Archive for the ‘Astoria’ Category
wrinkles formed
Wednesday
– photo by Mitch Waxman
There’s an annual fireworks display in Astoria Park, usually right at the end of June. It’s staged for the 4th of July, of course, and there’s a band performance that precedes it. It’s a big draw for the neighborhood.
In 2022, it was presented on June 29th.
– photo by Mitch Waxman
As mentioned yesterday, there’s a pretty simple camera recipe for fireworks shots – f8/ISO 200/4-8 seconds shutter speed. You pick something distant to focus on, do a test shot to confirm focus and turn off the autofocus entirely, then set the camera run on auto for the duration. My camera has a built in intervalometer, which allows me to set it to just keep on shooting once I click the shutter button. I had the camera set to create an exposure, wait a second, and then pop out another, and another, and another.
The actual trick to fireworks photography relates to the same issue encountered during “landscape.” What’s in the foreground and how do you embed a sense of “place” in the image?
– photo by Mitch Waxman
For these shots, what I was interested in getting were the two bridges – Triborough and Hell Gate – along with the fireworks. The last time I shot the fireworks show here, which was at least ten years ago, I made it a point of being right up along the waterfront so I could include the East River in the shots. Given the mobbed and crowded condition down at that location, I wanted to stay away from that sort of lockup.
I moved around a bit this time as well, which I would have precluded from doing down in the thick of things in the crowd on Shore Blvd.
– photo by Mitch Waxman
There were 10,000 people – at least – watching the show. It’s a big deal for Astoria, this fireworks show, and especially so after the last few years. People bring their kids, pets, and folding chairs along with coolers of beverages.
In the shot above, I was playing around with a few camera tricks. I used the focus stacking technique to combine multiple fireworks shells into a single shot.
– photo by Mitch Waxman
The show ended, and I sat down for a half hour at the skateboard park section of the larger Astoria Park, under Triborough Bridge. The crowds dispersed slowly, and I didn’t see any advantage at all in being part of an enormous human herd as it headed back towards 21st and 31st streets along Hoyt Avenue.
Fun night, with a cool neighborhood vibe.
– photo by Mitch Waxman
One scuttled his lonely path down Broadway back towards HQ and an inevitable late night in front of the computer spent developing these shots. Digital development occurs entirely within photoshop for me. I don’t lean heavily into my shots. I adjust horizons, do a bit of cropping, and correct the color temperature of the capture. I never, ever edit out anything in the shot as it would negate the journalistic integrity of the image. What I saw is what you see.
Something different tomorrow.
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keenly resented
Tuesday
– photo by Mitch Waxman
As mentioned yesterday, and several times in fact, the way I pass the long hours of an Amtrak trip is by taking random snapshots of America. That sounds pretentious, but… that’s what they are. A homemade foam collar is affixed to my lens, then I set the camera up at a very high ISO setting and a wide open aperture. I then set the shutter speed to an insanely small sliver of time – 1/2000th or faster. It’s a challenging situation – Amtrak’s windows generally ain’t too clean or free of scratches, and the window glass itself has a reddish brown coloration to it. Saying all that – 8 hour train trip, yo – gotta do something to pass the time.
The video above represents what I saw between Harrisburg and somewhere in the middle of New Jersey. The sun was illuminating my window from about 4 o’clock on, and there’s really no way to combat the fact that your lens is pointed directly at the sun through a dirty and scratched brown window. Anyway… made it back to “home sweet hell.”
– photo by Mitch Waxman
I stepped off the train into a “NYC swamp ass hot day.” There was also a parade letting out, which was probably “Pride” given all the rainbow gear the paraders were parading around with. I walked a block to the E, returned to Queens at Queens Plaza, and caught a R back to the rolling hills of almond eyed Astoria.
So – That’s that story. This was June 26th, incidentally.
Six image posts are going to continue for a bit, as the particularly prolific photographic spree I’ve been experiencing continues. This post is being written in the second week of July, which is also good news as I’m way ahead of schedule.
– photo by Mitch Waxman
I hung around HQ and the neighborhood for a few days after returning from Pittsburgh. June the 29th, however, was a day that the world put out “Mitch Bait.” Given that this is my last summer in NYC, I’m trying to do everything that’s possible for me to do. Visiting people, seeing things, wondering where that smell on the air is coming from. There’s a sentimental resonance in every step I take.
I don’t know if I’m going to miss this dystopian shithole or not, as it’s all I’ve ever known. See that photo right above? That looks normal to me. Everything about it is messed up, starting with the Cops leaving their car parked in a bus stop.
– photo by Mitch Waxman
Whatever…
One of the things that I haven’t done in a whole lot of years is attend the fireworks display at Astoria Park. It’s a short cross Astoria walk to get there for me, right up 31st street and over to Hoyt Avenue and then scuttle to the water. 31st Street, with its elevated subway tracks, seldom disappoints. There’s always something to take a shot of.
– photo by Mitch Waxman
I had been thinking about where I wanted to set up the camera on a tripod. I knew with certainty that the East River waterfront along Shore Blvd. would be mobbed, and I also wanted to get a shot with both bridges in it – the Hells Gate Bridge and the Triborough Bridge. I wanted a bit of water in the shot, but not too much. I’d have to contend with crowds, passerby who wanted to talk about cameras (this happens all the time), and any number of unknown things. When I got to the spot I had visualized, later on, there was a guy setting up a theatrical flying rope rig up in a tree which he was swinging around on, and doing gymnastics. You never know.
Photographing fireworks is fairly simple. You put your camera on a stable thing like a tripod. You set it to ISO 200, F8, and 4-8 seconds depending on ambient conditions. There’s variations on this, but that’s the basic exposure triangle. I usually record fireworks with the camera set for 3400K color temperature.
– photo by Mitch Waxman
These shots were captured on the way to Astoria Park.
Along the way, I encountered this Manitou (a French manufacturer of a range of heavy equipment) vehicle parked on the street. It caught my eye, this thing. Given my interest in the belief systems of various parties, the first thing I thought when I read the logo was related to the religious views of the Algonquian peoples. Odd choice, thereby, in corporate branding if you ask me.
You could probably take out a lot of zombies with that thing, I bet…
Tomorrow- fireworks!
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
disturbed by
Tuesday
– photo by Mitch Waxman
June 3rd, as mentioned yesterday, found me at the Hell Gate section of the East River nearby Astoria Park and the Triborough Bridge. After hanging around the joint for about 90 minutes during what turned out to be a light show of a sunset, I packed away my zoom lenses and tripod and converted the camera over to handheld mode and attached my “night kit” lenses.
This was one of my short walks, as I call them, but ultimately I was out and about on my feet for about five hours and had walked about six miles by the time I got back to HQ.
– photo by Mitch Waxman
You can have and use all the kit you can carry, and after an hour and half of futzing around with tripod and filters and fancy shooting techniques, my favorite shot of the effort are the two in today’s post – handheld and high ISO.
What are you gonna do?
– photo by Mitch Waxman
June 5th saw me hanging around HQ waiting for it to get dark and for a delivery to arrive. While I was waiting, a pack of birds descended on the forever puddle found on my next door neighbor’s roof. Next to this stagnant waterbody is my outdoor porch area, here in Astoria, so I outfitted the camera with a telephoto lens and got busy waiting for a bird to fly onto one of my wires.
Every time I try to say what kind of a bird a bird is, I get it wrong, so I just make up names for them myself. Accordingly – that’s a Peruvian Pepper Hen drying its feathers. It’s call sounded like this – GRAKKLE – which should let you know that I actually do know what kind of bird this bird is, but am smart enough not to venture any analysis of speciation.
– photo by Mitch Waxman
My back was sore, and my feet hurt, but I still wanted to get out and do “something.” Drinking at a bar just isn’t exciting to me anymore, in fact it’s become kind of a sad thing these days. Most of the “Astoria Commentariat” at my “local” really doubled down on the substance abuse thing during the pandemic, and shooting the shit with folks in downward spirals is just depressing. Hope they can catch themselves.
I decided thereby, that it would be a “ride the trains” night. Only $2.75.
– photo by Mitch Waxman
The N was caught in Astoria, which carried me to the Queensboro Plaza IRT station, and the most photogenic of NYC’s subways – the 7. I hung around on the platform for the arrival and departure of several train sets, and struck up conversation with a young guy who was a bit of a railfan. “I could stand here and watch this all night,” he told me.
For me, that wasn’t the case.
– photo by Mitch Waxman
I shot a few frames of the 7’s entering the station, and then hopped on an express which took me to Woodside. I waved the camera around a bit at a few other stops, mainly the ones along Queens Boulevard. Then I debarked from the system at 40th Lowery Street and walked back to HQ in Astoria, whereupon I downloaded the captured images and began the processing/developing process.
To recap – I showed up. I did the work. I went home.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
fumbling in
Monday
– photo by Mitch Waxman
June 3rd saw a humble narrator drawn to Astoria Park by the annual Astoria Carnival. My initial intention was to buy a ticket and ride the Ferris Wheel pictured above in pursuance of capturing an uncommon view of the “zone,” but the high price of the ride coupled with the presence of smudged plexiglass on the cars made me reconsider.
Also, the carnival was positively mobbed with teenagers. I decided discretion wasn’t the better part of valor, and headed down to the waterfront along Shore Boulevard instead.
– photo by Mitch Waxman
It was an overcast and kind of humid day, which usually makes for decent sunsets, so my toes were pointed down at Hells Gate.
Really, that’s what this section of the East River is called.
– photo by Mitch Waxman
One set up for landscape shots, with tripod and all the other gear deployed. The last time I was down here, I missed a few shots which just sort of “happened” when the camera was configured thusly, and when preparing for this evening’s activities I had a plan in place for the eventuality reemerging.
You can save a set of camera settings, assigning them to a camera dial position which Canon calls “creative settings.” There’s three of these dial positions available. I had set one up in advance for the circumstance of “I’m set up for long and slow exposure and a tugboat shows up.”
– photo by Mitch Waxman
Thereby, when a tug actually did show up, I was ready for it. It isn’t anything obtuse, these settings, unlike the one I’m noodling for creating time lapses. The latter is something I’m still figuring out, which is why you haven’t seen any of that stuff yet.
Time lapse photography involves taking hundreds of shots at timed intervals and then lining them all up as an animated image. It’s different than video, as it’s a series of stills. This allows me to do what I do during the “developing” of the RAW format image files captured in camera. “Shoot for the edit” is the best advice I can give – other than “show up, do the work, go back home and finish the work.”
– photo by Mitch Waxman
The “showing up” thing is a big deal for me. Keyboard Warriors abound in the modern world. They’re generally bitchers or moaners, like to describe the way the world used to be or the way it should be, and you don’t normally see them in person until somebody is handing out trophies or the press is there.
Sweat equity is what I’m built around respecting. Show up. Do the work. Go home.
– photo by Mitch Waxman
Turns out I was right about the atmospheric conditions producing a pretty spectacular sunset. Speaking of “shoot for the edit,” the shot above is actually three shots. The foreground one received a shallow depth of field and the focal point is right in the middle of Triborough’s reflection. The second shot is focused on the bridge’s Randall’s Island pierage, and the third on the Manhattan shoreline and sky. I changed up the exposure settings for all three as well, and then married them together using an extrapolation of the “focus stacking” technique.
Shoot for the edit.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
frequent fumbling
Thursday
– photo by Mitch Waxman
After exiting the Court Square subway stop in Long Island City and crossing Jackson Avenue, the Manhattan bound 7 train runs on an elevated truss bridge which follows Davis Street. Davis Street is where the Neptune Water Meter company used to be found, which is the factory building that became 5ptz – the graffiti and street art gallery. These days, there are tower apartments sitting on the site, and their owners call them 5ptz. Grrr.
Davis Street is where Batman’s parents were murdered by gunman Joe Chill in at least two cinematic iterations of the crime, and I think Highlander once had a sword fight there too. These days, there ain’t too much to see on Davis, other than the soundproofed walls of luxury condominium towers. Soul? None.
– photo by Mitch Waxman
I’m Facebook friends with a lot of people I’ve never met in “meatspace.” One of them is an artist who carries his sketchbook to a lot of the same places that I bring the camera. Monte Antrim. Look him up, great stuff. Anyway, Monte had posted a drawing of a derelict car he found at the end of Davis Street which intrigued me, and since I was in the neighborhood…
Why not?
– photo by Mitch Waxman
This is a very, very late model car and something I can tell you for certain is that it was dumped here in the last couple of years. That’s odd. How certain am I? Very. I have been haunting this area for 15 years.
I’m told it used to be a Mercedes.
– photo by Mitch Waxman
I whipped out the tripod for this series of shots, as my desire was to reduce the distraction offered the water’s texture. The tripod allowed me to do a longish exposure, and the wind driven ripples were thereby smoothed out into a mirror finish.
There’s another condo building that’s opening down at the end of Davis Street, found under the screaming steel wheels of the Subway. The looks I was getting from them… on a street once renowned – globally – for attracting artists… Maybe if I had set myself up to do some investment banking it would have seemed normal to them.
– photo by Mitch Waxman
A sign adorning the new building promised studio apartments starting at “just $660,500” were available for immediate occupancy. This is what their frontage looks like.
It’s a scam, you’ve been had. You been took. There’s a state superfund site on the other side of that railyard fence and there’s a federal superfund site 3/4 of a mile away. You’re living on top of what used to be a chemical factory. Every ten minutes a subway train goes past your window generating 100+ decibels of ear damage. The elevated tracks are dripping with dielectric oils and PCB’s. You’ve got the off ramps of the Queensboro Bridge a quarter mile away, and traffic is always heavy, as is auto exhaust. If you’ve got that kind of money, you could be living in a house rather than a noisy and polluted box. It’s also not a good investment, no matter what the broker told you. You’ll be lucky to get your original capital back when you sell.
– photo by Mitch Waxman
Sigh… what’s the point anymore.
The good news is that I continued to not get wet as the rain began to really come down. My umbrella was deployed and I continued scuttling towards Queens Plaza and the subway ride back to Astoria.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
The Newtown Pentacle 