Archive for the ‘Pittsburgh’ Category
There is a season…
Tuesday
– photo by Mitch Waxman
Western Pennsylvania is kind of famous for its autumnal ‘leaf season,’ and appropriately so. The place is absolutely choked with vegetation (confirming the ‘sylvania’ thing), whose foliage turns orange and red and yellow as the wheel of the year turns with the seasons. I was lurking alongside a set of rail tracks, hoping to see a passing Norfolk Southern train set when these leaves caught my notice. The train shot didn’t happen, wrong time of day, I guess.
I checked in via a texted cell phone photo, with an arborist hippie buddy of mine back in NYC, a fellow whom I always rely on for plant identification about whether or not this might be Poison Ivy. He was a little ticked at me as he’s actually currently overseas in South East Asia, and that text ended up costing him fifty cents to receive, but he nevertheless assured me that this looked like Boston Ivy to him.
– photo by Mitch Waxman
This particular morning involved another checkup for Our Lady of the Pentacle, in regard to her recent medical procedure. One had time to kill, so I took up station alongside these RR tracks on Pittsburgh’s North Side. As a note, that white car at the bottom left of the shot is the oft mentioned Mobile Oppression Platform. You only get one license plate in Pennsylvania, which goes on the back of the car, but since I bought the car in New York where you’ve got two, the front plate mount on the MOP is empty.
Most of the locals install a humorous plate when they’ve got an out of state car, or a license plate shaped placard which displays allegiance to some sports ball team or a political ideology. I can’t commit to any single humorous message or motto, and couldn’t care less about the sports ball fetish. I’d really like a super bright LED panel there, to be honest. One of the RAV4’s failings is an anemic set of headlamps.
I’ve always liked ‘grass, gas, or ass – nobody rides for free,’ but that’s really more of a mud flap thing, not a plate.
– photo by Mitch Waxman
Back at home, on the same evening as my walkabout, I was still testing the new gear, specifically seeing how the new wide angle lens might handle ‘astro’ shots. If you click on through to Flickr to the larger incarnation of this photo, you’ll see some stars. This was from one of the very rare days in Pittsburgh when there weren’t any clouds. It’s not perfect, I would mention, theres’ a tiny amount of ‘pull’ or coma on the stars.
One needed to begin adjusting his sleeping schedule right around this point in the week, however, going to bed earlier and earlier to facilitate that upcoming day trip I mentioned yesterday, which would start in the extreme early morning a couple of days hence…
Back tomorrow.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
Getting around
Monday
– photo by Mitch Waxman
Ok, this is the last post which will be focused on discussing the experimentation with that new wide angle lens (16mm) I’ve recently acquired, which I walked around with in Pittsburgh on a recent autumn afternoon and evening. Pictured above and below is the T light rail, which was utilized to get ‘to and fro’ on this particular day.
The point of these shots were about testing the thing’s capability, seeing where it sings and where it fails. I learned quite a bit about the lens, and have continued its usage rather than returning it for refund.
– photo by Mitch Waxman
The next few days, after these shots were captured, were quite rainy. That was fine with me, as I had quite a bit of research to complete for an upcoming day trip, one I’ve been anxious to experience since arriving here in Pittsburgh. It has been just about one year now since I closed the cover on Newtown Creek, but there’s a connection to that malign ribbon of urban neglect snaking along the undefended border of Brooklyn and Queens back in NYC, which I’ve long wished to witness. Those posts, exploring the day trip dealie, start up at the end this week, and I hope you’ll come with…
Overall, I’m intrigued by the new lens and what it’s going to let me do. It performed pretty well in low light, I’ll offer. It’s also a weird new tool which I haven’t shot with enough for it to be called ‘predictable.’
– photo by Mitch Waxman
This time last year, one was moving at a thousand miles an hour preparing to leave NYC, and execute the move to Pittsburgh. A humble narrator was also trying to do everything, see everyone, and always be conscious of the fact that ‘everytime was the last time.’ There’s a lot of people whom I just said ‘goodbye’ to, as it’s unlikely I’ll ever see or hear from them again. That’s the New York way, when somebody leaves.
This year, I’ve been in a very very different place, figuratively and literally. I’ve also got that snazzy new 16 mm lens, so there’s that, too.
Back tomorrow.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
Scuttling with trains
Friday
– photo by Mitch Waxman
On the south side of the Monongahela River, where a scuttling narrator found himself walking on the Three Rivers Heritage trail, and CSX #2720 was framed up all nice against the Fort Pitt bridge after it hurtled into the frame, here in Pittsburgh. I knew 2702 was coming, as I had heard signal arm alarm bells ringing from about a half mile distant, and one was desirous of making sure that I ‘got the shot.’ I had ceased experimenting with my two new lenses for a moment, and installed an ‘old reliable’ onto the camera – the 35mm f1.8.
This sort of ‘photowalk’ catch as catch can thing is a whole lot easier when you’ve got a zoom lens on the camera, but that wasn’t the point of what I was doing on this particular day. Test the new glass and get some exercise, that was me.
– photo by Mitch Waxman
There wasn’t any cargo being moved around on #2720, instead it was one of several locomotive engines that were coupled together and moving westwards on the tracks. I continued along the trail’s path, with the ultimate goal of arriving at that brewery I’ve been enjoying hanging around at, and rehydrating myself with a pint of Pilsner.
After quaffing my glass of beer, there were a few more lens tests which I wanted to perform in low light, and my plan was to ride the T light rail back towards HQ. I absolutely treasure the days when I don’t have to drive and can leave the Mobile Oppression Platform back home, in the driveway. The pluses of owning a car are many, but there’s also the whole responsibility thing and sometimes I just want to be ‘foot loose and fancy free,’ if you know what I mean.
– photo by Mitch Waxman
Another CSX train – #4228, pictured above – came roaring towards me. Where this shot was gathered, there’s a grade crossing of the tracks and a couple of those signal arms with the bells. That gave me the time and warning required to swap out the 35mm for the 16mm, and test out its focus tracking performance.
Where the shot above fails for me revolves around the wide angle distortion, which distracts me. The big discovery, mentioned earlier in the week, about this particular lens is that your subject needs to be in the dead bang center of the frame or the image distorts oddly. Live and learn, huh? That’s the whole point of testing a gizmo and seeing what it can do and where it fails.
Back next week with more – from the Paris of Appalachia, at this – your Newtown Pentacle.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
Hi-oh, Ohio
Thursday
– photo by Mitch Waxman
Scuttling along on the West End Bridge in Pittsburgh with a wide angle 16mm lens on the camera, over the mouth of the Ohio River (which is formed by the confluent mating of the Monongahela and Allegheny Rivers below), and a humble narrator had finally at the preordained spot where a lens swap would occur and the other new lens – the RF 50mm f1.8 – was attached to the camera.
I was really running the new glass through its paces on this scuttle, using the camera’s different autofocus mechanisms (zone, spot, tracking etc.) and photographic formulae. The aperture was also being dialed up and down between shots, as I was searching for what would end up being the ‘sweet spot’ settings for the two new lenses. As a note, I seldom do this sort of ‘round the world’ kind of shooting. Normally, I use a tried and true formula based on atmospheric and lighting conditions.
– photo by Mitch Waxman
The 50mm’s sweet spot seems to be either f2.8 & f4. The optical formula underlying the so called ‘Nifty Fifty’ has always been somewhat persnickety in my experience. Sometimes it hits perfectly, other times it’s inexplicably ‘off.’ That’s why you take multiple exposures, though.
A storm was brewing, and later on in the evening a drizzling rain started up. At this particular moment, however, it was merely overcast.
– photo by Mitch Waxman
Norfolk Southern was moving a train set along one of their elevated tracks, with the thing heading eastwards. I had seen it coming down the river when I was still a hundred yards from this spot, and decided to use the opportunity to activate the camera’s ‘follow focus’ autofocus settings, which were also set for ‘vehicle’ tracking. The lens performed well, locking in on the desired subject amongst a polyglot of other distractions.
Back tomorrow.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
Scuttling wide
Wednesday
– photo by Mitch Waxman
Testing out a couple of newly acquired lenses, a humble narrator debarked Pittsburgh’s ‘T’ light rail service at its terminal stop, which is dubbed as ‘Allegheny.’ Allegheny is across the street from the sports ball stadium on Pittsburgh’s North Side, where the Pittsburgh Steelers do their thing. I had walked and described this path in detail last week – here, and here. A pretty decent scuttle this is, I would mention, one which is about 5 miles long and involves negotiating several flights of stairs, while offering interesting scenery that’s quite ’photogenic.’
At the start of the endeavor, I had outfitted the camera with an extremely wide angle prime lens of 16mm which offers something like 140 degrees of view. There’s a decent amount of distortion inherent to this kind of ‘fish eye’ dealie, although a true fisheye would be more like 8mm. I was trying to ‘get to know’ the thing.
– photo by Mitch Waxman
One of the things I learned on this walk is that the focal point for the lens needs to be in the dead bang center of the frame, or you’re going to get a significant amount of optical fisheye distortion. Look at the way that the truck in lower right leans into the shot above, for instance. This is after the photoshop lens profile is applied, which somewhat ameliorates these distortions, I would add. There’s a way around this sort of thing, with a different kind of wide angle lens that’s called a ‘tilt shift,’ but there you are.
A humble narrator was heading towards the West End Bridge pictured at the center of the shot, which is described in one of the posts linked to above. It was overcast and cool out, but I was sweating a bit as I was really leaning into the walk and moving somewhat rapidly. According to my phone’s health app, this part of the walk was 12,162 steps long, which translates down to about six miles. The trick to it being ‘good cardio,’ according to my team of Doctors, revolves around getting the pulse rate up to a certain level, and then steadily maintaining that pace over an extended interval of time.
– photo by Mitch Waxman
I had two new lenses which I was trying out on this walk, the 16mm and a 50mm. I kept on beating down the urge to swap the 50mm onto the camera until I reached the southern shore of the Ohio River which is spanned by the West End Bridge. Along the way, I narrowed and then opened the aperture, shot from the waist and from above my head. I overexposed and under exposed, pointing the thing ‘up, down, all around.’ As mentioned – getting to know it, trying to find what the thing couldn’t do, and how and why it would fail.
More tomorrow, at this, your Newtown Pentacle.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
