The Newtown Pentacle

Altissima quaeque flumina minimo sono labi

Posts Tagged ‘Manhattan

relief party

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Grand Central Terminal at night.

– photo by Mitch Waxman

As detailed in prior posts, a fairly serious crush injury and subsequent broken bone within the big toe of my left foot has been getting in the way of my normal activities, and a humble narrator has had to think strategically about how to continue working behind the camera while conserving my steps. Given that I normally ignore anything “The City” except the shorelines of Manhattan, and that the entire transit system is “Manhattancentric,” it seems that I’m going to be visiting the Shining City a bit more than normal in the coming weeks. Hell.

The particular outing detailed in this week’s Newtown Pentacle involves a ride on the 7 train through LIC and into Manhattan while recording some of those landmark structures overlooked in favor of the outlier areas that are normally inhabited by one such as myself. That’s Grand Central Terminal, quite obviously, in the shot above.

– photo by Mitch Waxman

Now – during my art school days in Manhattan, at the School of Visual Arts, my focus wasn’t on photography. I was an illustration and cartooning major, and if you saw a young but already humble narrator in these parts pursuing his craft it would have involved a sketchbook. I’d always have one with me, and would often find a place to sit down and start drawing. I had friends who were majors in the photo and fine arts programs, and would sometimes run into them wandering around with film camera setups or behind an easel with a canvas on it “working from life.” In the 1980’s, it was a fairly common sight to see artists at work all over NYC.

Based on the looks and stares I was receiving from the modern populace, it is apparent that seeing artsy fartsy folk doing their thing is no longer a common sight in the Shining City. Seemingly, the only people who live in Manhattan these days are either millionaires or homeless. As a note, the crazy pants and or clown shoes crowd seem to like hanging about the Grand Central area as well. Guess they’ve been booted out of their traditional hunting grounds in the Union Square and Penn Station zones.

– photo by Mitch Waxman

Speaking of art school, one drawing class which I remember fondly was one where we’d disperse into Grand Central and do quick three minute drawings of people. Now, 1980’s Grand Central wasn’t what it is today. Back then, it was hive of scum and villainy, and was colloquially known as the world’s largest homeless shelter. If you liked the crack, or the needle, it was likely that you were sleeping in, on, or around Grand Central Terminal. The structure itself was in a horrible state of repair. Squalid, dirty, nasty. Back then, you could still smoke inside of public buildings in NYC, and a pall of tobacco smoke hung about. The lower levels were the worst, and quite dangerous to hang around.

A buddy of mine claims to have visited the so called “condos” which the MTA swears up and down as having never existed. These were makeshift residences in side tunnels and accessways created by “morlocks” or “mole people” who never saw the burning thermonuclear eye of god itself wheeling about in the sky.


“follow” me on Twitter- @newtownpentacle


Come on a tour!

With Atlas ObscuraInfrastructure Creek! My favorite walking tour to conduct, and in a group limited to just twelve people! December 14th, 1:30-3:30 p.m.

Click here for more information and tickets!

Buy a book!

In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.

Written by Mitch Waxman

November 27, 2019 at 11:00 am

lamenting bitterly

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More 7 train shenanigans.

– photo by Mitch Waxman

For the shot above, it took three attempts to get what I was looking for. I had to time the exposure so that I clicked the shutter roughly ten seconds before the 7 left the station, which gave me the open doors and some detail on the exterior of the train set. The twenty seconds that followed saw the doors close and the 7 leaving the station, hence the streaks of light from its running lights.

This shot was of the sort I had in mind when I set out from HQ in Astoria, on my “not too much walking” photo walk. That busted toe is still a factor.

– photo by Mitch Waxman

I rode the 7 into the City, and debarked at the Grand Central stop. This platform can be referred to as “Grand Central Station” as it’s not the final stop for the subways rolling through it. The grand old building it sits under is Grand Central Terminal, indicating it as the destination for the rolling stock used by Metro North. The 7 has two terminal stops, one in Flushing out in Queens, and the other at Hudson Yards on Manhattan’s west side. I’m not nerdy about trains, but specificity is important when discussing any subject in an intelligent manner.

“Revenue service,” as in carrying paying customers, began in this station on the 22nd of June in 1915. Back then, the 7 was a short run, transiting between LIC’s Vernon Jackson and Grand Central. It wasn’t until November of 1916 that the trains began going to Queensboro Plaza, and the Flushing Line extension (to Alburtis Avenue) didn’t open until April of 1917. Times Square was reached in 1927, and 1928 is when the 7 reached Flushing. 2015 is when the Hudson Yards stop opened.

– photo by Mitch Waxman

Upon arriving on the streets of Manhattan, a humble narrator hit the streets and changed the camera’s setup over to a proper tripod and a better lens configuration. My plan for the night was to try and keep both the Chrysler Building and Grand Central Terminal in frame and never stray too far from “Da Deuce,” or 42nd street for those of you not from “here.”

The broken toe thing, and I’ve got at least another month of healing ahead of me, means that one has to keep the scuttling to a minimum and really work the hell out of a spot when I’ve arrived at it. I can hear industrial Maspeth calling, but I dare not answer for a few weeks. In the meantime, the Shining City is sitting there like some kind of cheap whore, just waiting to be exploited.


“follow” me on Twitter- @newtownpentacle


Come on a tour!

With Atlas ObscuraInfrastructure Creek! My favorite walking tour to conduct, and in a group limited to just twelve people! December 14th, 1:30-3:30 p.m.

Click here for more information and tickets!

Buy a book!

In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.

Written by Mitch Waxman

November 26, 2019 at 11:00 am

diagonal fracturing

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You just have to love the Chrysler Building.

– photo by Mitch Waxman

One of the more annoying things about the appearance of the so called “super talls” and the Hudson Yards “Dubai on the Hudson” nightmare has been the pollution and obliteration of sight lines and the sky silhouettes of the Empire State and Chrysler Buildings. The prominent position of the Chrysler Building in particular – skyline wise – has been diminished by this spate of construction, but there you are. NYC’s history is one of wrenching and often jarring change, take a picture right now, since whatever caught your eye might not be there next month.

The shot above was captured during a rare atmospheric phenomena (for NYC, at any rate) called “mammacular clouds,” which manifest after a strong thunderstorm cell has just passed through the area.

– photo by Mitch Waxman

Another day, another thunderstorm, different camera, same midtown Manhattan art deco skyscraper. Y’know, I’ve never been inside the Chrysler Building. I’m told it’s almost universally populated by Dentist and Doctor’s offices, but that might be just a rumor. There’s lots of rumors about NYC, and I prefer the “as above, so below” variants. I’ve been in the weird complex of tunnels and rooms under Rockefeller Center, and can confirm that you can move between Broadway and Fifth in the lower east 50’s without ever having to emerge from the underground. There’s golf cart style vehicles driving around down there, lots of pipes and conduits, all sorts of banal stuff. I was never able to locate the Rockefeller’s cloning lab though.

I’d like to believe that there’s a mirror image of the Chrysler Building that penetrates down into the schist bedrock nearly 1,000 feet. The deep earth midtown underground is really something I imagine, but I’d not want to enter the “lower” lower east side without a military escort. I’m told that there used to be a dwarvish mine below the Alfred E. Smith houses, but that it was abandoned because of some dark and fiery entity called “Imperiale’s Bain” which invaded the space from below, driving out the dwarves. “You shall not pass,” as Daniel Moynihan used to say.

– photo by Mitch Waxman

It took a little bit of hunting through the archives to find the shot above, but there you go. You can just see my house over in Astoria, as a note, if you zoom in.

Every now and then, I like to think about the number of hours of labor that the landscape of NYC represents. Not just the construction of the towers, mind you, goes into the contemplation. All that steel and concrete and window glass and electrical wiring – everything – that is arranged just so in the shot above. The mind boggles.


“follow” me on Twitter- @newtownpentacle


Come to the library!

In the Shadows at Newtown Creek – The Roosevelt Island Historic Society has invited me to present a slideshow and talk about my beloved Newtown Creek at the New York Public Library on Roosevelt Island, on November 14th, 6 p.m. Free event!

Click here for more information.!

Buy a book!

In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.

Written by Mitch Waxman

November 12, 2019 at 11:00 am

Posted in Manhattan, Midtown

Tagged with ,

lacquered patinas

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Signs and portents.

– photo by Mitch Waxman

Everybody wants to tell you what to do, all the time. Signage adjures, cautions, forbids, and demands attention wherever you look. If you’re literate, your brain instantly begins putting together the messaging on signs and you have no choice but to receive the intended messaging. For years, I’ve wondered about whether or not there’s some combination of words which could render you instantly insane upon receiving them, in the manner of a magick spell. Could a campaign of signage designed to transmit a “very bad idea” or incantation end civilization itself, and reduce mankind to atavistic savages in the process? We can only hope so.

Personally, I’m reduced to reaching into the archives today, as the whole busted toe drama has reduced my productivity to nearly zero.

– photo by Mitch Waxman

I won’t fill you in on how to interpret the sign above, in the language of NYC’s street culture, but if you are literate in slang it’s quite a funny message.

One did manage to attend two CB1 community board functions this week, both of which saw me using a taxi to get to the meetings. The first was held by the “land use” committee, which I’m not a member of but we are encouraged to attend all committee meetings whether or not we are officially a member thereof. I’m trying to visit with each one of the groupings at least once, in pursuit of meeting all the other CB1 members and also learning the operational side of things. Personally, I’m on the “transportation” and “environmental” committee groups.

“Land use,” which was on Wednesday night, seems to focus in on zoning and other niceties of the City Planning process. Discussed was the status of Rikers Island. It seems that despite Rikers being officially and politically part of the Bronx, Queens CB1 has regency over the island and facility. The Dept. of City Planning was seeking board consensus for two items – redefining the island as a “public place,” and secondly the effort to create a locked down deadline of December of 2026 for when detention would no longer be allowed on Rikers Island. Discussion of what comes after occurred, but that was shelved as it’s functionally impossible to predict what the next Mayor and the next City Council coalition would want to do with it.

– photo by Mitch Waxman

Last night, the “transportation” committee met. We received a presentation from Revel, a private company offering “last mile” electric moped services. With an app and smartphone based business model which feeds customers to their moped fleet of 1,000 units (currently), the Revel people were quite nice and prepared for questions and answers. In general, I’m liking their service (which I don’t use, but several of my friends do), and the conversation with their reps centered around safety and operational issues. My questions for them centered around privacy issues, how long trip data persists on their servers, and so on.

It was nice to be amongst people, for a sheltered invalid such as myself.


“follow” me on Twitter- @newtownpentacle


Come to the library!

In the Shadows at Newtown Creek – The Roosevelt Island Historic Society has invited me to present a slideshow and talk about my beloved Newtown Creek at the New York Public Library on Roosevelt Island, on November 14th, 6 p.m. Free event!

Click here for more information.!

Buy a book!

In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.

Written by Mitch Waxman

November 8, 2019 at 11:45 am

protective illusions

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Rainy NY Harbor.

– photo by Mitch Waxman

Ultimately, the whole reason you’ve been treated to me expounding on the hellish nature of the Times Square subway station, as well as positing that the Garden of Eden was located in Times Square itself, is that the Working Harbor Committee offered a Circleline tour during the afternoon and I was in the City anyway. It was positively pouring out, which a humble narrator decided to make the best of. For once, I wasn’t busy on the mike, so a clickety clicking with the camera was commenced.

In addition to the steady downpour, there was a dense fog permeating the scene. Actually, there were seemingly two fog banks, one clinging to the surface of the water, with the second about 200-300 feet up. In between was rain, constant rain. It’s never boring out on the water, I guess,

– photo by Mitch Waxman

Foggy days are a formidable challenge in terms of acquiring tack sharp focus. The occlusion of ambient light due to the misty clouds changes constantly, and this sort of climate is especially vexing in terms of not absolutely destroying your camera. Liquids, aerosols, and all the other states which water takes are absolute anathema to digital devices. Luckily, my omnipresent bag of tricks includes the everyday carry of a couple of supermarket carrier bags.

I pop a hole in the bottom for the lens, gaff tape to bag to my lens hood, and then stick my hands through the carrier loops to keep in it place. Looks stupid, but it’s effective, and I don’t pay BH Photo $7-8 a pop for those clear plastic doohickeys. Also, I don’t have to worry about having one with me, since they fold up into a two inch square rather easily and weigh virtually nothing.

Since atmospheric conditions were supplying me with background and foreground separation, isolating my subject was a piece of cake. The hard part was forcing my camera to focus in on the tugboats, rather than the droplets of water falling through the intervening atmosphere between the tug and the lens. Truth be told, I shot the set up above six times and got two positive results, with the one above being the pick of the litter.

– photo by Mitch Waxman

It’s always a bit of a trial getting the exposure correct when you’re on the water in NY Harbor. You’ve got great big dark things floating about in a luminous and quivering jelly, with bright sky and a hopelessly complicated shoreline which you’re photographing from a quick moving object, essentially. What do you expose for? Why are you here? Who are you?

Due to the pall of humidity, I had to shoot at a fairly high ISO as far as daylight goes. The hard part was getting the color temperature correct during the development stage of things. Here’s a tip – on high iso days like the one pictured above, set your camera to record in a cooler range to reduce noise. If you shoot daylight (5400 kelvin in the Canon family) the rusts and oranges will barely register as anything BUT noise. Your shot will look weird, noisy, and too warm. I captured these at a custom color temperature setting of 3750 K, and then pushed the color to 5500 K when the raw files were in photoshop. That reduced the amount of noise considerably, while neutralizing the color back into what my eye saw.

Anyway, that was my week of wet, at your Newtown Pentacle.


“follow” me on Twitter- @newtownpentacle


Come on a tour!

With Atlas ObscuraInfrastructure Creek AT NIGHT! My favorite walking tour to conduct, and in a group limited to just twelve people! October 29th, 7-9 p.m.

Click here for more information and tickets!

Buy a book!

In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.

Written by Mitch Waxman

October 25, 2019 at 11:00 am