The Newtown Pentacle

Altissima quaeque flumina minimo sono labi

protective illusions

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Rainy NY Harbor.

– photo by Mitch Waxman

Ultimately, the whole reason you’ve been treated to me expounding on the hellish nature of the Times Square subway station, as well as positing that the Garden of Eden was located in Times Square itself, is that the Working Harbor Committee offered a Circleline tour during the afternoon and I was in the City anyway. It was positively pouring out, which a humble narrator decided to make the best of. For once, I wasn’t busy on the mike, so a clickety clicking with the camera was commenced.

In addition to the steady downpour, there was a dense fog permeating the scene. Actually, there were seemingly two fog banks, one clinging to the surface of the water, with the second about 200-300 feet up. In between was rain, constant rain. It’s never boring out on the water, I guess,

– photo by Mitch Waxman

Foggy days are a formidable challenge in terms of acquiring tack sharp focus. The occlusion of ambient light due to the misty clouds changes constantly, and this sort of climate is especially vexing in terms of not absolutely destroying your camera. Liquids, aerosols, and all the other states which water takes are absolute anathema to digital devices. Luckily, my omnipresent bag of tricks includes the everyday carry of a couple of supermarket carrier bags.

I pop a hole in the bottom for the lens, gaff tape to bag to my lens hood, and then stick my hands through the carrier loops to keep in it place. Looks stupid, but it’s effective, and I don’t pay BH Photo $7-8 a pop for those clear plastic doohickeys. Also, I don’t have to worry about having one with me, since they fold up into a two inch square rather easily and weigh virtually nothing.

Since atmospheric conditions were supplying me with background and foreground separation, isolating my subject was a piece of cake. The hard part was forcing my camera to focus in on the tugboats, rather than the droplets of water falling through the intervening atmosphere between the tug and the lens. Truth be told, I shot the set up above six times and got two positive results, with the one above being the pick of the litter.

– photo by Mitch Waxman

It’s always a bit of a trial getting the exposure correct when you’re on the water in NY Harbor. You’ve got great big dark things floating about in a luminous and quivering jelly, with bright sky and a hopelessly complicated shoreline which you’re photographing from a quick moving object, essentially. What do you expose for? Why are you here? Who are you?

Due to the pall of humidity, I had to shoot at a fairly high ISO as far as daylight goes. The hard part was getting the color temperature correct during the development stage of things. Here’s a tip – on high iso days like the one pictured above, set your camera to record in a cooler range to reduce noise. If you shoot daylight (5400 kelvin in the Canon family) the rusts and oranges will barely register as anything BUT noise. Your shot will look weird, noisy, and too warm. I captured these at a custom color temperature setting of 3750 K, and then pushed the color to 5500 K when the raw files were in photoshop. That reduced the amount of noise considerably, while neutralizing the color back into what my eye saw.

Anyway, that was my week of wet, at your Newtown Pentacle.


“follow” me on Twitter- @newtownpentacle


Come on a tour!

With Atlas ObscuraInfrastructure Creek AT NIGHT! My favorite walking tour to conduct, and in a group limited to just twelve people! October 29th, 7-9 p.m.

Click here for more information and tickets!

Buy a book!

In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.

Written by Mitch Waxman

October 25, 2019 at 11:00 am

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