The Newtown Pentacle

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Thursday

– photo by Mitch Waxman

One last trio from Dutch Kills for today. What can I say, it’s either been horribly hot or raining for the last week. Gah, do I hate this time of year in NYC. If there was only mist or fog associated with NYC’s summer humidity… but it’s just a blue haze of murky ozone light in late August. If you’re curious, I was flipping through all of the lenses in my kit while at Dutch Kills this particular evening, and the one used for today’s post is the RF 24-105 f4 L.

Every lens seems to have its own color rendition, flaws and strengths, there’s even a difference in exposure in some cases. Science and optics, bro, science and optics.

– photo by Mitch Waxman

Since it was a lifetime ago, and a former variant of the current “me,” I seldom mention to people that I used to draw comic books. Saying that, the training in “storytelling” that revolves around that particular discipline of cartooning continues to come in handy, and informs the way I use the camera. Most photo people come to a scene and do “one and done,” whereas I’m gazing “up, down, all around” before I even click the shutter button, trying to figure out how to tell a story with it.

You need to do “establishing shots” which place the reader in a scene, followed by close ups and other angles, and a wrap up establishing shot. It’s better to have the singular composition which will be your “wow, look at that” photo accompanied by several companion shots from a storytelling point of view. Another concern which I try to shoot for is the unfortunate fact that a lot of my shots are going to end up having type set against them for presentations. That’s something else you learn from drawing comics – leave room for the speech balloons and sound fx. I mention this because today’s images are all establishing shots.

– photo by Mitch Waxman

Another incarnation of mine was the advertising industry production and photo retouching one. The comics never really paid the bills, and a boy has to eat. I’ve done Times Square billboards, specialized in publication specific print ads (there’s a 15 year period during which I had something printed in either the New York Times or Wall Street Journal every day), worked on early internet sites like Jaguar.com, and if you walked into a Footlocker to buy sneakers at the start of this century the big banners and other “POS” stuff hanging in the windows was probably something I had sent to the printer. Again – leave room to set type or a logo on the image but shoot it so that it still could stand on its own as a single image without copy. It was an incredibly dull work life, incidentally, and not remotely like Mad Men.

The current incarnation is the craziest life I’ve ever known, however.


“follow” me on Twitter- @newtownpentacle


Buy a book!

In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.

Written by Mitch Waxman

August 26, 2021 at 1:00 pm

5 Responses

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  1. Loved the tie-ins from your comic-book and ad-making histories to your approach to photo creation, Mitch.

    Kenneth Furie

    August 26, 2021 at 2:06 pm

  2. Why are the mirrorless camera lenses only F/4 while the dlr’s are 2.8?

    georgetheatheist . . . stop bath

    August 26, 2021 at 4:02 pm

  3. 2.8 zooms for the mirrorless?

    georgetheatheist. . . stop bath

    August 26, 2021 at 9:43 pm


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