The Newtown Pentacle

Wednesday

– photo by Mitch Waxman

Ultimately, I’m quite pleased with the 16mm wide angle lens that was recently added to my kit bag, but it has limitations that can be frustrating. I like leaving my zoom lenses at home sometimes, and using prime lenses with fixed focal lengths instead. After cracking this shot out I changed up the gear, affixing an 85mm lens to the camera instead, which is the opposite of the 16mm in most ways and not just magnification.

The hole in my arsenal is telephoto at this point. Rumor has it that Canon is finally going to let third party manufacturers into their RF mirrorless mount ecosystem, notably Sigma. What I’ve been desirous of with this camera system has been a counterpart of the old ‘all in one’ Sigma zoom I used to attach to my old crop sensor ‘7D’ model camera. I sometimes adapt that old warhorse onto the newer ‘R6’ camera I currently carry, but I’m throwing away a third of the image by doing so and it negates the point and advantages of the ‘full frame’ image sensor within the gizmo.

– photo by Mitch Waxman

Also – I’ve been a fan of this F2 85mm lens since acquiring it towards the end of the pandemic, I’d mention, but I’d love to be able to ‘reach out and touch someone’ with a 300mm or greater zoom occasionally. The legacy Sigma lens I like is an 18-300 ‘all in one,’ if you’re curious.

My path back to HQ on this walk included having to cross Pittsburgh’s Monongahela River, so I headed over to the Smithfield Street Bridge (pictured above) to do just that.

As opposed to the 16mm with its typical ‘fish eye’ style distortion, the 85mm is pretty true and ‘square’ to the eye, and it needs little in the way of lens correction during the developing process – unlike the 16mm.

Truth be told, I don’t ‘need’ a long view 99% of the time and my preferred method for rectifying that sort of thing is to just find a better point of view that’s closer to the subject. Saying that, sometimes you can’t get a better angle from closer up, or something is happening and you’re nowhere near it. Train coming into frame, tugboat, wild boar? Seconds, that’s what you’ve got to work with, and that all in one lens is perfect for such situations.

– photo by Mitch Waxman

Saying that, there’s a whole decision process that I force myself to have when I’m packing up my bag before leaving HQ. First question is the circumstance of light – what time is sunset/sunrise? Weather? Inside or outside or both? Am I bringing a tripod? Plan on doing filter shots? What’s my route and what do I expect to see? Lots of times, the answer is to just bring the heavy zoom lens, and switch out for a wide aperture prime when it gets dark. Saying that – All of this stuff gets pretty heavy on a long walk, so is there anything I can leave back at HQ?

Staying organized with all the gear is a real challenge, I’d add. Lens caps go in a certain pocket, as do gloves, and a tissue to blow my nose, there’s a small cotton towel I always carry in case it rains, there’s the phone, all of it needs to be kept track of. Every pocket has a designated purpose, and I’ve made religious obeyance of this a habit.

Nothing worse than the sudden realization that you’ve stupidly lost something along your way. At least to me.

Back tomorrow.

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