portentous morning
Socially distant, now more than ever.
– photo by Mitch Waxman
“We here at the Newtown Creek family send our best wishes to you and your family, in these troubling times. New Yorkers have always weathered storms together, but now we have to stand together apart. Now, more than ever…”
Is there a script distributed to advertising agencies and charities during disasters? If just one more well wisher appears on my television and says “Now, more than ever.” Grrr. Our Lady of the Pentacle and myself are considering turning it into a drinking game.
I have been annoyed by usage of this phrase since it emerged twenty years ago after 9/11. The politicians got in front of the same verbal chestnut after Hurricane Sandy, I recall, and soon after the used car dealers were incorporating it into their spiel. Thing is, all of the bad actors in our society will use it to justify whatever hogwash they’re selling. What does “now, more than ever” actually mean? The logic of the phrase doesn’t manifest or indicate any sort of temporal interval.
– photo by Mitch Waxman
After visiting the Maspeth Avenue Plank Road the other night, my scuttling proceeded over to other sights and attractions in the general vicinity. That’s the Grand Street Bridge photographed above. The image was created using multiple exposures all captured with a wide open f1.8 aperture setting and then “focus stacked” together during the developing process. This sort of technical stuff fascinates me, and forces one to continually reconsider how to record the wonders of Newtown Creek in different ways. I know it probably doesn’t excite those of you who aren’t photography people, but what can I tell you – there aren’t exactly a lot of adventure opportunities for me to describe to you right now.
The best use of my time, as I see it, involves sharpening up my skills and acquiring new ones. Presuming survival of the pandemic, which is a big “if,” a humble narrator wants to be able to hit the ground running in the new normal. “New Normal” sits alongside “Now, more than ever” on my annoyance chart.
– photo by Mitch Waxman
That concrete plant pictured above is more or less sitting on the county line between Brooklyn and Queens. The section of Newtown Creek it sits along is technically a tributary, called the East Branch.
While I was shooting these images, the sound of incredibly loud music was echoing along the streets. I followed it, the sound I mean, and discovered that one of the local hot rod clubs was having an illegal party on Onderdonk Avenue. There had to be a hundred or more people milling around and admiring highly souped up automobiles.
Mark my words, there is going to be a massive spike in hospital visits in the May 15-20 period, based on how many people broke quarantine and pretended everything was ok during the warm weather of the last (May 2-3) weekend.
Note: I’m writing this and several of the posts you’re going to see for the next week at the beginning of the week of Monday, May 4th. My plan is to continue doing my solo photo walks around LIC and the Newtown Creek in the dead of night as long as that’s feasible. If you continue to see regular updates as we move into April and beyond, that means everything is kosher as far as health and well being. If the blog stops updating, it means that things have gone badly for a humble narrator.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
mental disturbance
Flowing water.
– photo by Mitch Waxman
Funnily enough, I was just saying to a friend of mine that I’d really like to find some flowing water and photograph it. This was part of me pining for a walk in the woods, or the sort of natural setting which I’m currently unable to reach due to the shut down. Pedestrian distances, for me, involve a lot of interesting things to photograph, but flowing water? Not so much.
My beloved Newtown Creek must have heard me, as I discovered during a recent midnight walk through my happy place – Industrial Maspeth.
– photo by Mitch Waxman
One of the industrial lots seemed to have a broken water main or something, and what must be hundreds of gallons of water an hour are pouring out from under their fenceline onto the street. The DEP sewer grates in this area are nearly always clogged up, and street flooding is fairly ubiquitous here on the corner of 58th road and 47th street, nearby the DSNY’s Queens West 5 Garage.
At the end of the street is the Maspeth Plank Road historic site, which I had walked over from Astoria to visit this particular evening.
– photo by Mitch Waxman
The flowing water was following its natural gravity driven course, towards Newtown Creek. Not wishing to soak my shoes, a short scuttle saw me on dry land along… the temporary tributary? Let’s call it Furman’s Creek for now.
About three people are going to get that reference, so here you are – this part of Maspeth used to be an island called Furman’s Island. Another island in Newtown Creek called Mussel Island was demolished at the start of the 20th century, and its spoils were used to connect Furman to Maspeth.
Below is a section from an undated map of smell nuisances that was likely drawn in the 1890’s depicting Mussel Island, Maspeth Creek, and Furman’s Island. As you can see, the coastline of Queens was VERY different in the relatively recent past.
Just as a point of interest for my fellow NYC history nerds, the shaded in smell nuisance site labeled as #17 was Peter Cooper’s Glue Factory in Greenpoint.
– photo by Mitch Waxman
Here, I negotiated my way over to the flowing water which I had so desired to photograph, and set up the camera in what was fairly pitch darkness. From the look of it, this flow of water has been going on for a while. Normal rainfall flows have long created a hydrologic “shape” in the ground at Plank Road through which street precipitant runoff has been flowing for years.
The constant flow of water off of the industrial compound has deepened that “shape” into sort of a gorge. There really isn’t any sort of firmament to the soil here – it’s rip rap, boulders, gravel, and the only thing holding all that together are the shallow roots of self planted weeds and grasses.
– photo by Mitch Waxman
Furman’s Creek, now flowing through Furman’s Gorge, was carrying a lot of street litter in its flow towards Newtown Creek. This is normal, unfortunately, but until we start putting social pressure on each other not to litter…
There was a soothing sound coming from the flowing water though, so that was nice. Quite tranquil, really. I said Industrial Maspeth is my happy place, and I mean it.
– photo by Mitch Waxman
As you may have noticed, there’s a lot of photos on offer today, as opposed to the usual trio. Just couldn’t stop myself. As mentioned, I was desirous of finding a bucolic waterfall in the middle of some pristine forest to point the camera at.
Then along comes Furman’s Creek.
– photo by Mitch Waxman
The flow, as mentioned, had created a gorge of sorts for the flowing water. Unfortunately, the gorge has made getting down onto the concrete bulkhead at the Maspeth Plank Road impossible without the usage of rubber boots. There was a good 4-8 inches of rapidly flowing earth juice moving towards the fabulous Newtown Creek in this section, surrounded by either gravel or super slippery mud.
Super slippery, not just slippery. Also – Now, more than ever.
– photo by Mitch Waxman
From what I could see, there seemed to be a buildup of material in the mud flat to the right of the shot above. Saying that – it was dark, after midnight, and I was as socially isolated as you can get here at the Plank Road, so the discretion/valor internal discussion I had with myself determined that I wasn’t going to try and negotiate a path down to the edge to find out.
Under normal circumstance, I’d probably have tried, but given that I still had to walk back to Astoria…
– photo by Mitch Waxman
I did scuttle over to the eastern side of Plank Road for the shot above, looking roughly westwards towards Brooklyn’s Greenpoint section and the Kosciuszcko Bridge. The large tanks in the center of the shot are on the National Grid property, and the dark shape in lower right foreground are pieces of wood that have somehow survived there since 1875, during the Presidency of Ulysses S. Grant.
No, really, here’s an illustration of this scene from Harper’s Weekly in 1881.
I’m fairly sure I’ve got other shots of the Plank Road throughout the decades, but just can’t seem to find them at the moment. Back tomorrow.
Note: I’m writing this and several of the posts you’re going to see for the next week at the beginning of the week of Monday, May 4th. My plan is to continue doing my solo photo walks around LIC and the Newtown Creek in the dead of night as long as that’s feasible. If you continue to see regular updates as we move into April and beyond, that means everything is kosher as far as health and well being. If the blog stops updating, it means that things have gone badly for a humble narrator.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
chill wind
Floop.
– photo by Mitch Waxman
Pictured above is an often photographed and displayed Bodega here in Astoria, found across the street from my house, and the image is simply a “wide open” f1.8 test of a new lens I found myself having to purchase last week. My old “nifty fifty” is so full of dust, and has grown rather “cranky” after more than a decade of use that I needed to replace it. It seems that Canon has redesigned the thing since the iteration I’ve been carrying was issued, and I can report that they have improved it in several ways. Luckily, this is another one of the “cheap” lenses, so it didn’t eat up too much of that stimulus check I received. A Christmas present I received from a friend last year was a Yongnuo knockoff version of the original Canon lens formula, but it suffers from a series of defects in terms of chromatic aberration and missed autofocus which I cannot describe as being “charming” or “uniquely characteristic.”
One of the challenges I’ve set for myself is to see how many photos I can acquire without leaving the house, here in CoronAstoria.
– photo by Mitch Waxman
A bird on a wire? I’m told that what you’re looking at is a Morning Dove, which is a cousin to the more common Pigeon. What I can tell you, given my legendarily bad skills in describing the Ornithological sphere, is that when this particularly skittish bird gets excited and flies around it makes a sort of squeaking sound. I’ve been trying to catch a shot of a hawk which has been patrolling the neighborhood in recent weeks, but haven’t been able to make that happen. I really don’t know where the wildlife photographers of the world find their patience. A humble narrator gets bored easily.
I sing rhyming nonsense songs to Zuzu the dog all the time, and am almost ready to unveil a Broadway show worth of tunes with lyrics like “yellow sigma three, that’s what dogs say, dee dee dee dee.” I’ve also got a novella I’m working on with the dog which I call “Flippity Floppity Floop, it’s a lot of good to gloop.” You have to find ways to fill the time you’d normally be spending out there in the big old world.
– photo by Mitch Waxman
My next door neighbor is a shut in, seems to own a couple of dozen cats, and has a plugged up drain on her roof. Additionally, the owner of the building next door to hers has been allowing his yard to go feral for several years – hence the dead tree slipped over her roofline. That’s the circumstance, but… you guessed it, more experimentation with esoteric camera technique is on display.
There are actually two shots combined into one up there. Both were shot with a wide open aperture of f1.8, and I used a technique which is common in macro photography to get it sharp throughout called “focus stacking” to combine them. The wide open aperture of f1.8 allows a low iso to be used, and also promulgates a quality of light capture which I find pleasing. Problem is that a wide aperture like f1.8 produces a narrow depth of field which is most easily explained as “if you focus on the eyes, the tip of the nose and the ears are blurry.” Stacking allows you too work around that.
Back tomorrow with something different, at this, your Newtown Pentacle.
Note: I’m writing this and several of the posts you’re going to see for the next week at the beginning of the week of Monday, May 4th. My plan is to continue doing my solo photo walks around LIC and the Newtown Creek in the dead of night as long as that’s feasible. If you continue to see regular updates as we move into April and beyond, that means everything is kosher as far as health and well being. If the blog stops updating, it means that things have gone badly for a humble narrator.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
time subsided
Well, still here…
– photo by Mitch Waxman
Last week’s schedule of rain put a real crimp in a humble narrator’s wanderings, and the end of the week warmup here in Astoria was accompanied by an explosion of people getting out and about, which was followed by a ludicrous amount of NYPD activity… so advantage was not taken of Saturday evening as I decided that discretion was the better part of valor. Apparently, two morons over by the nearby Woodside NYCHA campus decided to settle scores and shoot each other on Saturday night, which were Chief amongst the logical decisions made by the community at large. I mean, why wouldn’t you want to be in a hospital right now?
NYPD was seemingly busier last Saturday than they’ve been in a couple of months, and one observed the neighborhood manifesting its particular annoyances as if there wasn’t a plague. Observed: Curbside liaisons for amorous adolescents, sidewalk somnambulism for the liquor enthusiasts, the revving of engines and gunning of the gas pedal for the fast and furious crowd, lots of casual littering. For some reason, people are now drinking in their parked cars, and discarding the liquor and wine bottles along the curbs. One particularly annoying lady has been sitting in her running car in front of HQ, drinking and smoking while on the phone (said phone is plugged into her car sound system, of course) for 11-12 hour long conversations.
– photo by Mitch Waxman
Given all of the time spent here at HQ, one has been using the “controlled environment” to sharpen up some of his skills. The shut down has affected the amount of atmospheric and light pollution here in the ancient village of Astoria significantly, and given my night owl life style I’ve been marveling at the number of visible stars in our skies. Clicking on the image above will take you to Flickr and the larger sized iterations of it, wherein you’ll see something approaching constellations, visible from Astoria Queens and less than 5 miles from Manhattan.
Astrophotography is its own “thing” and not something I’ve ever really had the patience, opportunity, or inclination to experiment with. The plague cleared skies and all of this time on my hands has allowed for all three cautions to be abandoned. Of course, saying all that, it seemed to rain or was overcast 6 out of 7 nights last week. This isn’t “proper” Astro, of course, just a stab at exploring the technique.
It really feels like we’re settled into the trough of “the event” right now, huh?
– photo by Mitch Waxman
One has been happily surprised by the creation and sudden appearance of a new hole in the fences around the Sunnyside Yards, something which has occurred in recent weeks. Whomever is in charge of fence holes at Amtrak had recently sealed up three of my old “go to’s” and a humble narrator has been feeling bereft. One is always in search of a good hole, especially one large enough to allow access to a camera lens.
Holes. Now, more than ever. Also, it’s May 4th, so may the Force be with you.
Note: I’m writing this and several of the posts you’re going to see for the next week at the beginning of the week of Monday, May 4th. My plan is to continue doing my solo photo walks around LIC and the Newtown Creek in the dead of night as long as that’s feasible. If you continue to see regular updates as we move into April and beyond, that means everything is kosher as far as health and well being. If the blog stops updating, it means that things have gone badly for a humble narrator.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
stamped out
Maspeth!
– photo by Mitch Waxman
That recent long walk I mentioned found me over in industrial Maspeth, experimenting with various camera settings, as regarding capturing photos of the Kosciuszcko Bridge and its weird illumination. LED lights, architecturally speaking, are insanely bright. They also produce unnatural colors which wreak havoc on the color theory algorithms in digital cameras. Since the Governor literally flipped a switch turning on the bridge’s lighting system a couple of years ago, I’ve been fairly bedeviled by its idiosyncrasies.
A big part of the problem is that the bridge’s lights rotate through a chroma key, turning yellow, green, blue, red, violet… when all those colors add up on your camera sensor it equals bright white – as you see in the shot above.
– photo by Mitch Waxman
Not wanting to sacrifice the sharpness of the captured image at my lens’s hyper-focal “infinity” setting, one has been playing around with length of shutter speed and sensor ISO sensitivity all winter and into the spring. The shot above, depicting both the Kosciuszcko and the Empire State Building flashing red and showing Newtown Creek as well, represents a set of trade offs which I’m kind of happy with.
When you’ve got a bunch of time on your hands, and all of your summer gigs have been cancelled due to a pandemic, you might as well figure out new ways to configure and work with the camera – right?
That which doesn’t kill you makes you stronger, with the notable exception of polio. Polio makes a mess out of you.
– photo by Mitch Waxman
A different set of experiments are at work in the shot above, which is actually three separate images combined into one in a Photoshop process called “focus stacking.” You set up a stable camera base – a tripod or whatever – and then move the shot’s focus point around. One focus point is on the distant Kosciuszcko Bridge, another on the mid ground tomb stones, and the third is on the trunk of that tree. These are narrow aperture shots, so all these elements would have been sharply rendered anyway, but the stacking technique is a skill I’ve been meaning to understand and use for a while, and since I essentially have no there reason to wake up I might as well hone some of my lesser used skills. Also, the “stacking” assures a uniform level of sharpness throughout the image.
Back Monday, or whatever, with something else. I don’t know what exactly, I’m just hoping to still be alive by then.
Note: I’m writing this and several of the posts you’re going to see for the next week at the beginning of the week of Monday, April 27th. My plan is to continue doing my solo photo walks around LIC and the Newtown Creek in the dead of night as long as that’s feasible. If you continue to see regular updates as we move into April and beyond, that means everything is kosher as far as health and well being. If the blog stops updating, it means that things have gone badly for a humble narrator.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
The Newtown Pentacle 