The Newtown Pentacle

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Posts Tagged ‘queens

worldly affairs

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More adventures with the new lens, the Sigma 50-100 f1.8.

– photo by Mitch Waxman

As mentioned in prior posts, I recently acquired a new lens which I’ve been running around the City and using profusely in the hope of learning its ways. This is one of those posts where I pull back the curtain and talk about how, exactly, I shoot the photos which have populated the better than 2,000 posts published at this – your Newtown Pentacle.

The shot above was captured recently at the Brooklyn Navy Yard and well after dark. It was captured hand held with the lens wide open at f1.8, and the camera set to 1/50th of a second and the ISO sensitivity at 6400. Needless to say, it was quite dark, and that I was in the Navy Yard legally. That’s the actual color of the light, incidentally. The new lens is a real performer in this kind of setting, and there’s enough “brains” chipped into it that I was able to use it on autofocus rather than manual setting despite the low light. Those “army sniper” body posture techniques which I’ve mentioned in the past really come in handy when you’re trying to shoot something at under 1/100th of a second shutter speed. One of those “sniper techniques” is to squeeze the trigger after exhaling, for instance, as your body is steadier when in between breaths than during.

In my experience, 1/50th is the absolute lower limit for steadying handheld shots, which is due to my age and particular physiology. Younger and steadier people might be able to pull off 1/30th, but that’s right around where your pulse begins to interfere with the capture process and you’ve entered tripod territory.

– photo by Mitch Waxman

The Sigma 50-100 performs admirably in daylight as well, the shot above depicting a train in Queens Plaza was captured at ISO 400, f5.6, and at 1/640th of a second. Color rendition from Sigma’s art series lens family is always a bit oversaturated and garish, which – as I’ve said in the past is something I quite like – but I do find myself dialing the saturation back a bit when developing the daylight shots I gather with it.

The Sigma is HEAVY, weighing in at almost four pounds, incidentally. It’s quite a workout lugging the thing around for the 3-4 hour photowalk sessions I normally engage in, and for the first couple of weeks I was carrying it around with me my “carry arm” was quite sore when I arrived back home. While discussing the weight of the thing with my pal “Mumbly Joe the Union Insulator” at the local pub here in Astoria, who carries a massive tool kit around with him, he proferred that whenever you add a new tool to your kit it always feels like you’ve added a cinder block to your bag, but eventually you get used to it. At least that’s what I think he said, like I said – Mumbly Joe.

– photo by Mitch Waxman

This somewhat sad shot of a Barbie brand bicycle lying astride the rocky shoreline of Hells Gate, in Astoria, was captured at 1/320th of a second shutter speed, at f5.6, and at ISO 200. It was also shot with the Sigma, and there’s a gnarly set of circumstances herein to capture – due to those bright white tires and the super saturated magentas of the bike coupled with the reflective translucency of the water. There’s a bunch of different exposure parameters at work in that photo, which form the compromises of the exposure triangle presented above.

Upcoming tours and events:


“The Untold History of the Newtown Creek (aka Insalubrious Valley)” walking tour
with New York Adventure Club, Saturday, October 1st from 11:00 a.m. to 1:00 p.m.
Click here for tickets.


“First Calvary Cemetery” walking tour
with Brooklyn Brainery, Saturday, October 8th from 11:00 a.m. to 1:00 p.m.
Click here for tickets.


“follow” me on Twitter- @newtownpentacle

Written by Mitch Waxman

September 27, 2016 at 11:00 am

uncanny subjects

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Ain’t nothing like taking a walk in Queens.

– photo by Mitch Waxman

One was merely strolling about one recent afternoon, when a sudden whimsy manifested and my perambulatory route was altered to include a southerly crossing of Crescent Street. Musing upon the loquacious, and having just dodged the dizzying passing of two tiny boys who were running down the pavement towards the next corner, the looming megalith and that thing which cannot exist in its cupola suddenly seized upon my every attention.

That devilish intelligence, with its singular but three lobed burning eye that has stared down upon Queens in unoccluded fashion for so long, has had its view suddenly blotted out by the irritating industry of man and a red hot real estate market.

– photo by Mitch Waxman

Most of what’s rising in LIC these days are glass boxes of questionable architectural virtue, and quite bland to my tastes. I want something a bit more “Gotham City” in LIC, with robust stone walls and an impressive facade. What do I know about architecture, though? I know’s what’s I like’s.

That’s the (seemingly) nearly complete Hephaistos Building Supply building which is found on the corner of Crescent street and 37th avenue. Normally, buildings in LIC shoot upwards and are finished in pretty quick order, but this project has been going on for years. I’ve been paying attention to the construction project for some reason, and now I know why.

There seems to be a Greek temple at the cornice of it, and how cool is that?

– photo by Mitch Waxman

When I say that this project has been proceeding slowly, just as a “for instance,” the shot above is from May of 2014. Somewhere in the archives I’ve got shots of the raw steel girders standing here for what must have been a couple of years.

– photo by Mitch Waxman

Hephaistos Building Supply has a storefront down the block on 37th avenue’s intersection with 24th street. Can’t tell you much about the company other than it seems to be an Astoria based supplier of construction materials, specifically selling their wares to the professional contractor’s market.

That, and they built what looks like a Greek temple on their roof. If anyone from Hephaistos Building Supply is reading this, I’d love to get some shots from up there on that roof of yours.

– photo by Mitch Waxman

Interestingly, Hephaistos Building Supply uses the original transliteration of the name of the Hellenic God of “blacksmiths, craftsmen, artisans, sculptors, metals, metallurgy, fire and volcanoes,” although it’s meant to get a little tilde over the “e” – Ἥφαιστος Hēphaistos.” There’s apparently evidence that Hēphaistos was worshipped in very early times, dating back to the Bronze Age (and possibly the oldest city in Europe) city of Knossos on the island of Crete. Classical Age worship of the God Hēphaistos was centered around Lemnos, but the Romans (who called the God “Vulcan”) were convinced he maintained a workshop under Mount Aetna.

Hēphaistos was an Olympian. This page at theoi.com has an interesting series of anecdotes from ancient literature describing the worship and veneration of the God of smiths in antiquity. As far as modern veneration here at the very southern edge of Astoria, Queens, where it bumps up against the northern borders of the Dutch Kills section?

Who can say? I haven’t been invited to that party as of yet.

– photo by Mitch Waxman

My path down Crescent Street proving fruitful, one continued in the general direction of Queens Plaza. The light was lovely, and the visible sections of the flood plain of the former wetlands of Sunwick Creek, where the Big Allis power plant squamously spreads, were beautifully illuminated.

Upcoming tours and events:


“The Untold History of the Newtown Creek (aka Insalubrious Valley)” walking tour
with New York Adventure Club, Saturday, October 1st from 11:00 a.m. to 1:00 p.m.
Click here for tickets.


“First Calvary Cemetery” walking tour
with Brooklyn Brainery, Saturday, October 8th from 11:00 a.m. to 1:00 p.m.
Click here for tickets.


“follow” me on Twitter- @newtownpentacle

Written by Mitch Waxman

September 26, 2016 at 11:00 am

dizzily down

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From the perspective of a wandering mendicant…

– photo by Mitch Waxman

Often have I commented on the hazy “intertidal” zones found along the former borders of long forgotten town and village municipalities in Western Queens – in fact, I’ve coined the term “angles between” for them. There’s – functionally – no one alive today who has a personal remembrance of Maspeth or Woodside being referred to as towns or villages with clearly defined borders due to urban sprawl and the life’s work of Robert Moses. When the City of Greater New York consolidated Long Island City and the county of Newtown into a new entity called “Queens,” it’s at these hazy border areas that the Manhattan people got away with literal “bloody murder.” The export of Manhattan’s dirty industries, it’s unwanted poor, the corpses of its dead – all were sent east to what was – then – a still quite agricultural community called Queens. This also happened to the Bronx and Staten Island, and to a lesser degree Brooklyn.

The local politicians in the “lesser” boroughs were more than happy to take on the cemeteries, heavy industries, and garbage handlers in the name of “progress” and doing favors for the hidden elites of Manhattan.

– photo by Mitch Waxman

The Shining City of Manhattan replaced its tenements, its abattoirs, its manufactured gas plants with what at the time would have referred to as “modern” apartment blocks. For you real estate savvy types – that’s so called “pre war” developments like Tudor City in Murray Hill, Peter Cooper Town/Stuyvesant Village which sits on the former site of several Manufactured Gas Plants, or the United Nations building (built into the former site of several slaughterhouses and abattoirs that was known as “blood alley”). The process of converting industrial Manhattan over to a residential and commercial center kicked into high gear in the years before and directly following the Second World War, the age of “urban renewal.” That’s when the highways were jammed through on Long Island, the dairy farms of Queens were converted to housing tracts, and the “Manhattancentric” school of thought concerning development really kicked in. The tenements emptied as the teeming masses sought a better life in Queens, and further east in suburban Nassau and Suffolk counties. This turned Western Queens into a transit corridor for trade and commuters.

It’s all about “the City” and literally all roads for hundreds of miles in any direction lead to Manhattan.

– photo by Mitch Waxman

Mt. Zion cemetery – that’s its Maurice Avenue fence line pictured above and it’s in the center of all the shots in today’s post – is categorically in Maspeth, and it is infested with tiny gecko like lizards. Saying that, it also defines Maspeth’s blurry border with Woodside in the same way that Maspeth’s border with LIC’s Blissville section is defined by the Koscisuzcko Bridge. The cemetery is fairly ancient by Queens’s standard, it’s roughly 78 acres in size, there’s around 210,000 interments therein, and its first burial in Mt. Zion was conducted in 1893. There used to be a Gypsy encampment here, a shanty town that was home to a Romani tribe from Transylvania that called itself the “Rudari,” or “Ludar,” depending on whom you ask. The Rudari, just for the sake of literary trivia, are the same tribe that worked for Count Dracula in the Bram Stoker novel named for the vampire lord. The historical record of Queens usually refers to them as “The Maspeth Gypsy’s,” and it should be mentioned that referring to them using such nomenclature would be considered a racist hate crime and slur in the modern day European Union.

The Rudari were renowned for copper working and animal training. The reason that the circus train still comes to Western Queens every year is that the circus industry used to buy trained critters – bears, horses, etc. – from them. Many Rudari found work at the Phelps Dodge copper refinery along Newtown Creek, and remnants of their community persist to this day in the Sunnyside Gardens area along Queens Blvd.

– photo by Mitch Waxman

There are a series of semi detached one and two story homes in the area directly surrounding Mt. Zion, which are sandwiched between the Long Island Expressway and Brooklyn Queens Expressway. To the south is the heavy manufacturing district surrounding the eastern side of Newtown Creek and its tributary Maspeth Creek. Mixed use industrial zoning directly touches the cemetery, and hundreds of truck based warehouse businesses are located hereabouts. There is also a large footprint Coca Cola distribution center nearby, and a primary shipping hub for United Parcel Service is less than a mile away, as is the warehouse and distribution center for the Duane Reade retail empire. Mt. Zion’s western side is directly across the street from the Second, Third, and Fourth sections of Calvary Cemetery. Pictured in the first shot of today’s post is part of the Department of Sanitation’s colossal vehicle maintenance facility, which is right next door to an NYPD vehicle maintenance facility, and there’s an FDNY vehicle maintenance facility nearby as well. Suffice to say that these are heavily travelled streets, here under the Long Island Expressway and just a short walk away from Newtown Creek.

If you talk to the people who live anywhere near this area, their common complaint always involves the amount of trucks and cars which use their neighborhood as a thoroughfare. Of course, talking to the people of Queens is considered an obstacle by City Hall, and a loathsome requirement when implementing their policies.

– photo by Mitch Waxman

Mt. Zion cemetery was set up for members of the Jewish community, whose burial laws are a bit different than the Catholic ones. Jews are meant to buried singularly, rather than having multiple bodies in the same gravesite as in the Catholic tradition. This means that Mt. Zion sprawls and has the appearance of being overcrowded. There are sections of the cemetery which are virtually impassable due to this, where it is impossible to find a place to put your foot down between the rows of tombstones.

The streets surrounding it are barren, virtually treeless, and are a favored spot for illegal dumping of construction debris and other garbage.

– photo by Mitch Waxman

The reason that this little travelogue is being presented today involves the plans recently presented by the De Blasio administration to convert a hotel in the area over to a homeless shelter. A subsequent post will detail the hotel and the area directly surrounding it, but this is the northern side of the zone which the “Big Little Mayor” has picked to warehouse those who are considered socially and economically undesirable. The community of Maspeth has responded with their characteristic flair, and pushed back on City Hall with considerable skill and energy. City Hall, as is its habit under the current Mayor reacted to the protests by implying that Maspeth’s indignation is fueled by racism. Several publications picked up this theme, and the Internet commentarium knee jerk followed the rhetoric offered by the administration of the “Dope from Park Slope.”

My personal views on the Maspeth shelter project were the subject of a debate recently with a former colleague whose views and perspectives I greatly respect, but the argument I make about the placement of people – people who exist at the lowest end of the socio-economic spectrum – in this area is that it’s a human rights violation.

Simply put, it ain’t exactly a bed of salubrious roses out around these parts even if you’ve got money in your pocket, let alone when you’re down and out. This wouldn’t be a shelter, this would be a penal colony.

– photo by Mitch Waxman

Maspeth, as in the community of, has been doing a great job of demonstrating its objections to the placement of a homeless shelter hereabouts. They don’t need me to chime in, or make war, for them.

What I’ve found disturbing is that the knee jerk reportage mentioned above that describes their objections in terms of “rich white people” not wanting “poor black people” in their neighborhood – which has been presented by news sites that have covered the protests.

– photo by Mitch Waxman

To start, there’s a few different sides to Maspeth. To the south and east, you do indeed have a somewhat suburban and moneyed section that is populated by people of European decent. To the south and west you’ve got an industrial zone, but you’ll find the odd block of homes in there, the residents of which are a hodge podge of “everybody.” On the north western side, here around Mt. Zion, my observations have revealed a population who are pretty much the same mix of people you see everywhere in Woodside, Sunnyside, Astoria and so on. East and Southeast Asians, Africans and African Americans, Irish, Jews, Italians, Levantines, Middle Easterners – the whole “vibrant diversity” mix that the politicians are always crowing about.

The “homeless” are not a monolithic people comprised from a single racial group with a common ancestor. Who these “homeless” are would be best defined, by Marxist economists, as the “underclass” and what they have in common is not the color of their skin but grinding poverty. I’ve always argued that just calling these people “the homeless” is dehumanizing and that it’s done by those armchair academics who have never actually known someone living on the street in any context other than dropping a quarter in their cup. There is no “homeless problem,” rather there’s tens of thousands of individual problems. Siting them away from a familiar setting, breaking whatever they have left of a social network, treating them like something to be warehoused in a neighborhood of warehouses – this ain’t the right idea.

On the subject of every neighborhood having to do “its fair share” – Maspeth already handles close to 20% of NYC’s garbage, it hosts the LIE and BQE, has several NYS and one Federal Superfund sites in it, and there are intersections where close to 3-400 heavy trucks an hour roll through on their way to Manhattan. The garbage train also transits through Maspeth a few times a day, which represents and comingles Brooklyn’s share of the garbage handling with Maspeth’s.

– photo by Mitch Waxman

There are virtually no mass transit lines available from this location, police patrols are infrequent at best, and at night this is a virtually abandoned part of the city. Bus service is spotty, and it’s one of the places in Queens where you truly need a personal vehicle to get around.

There are streets with no sidewalks here in the half mile around the proposed shelter.

– photo by Mitch Waxman

The shocking ignorance of City Hall regarding the existential realities of Western Queens never fails to amaze me. All they seem to know about our neighborhoods is what they see on maps rolled out on mahogany desktops that have pins stuck into them by paid cronies. I’ve met several members of the Dept. of City Planning over the years, and the ones who I respect the hell out of are the ones who put on a pair of sneakers periodically and go out for walks in the areas they’re assigned to. I don’t always agree with their choices, but I do respect them.

I have a random idea, which is to site a homeless shelter on 11th street in Park Slope, just off fifth avenue.

Tomorrow, we’ll cross under the highway and take a direct look at what Mayor Bill De Blasio considers as being a good fit for one of the most vulnerable populations of people in NYC to call their temporary home, since he hasn’t decided to lead by example and convert his aforementioned house on Park Slope’s 11th street over to either affordable housing or for use as a shelter.

Upcoming tours and events:


“First Calvary Cemetery” walking tour
with Brooklyn Brainery, Saturday, October 8th from 11:00 a.m. to 1:00 p.m.
Click here for tickets.


“follow” me on Twitter- @newtownpentacle

Written by Mitch Waxman

September 19, 2016 at 11:00 am

various stages

with 3 comments

Sangria law is coming.

– photo by Mitch Waxman

Ever since Marco Gutierrez, founder of the group Latinos for Trump, laid out his dire warning that “you’re going to have taco trucks on every corner” I’ve been noticing that there already are – in fact, taco trucks on just about every corner. As with all things stupid, some clever quant out there on the web did a calculation regarding the claim, and it emerged that this would represent the creation of something like 15 million new jobs.

I can get behind this sort of capitalist activity, although most of the taco trucks here in Astoria are kind of gross, and offer a quality of foodstuff that’s mainly aimed at inebriates.

– photo by Mitch Waxman

I don’t like the “race stuff” and never have. I don’t like lumping groups of people together under a label, whether it be nationalist in nature, racial, or whatever. I don’t like the term “homeless” for instance, as it creates the impression of some homogenous population who all have the same set of problems. I don’t like the idea of calling a huge number of people who hail from widely disparate “south of the border” locales under the umbrella “Latino” either. Labels dehumanize, and once you’ve dehumanized a group…

Do people actually talk to each other anymore, or do they just make stuff up about strangers?

– photo by Mitch Waxman

Personally speaking, as the grandson of members of one the groups who were reviled when they arrived in this country a century ago – in my case, Jews from the Pale – the whole taco truck thing is cast in a different sort of light. These are people who arrived here with nothing – like the Italians, Irish, and other Europeans who came in the 19th and early 20th centuries – and who have worked and clawed their way into the entrepreneurial space by the sweat of their brow. The “race stuff” precludes some from seeing what’s going on here, but a taco truck on every corner is actually not a good thing – it’s a great thing. These people are your grandparents, reborn.

I look forward to the introduction of Sangria Law into the United States, as it will be a delicious and refreshing reboot. Every twenty five to fifty years, you need to pull the plug on America, refresh its firmware and update its operating system – if I’m reading Thomas Jefferson’s meaning correctly, and using modern idiom, to paraphrase his “the tree of liberty must be refreshed from time to time with the blood of patriots & tyrants. It is it’s natural manure.”

Upcoming tours and events:


“13 Steps around Dutch Kills” walking tour
with Atlas Obscura, Sunday, September 18th from 11:00 a.m. to 2:00 p.m.
Click here for tickets.


“First Calvary Cemetery” walking tour
with Brooklyn Brainery, Saturday, October 8th from 11:00 a.m. to 1:00 p.m.
Click here for tickets.


“follow” me on Twitter- @newtownpentacle

Written by Mitch Waxman

September 16, 2016 at 4:30 pm

dormant organs

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Sure is nice outside, except if you meet the Queens Cobbler.

– photo by Mitch Waxman

The single shoe phenomena has recently kicked back into gear around Wetsern Queens, which suggests to me that the Queens Cobbler is again active. The “Queens Cobbler,” as I’ve christened this licentious stealer of souls (or soles), is the name I’ve assigned to a probable serial killer who leaves behind a single shoe – a calling card that has been plucked from his or her unfortunate victim. Above, a single shoe found displayed on Astoria’s Broadway, quite recently.

– photo by Mitch Waxman

Flip or flop, or some combination thereof, the inefficiencies of this model of footwear are well known. It is virtually impossible to run when wearing these “pool” or “shower” shoes – if shoes they be and not sandals. This cerulean trimmed model was just left in the open on Austell Place in the fabulous Degnon Terminal section of Long Island City.

This Queens Cobbler really gets around.

– photo by Mitch Waxman

A break in the pattern, perhaps the work of a copy cat, was revealed back in Astoria near Steinway Street. Three matching pairs of shoes were observed in one spot. One hopes that the 114th precinct has assigned a squad of their crack Detectives to investigating this matter, and the killer(s) amongst us.

– photo by Mitch Waxman

Our Lady of the Pentacle and myself have learned to stoutly lock our windows and doors at night, and seldom venture out without exhibiting a quick pace and alert posture. Terrors such as only the mind can hold accompany thoughts of the Cobbler’s ghoulish activities. A palpable pall of pestilential fear lurks about Queens, and all watch their steps.

Hopefully, the Cobbler won’t join forces with the Sunnyside Slasher, Ridgewood Ripper, Woodside Whomper, or the Mad Gasser of Blissville and form so,emleague of evil. The streets would be littered with shoes.

Upcoming tours and events:


“Brooklyn Waterfront – Past & Present” boat tour
with Working Harbor Committee, Thursday, September 15th from 6:00 to 8:00 p.m.
Click here for tickets.


“13 Steps around Dutch Kills” walking tour
with Atlas Obscura, Sunday, September 18th from 11:00 a.m. to 2:00 p.m.
Click here for tickets.


“First Calvary Cemetery” walking tour
with Brooklyn Brainery, Saturday, October 8th from 11:00 a.m. to 1:00 p.m.
Click here for tickets.


“follow” me on Twitter- @newtownpentacle

Written by Mitch Waxman

September 13, 2016 at 11:00 am

vague aura

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Wood, in today’s post.

– photo by Mitch Waxman

To start, apologies for missing yesterday’s post, but frankly – a humble narrator was completely wiped out from the effort leading up to Wednesday evening’s Fireboat trip on Newtown Creek, which seems to have gone pretty well.

We had about 70 “influential” people onboard, served them BBQ and drinks, and discussed the future of things on the Creek. The Fireboat actually ran aground for a short interval nearby the intersection of the main stem of the Creek with English Kills, as it was low tide and a sediment mound was exposed, but what’s a night out on a historic Fireboat without a bit of adventure?

The shots in today’s post have nothing to do with the excursion, instead, they’re macro shots of parts of a decaying wooden fence which my landlord has decided to remove. The wood is so magnificently weathered, and ridden with wood lice, that I couldn’t resist setting up my “ghetto” lighting rig and doing a few macro shots.

– photo by Mitch Waxman

Ghetto lighting is one of terms, btw, for an improvisational setup that doesn’t use “proper” equipment like studio lights with diffuser umbrellas or anything like that. In fact, there’s only two light sources and a flash (set to its extreme low power setting) involved. The cool light comes from a flashlight taped to a small tabletop tripod that’s focused on a transluscent plastic place mat used as an ad hoc diffuser, and the warm one is a flashlight of the same model which has an amber colored pill bottle taped to it. The camera is my trusty old Canon G10, affixed to a magnetic tripod, and the flash was in the camera’s hot shoe.

There’s a reason I call it ghetto lighting.

– photo by Mitch Waxman

The funny thing is that these shots were captured while I was stuck at home, on the phone, making final arrangements for the Fireboat excursion. I was literally begging the Borough President of Queens’s office to send out a staffer to come along, but they weren’t terribly interested in attending. The Brooklyn Borough President’s office, on the other hand, wanted to send actual elected officials. I had established a rule on the trip that we didn’t want the actual elected officials onboard, as it would have stifled the conversation and diverted it to other issues, and it was difficult saying no to City Council and Assembly members who wanted to come onboard. Saying that, we had a Deputy Commisioner of the DEP, the show runner of Riverkeeper, and lots of other important folks onboard. I’m VERY happy to say that I actually managed to get representatives from Maspeth, East Williamsburg, Bushwick, LIC, and – of course – Greenpoint on the boat.

One of the failings of the political establishment here in Queens is a general disinterest in Newtown Creek, probably because they really don’t want to open up the whole “post industrial environmental issue” can of worms.

“follow” me on Twitter- @newtownpentacle

Written by Mitch Waxman

September 9, 2016 at 12:30 pm

Posted in Astoria, Broadway

Tagged with , , , ,

hung about

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More experimentation with my new lens, in today’s post.

– photo by Mitch Waxman

My pal, Jiminy the Parrot, is a ham. He’s also a great and cooperative subject when I’m trying to crack out some shots. Jiminy also hosts a wealth of fine detail in the green suit he always seems to be wearing, which makes him an excellent subject as far as testing out how a lens might perform as as far as rendering detail and color. It seems every piece of glass that you stick on your camera sees the world in its own way, and learning the way that my new Sigma 50-100 thinks and visualizes things is integral to the decision about whether or not it is a permanent addition to my kit.

At the moment, I’m loving the thing although it is damned heavy and there has been a bit of a learning curve as to how to best employ it. The lens itself weighs nearly four pounds, which is the equivalent of at least a couple of parrots. Add in the camera, and I’m waving about 5-6 pounds of gear around for hours at a pop. Doesn’t sound like much, but over the course of an average day – it adds up.

– photo by Mitch Waxman

As mentioned last week, the Sigma “art” series lenses have a real predilection towards rendering colors in a hyper saturated manner which can be somewhat reminiscent of the four color world of comic books. This fits my visual sensibility, but for those of you out there who prefer muted color and heavy saturated blacks in your shots, this might be a deal breaker. That’s Astoria’s Broadway in the shot above, just east of Steinway Street, if you’re curious. The lens isn’t “all the way” open, instead it’s at f2.8. I could have doubled the ISO and narrowed the lens down to f5.6 to create a bit more of an “infinite” hyper focal range, but wanted to see what a shallower depth of field would do.

Going back to the “heavy” issue, I had been carrying the thing around all day and noticed that a slight fatigue tremor was present in my right arm. The good news, of course, is that I can use the extra exercise. The bad news is that my right arm is going to tone up to accommodate the extra carry while my left hangs there uselessly and will end up looking like a little tyrannosaur limb in comparison. Guess I’ll have to just carry around a gallon of milk or something with the left as I wander about.

– photo by Mitch Waxman

The virtue of this device, of course, is in the wide open side of it for usage in low light situations. The shot above is handheld and captured at ISO 800 at f1.8. It’s also Broadway in Astoria, and depicts the corner that HQ is found on. Since the night shots are what I’m interesting in pursuing this fall and winter, rather than brightly lit daytime shots of Jiminy the Parrot, the shot above is pretty promising as far as what this piece of glass is capable of.

Weather permitting, I’m planning on making a late night pot of coffee pretty soon and putting on one of my orange safety vests in preparation for an “all nighter” wandering around the industrial zones and concrete devastations surrounding that legendary exemplar of Municpal neglect known as the Newtown Creek.

“follow” me on Twitter- @newtownpentacle

Written by Mitch Waxman

September 7, 2016 at 11:05 am

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