The Newtown Pentacle

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horror forcing

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The empty corridor.

– photo by Mitch Waxman

Borden Avenue, or at least the section of it pictured in today’s post, was officially designated as such in 1868, after an engineered “plank road” was erected through the swampy low lands surrounding the Dutch Kills tributary of Newtown Creek. It was primarily designed as a commercial corridor, connecting the upland farms and dairies of Maspeth and Woodside with the docks in Hunters Point at the East River. Borden… Borden Milk… Roads were named for where they went back then.

The wetlands of Dutch Kills were filled in at the start of the 20th century, and the railroad took advantage of all the new dry land to hurl spurs out to the various industrial buildings which were erected on the reclaimed flatlands. LIRR still crosses Borden Avenue several times a day at street grade, about a mile west of where these shots were gathered.

The Long Island Expressway truss defines the section of Borden between Greenpoint Avenue and Review Avenue, and the blighted area beneath it is something I refer to as the “Empty Corridor.”

– photo by Mitch Waxman

Dutch Kills itself was rendered into its current form and course at the start of the 20th century, shortly after NYC consolidation in 1898. A huge land reclamation project was being conducted by the Pennsylvania Railroad Company – the creation of the Sunnyside Yards – was occurring about a half mile to the north and west and a construction magnate named Michael Degnon began buying up the wetlands surrounding Dutch Kills from the estate of a former Governor of New York State. Degnon used excavated fill from another one of his projects – the East River subway tunnel which carries the modern day 7 line train – to create dry land around Dutch Kills. Concurrently, the United States Army Corps of Engineers was busy creating industrial bulk heads and “canalizing” the entire Newtown Creek and its tributaries.

That’s the Borden Avenue Bridge pictured, the existing version of which was erected in 1908. It’s not the first Borden Avenue Bridge, but it’s the one that’s stood the test of time.

– photo by Mitch Waxman

While all this tumult and “terraforming” was going on, the Long Island Railroad was investing in the LIC area as well. The Lower Montauk trackage, as it’s known today, connects the Fresh Pond Yard with the East River along the northern shore of Newtown Creek. There are two railroad bridges spanning Dutch Kills. One is DB Cabin, a turnstile bridge which is still quite active but cannot turn or open, and it provides a direct track link between the Blissville and Wheelspur Yards on the lower montauk right of way. The other is Cabin M, which leads to the Montauk Cutoff elevated tracks that formerly connected to the LIRR Main Line tracks at the Sunnyside Yards. Before all this end of the world stuff started, MTA indicated it was going to demolish Cabin M. Somehow, I don’t think that’s happening anytime soon.

As I always say, despite the fact that I call it the “empty corridor” there’s quite a lot going on down here and lots of interesting things to see on a walk in LIC.

Also, on this day in NYC history: The Triangle Shirtwaist Fire occurred in 1911.

Note: I’m writing this and several of the posts you’re going to see for the next couple of weeks at the start of the week of Monday, March 16th. My plan is to continue doing my solo photo walks around LIC and the Newtown Creek in the dead of night as long as that’s feasible. If you continue to see regular updates as we move into April and beyond, that means everything is kosher as far as health and well being. If the blog stops updating, it means that things have gone badly for a humble narrator.


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Buy a book!

In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.

pitiable tones

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My Creek always welcomes my triskaidekaphobia.

– photo by Mitch Waxman

Shlep, shlep, shlep. That’s my game. As an old Christmas cartoon used to musically opine – “put one foot in front of the other, and soon you’ll be walking out the door.” Why it is that when I leave the house I inevitably end up in places like this is somewhat mysterious. What draws a creature like me out into the public sphere in the first place, as I belong in a catacomb or dungeon awaiting unwary travelers like some great spider? All interaction with others is strained and painful for me. My countenance causes children to cry, dogs to yelp, and induces startled reactions from adults. When I begin to speak, the croaking notes and gurgling exhalations are often described as being scented by and carried aloft on a bilious breeze. If I could get away with it, I’d wear naught but prophet’s robes, but come close with the filthy black raincoat and hooded black sweatshirt. Every now and then I catch a reflection of myself in a shop window and even I’m scared at what I see.

I’ve arrived at an age where pieces are about to start falling off as if I’m some sort of a biblical leper. Truly objectionable am I, ask anyone. God hates me, but to be fair, that’s probably my fault.

– photo by Mitch Waxman

People have always enjoyed making an example of me, or holding me to a higher standard than others despite my low social status. As a child, I’d be sitting in a school auditorium reading a book quietly while my classmates were all acting like irradiated monkeys and pyromaniacs. The Principal would surmount the stage and scream “WAXMAN” into the loudspeaker, whereupon my daily humiliations would resume.

I can’t help it that I stand out. I was born this way. These experiences, and many more, have caused me to become quite “vengeance” based in my thinking. I’m going to make the world pay, and pay dearly, for what’s been done to me.

– photo by Mitch Waxman

My beloved Newtown Creek is the same way – reviled, ruined, lonely, lost. She and I have an understanding with each other, and since we are kindred spirits, the Creek never disappoints when I’m visiting. I feel like I should throw in a “verily” here.

Look at my sweetie, the way she opened the Greenpoint Avenue Bridge for me just as I happened to be passing by. She’s a good old girl, the Newtown Creek.

Enjoy your Friday the 13th, lords and ladies, especially so since there’s a full moon tonight. As a note, Sunday marks the “ide of March” as well as being National Egg Cream day.


“follow” me on Twitter- @newtownpentacle


Buy a book!

In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.

altered youth

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Like every other piece of wind blown trash, I always end up at Newtown Creek.

– photo by Mitch Waxman

God, how I love it so – the wastelands of Long Island City at night. One can just let it all hang out, laugh maniacally without scaring the neighbors, and embrace the dissolution and horror of it all here at the titular center of the great urban hive. The Coronavirus wouldn’t last two seconds around here, as far nastier and better established pathogens would beat the crap out of the newcomer. Hand sanitizer? Look where I like to hang out on a Saturday night. Hand sanitizer would bubble, boil, and froth if you poured it on the sidewalk here in Blissville.

The good news about all this pandemic panic is that I finally have an excuse to not have to shake hands or exchange hugs with the humans. Nepenthe.

– photo by Mitch Waxman

That’s Green Asphalt pictured above, a company whose raison d’être is the 2010 Solid Waste Management Act, dictating that NYC can no longer use landfills to dispose of road surfacing materials. When the contractors working for the NYC Department of Transportation scrape away a road’s armor, the milled materials are transported to Green Asphalt or a similar operation where the stuff is heated up and mixed with a small amount of new product. The resulting mass of steaming goo is then used to repave a street, often the very same street it’s was just milled off of.

That’s called recycling, baby, recycling.

– photo by Mitch Waxman

Green Asphalt is found on one of my very favorite streets in Queens, Blissville’s Railroad Avenue. Why do I like it so very much? Could be those jet black cats with the glowing yellow eyes. Also might be the railroad tracks which give the street its name, or the ghosts of industrial titans like Fleischman’s Yeast, Van Iderstine’s rendering plant, or even the lesser branches of the Haberman family tree which used to stretch out hereabouts. I like darkness, and solitude, so there’s that too.

It’s hard to find a place in NYC where you can be truly alone, but one such as myself is always alone, even in a crowd.


“follow” me on Twitter- @newtownpentacle


Buy a book!

In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.

awful formula

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Bridge2bridge.

– photo by Mitch Waxman

One has been spending quite a bit of time around the fabled Newtown Creek since the first of the year, after suffering through months of broken big toe infirmity and de facto isolation, and shots of the type above – depicting the new Kosciuszcko Bridge from alongside the fenceline at First Calvary Cemetery – have been gathered, but recent endeavor found this particular troll underneath a completely different bridge.

Temperature inversions usually bring fog as well as rain, both of which can either enhance or eviscerate photographic opportunity. Not having quite enough time during a recent foggy episode to head down south to my beloved Newtown Creek, one instead found himself pedantically scuttling northwards.

– photo by Mitch Waxman

Astoria Park offers gorgeous views of both the Hell Gate and Triborough Bridges, but the winter time opportunity for me involves finding ways to incorporate its skeletal trees into the shot, to act as a frame for the mighty spans. I love me a creepy looking tree, I do.

This was a shot of opportunity, as in it wasn’t “intentional,” rather it just popped up at me while I was wandering past. Weirdly enough, despite the February cold and damp, people were running the track and doing all sorts of exercising. Freaks.

Since I set the standard for sanity in this world, just like Caligula did in his day, I say that the only logical pursuit on an evening like this would be listening to Black Sabbath’s entire discography on shuffle while carrying around a camera and tripod and trying not to fall into the East River.

I have spoken.

– photo by Mitch Waxman

I had to walk in gooey mud for this one, so for those of you who like this shot, part of its journey to you involved me having to first break out a broom and then a vacuum to clean up the mud which I accidentally tracked back into the house upon returning to HQ. Yuck.

Unfortunately, the fog on this particular evening wasn’t quite the “pea soup” that I was hoping for. There’s definitely a bunch of moisture hanging in the air, but it was nowhere near as opaque as I wished it to be.


“follow” me on Twitter- @newtownpentacle


Buy a book!

In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.

reticent stranger

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High over Greenpoint.

– photo by Mitch Waxman

One enjoys the walk over the new Kosciuszcko Bridge so much that I actually walked nearly a mile out of my way to use it the other night. A meeting required my attendance at Newtown Creek Alliance HQ, which is located in close proximity to the Greenpoint Avenue Bridge, and afterwards I headed eastwards towards the pedestrian/bike path entrance for the Kosciuszcko span over Newtown Creek. I will opine that shooting from up there is a fairly complicated process at night, due to the contrast of the endemic shadow which the industrial zone in Greenpoint offers and the bright lights of Manhattan off in the distance, as well as the vibratory effects of heavy traffic hurtling along this section of the Brooklyn Queens Expressway.

You’re looking downwards into Brooklyn, at the very intersection of Meeker and Varick Avenues, in the shot above. It’s a pretty unfriendly street scape down there, and the business on the lower left hand side of the shot with the high steel fencing still had guard dogs patrolling their lot until just a few years ago. The fencing isn’t exactly flush with the ground, and while walking by several years ago one of their Rottweilers had almost worked itself under the fence in pursuance of biting a humble narrator’s bottom. I’ve sort of avoided this section of Varick since, and have largely concerned myself with documenting the NYS DOT project of replacing the 1939 Kosciuszcko Bridge above.

I refer to this area as Brooklyn’s DUKBO – for Down Under the Kosciuszcko Bridge Onramp.

– photo by Mitch Waxman

That’s a waste transfer station you’re looking at there, loading a municipal waste truck. Specifically it’s called the Brooklyn C&D Transfer Station, or Varick Avenue Transfer Station by its operators, a company called Waste Connections. Don’t know much about them, and I’ve never met anyone from the company. Apparently – and this is based on a single google search, so don’t hold me to it – they accept construction and demolition materials, asphalt, concrete, and “special waste.” The latter is an industry catch all term for waste materials that can include; Cement Kiln Dust Waste, Crude Oil and Natural Gas Waste, Fossil Fuel Combustion Waste, Mining and Mineral Processing Waste. It seems to be a 24 hour business down there on Varick Avenue, and I’ve never personally seen it closed. There’s usually a line up of privately owned dump trucks waiting to get in there and “tip” their collections.

Companies like this one process, separate, and then ship out all sorts of unwanted material to either other shipping outlets like rail or port facilities, or truck it out of NYC in huge vehicles like that pictured municipal waste truck. Waste handling is a big industry at the Newtown Creek, I tell you. Garbage industry folks, however, will often chime out the adage “It’s got to go somewhere.”

– photo by Mitch Waxman

They seem to have a separate yard for metals here, and luckily for the wandering photographer, one of the laborers was using some welding equipment while framed up all nice by a well lit materials handler. This is what recycling actually looks like, incidentally. Most people seem to think it’s an occupation populated by Hippies and Oompa Loompas dressed up in clean white uniforms, but it’s quite a heavy industry by definition. It’s also quite a dangerous industry for laborers. There’s all sorts of slippery material on the ground, heavy tools and machines rolling about, multi ton piles of stuff… easy place to get dead, a waste transfer station is. People who work here have to be very, very careful at work.

Back Monday… at this, your Newtown Pentacle.


“follow” me on Twitter- @newtownpentacle


Buy a book!

In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.

Written by Mitch Waxman

February 28, 2020 at 11:00 am