Archive for August 2nd, 2022
keenly resented
Tuesday
– photo by Mitch Waxman
As mentioned yesterday, and several times in fact, the way I pass the long hours of an Amtrak trip is by taking random snapshots of America. That sounds pretentious, but… that’s what they are. A homemade foam collar is affixed to my lens, then I set the camera up at a very high ISO setting and a wide open aperture. I then set the shutter speed to an insanely small sliver of time – 1/2000th or faster. It’s a challenging situation – Amtrak’s windows generally ain’t too clean or free of scratches, and the window glass itself has a reddish brown coloration to it. Saying all that – 8 hour train trip, yo – gotta do something to pass the time.
The video above represents what I saw between Harrisburg and somewhere in the middle of New Jersey. The sun was illuminating my window from about 4 o’clock on, and there’s really no way to combat the fact that your lens is pointed directly at the sun through a dirty and scratched brown window. Anyway… made it back to “home sweet hell.”

– photo by Mitch Waxman
I stepped off the train into a “NYC swamp ass hot day.” There was also a parade letting out, which was probably “Pride” given all the rainbow gear the paraders were parading around with. I walked a block to the E, returned to Queens at Queens Plaza, and caught a R back to the rolling hills of almond eyed Astoria.
So – That’s that story. This was June 26th, incidentally.
Six image posts are going to continue for a bit, as the particularly prolific photographic spree I’ve been experiencing continues. This post is being written in the second week of July, which is also good news as I’m way ahead of schedule.

– photo by Mitch Waxman
I hung around HQ and the neighborhood for a few days after returning from Pittsburgh. June the 29th, however, was a day that the world put out “Mitch Bait.” Given that this is my last summer in NYC, I’m trying to do everything that’s possible for me to do. Visiting people, seeing things, wondering where that smell on the air is coming from. There’s a sentimental resonance in every step I take.
I don’t know if I’m going to miss this dystopian shithole or not, as it’s all I’ve ever known. See that photo right above? That looks normal to me. Everything about it is messed up, starting with the Cops leaving their car parked in a bus stop.

– photo by Mitch Waxman
Whatever…
One of the things that I haven’t done in a whole lot of years is attend the fireworks display at Astoria Park. It’s a short cross Astoria walk to get there for me, right up 31st street and over to Hoyt Avenue and then scuttle to the water. 31st Street, with its elevated subway tracks, seldom disappoints. There’s always something to take a shot of.

– photo by Mitch Waxman
I had been thinking about where I wanted to set up the camera on a tripod. I knew with certainty that the East River waterfront along Shore Blvd. would be mobbed, and I also wanted to get a shot with both bridges in it – the Hells Gate Bridge and the Triborough Bridge. I wanted a bit of water in the shot, but not too much. I’d have to contend with crowds, passerby who wanted to talk about cameras (this happens all the time), and any number of unknown things. When I got to the spot I had visualized, later on, there was a guy setting up a theatrical flying rope rig up in a tree which he was swinging around on, and doing gymnastics. You never know.
Photographing fireworks is fairly simple. You put your camera on a stable thing like a tripod. You set it to ISO 200, F8, and 4-8 seconds depending on ambient conditions. There’s variations on this, but that’s the basic exposure triangle. I usually record fireworks with the camera set for 3400K color temperature.

– photo by Mitch Waxman
These shots were captured on the way to Astoria Park.
Along the way, I encountered this Manitou (a French manufacturer of a range of heavy equipment) vehicle parked on the street. It caught my eye, this thing. Given my interest in the belief systems of various parties, the first thing I thought when I read the logo was related to the religious views of the Algonquian peoples. Odd choice, thereby, in corporate branding if you ask me.
You could probably take out a lot of zombies with that thing, I bet…
Tomorrow- fireworks!
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“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.