, and all over New York State. As early as 1875, fumes from a nearby Ammonia Factory at Newtown Creek were graving pitted marks into them.
Check out this amazing nytimes.com report of the ceremonies held, at this very spot- on Memorial Day, June 1, 1875.
In accordance with a resolution to celebrate the ceremony of decorating the graves of their dead comrades with more impressiveness than had attended that event in the past, John A. Rawlius Post, No. 80, with the members of the veteran corps of the old Sixty-ninth Regiment, Meagher’s Irish Brigade, Corcoran’s Irish Legion…
Observation, Speculation, and musing- the thinking out loud section
During the Civil War, the United States Union organized its troops by State, City, and town- hence the “XXth New York Regiment” or the “XXrd Illinois”. What this meant, in a meat grinder conflict like the Civil War with its high casualties, was that an entire neighborhood or town could lose ALL of its sons in a single battle.
The long economic decline of upstate New York, New England- especially Massachusetts- began soon after the Civil War partly because of this depopulation- and a generation of widows it created (the decline of “green energy” powered cotton cloth production in area textile mills is a major factor as well). The population important to politicians ceased being the rural mill town or agrarian producer and shifted to the newly crowded urban centers. In “the country”, a fascination with Spiritualism took hold while “the cities” set about building concrete cathedrals.
Radical politics, moralist movements, and fringe religion ruled in a depopulated countryside. The worn out land of the family farm wound inexorably toward a dust bowl, and there was no way to keep your sons and daughters from moving to “The City” and its possibilities. Stricken by endemic poverty, disease, ethnic violence, and starvation, the reality of “the good old days” before the Fin de Siècle is something that just doesn’t jibe with “you could leave your doors unlocked when you went to sleep, back then” that my grandfather used to proclaim.
The next generation of women that came along, who saw their widowed mothers and aunts running businesses and farms and participating in government– they were the Suffragettes.
More on “The White Lady of Astoria”
– photo by Mitch Waxman
Our Halloween posting, describing spectral phenomena experienced by residents on my old block – 44th street between Broadway and 34th avenue, which lies nestled amongst the lowland hillocks of Astoria, has drawn a reply from the Greater Astoria Historical Society.
from astorialic.org
The Greater Astoria Historical Society, chartered in 1985, is a non-profit organization supported by the Long Island City community. We are dedicated to preserving our past and using it to promote our community’s future. The Society hosts field trips, walking tours, slide presentations, and guest lectures to schools and the public. Regular meetings are usually held the first Monday of the month at 7:00 PM in Quinn’s Gallery, 35-20 Broadway, Long Island City.
– photo by Mitch Waxman
The Greater Astoria Historical Society (located on the 4th floor of the Quinn building here in Astoria)– in addition to hosting multitudinous walking tours of the area and producing a schedule of lectures and scholarly exhibitions focusing on the culture, community, and history of northwestern Queens- serves as a vouchsafe location for rare documents and publications which discuss their area of study. Additionally, GAHS preserves several historic artifacts, some of which were saved literally, from the wrecking ball due to direct intervention.
I am fairly certain that the Dee translation of a certain book, missing page 751- of course, is hidden away somewhere in their vaults.
From their towering vantage point- an eagle’s nest which affords an overview of the entire city- these ascended masters share hard won knowledge generously with initiates, even ones as unworthy as your humble narrator.
from wikipedia
The holdings of the Greater Astoria Historical Society, on loan and owned, include a collection of rare and unusual items available for public perusal. The GAHS maintains a Library/Research Center that contains over 10,000 items, including books and publications on local history, a photographic record of the community, and neighborhood ephemera and memorabilia. The GAHS holdings include dozens of antiquarian atlases and thousands of historic maps of Queens, New York and surrounding areas from the now defunct Belcher Hyde map company among others. The holdings also include an almost complete run (or the morgue file) of the Long Island Star Journal, “a daily paper that informed the community about local and world news until it folded in 1968. A banner across the Star-Journal masthead reminded readers that the newspaper’s name came from the merger of the Long Island Daily Star (1876) and the North Shore Daily Journal–The Flushing Journal (1841).”
– photo by Mitch Waxman
The missive received from the GAHS Lamasery, which came in prompt response to the “White Lady of Astoria” posting on the morning of Hallowmas, has been delayed in reaching the readers of this- your Newtown Pentacle- due to the burden of developing hundreds of photos from the 2009 New York City Marathon and the startling revelations brought forward on research about a certain grave I found in Calvary Cemetery (more on that next week).
– photo by Mitch Waxman
My initial instincts, based on badly scanned and somewhat inaccurate historical maps of the area found around the web, were to postulate about the nearby Moore Jackson colonial era cemetery which is hidden in weedy obscurity a few blocks away. Here’s a google map of the scene today.
Misreading one of these maps, I placed a colonial era farmhouse inaccurately, and began building a case in my notebook for the White Lady being a phantasmic echo of Mrs. Jackson (as in Jackson avenue). This is a bad habit of mine, connecting dots, and I’m trying to avoid it- so while attending a couple of GAHS events in October, I mentioned my ghost story to officers of the Society. Notice that at the center of the map, where the “S.A. Halsey Late Whitfield’s” script is found- just below that (I believe) is the corner of modern 44th street and Newtown Road.
– photo by Mitch Waxman
I have met a few individuals, since I began wandering the Newtown Pentacle, who are authentic experts on those subjects which we explore together at this page. Esoteric history buffs and antiquarian enthusiasts abound in the community, yet certain individuals (you know who you are) stand head and shoulders above the rest. The encyclopedic knowledge and generous nature of these irascible hierophants has given my poor ramblings a grounding, and helped me to grasp at a secret history, hidden all around us. I call these folks, ascended masters all, “The Rabbi’s”.
Amongst this group of “rabbi’s”, if the subject is Astoria, the folks you’ll want to speak to are Bob Singleton and Richard Melnick of the Greater Astoria Historical Society.
– photo by Mitch Waxman
Here, in its entirety, is their message- used with permission-
I know of no story from that area’s history that would relate to this. It was marshy pasture and undeveloped until about 100 years ago. Northern Blvd. was basically a causeway built through a swamp. The Sunnyside Yards was the head of a millpond dammed at Queens Plaza.
No stories with the Gosman etc. families that owned it, and TNT Auto is the only location of something historic: the old Sunnyside Hotel that gave Sunnyside its name.
However, at 43-44 and 31st Ave-Newtown Road is the approx. location of the infamous Hallet Family massacre where two slaves killed both parents and all their kids in the first capital crime of Queens (ca. 1705 or so). Slaughtered them as they wanted their farm. Both slaves (She was Black and He was Indian) were subject to horrible executions (burning at the stake, I believe) in Flushing.
The area of Newtown Road (original wagon road to their grandfather Hallet farm made about 1652) was always considered haunted in the 19th century. I can personally attest to feeling uneasy as I walked along it at night, particularly the area where the apartment building with courtyard to the south of the street around 45th St.
Wonder if the ‘White Woman’ was the wife who fled and tried to run thorugh the swamp to the nearest homes which would have been along Middleberg Ave on the other side of today’s Sunnyside Yards. Your location would have been the approx. place of the millpond that might have stopped her or been imperfectly frozen.
What was the period of her attire?
P.S. ‘East Astoria’ is historically the area north of Astoria Blvd about 40th St or so. The area that you live in was historically called ‘The German Settlement’.
44th and Newtown Road looking toward Broadway and my former apartment, nearly at the spot mentioned by GAHS above – photo by Mitch Waxman
Massive NYC 2009 Marathon Photo set
– photo by Mitch Waxman
The 2009 NYC Marathon came hurtling through Long Island City just this past Sunday, which was November the First- which is also the celebrated anniversary of the abdication of the last Sultan of the House of Osman, and World Vegan Day. A fairly detailed posting about the 2008 Marathon which has lots of history on the race and running, as well as discussion of the Physical Culture movement, can be accessed here.
– photo by Mitch Waxman
Arriving early, a conspiritor and I nonchalantly greeted the small army of affable NYPD personnel, and mounted the Pulaski Bridge. At around 9am, the disabled competitors came barreling through. I can’t really think of what to call these devices. Wheelchair just doesn’t do technology like this justice. Affably, the NYPD then asked us to clear off the bridge.
– photo by Mitch Waxman
I followed the course as the Marathon runners blasted along. For me, the real show is always the sideline, but I shot a lot of pictures of the competitors between 9 and 12:30 in Long Island City.
– photo by Mitch Waxman
If you’re a 2009 NYC marathon runner, looking for photos you might be in, click here to reach a huge set at flickr with the full range of shots.
– photo by Mitch Waxman
All along the route, bands were playing. This kid with the Tuba was in a school band that just finished playing “Play that funky music, white boy”.
– photo by Mitch Waxman
Hard rock bands also lined the route- these iconic minstrels were staked out directly across the street from the Citibank Megalith. The runners, toward the ever shadowed cobbles of sin pitted Queens Plaza, were Manhattan bound.
– photo by Mitch Waxman
In a Dark… room
Oh the pain… developing the photos shot at the 2009 NY Marathon hurts…
– photo by Mitch Waxman
I got there early, and actually managed to shoot not only the disabled competitors, but was in position when the “head of the snake” first came through LIC.
Head of the Pack, 2009 men’s Marathon- photo by Mitch Waxman
I’ll have the whole batch ready by tomorrow. As well, knowledgeable friends have weighed in on our Halloween posting, and I’ll be posting their input later on tonight.
Head of the Pack, 2009 women’s Marathon – photo by Mitch Waxman
They’ll all be dropping into this set at flickr, over the course of the next 24 hours. You also won’t believe some of what I saw at Calvary, later in the afternoon.
Open Sesame, Pulaski, Says A Me
Just as a note, this is the 100th post at Newtown Pentacle.
– photo by Mitch Waxman
The burning thermonuclear eye of the Newtown sun burst through the occluding clouds of a murky sky, as I crossed the Pulaski Bridge. With the objective of Queens in sight, barriers suddenly sprang into action, and alarm bells rang. The motive engines of the Pulaski began grinding in those deep pilings sunken on both sides of that vexing mystery called the Newtown Creek, and the roadway of the Bascule bridge rose… ominously.
Newtown Pentacle did a fairly thorough posting on the Pulaski Bridge a while back called DUPBO, check it out here.
– photo by Mitch Waxman
The basso horn of an unidentified tug drew the attentions of that small group of obstructed pedestrians and unlucky cyclists which I found myself a part of. In the central lanes of the bridge, angry drivers changed automotive gears from drive to park. Some switched off their engine ignitions and muttered obscene phrases in a great variety of tongues.
A bascule drawbridge of paralell counterweight design, the Pulaski Bridge was overseen by New York City Commissioner of Public Works Frederick Zurmuhlen, and the general contractor was the Horn Construction Company, with steel and expertise supplied by Bethlehem Steel. It opened in September of 1954 at a cost of $9,664,446.25- a reconstruction of the bridge in 1994 cost $40 million. It carries six lanes of vehicular traffic, and is a primary link between north Brooklyn and western Queens.
– photo by Mitch Waxman
Clumsily, I climbed atop the roadway barrier, in an attempt to gain a better vantage. Normally, this would be a death defying balancing act, as traffic would be hurtling out of Long Island City at many times the posted speed limit. Even so, the mere 3 and one half foot elevation was enough to set off my timid side of nature, and vertigo nearly claimed me.
– photo by Mitch Waxman
This lone tugboat, which I cannot identify, is heading up the creek empty. This would suggest its coming to pick up a barge, but your guess is as good as mine.
– photo by Mitch Waxman
The inner works of the bridge as it extends to its euclidean apex. The stresses inflicted on the superstructure of this bridge by such actions are beyond my meager ability to calculate, as tons of steel move effortlessly into position and into a shaky balance.
– photo by Mitch Waxman
The tug passed by, as I could tell by the action of my ears, but was occluded visually by the bridge’s roadway. The struggles of its engines as they churned those hatefully gelatin waters of the Newtown Creek caused vibrations which shuddered out as they traveled against the raised members of the Pulaski Bridge.
– photo by Mitch Waxman
Overcome by the unique harmonic and its drug-like effects upon my overly sensitive equilibrium, I missed the Tug’s passage by seconds (in the center of the above shot), due to both a bungled manipulation and inexpert handling of camera settings.
– photo by Mitch Waxman
Bells rang out again, and the Pulaski bridge transformed itself back into a vehicular roadway, and the steel wall of Long Island City appeared.





























