Archive for the ‘Broadway’ Category
addressed as
Banal pedantry, and Western Queens, in today’s post.
– photo by Mitch Waxman
Whilst hanging around at my local bar, recently, one has been forced to eat a bunch of crow by the working guys who voted for “he who must not be named.” I don’t say the name of the President Elect, as it lends him power in the manner of a certain Harry Potter villain – as a note. The working guys are generally union members who became convinced that “the Mexicans are taking my job,” and voted accordingly. I have declared a moratorium amongst friend and foe alike, as I cannot spend another minute of my time discussing the 2016 Presidential election, which went on for what seemed like four or five years.
At the moment, I’ve got other fish to fry.
– photo by Mitch Waxman
Admiration is what I feel towards the “canners” of Queens, for instance. Observationally, I see mostly Latino or Asian folks pursuing this line of profiteering – picking through this bin or that one in pursuance of the deposit money for aluminum can and glass bottle. We native born Citizens generally leave our pocket change in the curbside recycling bags, but our newly arrived neighbors believe – rightly – that the streets of New York City are paved with gold, if you just expend a bit of effort to harvest it.
I wonder if the Catholics have assigned a patron saint for the canners?
– photo by Mitch Waxman
While watching the humans in their daily rounds, one of the things which I’m currently observing and finding fascinating are their set of behaviors, social mores, and so on. One comment I can offer is that people spend a lot of extra energy on walking that they don’t need to in pursuance of looking “cool.” Bad shoes, pants falling down, lots of gestural movements that have little or nothing to do with locomotion. Focus, people, focus.
Ultimately, it’s all pretty depressing, but interesting nevertheless.
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looke backe
Banal pedantry, Astoria, and the day the music died.
– photo by Mitch Waxman
It is absolutely unfathomable to me how hidebound government is. The DEP has a problem with “floatable” solid materials entering the sewage flow. The DSNY is under orders to provide public waste receptacles for street trash. The DOB is on a crusade to discover illegally converted apartments in residential buildings.
DOB enforcement, which uses DSNY inspector data to discover the presence of illegal conversions, causes the residents of illegal apartments to not put their trash out on the curb for collection by DSNY, so they use the street corner trash bins to dispose of household garbage instead. This causes the bins to overflow, which causes the trash to fall on the sidewalk and street, where it enters the sewer system and bedevils the DEP – which does nothing to control their sewage from flowing into waterways via open overflow pipes. The DSNY positions their overflowing trash bins – overflowing due to DOB – right next to DEP’s sewer grates so… sigh…
We are all doomed, and hurtling towards destruction, aren’t we? When I mention this sort of thing to officialdom, their response isn’t “wow, we should rethink this,” it’s “that can’t happen because it’s illegal.”
– photo by Mitch Waxman
The City is all agog, under the leadership of the Dope from Park Slope, about affordable housing. Rather than process the fact that there is actually housing which ordinary and current residents CAN afford, but which is found in extant transit deserts outside of the City center – the DOB and City Planning assists the Real Estate Developer shit flies in demolishing existing housing stock within the center in pursuance of creating mega structures. They do not seem to consult with the sewer and water people at DEP about built capacity first, or the electrical and gas supply companies like ConEd or National Grid, or the transit folks at MTA as to the existential result of this population loading. The whole notion of expanding mass transit options to College Point or other outer circle spots – now that’s madness.
To put it plain – Bill De Blasio and his inane shit fly inspired “vision” is going to destroy New York City, or at least leave behind a series of bills to pay that will make the Presidency of George W. Bush look fiscally responsible.
– photo by Mitch Waxman
The Burrachos of Astoria’s Broadway, whose population has been seriously cut down by the 114th Pct. and the Dept. Of Homeless Services in the last year – largely due to the urging and cajoling of this, your Newtown Pentacle – have been exploring their creative side lately.
A series of deployed guitars have been observed, many of which have been strummed while chanties have been sung. I’m actually a casual fan of modern day Latin American folk music, much of which centers around the adventures and warfare of “Los Narcos” in their struggles with competitors and describes their resistance against “Los Federales.” Seriously – Google for some of the “El Chapo” songs and think about the early years of Woody Guthrie and Pete Seeger.
It’s been a pleasure to discover that the Burrachos are something other than just drunks and bums, but unfortunately – they still have a dark side that extends beyond defecating on the sidewalk. Pictured above is the consequence of using a guitar as a bludgeon, and it signifies the day that the music died on Broadway in Astoria, Queens.
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blasphemous disturbance
Evil lurks, in darkness.
– photo by Mitch Waxman
One has long decried the presence of a horde of vampires in Queens Plaza, where they spend their days hiding in the steel of the elevated subways. The presence of the Baltic Strigoi and the Cretan Kalikantzaros in Astoria, the Liches and the syncretic wizardry of South America observed at St. Michael’s Cemetery, the Egyptian Djinn of Steinway Street, those curious Celtic creatures lurking in the post industrial subterrene voids of Blissville, and the unmentionable Dibbuks of the Chabad in Williamsburg have all been discussed in the past. These are all immigrant imps, however, carried to Brooklyn and Queens by the European masses. Supernatural immigrants from old world to new.
Occluded, however, are the belief systems of the original inhabitants of western Long Island.
from wikipedia
Kishelemukong is the creator god, not involved in the daily affairs of the Lenape. Instead, he directed the manitowak, the life-spirits of all living things, which were created by Kishelemukong. The manitowak were venerated in ceremonies, rituals, dreams, visions, games and ohtas (see below), as well as through the interventions of the Metinuwak, who were healers, spiritual and emotional guides, and religious leaders; they could communicate with the manitowak.
– photo by Mitch Waxman
Living, as we do, in a time when the 19th and 20th cultures of Brooklyn and Queens are being dismantled and burned away in the crucible of “development,” one has been ruminating of late about the aboriginal cultures which were similarly dismantled by the Manhattan people during earlier eras. The “Lenapehoking” pre conquest era has captured my interest, but I’m dismayed at the primary source materials which I’ve been able to lay my hands on. Unfountuntely, much of the early source material on the subject I’ve scanned propagates the mythology of the “Noble Savage” and what Kipling called “The White Man’s Burden.”
Problem is that almost everything I’ve been able to find on the Lenape – and their various cultural splinters around New York Harbor – was written by the very same people who decimated and conquered them. It’s a bit like reading a Nazi history of the Second World War, or a British history of their empire in the Raj. I’m looking for some guidance on the subject, books to read, scholars to query. I’ve already reached out through my social network to modern day members of the surviving Lenape nation, but that’s a set of relationships I’m just beginning to develop. Any suggestions on “what to read” would be greatly appreciated, if you happen to be clever about the subject, and I’d ask you to share links and suggestions “with the group” by dropping links into the comments link below.
from wikipedia
A noble savage is a literary stock character who embodies the concept of an idealized indigene, outsider, or “other” who has not been “corrupted” by civilization, and therefore symbolizes humanity’s innate goodness. In English, the phrase first appeared in the 17th century in John Dryden’s heroic play The Conquest of Granada (1672), wherein it was used in reference to newly created man. “Savage” at that time could mean “wild beast” as well as “wild man”. The phrase later became identified with the idealized picture of “nature’s gentleman”, which was an aspect of 18th-century sentimentalism.
– photo by Mitch Waxman
This line of inquiry was initiated for me by an argument I found myself in with an academic ignoramus who decided to describe the Lenape to an audience of students not too long ago. Her version of the Native Americans of New York Harbor was a composite of Hollywood representations of the Cree and Lakota cultures, which included teepees and solar worship.
I am quite familiar with the Native cultures of northern and central Mexico, as a note. The Mexica – or Aztec – imperial culture of Lake Texcoco is something which I’ve studied in great depth for instance. I can actually offer quotations of Aztec poetry, speak intelligently about their economy and agricultural systems, and have a more than passing knowledge of the complexity of their religious traditions. If the Mexica Triple Alliance Empire – Aztec is a Spanish word – had another hundred years to develop, the Europeans would have encountered an analogue of Cesarean Rome when they landed at Vera Cruz, and the story of the North American continent would have turned out VERY different than it did.
Wisdom of crowds time, lords and ladies – what and who should I be reading?
from wikipedia
The Lenape (/ləˈnɑːpɛ/) are a Native American tribe and First Nations band government. They are also called Delaware Indians and their historical territory included present day New Jersey and eastern Pennsylvania along the Delaware River watershed, western Long Island, and the Lower Hudson Valley.
Most Lenape were pushed out of their homeland during the 18th century by expanding European colonies, exacerbated by losses from intertribal conflicts. Lenape communities were weakened by newly introduced diseases, mainly smallpox, and violent conflict with Europeans. Iroquois people occasionally fought the Lenape. Surviving Lenape moved west into the upper Ohio River basin. The American Revolutionary War and United States’ independence pushed them farther west. In the 1860s, the United States government sent most Lenape remaining in the eastern United States to the Indian Territory (present-day Oklahoma and surrounding territory) under the Indian removal policy. In the 21st century, most Lenape now reside in the US state of Oklahoma, with some communities living also in Wisconsin, Ontario (Canada) and in their traditional homelands.
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muffled conversation
There was quite a hullabaloo, here in Astoria.
– photo by Mitch Waxman
One received a text from a neighbor on the night of October 30th that there had been a vehicle collision involving the local gendarmes here in Astoria, so I grabbed the camera and headed down to take a look at what happened.
The NYPD unit involved was from the local precinct, the 114, and they had collided – at speed- with a civilian vehicle at the intersection of 45th street here on Broadway.
– photo by Mitch Waxman
Given that I’m a “yenta” and the whole neighborhood knows it, the neighbors began relating the story to me.
Apparently, the NYPD unit was in one of those big hurries that they periodically display, the kind when they don’t have their sirens or lights on. My understanding is that this is procedure when they’re trying to catch someone surreptitiously by sneaking up on them, or they’re enroute to assist another officer who is in a dicey situation.
Observationally, when Cops blow a light just cause they want to, they perform what could be best described as a rolling stop while doing so. They can also park pretty much anywhere they want to, and I see both as perks.
– photo by Mitch Waxman
One of the local Greeks informed me that he had witnessed the incident. The cops were moving through a red light at the corner of 45th street and Broadway at a considerable velocity when they contacted the front end of a sedan which was proceeding at speed through the green light. They tore the front end of the civilian car up, but neither car’s occupants were seriously hurt. That’s what the Greek guy said.
– photo by Mitch Waxman
That’s the bumper of the sedan, which was being operated by a fairly young guy who had two passengers with him. They were instructed to park around the corner, and seemed – to me at least – as quite anxious. On Broadway itself, there were multiple NYPD people investigating the event. There were ambulances, looking loo civilians like me, and the usual emergency crew that the City’s got.
Of course the three kids were anxious, how would you feel if you had just rammed a cop car?
– photo by Mitch Waxman
I ran into a couple of officers from the 114 a couple of days later (long story) and inquired as to the condition and health of their comrades. They informed that the two officers in the unit were fine, but had taken a couple of days off to recuperate nevertheless. No word on the three kids, however.
My personal belief is that all five participants in the accident probably had to go shopping for new underwear.
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lustrous balustrade
A few odds and ends, in today’s post.
– photo by Mitch Waxman
An ex-Cat, this skeleton was observed in Long Island City up on the Montauk Cutoff tracks about a week ago. There were raccoon tracks surrounding it, which probably explains a lot about where the rest of the cat is. Pretty gross shot, I guess, but there’s a whole lot of existential reality all over LIC when you peek into its shadowed places.
– photo by Mitch Waxman
A renewal of my previously stated opinion that the 7 line is far and away the most photogenic of NYC’s subways is offered. A comparison to Michelle Pfeifer in the movie “Scarface” would be made, but it’s inappropriate.
– photo by Mitch Waxman
Finally, did you know that the “King of Shwarma and Falafel” food truck people have opened a brick and mortar storefront on Astoria’s Broadway at 31st street? Practically under the El? I do, which is why I was waiting for Our Lady of the Pentacle on that instersection recently, and I cracked out this noirish shot of the N/Q stairs to pass the time.
Mmm… Shwarma.
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