The Newtown Pentacle

Altissima quaeque flumina minimo sono labi

Archive for the ‘Greenwood Cemetery’ Category

vernal somnambulant

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It’s too hot for a regular post.

– photo by Mitch Waxman

Accordingly, the week ends with a single shot, captured in Greenwood Cemetery one happy evening. Have a nice weekend, lords and ladies, and stay hydrated.


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Buy a book!

In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.

Written by Mitch Waxman

June 28, 2019 at 2:02 pm

baffled curiosity

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Whitney Mausolea, Greenwood Cemetery

– photo by Mitch Waxman

A humble narrator has nothing new to show you this week, so archived shots are on offer. Fear not, as you’re receiving this, one is running about the City whilst the camera is clicking and whirring away. In the meantime, enjoy yourself, as it’s probably a lot later than you think.

Day light savings time is an anachronism and should be abolished.


“follow” me on Twitter- @newtownpentacle

Buy a book!

In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.

Written by Mitch Waxman

March 11, 2019 at 11:00 am

cemented hillocks

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Today is World Food Day, on this hungry planet.

– photo by Mitch Waxman

As promised, here’s a few shots gathered on Friday the 13th at the Atlas Obscura “Into the Veil” event at Greenwood Cemetery. A friend I was showing them to on Friday asked me what the “night into day” technique I employed to capture these images entails other than long exposure times, and I tried to explain the exacting series of steps and settings which are employed, but by then he had fallen asleep. It’s complicated.

– photo by Mitch Waxman

In a couple of instances, I hung a work light of the front of my tripod. The shot above is a fair representation of what was within the range of human vision. The moon was occluded on Friday by heavy cloud cover and atmospheric humidity was quite high, which is ruinous for this sort of shooting due to the scattering and consumption of light by airborne moisture.

– photo by Mitch Waxman

The same setup, this time employing the whole checklist of “night into day” techniques which I’ve been working on. The difficult part of this, and why I’m stifled with the result, involves the sky – which isn’t blown out.

– photo by Mitch Waxman

LED lighting continues to grow in popularity, but it provides a bugbear of problems for digital photography. LED lights are actually strobing hundreds of times a minute, and throwing out weird wavelengths of saturated color light which the camera sensor struggles to interpret. Notice the difference between the automotive brake light generated red streak on the hill and the unnaturally garish reds of the LED architectural light on the Steinway Chapel at Greenwood.

Just have to figure out how to conquer that one, as I don’t think LED’s are going away anytime soon.


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Written by Mitch Waxman

October 16, 2017 at 2:15 pm

thunder crazed

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It’s National Yorkshire Pudding Day, in these United States.

– photo by Mitch Waxman

Tonight, one will finally get to do something purely by choice rather than circumstance or obligation, as I’m attending Atlas Obscura’s “Into the Veil” event at Greenwoord Cemetery. Well… my plan doesn’t exactly revolve around “attending” so much as being in the Cemetery while the Atlas event is going on. A humble narrator is going to figure out where the crowds are headed and then me, the camera, and my trusty tripod are going off in an entirely different direction to do some long exposure night shots of the type contained in today’s post. I will consider tonight a great success if I do not have to talk to anyone.

It’s been a while since I was able to just “take pictures.”

– photo by Mitch Waxman

Last year, I made the mistake of going with a group to this thing. The herd dynamic found us wandering about in broad and aimless circles punctuated by sudden panicked urgency, as one person after the other suddenly announced that they needed to urinate. No one seemed to be able to coordinate their lavatorial schedules with the rest of the group, so it was fairly rare to get a ten minute interval of shooting in before we had to run off in the direction of a porta potty.

I’m like a camel in this regard, and when out “in the field,” carefully monitor the amount of liquids one consumes so as to not necessitate biological crises. Others in my group last year were convinced that they were visiting a Kuwaiti desert and required constant hydration, which resulted in excessive urination, as Greenwood is in… y’know… Brooklyn.

– photo by Mitch Waxman

My photographic plan for tonight revolves around long exposures and my unpatented “night into day” techniques. “Night into Day,” as I call it, involves exposures in the half minute to minute range accompanied by the usage of extremely narrow apertures, a tripod, and shutter release – for the curious. All the shots in today’s post were accomplished using this sort of procedure, for example the shot above was invisible to the human eye and was just a vast expanse of darkness, and my hope is that tonight I can capture a few memorable shots at Greenwood.

I’ll show you what I got next week, at this – your Newtown Pentacle.


Upcoming Tours and events

The Hidden Harbors Of  Staten Island Boat Tour,
with Working Harbor Committee – Sunday, October 15th, 2 p.m. – 4 p.m.

A very cool boat tour that visits two of the maritime industrial waterways of New York Harbor which adjoin Staten Island and Bayonne in New Jersey – The Kill Van Kull and the Arthur Kill. There will be lots of tugboats, cargo docks, and you’ll get to see multiple bridges from the water – including the brand new Goethals Bridge. I’ll be on the mike, narrating with WHC board member Gordon Cooper details here.


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Written by Mitch Waxman

October 13, 2017 at 1:00 pm

gray cottage

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The night time is the right time, in today’s post.

– photo by Mitch Waxman

The pedantic banality of my daily existence is occasionally punctuated by a series of rather dull events, and last weekend this included a trip to Greenwood Cemetery for Atlas Obscura’s “Into the Veil” party. It actually wasn’t that dull, as everybody else actually seemed to be having a good time, but the blackened callouses coating my psyche preclude one such as myself from feeling anything other numb.

I’m all ‘effed up.

– photo by Mitch Waxman

Despite my best efforts at erecting emotional and behavioral barricades around myself, I do have a few friends and they were along for the excursion, and unfortunately my attempts at maintaining a social life got in the way of actuating the camera mechanisms with the anticipated and normal frequency.

Despite this, I did manage to crack out a few shots.

– photo by Mitch Waxman

“Into the Veil” is an Atlas Obscura signature event, and brings hundreds of people to Brooklyn’s Greenwood Cemetery (est. 1838) for what can best described as a decadent party. There are bands, and bars, and performances. Above, a group of fire dancers performing at the Crescent Lake found on the northwest side of the polyandrion. It’s a 30 second exposure, and the streaks of fire seem to forming an occult sigil.

It’s all so depressing, however.

– photo by Mitch Waxman

On the far north western side of the cemetery is a rather large MTA facility which is both a train yard and a bus depot. The MTA uses harsh sodium based “stadium lights” to illuminate their property which throws an orange glow about for hundreds of yards in every direction, and it penetrates deeply into the fuligin shadows of Greenwood Cemetery where the night gaunts dance about in remembrance of the olden times.


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Written by Mitch Waxman

October 18, 2016 at 11:30 am

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