Posts Tagged ‘Hell Gate’
shocking coruscations
– photo by Mitch Waxman
Conversation offered by divers and submarine enthusiasts inform this posting, which like your humble narrator, lingers about at Hells Gate.
Explorations of the occluded depths in this area, as reported, reveal a shattered series of reefs and alluvial boulders underlying this region of the East River. In addition there are depressions found in the sediment here, which form enormous cauldron like holes dropping down into the silt choked darkness, and I am informed that such formations are commonly called “pots” by those familiar with such subaqueous geography. Within these pots might be found a hodge podge of archaeological record, but the strong currents above them form venturi effect vortices within, and any who might enter one are considered to be extraordinarily lucky to exit such a feature intact and alive.
from “Myths and Legends of our Own Land, by Charles M. Skinner” at gutenberg.org
Satan appears to have troubled the early settlers in America almost as grievously as he did the German students. He came in many shapes to many people, and sometimes he met his match. Did he not try to stop old Peter Stuyvesant from rowing through Hell Gate one moonlight night, and did not that tough old soldier put something at his shoulder that Satan thought must be his wooden leg? But it wasn’t a leg: it was a gun, loaded with a silver bullet that had been charged home with prayer. Peter fired and the missile whistled off to Ward’s Island, where three boys found it afterward and swapped it for double handfuls of doughnuts and bulls’ eyes. Incidentally it passed between the devil’s ribs and the fiend exploded with a yell and a smell, the latter of sulphur, to Peter’sblended satisfaction and alarm. And did not the same spirit of evil plague the old women of Massachusetts Bay and craze the French and Spaniards in the South?
– photo by Mitch Waxman
Rumors which have persisted since the advent of European colonization suggest that great treasures might by found in these deep eddies and swirling maelstroms of the underwater grottoes. Famously, the wreck of a British ship called “the Hussar” carried a great fortune and many lives down to the bottom of Hells Gate- and the aboriginal inhabitants of the archipelago related stories of a race of giants who originally inhabited these islands that would cross the river by merely stepping across the rocks. Of course, there used to be a lot more rocks, before the Army Corps of Engineers set off the greatest manmade explosion (until Hiroshima) in history to “assure navigability”.
The effort to clear “flat rock”, “frying pan”, “pot rock”, “Flood Rock”, and “Hallet’s Point Reef” was explored in some detail in a Newtown Pentacle Posting of June 5, 2009- “The River of Sound”, and the enigmatic Hells Gate Bridge and its environs was discussed in some detail in the September 23, 2009 posting “A Bright Passage”.
from “Myths and Legends of our Own Land, by Charles M. Skinner” at gutenberg.org
Back in the days before the Revolution, a negro called Mud Sam, who lived in a cabin at the Battery, New York City, was benighted at about the place where One Hundredth Street now touches East River while waiting there for the tide to take him up the Sound. He beguiled the time by a nap, and, on waking, he started to leave his sleeping place under the trees to regain his boat, when the gleam of a lantern and the sound of voices coming up the bank caused him to shrink back into the shadow.
- At first he thought that he might be dreaming, for Hell Gate was a place of such repute that one might readily have bad dreams there, and the legends of the spot passed quickly through his mind: the skeletons that lived in the wreck on Hen and Chickens and looked out at passing ships with blue lights in the eye-sockets of their skulls;
- the brown fellow, known as “the pirate’s spuke,” that used to cruise up and down the wrathfultorrent, and was snuffed out of sight for some hours by old Peter Stuyvesant with a silver bullet;
- a black-looking scoundrel with a split lip, who used to brattle about the tavern at Corlaer’s Hook, and who tumbled into East River while trying to lug an iron chest aboard of a suspicious craft that had stolen in to shore in a fog.
This latter bogy was often seen riding up Hell Gate a-straddle of that very chest, snapping his fingers at the stars and roaring Bacchanalian odes, just as skipper Onderdonk’s boatswain, who had been buried at sea without prayers, chased the ship for days, sitting on the waves, with his shroud for a sail, and shoving hills of water after the vessel with the plash of his hands.
– photo by Mitch Waxman
A busy industrial corridor in the ominous 21st century, the efforts of engineers have rendered Hell Gate tame and predictable, although one might still observe the occasional spiral eddy and acre wide pools of swirling water near the shorelines on windy days. If one watches carefully, a phastasmagorical plethora of animal forms persists in this part of the river- diving cormorants are common, Birds of Prey are present as are riverine and littoral mammalia, and there are said to be other less well known phyla. Every now and then, one might even encounter a U.F.O. (an Unidentified Floating Object).
Who can guess, after all, what is is that may be hiding down there?
from “HISTORY OF QUEENS COUNTY with illustrations, Portraits & Sketches of Prominent Families and Individuals. New York: W.W. Munsell & Co.; 1882.” at bklyn-genealogy-info.com
Hallett’s purchase at Hell Gate Neck included much of the territory later incorporated as the village of Astoria. The original proprietor lived there to the age of about ninety, and was foremost in many early improvements. He divided his property at that point in 1688 between his sons William and Samuel, the former receiving the lands south of the road Since forming Greenoak Street, St. George’s Place, Welling and Main streets and Newtown avenue, the latter the lands lying north of that road.
It is probable that the Indians who sold Hell Gate Neck to William Hallett were of the Canarsie tribe, a clan of reputed power whose jurisdiction extended over the whole of Kings county, the islands in Hell Gate, and, O’Callaghan says, some part of Newtown. A large tract of land including the southwestern portion of the present city was deeded “to the inhabitants of Newtowne, alias Middleburg,” by Pomwaukon and Roweroenesteo of the above tribe, July 9th 1666.
– photo by Mitch Waxman
Indolent, and quite susceptible to environmental stressors, your humble narrator has commented several times about the odd sonic qualities of this patch of the East River. Mighty Triborough never sleeps, and its steel hums continually. Staccato, the traffic over Hells Gate is no less affecting, but it is just not in the same league as the constant oppression of infrasonic drone emanating from Triborough, or the din of nearby heavy industrial activity on Wards Island.
Here is part of a recording made on May 28th of 2010, directly beneath the Triborough Bridge… using the admittedly poor microphone of an iPhone headset… for your consideration…
from wikipedia
After the war ended, Jaspar Ward and Bartholomew Ward took ownership of the island that later carried their surname. Although a small population had lived on the island since as early as the 17th century, the Ward brothers developed the island more heavily by building a cotton mill and building the first bridge to cross the East River in 1807, connecting the island with Manhattan at 114th Street.
The bridge, paid for by Bartholomew Ward and Philip Milledolar, was a wooden drawbridge. The bridge lasted until 1821, when it was destroyed in a storm.After the bridge was destroyed, the island was largely abandoned until 1840, when the island was transformed into a dumping ground for everything unwanted in New York City. Between 1840 and 1930 the island was used for:
- Burial of hundreds of thousands of bodies relocated from the Madison Square and Bryant Park graveyards.
- The State Emigrant Refuge, a hospital for sick and destitute immigrants, opened in 1847, the biggest hospital complex in the world during the 1850s.
- The New York City Asylum for the Insane, opened around 1863.
- An immigration station from 1860 until the 1892 opening of Ellis Island.
- Manhattan State Hospital, operated by the New York State Department of Mental Hygiene when it took over the immigration and asylum buildings in 1899. With 4,400 patients, it was the largest psychiatric institution in the world. The 1920 census notes that the hospital had a total of 6045 patients. It later became the Manhattan Psychiatric Center.
always as before
– photo by Mitch Waxman
All along the Hell Gate Extension tracks which snake across Astoria, one may find spots which are favored by the local flocks of Pigeons for use as a latrine. How or why these spots are selected is anyone’s guess, but I always find it curious when I discover what seems to be a purposeful arrangement of cast off goods in such a place.
Again- in Western Queens, illegal dumping is an art form.
lively antics
– photo by Mitch Waxman
Shackled by impotent pride and stalled ambitions, your humble narrator can often be observed scuttling along area sidewalks, a strange old man identified by malign aspect and the odd omnipresence of a camera. A great dread is experienced when someone on the street perceives my phantasmic presence, and I am forced into an encounter with someone who is unashamedly alive. Just such an encounter was had near Hells Gate on the East River, near Astoria Park, at the end of June 2010.
from nycgovparks.org
Although widely known for its beautiful pool, the oldest and largest in the city, Astoria Park offers more than aquatic pleasures. Outdoor tennis courts, a track, a bandstand, multiple trails, basketball courts, and playgrounds lure visitors from the five boroughs and beyond. And the views! Sitting on the edge of the East River and resting between the Triborough Bridge and Hell Gate Bridge, the park offers shoreline sights and sounds that make the benches along its perimeter popular spots year-round.
– photo by Mitch Waxman
This gentleman informed me that he was an ethnic musician, and made his living playing hellenic folk music at area “tavernas” and at weddings. The instrument he carried was crafted by his ancestors, and he carried it with him to America when he arrived here in the early 1960’s. He did tell me his name, but I did not write it down. It might have been Peter. Perhaps George.
also from nycgovparks.org
Due to its proximity to Hell Gate, a turbulent area in the East River, this playground has been named for the monster Charybdis. According to Greek mythology, Charybdis was the daughter of Poseidon, the god of the sea. As a young nymph, she flooded lands to add to her father’s kingdom until Zeus, the supreme ruler of the gods, turned her into a monster.
Charybdis and her partner Scylla are personifications of the violent waters in the Straits of Messina, which separate Sicily from the Italian peninsula. Charybdis was said to dwell under a fig tree on the Sicilian shore and, three times each day, drink from the strait and spit the water back into the strait several hours later, creating perilous whirlpools and terrifying sailors. In The Odyssey, by Homer, the hero survived Charybdis’s wrath by clinging to a tree for hours until she spit out the water and his raft floated to the surface.
– photo by Mitch Waxman
Practiced, his hands flew along the fret boards, and he demonstrated musical forms that are typical of the island cultures of the Hellenic Republic which is known as Greece to the english speaking world. His serenade was lilting, thrilling, and reminded me of the Greek musical genre called Rembetiko.
from wikipedia
The melodies of most rebetiko songs are thus often considered to follow one or more dromos or dromoi (gr. δρόμος, plural δρόμοι). The names of the dromoi are derived in all but a few cases from the names of various Turkish modes, known in Turkish as makam.
However, the majority of rebetiko songs have been accompanied by instruments capable of playing chords according to the Western harmonic system, and have thereby been harmonized in a manner which corresponds neither with conventional European harmony, nor with Ottoman art music, which is a monophonic form normally not harmonized. Furthermore, rebetika has come to be played on instruments tuned in equal temperament, in direct conflict with the more complex pitch divisions of the makam system.
– photo by Mitch Waxman
He described the instrument he wielded as being well over a century old, and suggested that it had certain supernatural powers against which the female gender possesses no defense. He also claimed he could calm stormy seas with it, but one thing life in Astoria has taught me is that when a Greek guy is telling a good story well – just go with it.
from wikipedia
This is the classical type of bouzouki that was the mainstay of most Rebetiko music. It has fixed frets and it has 6 strings in three pairs. In the lower-pitched (bass) course, the pair consists of a thick wound string and a thin string tuned an octave apart. The conventional modern tuning of the trichordo bouzouki is Dd-aa-dd. This tuning was called the “European tuning” by Markos Vamvakaris, who described several other tunings, or douzenia, in his autobiography. The illustrated bouzouki was made by Karolos Tsakirian of Athens, and is a replica of a trichordo bouzouki made by his grandfather for Markos Vamvakaris. The absence of the heavy mother of pearl ornamentation often seen on modern bouzoukia is typical of bouzoukia of the period. It has tuners for eight strings, but has only six strings, the neck being too narrow for eight. The luthiers of the time often used sets of four tuners on trichordo instruments, as these were more easily available, since they were used on mandolins.
– photo by Mitch Waxman
Charming guy, he was intent on hanging out at the park and mentioned something about the fishes wanting to hear some Rembetiko as I was taking my leave of him.
from wikipedia
Greek emigration to the United States started in earnest towards the end of the 19th century. From then onwards, and in the years following the Asia Minor Disaster, until immigration became restricted in the mid-1920s, a great number of Greeks emigrated to the United States, bringing their musical traditions with them. American companies began recording Greek music performed by these immigrants as early as 1896. The first Greek-American recording enterprises made their appearance in 1919. From the latter years of the second decade of the century there exist a number of recordings that can be considered as rebetiko, a few years before such songs began to appear on recordings in Greece.
The music industry in the United States came to play a particular role from the mid-1930s onwards in recording rebetiko lyrics which would not have passed the censors in Greece. This phenomenon came to repeat itself during the period of the Greek military junta of 1967–1974. A notable example of American recording studios permitting some ‘bolder’ lyrics can be found in the LP “Otan Kapnizei O Loulas”, ie “When They Smoke The Hookah”, released in 1973. Releasing this album in Greece, with to its overt references to various aspects of drug use, would have been impossible at that time. It is worth noting, however, that the censorship laws invoked in Greece by Metaxas were never officially revoked until 1981, seven years after the fall of the junta. A further characteristic of American Greek recordings of the time was the continued recordings of songs in the Anatolian musical styles of rebetiko, which continued to be recorded in the United States well into the 1950s. Even songs originally recorded with typical bouzouki-baglamas-guitar accompaniment could appear in Anatolian garments.
After WWII, beginning in the early 1950s, many Greek rebetiko musicians and singers traveled from Greece to tour the United States, and some stayed for longer periods. Prominent among them were Ioannis Papaioannou, Manolis Hiotis, Vassilis Tsitsanis, Iordanis Tsomidis, Roza Eskenazi, Stratos Pagioumdzis, Stavros Tzouanakos and Ioannis Tatasopoulos, of whom the latter three died in the United States.
– photo by Mitch Waxman
Clearly he was amused by the kayakers from the LIC Boat House as they passed by, and he launched into a wild melody on his centenarian instrument.
a fun story about Hells Gate from 1899 can be accessed here at nytimes.com– here’s the headline:
A HELL GATE SEA SERPENT.; Valiant Bowery Boatmen Bring Its Headless Body Ashore
From Astoria Park, fireworks show, June 30 2010
– photos by Mitch Waxman
An FDNY fireboat shooting Red White and Blue water in between the Triborough and HellGate Bridges, followed by a cool tugboat, and then a fireworks display framed against the latter bridge. Happy 4th of July!
from Hells Gate, loosed upon the world
– photo by Mitch Waxman
The Friday of memorial day weekend, your humble narrator stumbled into the wilds of Astoria, headed for Astoria Park. Astoria Park is at the western end of Queens, and adjoins the East River, hosting parts of both the mighty Triboro Bridge and the sublime exemplar of bridge engineering called Hellgate. Named for the section of the East River it crosses, Hellgate was my intended destination and subject, and I was hoping for some visually interesting rail traffic to be crossing the great bridge. Frustrated by a gray and humid day, the Acela and other Amtrak traffic was observed, as well as a curious CSX double engine. Then…
from nycgovparks.org
Astoria Park, on the west shore of Queens, extends from south of the Triborough Bridge to north of the Hell Gate Bridge. With a panoramic view of the skyscrapers of midtown Manhattan in the south to the Hell Gate channel in the north, the scenery presents the diverse landscape of New York City. The Hell Gate channel, formed by faults deep underground, contains some of the deepest water in New York Harbor. Its treacherous reefs bear picturesque names such as “Hen and Chickens,” “Pot Rock,” “Bread & Cheese,” and “Bald Headed Billy.”
Throughout the centuries the stunning natural beauty of this location has attracted visitors and settlers. Before the arrival of European colonists, a trail passed by the site, and an Indian village flourished at Pot Cove. Local inhabitants grew maize on the shores, fished in Hell Gate, and drew water from Linden Brook, a small stream that still flows under Astoria Park South. In the mid-1600s the Dutch parceled out this land to various owners, including William Hallet whose grant embraced hundreds of acres. During the American Revolution, several British and Hessian regiments were stationed in the area. On November 25, 1780 the frigate Hussar and its five-million-dollar cargo sank to the bottom of Hell Gate, where despite some removal of cannons, the treasure still remains.
– photo by Mitch Waxman
I’ve become pretty familiar with NY Harbor in the last year, and can identify some of the common types of ships that cross its waters. Every now and then, however, a mysterious craft- an unidentified floating object or UFO if you will- crosses in front of me. Proceeding south, this catamaran (actually a trimaran) was nearly devoid of markings- which is remarkable in itself- and moving at a tremendous clip. Its “colorway” and hull shape instantly said “military” to me, but I could not recognize its specie.
from wikipedia
The first trimarans were built by indigenous Polynesians almost 4,000 years ago, and much of the current terminology is inherited from them. Multihull sailboats (catamarans and trimarans) gained favor during the 1960s and 1970s. Modern recreational trimarans are rooted in the same homebuilt tradition as other multihulls but there are also a number of production models on the market. A number of trimarans in the 19–36-foot lengths (5.8–11 m) have been designed over the last 30 years to be accommodated on a road trailer. These include the original Farrier – Corsair folding trimarans – and original John Westell swing-wing folding trimaran (using the same folding system later adopted also on Quorning Dragonfly) and like trimarans. Many sailboat designers have also designed demountable trimarans that are able to be trailered (like the SeaCart 30 by Oceanlake Marine).
The trimaran design is also becoming more widespread as a passenger ferry. In 2005 the 127-metre trimaran (417 ft) Benchijigua Express was delivered by Austal to Spanish ferry operator Fred. Olsen, S.A. for service in the Canary Islands. Capable of carrying 1,280 passengers and 340 cars, or equivalents, at speeds up to 40 knots, this boat was the longest aluminum ship in the world at the time of delivery. The trimaran concept has also been considered for modern warships. The RV Triton was commissioned by British defence contractor QinetiQ in 2000. In October 2005, the United States Navy commissioned for evaluation the construction of a General Dynamics Littoral Combat Ship (LCS) trimaran designed and built by Austal.
– photo by Mitch Waxman
Evocative, as on one hand it resembled a radar dodging stealth aircraft for the odd angles and aerodynamic shape, on the other it suggested a modern combat tank with its armor designed to deflect rather than defeat ballistic weapons.
The ship, nevertheless, was kicking up a huge wake and was shooting water behind it- some 10-20 feet high- as it rocketed down the East River.
from wikipedia
The littoral zone refers to that part of a sea, lake or river that is close to the shore. In coastal environments the littoral zone extends from the high water mark, which is rarely inundated, to shoreline areas that are permanently submerged. It always includes this intertidal zone and is often used to mean the same as the intertidal zone. However, the meaning of “littoral zone” can extend well beyond the intertidal zone.
There is no single definition. What is regarded as the full extent of the littoral zone, and the way the littoral zone is divided into subregions, varies in different contexts (lakes and rivers have their own definitions). The use of the term also varies from one part of the world to another, and between different disciplines. For example, military commanders speak of the littoral in ways that are quite different from marine biologists.
The adjacency of water gives a number of distinctive characteristics to littoral regions. The erosive power of water results in particular types of landforms, such as sand dunes, and estuaries. The natural movement of the littoral along the coast is called the littoral drift. Biologically, the ready availability of water enables a greater variety of plant and animal life, and the additional local humidity due to evaporation usually creates a microclimate supporting unique types of organisms.
The word “littoral” is used both as a noun and an adjective. It derives from the Latin noun litus, litoris, meaning “shore”. (The doubled ‘t’ is a late medieval innovation and the word is sometimes seen in the more classical-looking spelling ‘litoral’.)
– photo by Mitch Waxman
The “colorway” and camouflage of the craft suggested that the futurists of Britain still have modern adherents, long after the last of the “dazzle ships” were launched.
For those of you not in the know, the Dazzle Ships were an experiment in “breaking up the shape” of large combat vessels against the horizon, an attempt to reduce the visual profile of capital ships and reduce the ability of submariners to target vital areas of said ships. Dazzle works best at distance, which is what modern naval combat is all about.
from wikipedia
At first glance Dazzle seems unlikely camouflage, drawing attention to the ship rather than hiding it, but this technique was developed after the Allied Navies were unable to develop effective means to disguise ships in all weather.
Dazzle did not conceal the ship but made it difficult for the enemy to estimate its type, size, speed and heading. The idea was to disrupt the visual rangefinders used for naval artillery. Its purpose was confusion rather than concealment. An observer would find it difficult to know exactly whether the stern or the bow is in view; and it would be equally difficult to estimate whether the observed vessel is moving towards or away from the observer’s position.
Rangefinders were based on the co-incidence principle with an optical mechanism, operated by a human to compute the range. The operator adjusted the mechanism until two half-images of the target lined up in a complete picture. Dazzle was intended to make that hard because clashing patterns looked abnormal even when the two halves were aligned. This became more important when submarine periscopes included similar rangefinders. As an additional feature, the dazzle pattern usually included a false bow wave to make estimation of the ship’s speed difficult.
– photo by Mitch Waxman
As mentioned, my computer was down for the holiday weekend, but Our Lady of the Pentacle allowed me to use her laptop and I managed to get a few of these images out to that clandestine and anonymous network of maritime enthusiasts and quasi governmental experts who advise, comment, or offer corrections to your Newtown Pentacle. Credit for identifying this craft goes out to them, and I wish that they would allow me to sing praise publicly, but certain conflicts of interest or oaths of secrecy demand that they must always be referred to as “anonymous sources”. In this case, the ultimate sources will be referred to as Daidalos and Icaros (hey, it is Astoria Park).
from wikipedia
It is in images, not in texts that Daedalus is seen with wings; many Greek myths appear to have been invented to make sense of known but inexplicable images. The most familiar literary telling explaining Daedalus’ wings is a late one, that of Ovid: in his Metamorphoses (VIII:183-235) Daedalus was shut up in a tower to prevent his knowledge of his Labyrinth from spreading to the public. He could not leave Crete by sea, as the king kept strict watch on all vessels, permitting none to sail without being carefully searched. Since Minos controlled the land and sea routes, Daedalus set to work to fabricate wings for himself and his young son Icarus. He tied feathers together, from smallest to largest so as to form an increasing surface. The larger ones he secured with thread and the smaller with wax, and gave the whole a gentle curvature like the wings of a bird. When the work was done, the artist, waving his wings, found himself buoyed upward and hung suspended, poising himself on the beaten air. He next equipped his son in the same manner, and taught him how to fly. When both were prepared for flight, Daedalus warned Icarus not to fly too high, because the heat of the sun would melt the wax, nor too low, because the sea foam would soak the feathers.
– photo by Mitch Waxman
Daidalos was actually stumped when the photos arrived, and neither of us could make any sense of the only marking- a string of tiny numbers on the hull- of this unidentified floating object. High flying, Icaros received the shots from the latter, and contacted high ranking members of a certain governmental entity. This entity- let’s just say that they have lots of boats and planes, and boats that are airports, and boats that carry nuclear missiles and stay underwater for months at a time, and a lot of the people who work for it wear white dress uniforms– claimed the ship as theirs!
from wikipedia
From the time of its inception, the military played a decisive role in the history of the United States. A sense of national unity and identity was forged out of the victorious Barbary Wars, as well as the War of 1812. Even so, the Founders were suspicious of a permanent military force and not until the outbreak of World War II did a large standing army become officially established.
The National Security Act of 1947, adopted following World War II and during the onset of the Cold War, created the modern U.S. military framework; the Act merged previously Cabinet-level Department of War and the Department of the Navy into the National Military Establishment (renamed the Department of Defense in 1949), headed by the Secretary of Defense; and created the Department of the Air Force and National Security Council.
The U.S. military is one of the largest militaries in terms of number of personnel. It draws its manpower from a large pool of volunteers; although conscription has been used in the past in various times of both war and peace, it has not been used since 1972. As of 2010, the United States spends about $692 billion annually to fund its military forces, constituting approximately 43 percent of world military expenditures. The U.S. armed forces as a whole possess large quantities of advanced and powerful equipment, which gives them significant capabilities in both defense and power projection.
– photo by Mitch Waxman
What you have just seen, lords and ladies, shooting down the East River at high speed was described as a (JHSV) Joint High Speed Vessel.
A JHSV can comfortably carry 300 fully armed MARINES, or up to 600 in a pinch. Alternatively, it can move multiple main battle tanks- the astounding M1 Abrams. Just so you understand, 600 is near the low end of Battalion strength, and 600 U.S. Marines could probably claim a beachhead in Hell itself if they were asked to. It also has a landing pad for a helicoptor.
This ship is huge… but a helicoptor pad?
from navy.mil
Description
The JHSV program is procuring high-speed transport vessels for the Army and the Navy. These vessels will be used for fast intra-theater transportation of troops, military vehicles and equipment. The JHSV program merges the previous Army Theater Support Vessel (TSV) and the Navy High Speed Connector (HSC), taking advantage of the inherent commonality between the two programs.
JHSV will be capable of transporting 600 short tons 1,200 nautical miles at an average speed of 35 knots. The ships will be capable of operating in shallow-draft ports and waterways, interfacing with roll-on/roll-off discharge facilities, and on/off-loading a combat-loaded Abrams Main Battle Tank (M1A2). Other joint requirements include an aviation flight deck to support day and night air vehicle launch and recovery operations.
JHSV is a commercial-design, non-combatant transport vessel, and does not require the development of any new technology. JHSV is being built to American Bureau of Shipping (ABS) High Speed Naval Craft Guide. Systems onboard will be based on commercial ABS steel vessel rules. As such, it does not require the survivability and ability to sustain damage like the LCS. It has no combat system capability and no ability to support or use LCS mission modules. It will leverage non-developmental or commercial technology that is modified to suit military applications. Select military features include Aviation; Command, Control, Communications, Computers, and (Military) Intelligence; and Firefighting for the Mission Bay. NVR does not apply to any part of JHSV.
As a non-combatant sealift ship, the Navy variant of JHSV will be crewed by civilian mariners, either employed by or under contract to the Navy’s Military Sealift Command. U.S. Army vessels will be crewed by Army craft masters. Both versions will require a crew of approximately 22-40 people, but will have airline style seating for more than 300 embarked forces and fixed berthing for approximately 100 more.
However… This is not a JHSV!!!
This here is the M80 Stiletto.
– photo by Mitch Waxman
Check out this video at youtube which explains the Stiletto’s potential in great detail, and supplies 3D animation for operational scenarios.
With the formal roll-out of the 88-foot Stiletto stealth ship and its cutting-edge “M-Hull” wave-damping design, that legacy takes another step forward. The Stiletto is part of Project WolfPac, which aims to test new concepts of shallow-water and riverine warfare organized around swarms of smaller, affordable ships linked by communications. The Stiletto can slip into shallow waters, launching inflatable boats and even UAVs while serving as a communications hub via its “electronic keel.” Best of all, the M-Hull significantly reduces the pounding its occupants take from waves – poundings that often result in back injuries that cut careers short, or leave sailors with lingering disabilities in later life.
and from wikipedia
The 88-foot (27 m) long vessel has a notable hull design, an M-shaped hull that provides a stable yet fast platform for mounting electronic surveillance equipment or weapons, or for conducting special operations. The hull design does not require foils or lifting devices to achieve a smooth ride at high speeds in rough conditions. Its shallow draft means the M80 Stiletto can operate in littoral and riverine environments and potentially allows for beach landings.
The M80 Stiletto is equipped with four Caterpillar, Inc. C32 1232 kW (1652 HP) engines yielding a top speed in excess of 50 knots (90 km/h) and a range of 500 nautical miles (900 km) when fully loaded. It can be outfitted with jet drives for shallow water operations and beaching.
It has a topside flight deck for launching and retrieving UAVs and a rear ramp that can launch and recover an 11-meter rigid-hull inflatable boat (RIB) or Autonomous Underwater Vehicle (AUV).
It weighs 45 tons unloaded, light enough that it can be hoisted onto a cargo ship, while still able to carry up to 20 tons of cargo in the 1,996 square feet (200 m2) of usable interior space. The ship is 88.6 feet (27.0 m) in length, with a width of 40 feet (12 m) and a height of 18.5 feet (5.6 m), yet has a draft of only 2.5 feet (0.8 m).
The M80 Stiletto is the largest U.S. naval vessel built using carbon-fiber composite and epoxy building techniques, which yields a very light but strong hull. The prototype M80 Stiletto is expected to be in use in less than one year. Ships are expected to cost between $6 and $10 million
The Newtown Pentacle 