Archive for the ‘Long Island City’ Category
Headed for the grave… or Astoria to Calvary 3
Just in case you want to refer to a google map.
43rd street and 37th avenue -photo by Mitch Waxman
In the first installment of this photowalk- we scuttled through western Queens, which is the northern ventricle of our Newtown Pentacle- descending from the heights in Astoria into the milieu of 19th century teutonic progressivism- and then stumbled in front of a long forgotten relict of the 1920’s gilded age in the 20th.
In the second, we lurked, fearfully, down 37th avenue and found an anomalous municipal building which does not exist- as well as a fortress church.
Today, we enter a place of vine encumbered trees which abut vast fields of machinery, and we shall gaze upon an unforgettable sight. But first, we must cross the angles found between neighborhoods, crossing a bridge and avoiding its troll- only to stand revealed in the dappled light of the Sunnyside.
43rd street and 37th avenue, make a left -photo by Mitch Waxman
A desperate precipice, whose slimy walls- comically adorned with painted signs declaring that “these walls are under video surveillance” drip with an obsidian jelly whose composition is a cocktail of fecund decay and petroleum byproduct. The prodigious twin elevated tracks of the LIRR define the eastern borders of industrial Long Island City, residential Astoria, and the vernal lanes of Sunnyside. Make the left on 43rd street, and proceed into its fuligin shadows. These tracks are critical infrastructure for the forthcoming East Side Access project.
Crossing the angles between spaces -photo by Mitch Waxman
To your right is a turnaround track for the one and 3/4 mile long Sunnyside Yard, and a stout fence which bars entry to the great railhead. An odd smell hangs in the air, mildewed garbage and long dead pigeons mixed with an ozone smell from the vast electrical works beyond the fenceline. Also, there is a human smell. In a few pockets, here and there, you will observe signs of an unclean and debased occupation.
I will refer you to this document, found at nyc.gov, specifically to section Q80 for the development plans being discussed for the Sunnyside Yard after the East Side access project is complete. Its implications are staggering.
Next paragraph, incidentally, is where the Newtown Pentacle steps squarely upon one of “the third rails” of modern politics…
Homeless camp by Railroad -photo by Mitch Waxman
First- this is not a rant or anything- just personal observations and opinions
As part of the recent migration enacted by those born south of the United State’s border with the ancient nation of Mexico, a large population of spanish speakers have emerged in the Newtown Pentacle within recent years. Whereas the vast majority of those involved in this 21st century diaspora are following in the solid familial and social traditions typified by those fabled “ethnic waves” of immigration in the 19th and 20th centuries which are the foundation of our modern city- camp followers, debased mendicants, and criminal organizations have also followed the huddled masses that have made the arduous journey to “El Norte”. Just like similar characters followed populations of workers and poets, during earlier times. Such hubris and hope is the immigrant’s song.
This “dark side” of our new countrymen, which is unapologetically visible, colors the perception of area residents about the new neighbors. Hard working former peasants who have often assumed jobs of the most menial type, this population of Latinos are adopting the familiar immigrant patterns- large families living in crowded apartments, ethnic concentrations coagulating around a certain neighborhood or subway stop, a vibrant and overtly public street life, and an uphill battle with the institutional and linguistic barriers to financial security and class mobility that are familiar stories to any 2nd or 3rd generation Italian, Jew, or Boricua.
“The street signs are in Spanish over there” is heard often when referring to nearby Corona, arousing the spectre of the United States’s greatest sin- social class based racism and its bloody consequence. The same could have been said about my father’s old neighborhood in Borough Park, transposing Spanish with Italian or Yiddish- or modern Astoria with usage of the Greek language.
Homeless camp by Railroad -photo by Mitch Waxman
Careful observation of the baser individuals who poison the reputations of this new group, often found in an alcohol fueled stupor on one’s stoop or sidewalk, leads me to recall the Hobo culture of the 20th century (which plagued the American rail system for much of its history, until the age of containerization). Cruel and malicious, the nickname attached to these pathetic individuals (in Astoria, at least) is “Los Caballeros“.
A particularly daring trio of these men made camp in the backyard of a vacationing octogenarian acquaintance recently. This distinguished woman, whose father was one of the original residential developer-builders of this area in the 1920’s, was forced to invoke the massive powers of the NYPD to evict them from her property upon returning from a long trip abroad. All over the area- broken hip flask bottles of discount liquor and half eaten meals can be observed, casually discarded on sidewalk and stoop, public sleepers are not sought- but easily found, and encounters with inebriated gatherings of debased men in the dark of night are becoming a common experience.
A statement of opinion and “I grew up in NYC during the 80’s” wisdom from your humble narrator is “there is a difference between being homeless and being a BUM”.
Like much of the addled and disingenuous public dialogue exchanged between the citizens of the City of Greater New York these days, the word “homeless” is part of an agenda of orwellian newspeak and sociological engineering propagated by an academic class which speaks from the safety of gleaming towers and air conditioned offices in Manhattan.
(I distinctly remember when the term was first coined in the 1980’s, and it was no longer polite to call them Bums (drunks or addicts) or Tramps (nutjobs). It was decided by these professor/doctor types to distinguish between the drunken and pitiless vagrant, and the “down on her luck single mother who was sleeping on a steam grate with her two children by Grand Central” meme. These sort of images, while actual, were used to illustrate- on a national political stage- how the disastrous fiscal policy called “Reaganomics” had led America astray. The term “homelessness” has stuck on as a polite society catch all, and describes a varied crowd of people whose problems run the gamut of human experience, not a homogenous population with a one size fits all solution. This was also before hyphenated american naming conventions became standardized in 1988).
Such gentle and obtuse manipulations of the political landscape is not applicable to conditions found upon the mean streets of New York City, however, and sadly- in the end it will most likely fall to the tender mercies of the NYPD to decide the fate of these “Caballeros”. Just like it always does, in the end.
Bum -photo by Mitch Waxman
The particular troll (anyone who lives under a bridge can be described as a troll, even those who live in the tony condos of DUMBO) is an aberrant creature whose skin has been rendered to leather from exposure to the sun. I was glad to see him asleep, and gingerly walked past him, as sleeping dogs should be allowed to lie. In other crossings of this angle between neighborhoods, he has been aggressive with me and demanded I pay a toll to cross. A natural victim and physical coward, what choice could I make, and I gave the mocking troll his due- a handful of my hard earned coinage. I don’t condemn his type, just him. He is a jerk.
Enough with the opinions, back to the walk…
43rd street from 39th Avenue -photo by Mitch Waxman
When you have passed the two rail bridges, you will see 39th avenue, which offers a titanic vista of Manhattan (this is actually a block or two away from 43rd street, looking west, just for the record). You have also just entered the lovely neighborhood called Sunnyside Gardens.
from nyc.gov
Sunnyside Gardens is a predominantly residential area encompassing part of 16 blocks following the city’s traditional grid street pattern within the larger Sunnyside neighborhood of Queens. Located between 43rd and 52nd streets, Queens Boulevard and Barnett Avenue, Sunnyside Gardens was developed between 1924 and 1928 by the City Housing Corporation and designed by architects Clarence Stein, Henry Wright, and Frederick Ackerman and landscape architect Marjorie Cautley based upon the English Garden City model. The neighborhood is comprised of roughly 600 two-story row houses in combinations of one-, two, and three-family units grouped in clusters of 10 to 12 around a series of courts containing common gardens, in addition to eighteen apartment buildings, two community parks and neighborhood stores. The common gardens account for over 70 percent of the lot area and are a primary defining feature of the site plan, offering residents light, air and greenery.
In 1974, Sunnyside Gardens, along with Fresh Meadows in Queens, Parkchester in the Bronx, and Harlem River Houses in Manhattan, were designated Special Planned Community Preservation (PC) Districts to protect their distinctive character and site plans. General purposes of the Special Planned Community Preservation District are:
(a) to preserve and protect the Special Districts as superior examples of town planning or large-scale development;
(b) to preserve and protect the character and integrity of these unique communities which, by their existing site plan, pedestrian and vehicular circulation system, balance between buildings and open space, harmonious scale of the development, related commercial uses, open space arrangement and landscaping add to the quality of urban life;
(c) to preserve and protect the variety of neighborhoods and communities that presently exist which contribute greatly to the livability of New York City;
(d) to maintain and protect the environmental quality that the Special District offers to its residents and the City-at-large; and
(e) to guide future development within the Special Districts that is consistent with the existing character, quality and amenity of the Special District.
and of course- Forgotten-NY has been through here as well.
Sunnyside Gardens, 43rd street -photo by Mitch Waxman
I’ll be returning to Sunnyside Gardens in later posts, but today, we’re heading for the comforts of the grave.
Skillman Avenue and 43rd street- make right -photo by Mitch Waxman
At the corner of Skillman Avenue, turn right. Skillman avenue can be a dangerous place, traffic wise, so do be careful as you move along it.
from the Sunnyside Chamber of Commerce
The Sunnyside community is located in the Borough of Queens, just a few minutes from the Queensboro Bridge and the Queens Midtown Tunnel. We are one of the most trafficked areas in the city. More cars pass through our commercial district of Queens Boulevard (Sunnyside’s restaurant row) each day than most neighborhoods see in a normal week. Located between the long-established communities of the Blissville area of Long Island City and Woodside, our unique location makes us easily accessible to Manhattan and only 15 minutes by train to Times Square or the Empire State Building.
People in our area can often reach the theatre district faster then those living in some parts of Manhattan. Sunnyside is convenient, centrally located, and a great place to live, as long-time residents are quick to tell you. It’s believed Sunnyside got its name back in 1850 when the railroad built a station across from the Sunnyside Roadhouse Hotel.
“Sunnyside is a neighborhood in northwestern Queens, lying within Long Island City and bounded to the north by the Sunnyside Yards, to the east by Calvary Cemetery and 51st Street, to the south by the Long Island Expressway, and to the west by Van Dam Street . The area is named for a roadhouse built on Jackson Avenue to accommodate visitors to the Fashion Race Course in Corona during the 1850s and 1860s. A small hamlet was built between Northern and Queens boulevards and became known as Sunnyside. Most of the land was low-lying and therefore cheap; from 1902 to 1905 the Pennsylvania Railroad gradually bought up all the land south of Northern Boulevard between 21st and 43rd Streets. The entire area was leveled and the swamps filled in by 1908 and the yards opened in 1910. The Queensboro Bridge opened in 1909 and from it was built Queens Boulevard , which ran to the center of the borough through Sunnyside, where streets were built along the boulevard. Sunnyside Gardens (1924-29), a complex of attached houses of two and a half stories, with front and rear gardens and a landscaped central court, was on e of the nation’s first planned communities, hailed for its innovative design by such scholars of urban life as Lewis Mumford (a onetime resident). During the following years the neighborhood became middle class, and largely Irish. During the 1940s and 1950s its large apartments enticed many artists and writers and their families to leave their cramped quarters in lower Manhattan , and the area became known as the “maternity ward of Greenwich Village .” Sunnyside during the 1980s attracted immigrants from Korea , Colombia , Romania , and China , though on the whole fewer immigrants than some of the surrounding neighborhoods in northeastern Queens . The Sunnyside Railyards are used by the Long Island Rail Road , Conrail, and Amtrak. The Knickerbocker Laundry nearby is a striking example of art moderne architecture.”
Vincent Seyfried, Encyclopedia of New York City , Edited by Kenneth T. Jackson. New Haven , Yale University Press. 1995
Hike New York signage -photo by Mitch Waxman
When Alexander M. Bing, of Bing & Bing, began to develop Sunnyside, there were no “Hike New York – Long Island City” signs. These plaques are everywhere, and point out directions and distances between the area’s various attractions. They are a bit “off the radar”- but here’s the scoop:
The Public Art Fund and artist Richard Deon placed 44 of these signs around Long Island City in the early 90’s to encourage people to walk around the area and take in the wonders of the place.
Hey, that’s what I do, and yes, when I started these pestilential exercises which became explorations- I did use these signs as markers and waypoints. Success, Mr. Deon.
As I wandered off the path set out by these esthetes, I began to realize that none of these signs point at the Newtown Creek- only at Manhattan and its cultural tendrils.
Here’s a Nytimes.com article on the signage
Moakyang Presbyterian Church -photo by Mitch Waxman
Moak Yang Presbyterian is a small church on Skillman Avenue, which was recently renovated after an emergency closure by the Dept. of Buildings siting a sagging brick wall. Moak Yang translates as “Good Shepherd” I am told, and the Pastor is the Reverend Byung Ki Song. I don’t speak Korean, yet another failing of my weak intellect, but here is their website. I entered the same URL into google translate and saw evidence of a wholesome and prospering church whose agenda and programs would be familiar to any 19th century New England Yankee- even one from Providence.
Vestigial sight line to the East River -photo by Mitch Waxman
Until recently, a sign proclaimed this lot alongside the church as being General Motors property, and it lay fallow for all the time I’ve known it. The tangle of weedy growth and rat middens that were the site’s only residents have been supplanted by a parking lot for delivery vans. If you catch the day just right, you can actually see all the way to the East River- looking over the shallow and marshy hills of Astoria from here, with both Triborough and Hells Gate Bridges in the distance.
Skillman Avenue and 39th street -photo by Mitch Waxman
(this photo was run once before here at Newtown Pentacle- here’s the blurb it ran over in this post)
Sunnyside Yards, this street corner is actually on a bridge over the yards- notice the change in elevation at lower left- still around 30-50 feet (10-15 meters) over the tracks– The structure at horizon is another road bridge over the yards. –3 exposure HDR photo by Mitch Waxman
The “big show” that is Long Island City officially begins at 49th street, when the pretense of being a neighborhood ends- and the unforgettable panorama of the East River Metroplex becomes visible. A sound will escape your lips, something like “whoof” or a “wo”, assuming you make it here before noon when the sun will be at your back and the Manhattan Skyline glitters like an enormous jewel. 39th street is Steinway street on the other side of Northern Blvd, and what you are standing on is no sidewalk- but a bridge over the titan Sunnyside Yard.
Remember- almost everywhere in the center of New York City, the ground is actually the roof of another structure- sewer, subway, or cellar- or series of structures.
from wikipedia
Sunnyside Yard is a large coach yard, a railroad yard for passenger cars, in Sunnyside, Queens in New York City.
When built by the Pennsylvania Railroad (PRR) at the beginning of the 20th century, Sunnyside was the largest coach yard in the world. The yard served as the main train storage and service point for PRR trains serving New York City. It is connected to Pennsylvania Station in Midtown Manhattan by the East River Tunnels.
Currently, the yard is owned by Amtrak, but it is also used by New Jersey Transit. The shared tracks of the Long Island Rail Road (LIRR) Main Line and Amtrak’s Northeast Corridor pass along the southern edge of the yard. Plans for the LIRR East Side Access project to build tracks to Grand Central Terminal would have those tracks diverging in the vicinity of, or perhaps through, the Sunnyside Yard.
Northeast of the yard there is a balloon track which is used for “U-turning” Amtrak and NJ Transit trains which terminate at Penn Station. Leading eastward, this balloon track switches off at the southernmost portion of the yard. It then turns left under the LIRR/Amtrak tracks, turns left once again, and merges with the Sunnyside yard track to turn the train west toward Penn Station.
Skillman Avenue -photo by Mitch Waxman
For such an important facility, the security at the Sunnyside yard is abyssmal. This, for instance, is the security fence on Skillman. Graffiti observed along the tracks and the numerous reports of urban explorers speak to the time and opportunity afforded trespassers- who ignore the dangers of crossing active tracks, electrified rails, and all sense of personal safety. Let’s be clear- without special training and equipment- you can easily get killed down there. I also think its the greatest unused location for a motion picture I’ve ever seen.
click here for trainsarefun.com’s LIC and Sunnyside yard page (with historical photos and maps!!!)
Skillman Avenue -photo by Mitch Waxman
Anywhere you point a camera on Skillman Avenue, you will find a great shot. The only hassles I’ve ever had here (a deserted street on the weekends, especially holidays) were from union guys asking me what I was doing, which wasn’t really a hassle. They were pretty cool, they were just checking I wasn’t “an environmentalist” trying to jam them up. Amtrak security rolls by, but never stops to ask questions. Cops breeze by and don’t even slow down as they pass your humble narrator while he is using a tripod.
Here’s what one of the MTA’s architects proposes for the far end of the Yard.
New York City skyline and Sunnyside Yard from Skillman Avenue -photo by Mitch Waxman
Not that long ago, this was the most important place in Queens, and the gateway for freight into Manhattan from all points east. It is still a critical part of the transportation infrastructure of New York City, but the empty factories- and worse- the subdivided ones speak to the economic might which was won, and has since been lost around the Sunnyside Yards.
Skillman Avenue -photo by Mitch Waxman
Quoting from one of Newtown Pentacle’s earlier posts– and yes, I know the Degnon terminal is at the other end of the Yard close by the Dutch Kills:
Astoria and Sunnyside provided a large number of the 16,000 employees who worked here at the Degnon Terminal, almost all of whom belonged to labor unions. These were jobs “with benefits” like health insurance or paid vacations, a rarity before the late 1970’s. The shells of the titanic companies like Adams (Beeman) Chewing Gum, and Sunshine Biscuits line the streets surrounding the yard, but modernity has largely cut their links to it.
Turn Left on Skillman Avenue at 36th street -photo by Mitch Waxman
Wow, some walk so far. Dutch Kills is so close, and so is the residential section of Long Island City… but we need to make a left on 36th street and south toward the Boulevard of Death…
Catching up with the Pentacle
Newtown Creek Bulkhead Fungus – photo by Mitch Waxman
Terms coined by the Newtown Pentacle in recent posts for future usage by the Real Estate Industry when the economy cycles back up-
DUPBO– Down under the Pulaski Bridge Onramp
DUGABO– Down under the Greenpoint avenue Bridge Onramp
DULIE– Down under the Long Island Expressway
DURFKO- Down under the Robert F. Kennedy Bridge Onramp
aka
DUTBO– Down under the Triborough Bridge Onramp
DUKBO– Down under the Kosciuszko Bridge Onramp
DUTZBO– Down under the Tappan Zee Bridge Onramp
DUGWO– Down under the George Washington Bridge Onramp
Sorry for the “clip show” today, I’m running a little late on my schedule, and the next “Astoria to Calvary” photowalk installment will be ready tomorrow.
also: Click here for a fascinating experience one pedestrian had down by Gantry Plaza Park. This is precisely the sort of thing that I’m constantly droning on about…
Also, something I found while doing research on Northern Blvd.- or how Robert Moses almost did to western Queens what he did to the South Bronx.
Astoria zen
Astoria Matthews Model Flats, 31st ave. and 44th street – photo by Mitch Waxman
31st avenue and 44th street is very close to being the apex of an enormous hill which is buried deep below the masonry of modern Astoria. 1 block from the ancient pavings of Newtown Road, which knew British and Hessian armies- and later carried an iron ribbon of Trolley Tracks, and is 2 blocks from Broadway.
31st avenue was, in gentler times, called Jamaica Avenue and 44th street was called 14th avenue. Broadway and 30th (Grand) avenue nearby are the main commercial strips.
Now, I’m taking a shortcut today, and will refer you to Forgotten-NY’s page on the Street Name Necrology of Astoria rather than try to explain the whole affair, as it confuses me, and they are brilliant and own an encyclopedic collection of old maps.
This is an interesting neighborhood, and it is where our Newtown Pentacle is headquartered. 44th street between 30th and 31st avenues is bookended by 1928 vintage Matthews Model flats– “model new law tenements” which fill nearly half of the block in an unbroken line of Kreischer yellow brick. There are 6 units in each building, with the 4 story bookends on each corner. It is a working class section of the ancient village, and it always has been. The surrounding blocks were farms as late as the early 20th century, and despite a long period of abuse and neglect beginning in the late 1950’s the current property owners are performing careful maintenance on these historic structures.
44th street between Newtown Road and Broadway – photo by Mitch Waxman
As you walk down the hill toward Northern Blvd., which is actually a striking drop in elevation for so short a space, the building stock becomes typical of the early 20th century. Enormous, well designed apartment houses line 44th street beginning at Newtown Road- giving way on the Broadway intersection to 3 and then 2 family houses with garages. One or two relict examples of the federal style townhouse, so popular in Long Island City, incongruously continue to stand in centuried glory beneath the burning eye of the Newtown sun.
LIC Turn Verein detail – photo by Mitch Waxman
After the civil war, Long Island City incorporated and became a haven for heavy industry and mechanized production in the Hunters Point, Dutch Kills, and Ravenswood neighborhoods. Astoria developed along the lines of a bedroom community, with the exception of the Steinway factory on the North side.
The huge populations that teemed into New York from European origins in the 19th century, to serve as labor in the new factories, often arrived in tsunami waves of a single ethnicity- resulting in the classic perception of “the XXX’s are taking over!”, followed by the next generation of the “XXX’s” declaring “the YYY’s are taking over!”.
A teacher of mine at college was a genius named Will Eisner, and he did a novel on this phenomena called “Dropsie Avenue” about his old block in the Bronx. If you dig this blog, you will LOVE Dropsie Avenue, available at amazon and other places.
In 1875, Astoria was a German town. Deutche was spoken on the streets, taught in schools, and the population of the area read newspapers shipped in from Vienna and Berlin. They were very much in tune with a radical new political theorem called trade-unionism, which promised to unite the workers of the world against the decaying masters of the middle ages- the aristocracy- and a new menace to the working man called the Industrialist. They also believed that mankind could be bettered and brought into communion with god- by exercise and good diet and education and abstention from the sins of the industrial world.
One must comment on what must have been going through the minds of these people- the whole world was at war, the greatest empire ever known was crumbling, and an antichrist (himself a Turner) had crowned himself emperor of France. And here they were, in post civil war New York City, safe as houses.
LIC Turn Verein detail – photo by Mitch Waxman
So, these Germans built a Turn Verein in Long Island City, on the corner of Broadway and 14th avenue (44th street) near Schuetzen Park, to better mankind through the example of Physical Culture.
The structure currently serves as a catering hall for the Chian Federation, a local Greek ethnic society (island of chios). There are some surprising events here at times. Last winter, for instance, a high ranking member of either the Pakistani or Bangladeshi government held a rally here and was feted amongst the expatriate communities who emigrated into the neighborhood. Mostly, it just seems to do private parties and neighborhood events. This represents two more demographic shifts in Astoria, one finishing up and one just beginning.
LIC Turn Verein detail – photo by Mitch Waxman
The “Turners’, as they call themselves, are still around- here’s their website, and the Newtown Pentacle is pleased to let them tell their own story.
LIC Turn Verein detail – photo by Mitch Waxman
These folks are the inheritors of a genteel middle class society, industrial workers who were considered skilled craftsmen. Known world wide for their skills in working metals and wood alike, the Germans of the 19th century were recruited in large numbers to come to New York, and they were glad to leave behind the catastrophic events which were in living memory of these new Americans. The concept of the coming “fin de siècle” was very much in their minds. It’s part of the reason behind the 19th century religious revival movement, suffrage (New York allowed women to vote in 1917), anti-slavery, and temperance movements all were at their apogee in the final years of the 1900’s. The 20th century is all “-ism’s” in the same way the 19th century is all “movements”, and the 21st seems to be about the “-ists”.
44th street between Northern Blvd. and 34th avenue- photo by Mitch Waxman
Leaving the 19th century, and heading south toward Northern Blvd. the neighborhood suddenly turns a bit seedy, and at night- queer groups of adolescent troublemakers congress with baser elements of Astoria’s underworld in the desolate shadows of sodium light. That’s the west side of the street, though, and on the east- you’ll find some lovely typography adorning the cavernous garage that serves Major Auto World.
Northern Blvd, 44th st., 35th avenue intersection- photo by Mitch Waxman
Looking to your right, you’ll see the Citbank megalith, and Manhattan hidden behind that white sign on the right hand side. We’re not going this way, just reminding you- gentle reader- to look both ways before you cross. Northern Blvd. is more properly described as a six lane highway which is a primary artery connecting vehicle traffic in western Queens with Manhattan via the Queensborough Bridge and the highways leading eastward to Long Island which intersect it on the north shore of Queens. It also serves as a shortcut route to LaGuardia airport for knowledgeable taxi drivers.
Northern Blvd at 44th street, south side- photo by Mitch Waxman
Directly in front of you will be the major world entrance. If you’re an automotive enthusiast, buy a hot dog and go shopping, they have a LOT of used cars.
Northern Blvd at 44th street, looking east- photo by Mitch Waxman
From the appearance of the automobile, this section of Northern Blvd., formerly the Trolley car thoroughfare called Jackson Ave.– and before that the Jackson… oh no…
…alright, here we go-
John C. Jackson was president of the Hunters Point, Newtown and Flushing Turnpike Company, which built Jackson Avenue as a toll road. It allowed ships from Long Island Sound to drop their cargo on the North Shore of Queens, allowing them to avoid the dangerous and crowded East River and Hells Gate- and the infamously criminal controlled docks of Long Island City and Manhattan. Cargo traffic was first transported by mule barge, then wagon team, and eventually electrified Trolleys and automotive vehicles. It also connected the isolated villages of the north shore of Queens with the economic superpowers of the East River metroplex and the world beyond through the Port of New York. It is precisely the freight that the Long Island Railroad was originally sited to carry.
in 1921, Jackson ave. was renamed Northern Blvd., which fit the rational, progressive, and scientific spirit of a world recovering from the shattering horror of the Great War.
Northern Blvd at 45th street, looking east- photo by Mitch Waxman
I first noticed this place a few years ago. It is very well wrought, and has the appearance of a hollywood set piece. I’ve been looking around for quite a while, and scrounging through the usual sources, but I kept on coming up blank on the history of this place. Were I not such an awkward and contentious being, I would have considered calling the realtor advertising the edifice as available. You may have noted my preferences in referential hyperlinking to public information, as I subscribe to the Cory Doctorow theorem that “information WANTS to be free”, but in this case, I need to refer you to copyrighted materials.
Luckily, the footsteps I take around the Newtown Pentacle have been walked by others with an eye for the strange- the antiquarian- the hidden.
Northern Blvd at 45th street, Packard building- photo by Mitch Waxman
A significant resource to the amateur antiquarian here in the Newtown Pentacle is the Greater Astoria Historical Society, the officers of which hold the key to vast archives of historical artifacts and esoteric knowledge. Close examination of their publications, and websites, revealed an identity for this enigmatic holdout from the early 20th century.
Northern Blvd at 45th street, Packard building- photo by Mitch Waxman
This was a Packard dealership in 1929.
Packard Automobiles – from wikipedia
Packard was an American luxury automobile marque built by the Packard Motor Car Company of Detroit, Michigan, and later by the Studebaker-Packard Corporation of South Bend, Indiana. The first Packard automobiles were produced in 1899 and the last in 1958.
Northern Blvd between 45th and 46th streets, Packard building- photo by Mitch Waxman
The building currently houses a series of shops and small offices, and is carved up into small spaces. The GAHS photo below shows the structure in its heyday of 1929, as a two level automotive showroom. Amazing- I love Astoria.
Check out this link to the Greater Astoria Historical Society’s smugmug page– this is the same building, in 1923.
I cannot recommend highly enough the purchase of their excellent Long Island City book.
We’re plunging into a new photowalk, Lords and Ladies of Newtown, from Astoria to Calvary. This has been part one.
DUPBO… or Down Under The Pulaski Bridge Onramp
Pulaski Bridge from Newtown Creek – photo by Mitch Waxman
Context:
The Polish Lithuanian Commonwealth was a superpower in the 18th century world. From our post 20th century perspective, it is hard to conceive of Poland as being the strongman of Europe, but in land warfare they were as feared as the Tsarist Cossacks or Turk Janissaries– professional warriors- shock troops-who always got the job done.
Know that scene in the “return of the king” movie when Gandalf comes riding down leading the Rohan horsemen- Its Tolkien’s fantasy metaphor for what happened when the Poles arrived at the Siege of Vienna in 1683 under the leadership of John III Sobieski.
Looking up at the Pulaski Bridge from Long Island City – photo by Mitch Waxman
The formal and hereditary noble class of this military juggernaut was called the “szlachta“. Kasimierz Pulaski was a “szlachta“. His father was Starost (elder) of the area of Warka, and Kasimierz was sent to Warsaw at an early age for formal schooling and military training. He began his career as Page to the Duke of Courland, Carl Christian Joseph (of Saxony). The neighboring Russian empire dominated the Commonwealth and used its muscle to force the Polish Parliament to pass anything that the Tsar demanded. Pulaski, with others, formed a rebel group called the Bar Confederation which fought and won against the Russians- even succeeding in drawing them into a protracted war with the Ottoman Empire in 1768.
illustration from wikipedia
Pulaski Bridge and Newtown Creek – photo by Mitch Waxman
This strategy backfired as victory in the conflict allowed Russia to assume control over Ukraine, the Crimean Khanate, and the Caucasus from the already deteriorating power of Istanbul. The Turks allied themselves with the Bar Federation, and Russia with Great Britain. Pulsaki’s rebellion was broken by the betrayal of the King of Poland in the end, and Pulaski developed an enmity toward the English crown for its role in his country’s destruction and subjugation.
Looking north at Pulaski Bridge Tower over Newtown Creek, Queens side – photo by Mitch Waxman
The term for their cause that the Bar Federation coined was the “Golden Liberty“. Exiled from Poland with a charge of attempted Regicide, no country in Europe would accept Pulaski as a citizen. Until word of his plight reached a certain printer from Philadelphia who was living in Paris.
Looking north at Pulaski Bridge Tower from Newtown Creek, Queens side – photo by Mitch Waxman
History:
Over in North America a letter arrived from the Continent addressed to General Washington, one sent by his longtime colleague, the printer turned diplomat named Benjamin Franklin. In it Pulaski is introduced “as renowned throughout Europe for the courage and bravery he displayed in defense of his country’s freedom”. Accepting the recommendations of Franklin, the American Augustus invited Pulaski to join the cause, and offered him a chance at vengeance upon the British allies of his mortal enemies- the Russians.
Pulaski declard “I came here, where freedom is being defended, to serve it, and to live or die for it.”.
Jaws of Newtown Creek, Pulaski Bridge – photo by Mitch Waxman
At the Battle of Brandywine, Pulaski’s quick thinking and battlefield hardened experience saved Washington from defeat and death. Elevated to Brigadier General of the Cavalry, Pulaski used his own fortune to arm his men when Congress was slow in funding them. He is credited as being the father of the American Cavalry, and was instrumental in creating the system of practice drilling, training disciplines, and martial customs which have long been a distinction of the American Cavalry ever since.
Looking north at Pulaski Bridge Tower from Newtown Creek, Queens side – photo by Mitch Waxman
At the Siege of Savannah in 1779, Pulaski was hit by grapeshot and died of his wounds. There is debate over his resting place, but I favor the notion that he was buried at sea (just for the romance), but those in the know believe him to lie in Savannah, Georgia. In 2007, the US Senate got around to declaring Kasimierz Pulaski a citizen of the United States, but the bill still needs to pass the in House of Representatives and be signed by the President to become official.
Looking north at Pulaski Bridge Tower from Newtown Creek, Queens side – photo by Mitch Waxman
So, to celebrate this swashbuckling prince of Poland, who was instrumental in the transformation of the Colonial Army from a peasant brigade to an army that could fight the British, New York City named a bridge over Newtown Creek after him.
Just The Facts:
A bascule drawbridge of paralell counterweight design, the Pulaski Bridge was overseen by New York City Commissioner of Public Works Frederick Zurmuhlen, and the general contractor was the Horn Construction Company, with steel and expertise supplied by Bethlehem Steel. It opened in September of 1954 at a cost of $9,664,446.25- a reconstruction of the bridge in 1994 cost $40 million. It carries six lanes of vehicular traffic, and is a primary link between north Brooklyn and western Queens.
Looking west at Pulaski Bridge Tower from Newtown Creek, Queens side – photo by Mitch Waxman
It is the first bridge one encounters when entering the Newtown Creek, and it is oriented on a north south vector over the aqueous surface. It connects fabled Greenpoint in Brooklyn to the tangle and enigma of Long Island City in Queens. McGuinness Boulevard approaches the bridge from the south and Eleventh Street from the north. It has two 10.5m roadways divided by a concrete median barrier. It also carries a 2.7m pedestrian sidewalk. The bridge provides a channel with a horizontal clearance of 45.7m and a vertical clearance of 11.9m in the closed position at MHW and 13m MLW.
In this late 1940’s map at trainsarefun.com, the old Vernon Avenue Bridge is still in place, and the Pulaski is still under construction.
also-found this for sale on ebay, no affiliation
ad for Bethlehem Steel, 1953
Looking south at Pulaski Bridge Tower from Borden Avenue, Queens side – photo by Mitch Waxman
On the Queens side, approach from Borden Avenue. In previous posts, I might admonish that you will be crossing the very active grade level LIRR rail tracks leading to the Hunters Point station, warn you that you are walking by a group of very paranoid Port Authority cops working security at the Midtown Tunnel, or mention that it’s a busy truck route with multiple blind corners and virtually no sidewalk…
But- I wouldn’t want anyone to think that Long Island City’s industrial quarters are dangerous or anything…
Pulaski Bridge staircase – photo by Mitch Waxman
There are only seven available colors approved for bridges to be painted with in the City of New York, which are defined by the Public Design Commission as Deep Cool Red, Federal Blue, George Washington Bridge Gray, Aluminum Green, Pulaski Red, Munsell Gray or Dark Green.
Its sort of obvious what color Pulaski Red is.
Pulaski Bridge staircase – photo by Mitch Waxman
An Opinion:
I make it a point of not touching the Pulaski Bridge with anything other than the soles of my shoes. There is a thriving colony of pestilential fowl living in its rafters, and they delight in painting the bridge according to their own fecund taste. I also make it a point of walking through wet grass and puddles on my way back home to the noble hills of Astoria.
Looking north at Pulaski Bridge Tower from Newtown Creek, Queens side – photo by Mitch Waxman
Observations:
The Bridge has similar staircases at either side of the Newtown Creek, which allow access to the combined pedestrian walkway and bicycle lane. Looking due north, one sees Big Allis, The Queensboro bridge, and the toll plaza of the Midtown Tunnel. This pathway also offers commanding views of Manhattan due west.
“Stitched” Panorama of New York CIty from Pulaski Bridge over Newtown Creek, Queens side – photo by Mitch Waxman
Problematic encounters between speeding bicyclists and pedestrians have become a common experience for Newtownicans on this walkway. The visible affair is obviously in need of remedy, before a collision results in tragedy.
Pulaski Bridge, NYC Marathon 2009, corner of Jackson ave. and 49th ave. -photo by Mitch Waxman
Incidentally, the Pulaski Bridge is the 13.1 mile point in the New York Marathon, for which it is closed to vehicular traffic annually. This shot is from 2008.
Looking north from Pulaski Bridge, Queens side – photo by Mitch Waxman
Looking down, on the Queens side. The area under the bridge is used as a parking lot by the employees of area businesses, like FreshDIrect on Borden Avenue- whose operation is located directly eastward on the shore of the Newtown Creek.
Looking southeast from Pulaski Bridge, Queens side – photo by Mitch Waxman
There are always a heterogeneous collection of vehicles here, most simply parked- but some occupied by sleepers, others with romantic pairings of.. short acquaintance… ahem…
For an undetermined period of time, a man with no legs lived out of a van parked here, grilling his meals on a portable BBQ made from a steel can. I have to say that this area always fills me with an odd disquiet, a mocking feeling of being watched. Were I only to have some evidence to confirm these intuitions of my timorous nature…
Looking southwest from Pulaski Bridge, Queens side – photo by Mitch Waxman
To the West, an open air warehouse directly on the Newtown Creek bulkheads.
Looking west from Down Under the Pulaski Bridge Onramp, Queens side – photo by Mitch Waxman
At the water’s edge, one can gain a unique vantage point looking west toward Hunters Point.
Pulaski Bridge mooring, Queens side – photo by Mitch Waxman
The bridge’s works, from the Queens side. Notice the high tide sludge line on the moorings.
Pulaski Bridge mooring, Queens side – photo by Mitch Waxman
From this vantage, you can visualize the catwalks and ladders hidden within the superstructure of the bridge.
McGuinness Boulevard from Pulaski Bridge – photo by Mitch Waxman
Looking east from Down Under the Pulaski Bridge Onramp, Brooklyn side – photo by Mitch Waxman
The first thing you’ll notice is that this is where the DOT parks part of their truck fleet.
(the blown out section of the above photo is actually Paidge avenue, a left on which will carry you to the Newtown Creek Wastewater Treatment Facility Nature Walk)
Looking northwest from Down Under the Pulaski Bridge Onramp, Brooklyn side – photo by Mitch Waxman
Don’t forget to look the other way though, the view is a stunner.
Lords and ladies of Newtown, this has been the Newtown Pentacle introduction to DUPBO.
The Terracotta House, or… what is that?
New York Architectural Terra-Cotta Works, LIC -photo by Mitch Waxman
After an apocalyptic fire in 1886, the New York Architectural Terra-Cotta Works needed a new headquarters. One that befit its role as the preeminent manufacturer of architectural ceramics.
Built in 1892 as an office for the company that supplied terra-cotta for Carnegie Hall and the Ansonia Hotel, among others. The company went out of business in the 1930s, and the building became vacant. It was eventually bought in 1965 by Citibank. Its ruins can be found at 42-10 – 42-16 Vernon Avenue, across the street from the sumptuous hedonism of the newly opened Ravel Hotel, and next door to the venerable and recently feted span of the Queensboro Bridge. It was landmarked in 1982.
Two and one half stories, the structure is actually the front office of an industrial complex that was once surrounded by a 12 foot high wall of brick, which enclosed an open storage yard, a 5 story factory, and the kilnworks one would expect to find at such a large endeavor. Its satisfying design was crafted by Francis H. Kimball, architect of the celebrated Montauk Club in Brooklyn, and it is in the Tudor Revival Style.
New York Architectural Terra-Cotta Works, LIC -photo by Mitch Waxman
In preparation of the forthcoming Silvercup west project, the City of New York is compelled to conduct archaeological surveys by state law, seeking any evidence of pre-contact native american artitfacts. The area is a likely choice for such artifacts, as 10th street (800 ft or so from here) is the site of a former stream that ran though an elevated section of the marshy land typical of western Queens on its course to the East River. Nothing aboriginal was found, but the presence of large scale 19th century industry would have likely obliterated anything that might have been there.
Notable forebears of the Terra-Cotta works in this area were the Wallach Mansion, and the Long Island Farms Orphans Schoolhouse – a city owned 4 building asylum which burned to ash in 1847. Ravenswood was a neighborhood of fine riverside estates by the 1860’s, and Willy Wallach wanted the site for one of his own. By the late 1880’s, after the 800 pound gorilla came to Long Island City, an ideal place for locating an industrial operation was in this neighborhood of former mansions. The New York Architectural Terra-Cotta Works company purchased the Wallach estate and the neighboring Gottlieb estate.
New York Architectural Terra-Cotta Works, LIC -photo by Mitch Waxman
After the Terra-Cotta Works ended its incorporation, no doubt due to the seismic collapse of the national economy in 1932, the facilities enjoyed a diverse career under its owner- RIchard Dalton. First- it continued manufacture of terra cotta ornaments for use in New York City Parks (when Robert Moses was in charge) as the Eastern Terra Cotta Company, second- in 1950 it began to serve as a sorting center for plastic waste and the bailing of waste paper, and finally- in something curiously named “electronics operations”. Dalton used the building for his personal offices until he died in 1965, and his heirs sold the property to Citibank. Spared demolition in 1976, Terra-Cotta House was orphaned when the rest of the site was obliterated by a wrecking crew.
The building was landmarked in 1982, and is maintained by Citibank. The Silvercup West people plan on this being a charming feature for their development of the area. At the time of its glory, New York Architectural Terra-Cotta Works was the fourth largest employer in Long Island City. By the early 1970’s the place was abandoned and overgrown, forgotten by area residents. Local activists fought for and gained it landmark status in 1982.
Be sure to check out this FEIS link, they’ve got a photo on the last page of the place in its heyday.
Click here for the Silvercup West FEIS
Check out an old New York Times article on the Terracotta House here.


































































