The Newtown Pentacle

– photo by Mitch Waxman

Whilst marching past the sky flung and quite cyclopean walls of First Calvary Cemetery, which form the border between life and death along Review Avenue here in Queens, your humble narrator found himself stricken with certain longings for times past. Not the usual longings, borne of long nocturnal studies into the occluded and dim history of the fabled Newtown Creek and environs, but instead a desire to return to that moment in time when it was all new to me- just a few years ago. Far have my solitary marches across the concrete desolations of the Newtown Pentacle taken me from that original path.

– photo by Mitch Waxman

When that hellish green flame of revelation was first lit, before I found out about Conrad Wessel and Cord Meyer and had no idea who Michael Degnon or Dagger John might be, the wonderland of Newtown Creek was merely another industrial area which had fallen on hard times and the sort of place which I always found myself wandering through. As a kid, it was south Brooklyn and the maritime era leave behinds which adorn Jamaica Bay. These days I’m conducting tours of the area for academic and political crowds, and speaking extemporaneously on the historic ramifications of it. Fear has risen in me that I’m losing my focus.

I almost walked past this glob of risible decay without photographing it, for instance.

– photo by Mitch Waxman

Recent inundation, which has been typical for the storm addled year of 2011, has saturated the low lying alluvial plain around the Creek and betrayed its past as wetlands. Accordingly, anything lying on an open patch of dirt immediately becomes soaked. I couldn’t tell you what this glutinous mass with a vaguely fibrous texture once was, but I am oh so glad I was still capable to notice it. The thing about the Newtown Pentacle, a term coined to describe the pentangular geographic distribution of the early European colonies in western Queens and Northern Brooklyn, is that the devil is always in the details.

– photo by Mitch Waxman

Microscopy upon any subject often obscures the larger themes surrounding it, in essence when you follow Alice down the rabbit hole, you forget that the shire still lies without. The pile of discarded newspapers in the shot above, which are curiously and analogously arranged in the shape of a fallen man, obscured a bag of pots and pans. Repulsively filthy, one of the cooking pans was filled with human excrement.

Curiously, the pans were in the approximate location that a pelvis might be found on a human.

– photo by Mitch Waxman

It has been painful to stand in public, as to be seen by so many diminishes me. Duty, however, demands that I tell the story of this place, no matter the personal cost.

This Sunday, the public tours of Newtown Creek will be departing from Pier 17 at South Street Seaport. The afternoon session is already sold out, but a few tickets are still available for the morning one. Heavily discounted (and I would point out that I have zero financial interest in the tours) at $10, due to a grant from NYCEF fund of the Hudson River Foundation, these will most likely be the last chance for the general public to see the Newtown Creek by boat until the spring.

And your humble narrator is anxious to get back out on the streets and find more mystery globs of risible decay, altars of unknown and foreign gods, and the graves of both Battle Ax Gleason and “he who must not be named”…