Posts Tagged ‘Astoria’
thronged through
Thursday
– photo by Mitch Waxman
July 9th saw me briefly escaping the hell of zoom meetings and other obligations which had consumed a couple of my days after the the whole rented car adventure described earlier this week.
I took a “stretch my legs” walk around the neighborhood. As always, Sunnyside Yards never disappoints.
– photo by Mitch Waxman
Part of my path carried me through the devastated industrial zone found along Northern Blvd. and 35th and 36th avenues.
What devastated it, you ask? Innovation Queens did. The proposed “Big Real Estate” mega project’s owners have been buying up the properties here and not renewing the leases of the businesses housed therein for about ten years. This allows them to claim that it’s a blighted area, without mentioning that they’re the ones who created the blight.
– photo by Mitch Waxman
Headed up by a three headed serpent, Innovation Queens would demolish a triangular section at the southern edge of Astoria which currently provides employment to hundreds, who work at jobs that pay taxes. The replacement is a series of 20 plus story luxury apartment towers, hosting about 3,000 units, which would be tax free to their owners for about 20 years due to having the bare minimum of “affordable” units within them.
The three headed serpent is: Larry Silverstein – self described best friend of Donald Trump and Governor of the Real Estate Board of New York, Bedrock Properties – an entity, whom one of the principals of recently bragged to me, wrote the affordable housing laws in the State of Connecticut (in other news, a fox recently wrote the Connecticut rules governing hen houses), and the Kaufman Astoria Group – who used to be in the movie and TV production business. Grrr.
– photo by Mitch Waxman
They’ve been allowing the properties they’ve acquired to decline, putting out tenants, and looking the other way at illegal dumping in the area. They also have neglected to clean their streets, remove graffiti, or do any of the other things property owners normally do.
The Three Headed Serpent claims that the area is “dark, dangerous, and forbidding.” This section didn’t used to be any of those things, before the three headed serpent slithered into the neighborhood.
– photo by Mitch Waxman
These shots were the last ones captured before I fell into the grip of a three day long adventure involving gastro intestinal distress, and a concurrent pinched nerve in my neck which that was the result of too much bad sleep. What made it bad was the GI issues. I had one of those weird 72 hours when you’re sleeping a lot, but never more than two hours at a time.
As always is the case with such matters, you just need to wait it out.
– photo by Mitch Waxman
Luckily, by mid week, I was back in fine fettle and moving around the world again. Cannot tell you how many people’s days I’ve ruined since with my presence.
Back tomorrow, with something that matters and proof that somebody cares.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
wrinkles formed
Wednesday
– photo by Mitch Waxman
There’s an annual fireworks display in Astoria Park, usually right at the end of June. It’s staged for the 4th of July, of course, and there’s a band performance that precedes it. It’s a big draw for the neighborhood.
In 2022, it was presented on June 29th.
– photo by Mitch Waxman
As mentioned yesterday, there’s a pretty simple camera recipe for fireworks shots – f8/ISO 200/4-8 seconds shutter speed. You pick something distant to focus on, do a test shot to confirm focus and turn off the autofocus entirely, then set the camera run on auto for the duration. My camera has a built in intervalometer, which allows me to set it to just keep on shooting once I click the shutter button. I had the camera set to create an exposure, wait a second, and then pop out another, and another, and another.
The actual trick to fireworks photography relates to the same issue encountered during “landscape.” What’s in the foreground and how do you embed a sense of “place” in the image?
– photo by Mitch Waxman
For these shots, what I was interested in getting were the two bridges – Triborough and Hell Gate – along with the fireworks. The last time I shot the fireworks show here, which was at least ten years ago, I made it a point of being right up along the waterfront so I could include the East River in the shots. Given the mobbed and crowded condition down at that location, I wanted to stay away from that sort of lockup.
I moved around a bit this time as well, which I would have precluded from doing down in the thick of things in the crowd on Shore Blvd.
– photo by Mitch Waxman
There were 10,000 people – at least – watching the show. It’s a big deal for Astoria, this fireworks show, and especially so after the last few years. People bring their kids, pets, and folding chairs along with coolers of beverages.
In the shot above, I was playing around with a few camera tricks. I used the focus stacking technique to combine multiple fireworks shells into a single shot.
– photo by Mitch Waxman
The show ended, and I sat down for a half hour at the skateboard park section of the larger Astoria Park, under Triborough Bridge. The crowds dispersed slowly, and I didn’t see any advantage at all in being part of an enormous human herd as it headed back towards 21st and 31st streets along Hoyt Avenue.
Fun night, with a cool neighborhood vibe.
– photo by Mitch Waxman
One scuttled his lonely path down Broadway back towards HQ and an inevitable late night in front of the computer spent developing these shots. Digital development occurs entirely within photoshop for me. I don’t lean heavily into my shots. I adjust horizons, do a bit of cropping, and correct the color temperature of the capture. I never, ever edit out anything in the shot as it would negate the journalistic integrity of the image. What I saw is what you see.
Something different tomorrow.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
keenly resented
Tuesday
– photo by Mitch Waxman
As mentioned yesterday, and several times in fact, the way I pass the long hours of an Amtrak trip is by taking random snapshots of America. That sounds pretentious, but… that’s what they are. A homemade foam collar is affixed to my lens, then I set the camera up at a very high ISO setting and a wide open aperture. I then set the shutter speed to an insanely small sliver of time – 1/2000th or faster. It’s a challenging situation – Amtrak’s windows generally ain’t too clean or free of scratches, and the window glass itself has a reddish brown coloration to it. Saying all that – 8 hour train trip, yo – gotta do something to pass the time.
The video above represents what I saw between Harrisburg and somewhere in the middle of New Jersey. The sun was illuminating my window from about 4 o’clock on, and there’s really no way to combat the fact that your lens is pointed directly at the sun through a dirty and scratched brown window. Anyway… made it back to “home sweet hell.”
– photo by Mitch Waxman
I stepped off the train into a “NYC swamp ass hot day.” There was also a parade letting out, which was probably “Pride” given all the rainbow gear the paraders were parading around with. I walked a block to the E, returned to Queens at Queens Plaza, and caught a R back to the rolling hills of almond eyed Astoria.
So – That’s that story. This was June 26th, incidentally.
Six image posts are going to continue for a bit, as the particularly prolific photographic spree I’ve been experiencing continues. This post is being written in the second week of July, which is also good news as I’m way ahead of schedule.
– photo by Mitch Waxman
I hung around HQ and the neighborhood for a few days after returning from Pittsburgh. June the 29th, however, was a day that the world put out “Mitch Bait.” Given that this is my last summer in NYC, I’m trying to do everything that’s possible for me to do. Visiting people, seeing things, wondering where that smell on the air is coming from. There’s a sentimental resonance in every step I take.
I don’t know if I’m going to miss this dystopian shithole or not, as it’s all I’ve ever known. See that photo right above? That looks normal to me. Everything about it is messed up, starting with the Cops leaving their car parked in a bus stop.
– photo by Mitch Waxman
Whatever…
One of the things that I haven’t done in a whole lot of years is attend the fireworks display at Astoria Park. It’s a short cross Astoria walk to get there for me, right up 31st street and over to Hoyt Avenue and then scuttle to the water. 31st Street, with its elevated subway tracks, seldom disappoints. There’s always something to take a shot of.
– photo by Mitch Waxman
I had been thinking about where I wanted to set up the camera on a tripod. I knew with certainty that the East River waterfront along Shore Blvd. would be mobbed, and I also wanted to get a shot with both bridges in it – the Hells Gate Bridge and the Triborough Bridge. I wanted a bit of water in the shot, but not too much. I’d have to contend with crowds, passerby who wanted to talk about cameras (this happens all the time), and any number of unknown things. When I got to the spot I had visualized, later on, there was a guy setting up a theatrical flying rope rig up in a tree which he was swinging around on, and doing gymnastics. You never know.
Photographing fireworks is fairly simple. You put your camera on a stable thing like a tripod. You set it to ISO 200, F8, and 4-8 seconds depending on ambient conditions. There’s variations on this, but that’s the basic exposure triangle. I usually record fireworks with the camera set for 3400K color temperature.
– photo by Mitch Waxman
These shots were captured on the way to Astoria Park.
Along the way, I encountered this Manitou (a French manufacturer of a range of heavy equipment) vehicle parked on the street. It caught my eye, this thing. Given my interest in the belief systems of various parties, the first thing I thought when I read the logo was related to the religious views of the Algonquian peoples. Odd choice, thereby, in corporate branding if you ask me.
You could probably take out a lot of zombies with that thing, I bet…
Tomorrow- fireworks!
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
fumbling in
Monday
– photo by Mitch Waxman
June 3rd saw a humble narrator drawn to Astoria Park by the annual Astoria Carnival. My initial intention was to buy a ticket and ride the Ferris Wheel pictured above in pursuance of capturing an uncommon view of the “zone,” but the high price of the ride coupled with the presence of smudged plexiglass on the cars made me reconsider.
Also, the carnival was positively mobbed with teenagers. I decided discretion wasn’t the better part of valor, and headed down to the waterfront along Shore Boulevard instead.
– photo by Mitch Waxman
It was an overcast and kind of humid day, which usually makes for decent sunsets, so my toes were pointed down at Hells Gate.
Really, that’s what this section of the East River is called.
– photo by Mitch Waxman
One set up for landscape shots, with tripod and all the other gear deployed. The last time I was down here, I missed a few shots which just sort of “happened” when the camera was configured thusly, and when preparing for this evening’s activities I had a plan in place for the eventuality reemerging.
You can save a set of camera settings, assigning them to a camera dial position which Canon calls “creative settings.” There’s three of these dial positions available. I had set one up in advance for the circumstance of “I’m set up for long and slow exposure and a tugboat shows up.”
– photo by Mitch Waxman
Thereby, when a tug actually did show up, I was ready for it. It isn’t anything obtuse, these settings, unlike the one I’m noodling for creating time lapses. The latter is something I’m still figuring out, which is why you haven’t seen any of that stuff yet.
Time lapse photography involves taking hundreds of shots at timed intervals and then lining them all up as an animated image. It’s different than video, as it’s a series of stills. This allows me to do what I do during the “developing” of the RAW format image files captured in camera. “Shoot for the edit” is the best advice I can give – other than “show up, do the work, go back home and finish the work.”
– photo by Mitch Waxman
The “showing up” thing is a big deal for me. Keyboard Warriors abound in the modern world. They’re generally bitchers or moaners, like to describe the way the world used to be or the way it should be, and you don’t normally see them in person until somebody is handing out trophies or the press is there.
Sweat equity is what I’m built around respecting. Show up. Do the work. Go home.
– photo by Mitch Waxman
Turns out I was right about the atmospheric conditions producing a pretty spectacular sunset. Speaking of “shoot for the edit,” the shot above is actually three shots. The foreground one received a shallow depth of field and the focal point is right in the middle of Triborough’s reflection. The second shot is focused on the bridge’s Randall’s Island pierage, and the third on the Manhattan shoreline and sky. I changed up the exposure settings for all three as well, and then married them together using an extrapolation of the “focus stacking” technique.
Shoot for the edit.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
cavern eyed
Tuesday
– photo by Mitch Waxman
On the 1st of June, two things were annoying me. Well… lots of things were annoying me, but leading the parade were an ominous weather forecast and a bit of lower back pain. I had stupidly deleted an entire folder of photos by accident the day before, and lost several nice shots so I was also really annoyed at myself. I decided on a pathway for the day’s effort which would involve constant access to areas that could offer me shelter from the prophesied thunderstorms and rain when they arrived.
Luckily, half of Western Queens is located underneath a highway overpass or an elevated subway line. Off to 31st street did I scuttle.
– photo by Mitch Waxman
A quick walk to the N line at 31st street saw me boarding a train and heading towards Queensboro Plaza. The N is an IND train, like the R and M, but it operates out of the IRT station at Queensboro Plaza.
Queensboro Plaza (IRT) is the one “upstairs,” whereas Queens Plaza (IND) is the one “downstairs.” How dysfunctional is the MTA? They still maintain an inter operational distinction between the two systems after nearly six decades of operating them.
– photo by Mitch Waxman
Moving through the transit system and seamlessly transferring from line to line is what makes you a New Yorker. My “don’t get wet” plan involved – as stated – staying close to areas of cover for when the sky broke open and rain started pissing down. Yeah, I could’ve just stayed home, but after accidentally deleting an entire “roll” of shots I had a fire in my belly to do some work.
Exultant, that’s how I felt when the 7 line arrived. One boarded the train and set off for my next destination.
– photo by Mitch Waxman
The Hunters Point Avenue 7 Station was where I debarked, and where the plan for my day continued. I got a couple of shots of a Flushing bound 7 on the other side of the station heading towards Court Square before scuttling up the stairs to the street.
I love the esthetics of this particular station, and will reiterate my statement that the 7 is the most photogenic of all the subway lines.
– photo by Mitch Waxman
Up on the sidewalk, there’s a hole in the fence I like to use when passing by, and luckily for me – the 7 line service is so frequent after its painfully long to install CBTC upgrades – another Manhattan bound train was already on its way into the Hunters Point Avenue station on the truss bridge over Sunnyside Yards which connects to the Court Square Station after traveling over Davis Street.
Yes. Nerd. Me.
– photo by Mitch Waxman
My next stop was a few blocks away, in DUPBO – Down Under the Pulaski Bridge Onramp. There’s a Long Island Railroad siding hereabouts. If you’re in the neighborhood – usually weekdays between 4 and 6 – there’s a very, very good chance you’ll get to see something like the shot above playing out.
More tomorrow.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
The Newtown Pentacle 