Posts Tagged ‘Dutch Kills’
poisoning efforts
Thursday
– photo by Mitch Waxman
Continuing the night time exploration of the Montauk Cutoff abandoned rail road tracks in Long Island City, this shot focuses in on the Borden Avenue “retractile” bridge. A common sight in Chicago and Pittsburgh, there are only two retractile type bridges in NYC, the other one is found at the Gowanus Canal at Carroll Street. “Retractile” means that the entire roadway is on tracks, and retreats away from its piers to allow maritime traffic to pass through. This is in opposition to the more common form of movable bridge, commonly called a drawbridge, wherein single or double bascules are opened or closed on hinges.
– photo by Mitch Waxman
It was getting late when my little party and I decided to start making our way back to the Skillman Avenue side of the Montauk Cutoff. Along the way, I was clicking the shutter every few steps, trying to record some of the amazing urban landscape I was seeing. This was hardly the first time I’ve been up on the cutoff, of course, but I rarely go up here at night without company.
In recent months, the streets surrounding the Montauk Cutoff have become somewhat “crimey,” so discretion being the better part of valor I decided to ask a couple of pals to come along and provide me with “back.” Better safe than sorry.
– photo by Mitch Waxman
There’s quite an effort underway at the moment to organize this abandoned series of tracks into a public space. I, for one, can’t wait to be able to bring people up here legally. As far as who owns the place, it’s the MTA.
The MTA is… well, it’s the MTA.
Note: I’m writing this and several of the posts you’re going to see for the next week at the beginning of the week of Monday, December 14th. My plan is to continue doing my solo photo walks around LIC and the Newtown Creek in the dead of night as long as that’s feasible. If you continue to see regular updates here, that means everything is kosher as far as health and well being. If the blog stops updating, it means that things have gone badly for a humble narrator.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
scuttled across
Wednesday, Montauk Cutoff.
– photo by Mitch Waxman
As mentioned yesterday, recent adventure found me on the Montauk Cutoff tracks in Long Island City well after sunset. What drew me up there is the renewed effort on behalf of Newtown Creek Alliance to activate these abandoned rail road tracks as public green space. Imagine it, if we could add the roughly four acres of space up here to your portfolio of “places to go” in LIC?
Currently, visiting this spot is considered illegal trespass by the Governmental entity which owns it, specifically the MTA. Consider these photos my confession.
– photo by Mitch Waxman
The Montauk Cutoff leads to an inactive railroad bridge called Cabin M, which crosses the Dutch Kills tributary of Newtown Creek near its intersection with the main stem of the waterway. Just to the south, and pictured above, is a very active rail road bridge called DB Cabin, which connects the Wheelspur and Blissville Yards of the Long Island Railroad’s Lower Montauk tracks over the water.
As I tell everyone, there’s stupid – risking arrest for trespass on inactive tracks – and then there’s stupid – risking getting squished by a freight train by walking on active tracks. The former falls under the “ya plays ya cards, ya takes ya chances” whereas the latter is just dumb.
– photo by Mitch Waxman
Looking roughly northwards towards the Borden Avenue Bridge and the Long Island Expressway at Dutch Kills, that’s how I would describe this shot to an editor.
I ran a daylight version of this a couple of weeks ago, and made a point of mentioning the huge number of inactive yellow cabs being stored here. The pathway along the Borden Avenue Bridge is one I’ve been positively haunting throughout the pandemic. It feels like I’ve been in this area at least once a week since March.
Note: I’m writing this and several of the posts you’re going to see for the next week at the beginning of the week of Monday, December 14th. My plan is to continue doing my solo photo walks around LIC and the Newtown Creek in the dead of night as long as that’s feasible. If you continue to see regular updates here, that means everything is kosher as far as health and well being. If the blog stops updating, it means that things have gone badly for a humble narrator.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
writhing subsided
Tuesday in Long Island City’s concrete devastations.
– photo by Mitch Waxman
Recent endeavor found one up on the abandoned tracks of the Montauk Cutoff in Long Island City after dark. Given the isolation and a series of recent encounters with potential hooligans and a few wackadoodles in this area, I decided it was an atypically good idea to have some company with me for once, so my pals Gil Lopez and Don Cavaioli came along. The Montauk Cutoff has been described several times here at Newtown Pentacle – notably in this 2015 post, and more recently the streets surrounding it were detailed in a series of posts starting here.
Long story short, an abandoned set of elevated railroad tracks in LIC that stretch from Skillman Avenue at Sunnyside Yards all the way to the Dutch Kills tributary of the fabled Newtown Creek.
– photo by Mitch Waxman
It’s actually quite beautiful up on the tracks, with lots of self seeded vegetation and all sorts of feral critters roaming about. I brought along my tripod and the new camera, and got busy up there. There’s a terrific amount of light to record, but that’s where the challenge comes in, from a photographer POV. It’s very bright, and very dark, all in the same frame.
My pal Gil was listening in to a Zoom meeting about some sort of extinction event, and Don C. seemed blown away by what he was looking at. Once your eyes adjust to the lighting, there’s all sorts of splendor to observe.
– photo by Mitch Waxman
We spent an hour, maybe two, up there. I was busy the whole time, doing whatever the hell it is I do when I’m shooting.
More shots from the Montauk Cutoff tomorrow.
Note: I’m writing this and several of the posts you’re going to see for the next week at the beginning of the week of Monday, December 14th. My plan is to continue doing my solo photo walks around LIC and the Newtown Creek in the dead of night as long as that’s feasible. If you continue to see regular updates here, that means everything is kosher as far as health and well being. If the blog stops updating, it means that things have gone badly for a humble narrator.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
twisted about
Wednesday, it just kind of lies there, like some sort of thing.
– photo by Mitch Waxman
Continuing the inaugural run with my new camera rig, a visit to the Dutch Kills tributary of the fabulous Newtown Creek found in the heart of Long Island City, was a bit of a no brainer. Of course I’m going to go to one of the spots I know best to test the new gizmo out. Duh. For those of you who missed out on me rattling on about this subject on Monday and Tuesday, it’s a Canon R6, a full frame mirrorless and modern DSLR camera. 90% of the shots offered here at Newtown Pentacle over the last 8 or 9 years were captured using an older model camera – the Canon 7D – which uses a mirror system and a “crop” sensor. I won’t bore you with the technical stuff, if you’re interested in the differences between the two, there’s literally hundreds of sites which delve into the details about sensor size, mirrorless vs. mirror systems, and the benefits or negatives associated with each.
In my case, I simply outgrew the 7D. Pushed the thing to its limits, did everything with it I could, and was nearly always happy with the results. The R6 offers a different set of limits, albeit ones that are far distant from those of the 7D. I’m holding on to the older camera, for which a couple of people have asked me “why”? Answer: two is better than one.
– photo by Mitch Waxman
That’s the Montauk Cutoff, specifically the section found on Hunters Point/49th Avenue in LIC. I’m going to be talking a lot about this set of abandoned railroad tracks in the next few months, and I’m making a serious commitment – photographically speaking – to recording its splendors in the coming months. At the same time, all of us at Newtown Creek Alliance are working on the Montauk Cutoff project at the moment, which is a major anchor property in what we call the Dutch Kills Loop. Check out this site which my pals at NCA have set up discussing the DKL concept and vision.
Saying all that, this is the sort of thing I’m doing on Friday nights these days, as the brief summer interval during which pandemic concerns were lowered is over, and you’re not going to see me inhabiting an outdoor table at a bar anytime soon. I seriously miss seeing my gang of Astorian idiots and drinking the Guinness right about now, but what are you going to do? Can’t argue with a logarithmic curve on the infection numbers. When you see a hockey stick shape on a graph that doesn’t show your bank account balance, you should run away from it.
– photo by Mitch Waxman
One spent a bit of that particular Friday night in direct proximity to the Montauk Cutoff. I’ve written about this elevated trackage before, as a note, notably in this 2015 post. I’m planning on heading back up there in the dark sometime this week, so stay tuned for some new views captured with my new camera rig.
Also, these are some seriously lonely streets with an odd and increasing number of street denizens roaming around. I recently had a weird encounter with a couple of young fellows down here in what I call the “Empty Corridor.” Stay frosty, my friends.
Note: I’m writing this and several of the posts you’re going to see for the next week at the beginning of the week of Monday, November 30th. My plan is to continue doing my solo photo walks around LIC and the Newtown Creek in the dead of night as long as that’s feasible. If you continue to see regular updates here, that means everything is kosher as far as health and well being. If the blog stops updating, it means that things have gone badly for a humble narrator.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
altogether superhuman
Tuesday, here again.
– photo by Mitch Waxman
Recent endeavor found me marching the new camera around to all the old familiar places in Long Island City. It was a comfortable night in industrial LIC, with temperatures in the high 50’s and clear skies.
Y’know, when I was composing this particular image, I was thinking “man, this is going to piss off George the Atheist.” George doesn’t like me messing around with angles like this, and I’ve received a few other “meh” statements on doing this sort of thing, but what the hell. I really wanted to get most of that tree in frame, and didn’t want to walk a block away to do so. Sorry, George.
– photo by Mitch Waxman
Dynamic range is a term describing the width and depth of contrast and color which a camera sensor is capable of recording, and one of several factors that governed my choice in purchasing the Canon R6 as the new “master cylinder” which would accompany me wherever I go. Pandemic spawned supply chain issues have created a situation in which even the staggeringly efficient operation that is BH Photo couldn’t fill my entire order in one go, and even at this writing I’m still waiting on various essential add-on’s and gear to arrive at HQ. Batteries, L-Bracket, an adapter which will allow my collection of older lenses to work with the new camera (there’s a new lens mount on the R series) – all have been arriving piecemeal at HQ.
One of the things I consider when buying on with a computer or camera system is the ecosystem surrounding it. Consider the iPhone, which is nearly always the category leader in the smartphone category, but only proprietary Apple branded peripherals can plug into the thing. When Apple bangs you out for $50 on a USB cable, the only USB cable you can charge the gizmo with – that’s ecosystem. On a grander scale, Volkswagen and Porsche use specialized screws in their cars, and you have to buy the screwdrivers and ratchet heads from them – expensively – if you want to repair the things yourself. Ecosystem. It’s the part of the price of things which doesn’t turn up on the sticker, and is one of the ways which modern day corporatists feed upon their customers long after the initial purchase has cleared.
– photo by Mitch Waxman
Testing the capabilities of the new camera has been all consuming, so I haven’t had much time to worry about when the rest of my gear will turn up. Luckily, when my new toy was ordered, a native RF mount lens was part of the package. These shots were captured with a 24-105mm f4 L series zoom lens, for the edification of you curious pixel peepers out there.
Initial reaction? So far, I’m amazed by what the combination of lens and in body image stabilization offers me as far as hand held and low light shots – as much as 8 stops of stabilization. I’m also loving what tripod shots like the one above are rendering as, and that flip out screen is an early game changer. More to come…
Note: I’m writing this and several of the posts you’re going to see for the next week at the beginning of the week of Monday, November 30th. My plan is to continue doing my solo photo walks around LIC and the Newtown Creek in the dead of night as long as that’s feasible. If you continue to see regular updates here, that means everything is kosher as far as health and well being. If the blog stops updating, it means that things have gone badly for a humble narrator.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.



















