The Newtown Pentacle

Altissima quaeque flumina minimo sono labi

Posts Tagged ‘Greenpoint

ominous gossip

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It’s International Safer Internet Day.

– photo by Mitch Waxman

Recently, one found himself wandering about in legend cloaked and shadows haunted Greenpoint when my footsteps carried me past the beacon like NYPD’s 94th pct. house. The bulls are penned up here, on Meserole, and they like to keep it nice and bright. There’s a real sense of solidity to this building, and it’s somewhat evocative of a fortress. One wishes that the 114th pct. here in Astoria enjoyed such lush and stolid accommodations.

– photo by Mitch Waxman

One is preoccupied at the moment, given the recent release of the “Deck over the Sunnyside Yards” feasibility study by the NYC EDC at the behest of our Mayor – the Dope from Park Slope. It’s a massive document, and full of arcane detail to process and respond to.

Its arrival means that Western Queens has arrived at an existential threshold, and that my home is now threatened.

– photo by Mitch Waxman

Accordingly, posts such as today’s and yesterday’s are somewhat truncated. One does not have the luxury of wandering around the Greenpoint Historic District and marveling at times gone by and the architectural monuments to earlier times.

The battle for Queens is afoot. 


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Written by Mitch Waxman

February 8, 2017 at 1:00 pm

auto hypnosis

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It’s National Patty Melt Day, in these United States.

– photo by Mitch Waxman

Y’know, after all this time, it feels like certain sections of my particular oeuvre are running a bit dry. I mean, how much more can I possibly say about First Calvary Cemetery at this point in time. Of course, that’s the way it “feels,” not the way it actually is. Accordingly, I revisit my search parameters periodically and see if anything new has popped up. To wit – this 2016 link from the NY Post.

I say it all the time, you never know what you’re going to find in Calvary Cemetery.

– photo by Mitch Waxman

One cannot offer you any tales of goblins or phantoms harassing the 1933 vintage Court Square IND station, I just kind of like the shot offered above. I can tell you the place does seem pretty haunted, sometimes, but I know what lurks some fifty stories or so above this spot – in the cupola of the sapphire megalith of LIC.

– photo by Mitch Waxman

A shot in the dark, literally, I found a hole in a fence that my camera could rest in for the shot above and pulled off a near total darkness handheld thingamabob. That’s Bushwick Inlet at the border of Williamsburg and Greenpoint, for the curious. There’s a WHOLE lot going on at the moment, which I’ll be discussing later in the week, so forgive my brevity.

The battle of Queens, I’m afraid to say, is finally afoot.


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Written by Mitch Waxman

February 7, 2017 at 11:00 am

open window

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It’s National Police Day in the Arab Republic of Egypt.

– photo by Mitch Waxman

Continuing a wintry night time walk to Brooklyn, one prepared to surmount the Pulaski Bridge over Newtown Creek. As you’d imagine, one spends quite a bit of his time walking back and forth over this crossing. Not only does the bridge rise to a fairly high altitude which allows for spectacular views of Newtown Creek, East River, and the skyline of the Shining City of Manhattan – the Pulaski Bridge walk is actually pretty good cardio.

– photo by Mitch Waxman

Mentioned in yesterday’s post was the fact that I was employing my “night kit” lenses. Longtime and frequent commenter Georgtheatheist inquired as to the specifics of my kit, and wondered why I carried both the Sigma 50-100mm f 1.8 and a Canon 50mm f 1.8, given that they replicate each other’s range. Accordingly, I’m “lifting the hood” on today’s post, and talking a little bit about how the engine runs here at your Newtown Pentacle.

Short answer is this – the Sigma lens is BIG, and incredibly heavy. Being a large lens, it gathers a lot of attention to itself, which can be problematic when encountering baser members of the street population – that’s part of it. The other is purely ergonomic – as mentioned above it’s quite heavy, and gets in the way when I’m walking along at my usual brisk pace. George asked why I don’t just use an “extender” on the 50mm prime lens, and part of the answer is that I’d have to sacrifice some of the light gathering wide apertures of the lens if I did. The other is that I’ve timed myself and I can do a lens swap, from in the bag to triggering the shutter, in around 15-20 seconds.

There’s also a difference in the esthetic quality and rendering of the shots, as captured by the individual pieces of glass. The first shot in today’s post was captured using the aforementioned 50-100, while the one above was gathered using a wider angle Sigma lens – the 18-35 f 1.8. The one below is from the Canon 50mm. There are minor differences in exposure times on them, but shots 2 & 3 are within 1/75th of a second of each other, with identical ISO sensitivity and aperture. Just because two lenses have the same specifications doesn’t mean that the shots gathered with them look the same.

– photo by Mitch Waxman

The whole point of what I’ve been working on for a while now is to capture a reasonable amount of image fidelity and quality in low light situations without using camera supports like a tripod. These are all hand held shots, gathered in the same manner which I would employ when the burning thermonuclear eye of God itself is bobbing around in the vault of the sky.

That “manner” is basically me walking along and saying “wow, look at that.”

– photo by Mitch Waxman

Where things get weird with this whole night shooting business is in an area described as “color temperature.” The new LED luminaire heads that NYC DOT has been installing around NYC throw off a bluish light that’s officially “4300 Kelvin” but which the camera will render as orange if you set it to that. In Canon camera world, that 4300K is best reset to about 3100K. If you’re in an area which has a monotypical series of these LED’s, the developing scenario is simple.

It’s when you see the old school sodium lamps on the same street as the LED’s that things go “ass over tits.” Check out the blue LED light meeting the orange sodium lamps in Greenpoint’s DUPBO – Down Under the Pulaski Bridge Onramp.

– photo by Mitch Waxman

A digital image is composed of three “plates” which mix and form a color image. RGB as the color space is known, the Red and Green plates are supplying most of the color information to the image above, and the Blue is where the shadows are being formed. Because of the orange sodium light mixing with the “Pulaski Red” paint color of the bridge, when this image came off my camera card it was practically flourescent.

A problem inherent with high ISO images, this one is 6400, is image noise. It’s produced by the sensor itself during the gathering process, and most of it manifests on the red and green plates. Finding the right balance between color temperature at the time of capture versus the time of developing the digital negative – or RAW format – file is important. Beyond the technical stuff, it’s also important to remember what the subject actually looked like while you were shooting.

– photo by Mitch Waxman

The shot above, depicting a NYC DOT truck parked under the Pulaski, was a difficult one. It’s a yellow truck, bathed in orange sodium light, with blue LED street lights peeking in from behind the fences. The original RAW file was basically a study in orange and black. The color temperature was adjusted down, as was saturation and half a dozen other developing options.

Back tomorrow with something completely different, at this – your Newtown Pentacle.


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Written by Mitch Waxman

January 25, 2017 at 1:00 pm

utmost gravity

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Greenpoint cat, in today’s post.

– photo by Mitch Waxman

I’m taking a short break this week, and offering single images of the Internet’s favorite critter. These are all ferals, encountered in the nooks and crannies of NYC which I wander through. Have a great Thanksgiving.


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Written by Mitch Waxman

November 23, 2016 at 11:00 am

abominations and blasphemies

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Fight.

– photo by Mitch Waxman

Gaze upon the Newtown Creek. Currently an EPA Superfund site. Is it going to be one for long? Will there be an EPA this time next year? Would this be a good place, instead, to site a black and gold casino? I’ve been considering the Trump victory, and its implications. I’ve been reading a bunch of stuff written by people like myself, who thought the Presidential Election would be a logical slam dunk in favor of the more qualified candidate. All of us “lefties” have had to admit that we were wrong in our assumptions that our fellow Americans would actually vote in their own economic and cultural interest.

C’Est la Vie. 

– photo by Mitch Waxman

Early thoughts on the “new normal” involve trying to take advantage of it, which is the American Way. Should Mr. Trump make good on his promise to build a wall across the narrow part of the North American Continent, rebar and Portland Cement futures look like they’ll be a promising investment. Also, I’m planning on finding out who the leading players in immigration law are, and whether or not they are publicly traded companies.

It’s the EPA thing that we’re all talking about on the Creek, I would mention.

– photo by Mitch Waxman

It’s going to be a very interesting few years, I think.

Mainly, because the Republican Congress is likely going to eat the new President for lunch. Those are shark infested waters down in the District. Let’s face it though, all that Donald Trump actually wants to do stand in front of the cameras while cutting the ribbon on all the “bridges to nowhere” and crony projects they’re going to be building.

The game just continues. 

– photo by Mitch Waxman

Personally, and as I’ve often opined – National Politics is way above my pay grade. I’ve got other, more decidedly local problems to worry about.

– photo by Mitch Waxman

One has been on a Newtown Creek vacation for the last month, and it’s time for me to get back on the job.


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down slanting

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Here today and gone tomorrow, in today’s post.

– photo by Mitch Waxman

A humble narrator, as previously stated, needs a vacation.

Actually, it’s a change of scene I require. My daily rounds often take me to locations which are awe inspiring, or terrifying, but ultimately I’d like to see and record something different – just for a change of pace. Kittens? I just don’t know anymore. Absence makes the heart grow fonder, as the pundits opine, and I’d like to photograph something entirely absent of tugboats, industrial squalor, and sewer plants – just for a minute, mind you. Maybe a walk in the woods or something.

– photo by Mitch Waxman

The good news is that after this weekend’s Open House New York tour is concluded one will be free on the weekends again. I’m thinking about following the lead offered by Ratso and Joe Buck in the Midnight Cowboy movie and buying a random bus ticket at Port Authority and seeing where Greyhound might want to take me for a day trip.

Of course – knowing my luck, I’ll randomly end up in industrial Newark or Philadelphia, or some rust belt city in western New York. You can take the boy out of the superfund site, but…

– photo by Mitch Waxman

Perhaps it’s just ennui. Bah.

Winter is coming, and ultimately, Carthage must be destroyed.


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Written by Mitch Waxman

October 14, 2016 at 11:00 am

suddenly lost

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Getting high in Greenpoint, Brooklyn.

– photo by Mitch Waxman

Last week, one of the environmental projects underwritten by GCEF (the Greenpoint Community Environmental Fund) opened to the public at Brooklyn’s 520 Kingsland Avenue, alongside that loathsome exemplar of municipal neglect known as the Newtown Creek. In this case, the project is a green roof installed on top of a movie studio, specifically one of the production facilities owned and operated by the Broadway Stages company which is partially housed in a series of formerly industrial locations around Greenpoint and Long Island City. Broadway Stages has been buying up a LOT of property along the Creek in recent years.

Well, I guess the location is still industrial, it’s just a different kind of industry – entertainment rather than petrochemical. At any rate, 520 Kingsland Avenue is a few stories above the flood plain and whilst up there and on site, I got busy with the camera. You’ve seen this point of view before, incidentally – in a 2016 post where I told you about Brooklyn’s invisible flame back in June.

– photo by Mitch Waxman

Can’t really talk about it quite yet, but let’s just say I’ll be able to take you up there in a couple of weeks on a couple of free tours. I’ll supply the link as soon as it’s public. The green roof at 520 Kingsland was designed with butterflies, of all things, in mind. Saying that it’s a pretty interesting space with neat little walkways weaving through plantings, and there are incredible views of the surrounding industrial zone to check out.

That’s part of Metro Fuel’s truck fleet in the shot above, for the curious.

– photo by Mitch Waxman

The real stunners, amongst the many points of view available from 520 Kingsland Avenue, are the ones in which the shining city of Manhattan provides the backdrop. This sort of urban pornography is possible due to two reasons: one is that the Greenpoint Landing Project is just kicking into gear, so the POV isn’t blocked by forty story residential palaces yet; the other is that the surrounding area is all 19th century landfill which is both low lying and quite flat.

This POV is looking due west from the 520 Kingsland Avenue rooftop, incidentally.

– photo by Mitch Waxman

Northwest POV, gazing across the lugubrious Newtown Creek in the direction of Long Island City’s Hunters Point section.

In the distance, you’ll notice the red and white banded smokestacks of the “Big Allis” power plant at 36th avenue in the Ravenswood section. The Citi building megalith, that sapphire dagger jammed in the heart of the place at Jackson Avenue’s intersection with Thomson Avenue, used to be the only large scale building in the area.

 

As an aside, a few years ago some group of urban planners/art fucks from Pratt University proposed Big Allis’s red and white stripes to me as a branding element for the western Queens waterfront. I had to inform them how we residents regarded the presence of an enormous power plant operating along our waterfront that serves Manhattan’s needs, and that it wasn’t exactly a popular symbol, locally speaking.

 

– photo by Mitch Waxman

The singularity of the Citi megalith has, of course, changed. The pace of real estate development in the last few years has been frenetic in LIC, as evinced in the shots above and below. Sometimes, in order to really take it all in, you need to leave Queens entirely – just to gain some perspective.

Funnily enough, this is what I usually say about Manhattan – the best part of “the City” is being outside of it and witnessing the shield wall of buildings from without. An inhuman scale landscape like Manhattan’s can’t be properly observed while you’re within the oppressive shadows of its canyon walls.

– photo by Mitch Waxman

That white truss structure at center of the shot is the Long Island Expressway, which rises over Newtown Creek’s Dutch Kills tributary from its beginnings at the Queens Midtown Tunnel. Dutch Kills intersects with the main body of Newtown Creek about 3/4 of a mile back from the East River, and heads inland for the better part of a mile. The LIE traffic up on that truss bridge is flowing 106 feet over the water. The far right hand side of the shot above shows the construction going on at the intersection of Jackson Avenue and Queens Plaza, on the former West Chemicals Company site. Moving left, the rest of the construction is occurring along Jackson Avenue at Purves, Dutch Kills Street, and so on.

All of it is high end residential, incidentally, except for that squamous curvy faced one directly to the left of the orange one. That’s an office building which the NYC Dept. of Health has based itself in nearby Queens Plaza.

– photo by Mitch Waxman

One of my little adages, which I gleefully relate on my walking tours of the area, is a facet of NYS law – it dictates that if you were about to buy a home which is known to be “haunted by a ghost” by the current owner and or the surrounding community – the haunting needs to be disclosed before closing the sales contract.

If you’re buying a property that used to be a chemical factory, or a copper refinery, or some other heavy industrial pursuit that rendered the site a “brownfield” – you are under no obligation to disclose the environmental history to a buyer, however.

When you meet newer residents of LIC’s Tower Town or Brooklyn’s Greenpoint, and mention a nearby Federal Superfund site defined as “Newtown Creek” – they say “What’s that?”

Upcoming tours and events:


“First Calvary Cemetery” walking tour
with Brooklyn Brainery, Saturday, October 8th from 11:00 a.m. to 1:00 p.m.
Click here for tickets.


“follow” me on Twitter- @newtownpentacle

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