Archive for November 2nd, 2023
Hi-oh, Ohio
Thursday
– photo by Mitch Waxman
Scuttling along on the West End Bridge in Pittsburgh with a wide angle 16mm lens on the camera, over the mouth of the Ohio River (which is formed by the confluent mating of the Monongahela and Allegheny Rivers below), and a humble narrator had finally at the preordained spot where a lens swap would occur and the other new lens – the RF 50mm f1.8 – was attached to the camera.
I was really running the new glass through its paces on this scuttle, using the camera’s different autofocus mechanisms (zone, spot, tracking etc.) and photographic formulae. The aperture was also being dialed up and down between shots, as I was searching for what would end up being the ‘sweet spot’ settings for the two new lenses. As a note, I seldom do this sort of ‘round the world’ kind of shooting. Normally, I use a tried and true formula based on atmospheric and lighting conditions.
– photo by Mitch Waxman
The 50mm’s sweet spot seems to be either f2.8 & f4. The optical formula underlying the so called ‘Nifty Fifty’ has always been somewhat persnickety in my experience. Sometimes it hits perfectly, other times it’s inexplicably ‘off.’ That’s why you take multiple exposures, though.
A storm was brewing, and later on in the evening a drizzling rain started up. At this particular moment, however, it was merely overcast.
– photo by Mitch Waxman
Norfolk Southern was moving a train set along one of their elevated tracks, with the thing heading eastwards. I had seen it coming down the river when I was still a hundred yards from this spot, and decided to use the opportunity to activate the camera’s ‘follow focus’ autofocus settings, which were also set for ‘vehicle’ tracking. The lens performed well, locking in on the desired subject amongst a polyglot of other distractions.
Back tomorrow.
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“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
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