Archive for the ‘Greenwood Cemetery’ Category
Archives #018
Wednesday
– photo by Mitch Waxman
One of the hills that I stand on is that the NYC Subway system makes for an excellent photography workshop. Incredibly difficult conditions below – quite dark and very bright at the same time, with a large and reflective surfaced subject matter that’s moving at a pretty good speed through the frame… kind of difficult. I always had my camera out in NYC, instead of it riding around in a bag.
This 2014 post described the many precautions against ghostly and metaphysical invaders which HQ was being prepared with that year, in advance of Halloween’s ghostly assaults.
– photo by Mitch Waxman
That’s ‘Saw Lady’ Natalia Paruz in the shot above, performing in a tomb at a cemetery in Brooklyn, in the shot above. I ‘dragged the shutter’ to get that ghostly quality while Natalia suffered the ecstasies of her melody.
In 2015, October 30th saw this post published, describing a nighttime visit to Greenwood Cemetery in Brooklyn with Atlas Obscura.
– photo by Mitch Waxman
There is nothing as surreal as being on a subway all by yourself. It ain’t right to occupy this sort of liminal space all alone.
This post from 2017 is a bit of an odd duck, and I seem to recall wanting to write a post in ‘full Lovecraft’ – for old times’ sake – about the experience.
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Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
Archives #010
Friday
– photo by Mitch Waxman
Catching up with what’s going on here at Newtown Pentacle: about a month ago, your humble narrator suffered a severe ankle injury, called a ‘Trimalleolor Fracture with dislocation.’ Surgery was required to put me back together, which has kicked off an interval of painful recovery during which I’m quite disabled. As the healing process plays out, photowalk activities are obviously not happening, so archive posts are being offered here instead. The conceit is that all of these posts were published on this calendrical date, but that’s really all they have in common other than myself as author.
On October 18th in 2011, a ‘placeholder’ post was published which coincidentally carried the best shot of FDNY’s ‘Three Forty Three’ Fireboat that I ever captured (above).
– photo by Mitch Waxman
It’s been an interesting thing, being useless. Normally, I like to contribute as much effort as possible into life’s list of mundane tasks. Long suffering, Our Lady of the Pentacle has shouldered the entire household’s ‘to-do’ list unto herself and has been caring for my needs as well as those of our clinically insane dog Moe. To his credit, Moe adapted pretty quickly to ‘Daddy’s in a wheel chair.’
In 2016, a description of a nocturnal visit to Brooklyn’s Greenwood Cemetery was offered in this October 18th posting.
– photo by Mitch Waxman
I’ve got about two to three weeks worth of sitting around ahead of me, an interval that is bookmarked by my next appointment with the surgeon. My status will theoretically change after that meeting, and hopefully the healing process will have advanced to the point where I can use my left leg again. I miss walking around, and especially pacing back and forth while cooking up my plans.
I have no recollection of what it was that set me off while writing this 2019 post, but at this point in time I was already on the Community Board back in Astoria so… it was likely bike lane related. Those people…
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
vernal somnambulant
It’s too hot for a regular post.
– photo by Mitch Waxman
Accordingly, the week ends with a single shot, captured in Greenwood Cemetery one happy evening. Have a nice weekend, lords and ladies, and stay hydrated.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
baffled curiosity
Whitney Mausolea, Greenwood Cemetery
– photo by Mitch Waxman
A humble narrator has nothing new to show you this week, so archived shots are on offer. Fear not, as you’re receiving this, one is running about the City whilst the camera is clicking and whirring away. In the meantime, enjoy yourself, as it’s probably a lot later than you think.
Day light savings time is an anachronism and should be abolished.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
cemented hillocks
Today is World Food Day, on this hungry planet.
– photo by Mitch Waxman
As promised, here’s a few shots gathered on Friday the 13th at the Atlas Obscura “Into the Veil” event at Greenwood Cemetery. A friend I was showing them to on Friday asked me what the “night into day” technique I employed to capture these images entails other than long exposure times, and I tried to explain the exacting series of steps and settings which are employed, but by then he had fallen asleep. It’s complicated.
– photo by Mitch Waxman
In a couple of instances, I hung a work light of the front of my tripod. The shot above is a fair representation of what was within the range of human vision. The moon was occluded on Friday by heavy cloud cover and atmospheric humidity was quite high, which is ruinous for this sort of shooting due to the scattering and consumption of light by airborne moisture.
– photo by Mitch Waxman
The same setup, this time employing the whole checklist of “night into day” techniques which I’ve been working on. The difficult part of this, and why I’m stifled with the result, involves the sky – which isn’t blown out.
– photo by Mitch Waxman
LED lighting continues to grow in popularity, but it provides a bugbear of problems for digital photography. LED lights are actually strobing hundreds of times a minute, and throwing out weird wavelengths of saturated color light which the camera sensor struggles to interpret. Notice the difference between the automotive brake light generated red streak on the hill and the unnaturally garish reds of the LED architectural light on the Steinway Chapel at Greenwood.
Just have to figure out how to conquer that one, as I don’t think LED’s are going away anytime soon.
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