Posts Tagged ‘Manhattan’
unlimited demand
Me? I like a good arch.
– photo by Mitch Waxman
In glorious Astoria, Queens, you’ll notice that the neighborhood hosts a rail viaduct which carries the New York Connecting Railroad tracks to the Hell Gate Bridge, and that the cyclopean concrete structure uses a series of arches to carry the load. Whenever I’m out shooting, a point is made to photograph arches whenever they’re encountered, strictly in the name of “framing” for the composition. These tracks have been here since 1917, and opened in March, or possibly July of that year.
The arch is actually a relatively modern “thing” as far as human history goes, and began turning up in the built environment roughly 4,000 years ago in Mesopotamia.
– photo by Mitch Waxman
The Romans are famous for their usage of the arch and created several twists on the structural element. They would line up a series of arches to create an arcade, or twist them around a focal point to build domes. They also came up with the idea for triumphal arches, like the one you’ll find on the Canal Street side of the Manhattan Bridge, which also has a colonnade.
In case you were wondering – the Manhattan Bridge arch and colonnade were opened for inspection some five years after the bridge itself premiered. It was in 1910, a year after the bridge opened, that the architectural firm Carrère and Hastings drew the plans for the arch, and it was sculpted by Carl A. Heber. There’s also a sculptural frieze called “Buffalo Hunt” by a fellow named Charles Rumsey.
– photo by Mitch Waxman
Speaking of arches and the New York Connecting Railroad, as well as Astoria, you’d be remiss not mention the treasure of treasures which is Hell Gate. Lindenthal and Horbostel designed the great rail bridge, which is actually a series of bridges when you get down to it. The main attraction is an inverted bow spring arch.
Technically speaking, it’s called the East River Arch Bridge.
The New York Connecting Railroad Bridge, aka the East River Arch Bridge- or commonly the Hell Gate Bridge- is estimated to be the most permanent of all the structures garlanding NY Harbor. According to Discover Magazine’s Feburary 2005 issue – it would take a millennium of environmental decay for Hell Gate’s steel to fail and collapse as compared to a mere 300 years for the other East River crossings. A target of no small strategic importance, Hell Gate was a mission objective for the Nazi saboteurs who were landed in Amagansett, Long Island by a Submarine (U-Boat 202– the Innsbruck) during the second World War’s Operation Pastorius. The legal consequences of Pastorius, by the way, are the precedent setting United States Supreme Court decision of Ex Parte Quinn.
Ex Parte Quinn is the legal pretext that underpins the detention of and trial, by military tribunals, of “foreign combatants” in the United States – a central tenet of our modern Terror War.
– photo by Mitch Waxman
My favorite arches can be found at my favorite place, of course. The Greenpoint Avenue Bridge over Newtown Creek is featured above. There have been multiple bridges erected at this location over the years, but the first one was known as the “Blissville Bridge” and it was erected in 1850.
from the DOT website:
The Greenpoint Avenue Bridge is a double-leaf trunnion bascule, with 21.3m wide leaves. This bridge is a steel girder structure with a filled grid deck. The bridge provides a channel with a horizontal clearance of 45.4m and in the closed position a vertical clearance of 7.9m at MHW and 9.4m at MLW. The bridge structure carries a four-lane two-way vehicular roadway with a 1.2m striped median and sidewalks on either side. The roadway width is 8.6m and the sidewalks are 4.0m and 3.7m for the north and south sidewalk respectively. The approach roadways are narrower than the bridge roadway. The west approach and east approach roadways are 17.1m (including 1.4m center median) and 11.9m respectively.
Greenpoint Avenue Bridge is also known as the J.J. Byrne memorial bridge. Who was Byrne? Long story, click here to learn more.
– photo by Mitch Waxman
Over in Staten Island, the Bayonne Bridge opened for use to the general public was 28,856 days ago, on November 15th, 1931 at 5 A.M. Bayonne is the fourth longest steel arch bridge upon the entire planet, and was designed by Othmar Amman. Click here for more on the Bayonne Bridge, and the construction project underway which is raising its roadway to accommodate a new class of cargo vessel.
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pedantic overexposure
Manhattan is an “only when necessary” destination.
– photo by Mitch Waxman
One of the little diatribes I’m known for concerns Manhattan, specifically the section of it found below 96th street and above the Battery. Once, this was an interesting place. There is still some interesting architecture to observe, of course, but the chances of encountering anything that isn’t crass and or exploitative are pretty much nil these days. Seven bucks for a hot dog? Really?
– photo by Mitch Waxman
The only reason a humble narrator ever goes there anymore involves where my physicians have set up their offices, the catching of a ferry to Staten Island, or attending some harbor related function.
It’s sanitized, Manhattan is, and having had all of its edges sanded down has resulted in it becoming quite bland. Rich people and tourists are, by definition, not terribly interesting. Most of what you’ll find at the street level – shop wise, has become banal. The entire island was once brightly colored, but there has been so much bleach applied to it over the years…
– photo by Mitch Waxman
A recent appointment with my team of Doctors required me to visit the island, and I took the opportunity to perambulate from 59th street to Union Square – roughly two miles. Two miles in North Brooklyn or Western Queens would have seen me return to HQ with literally hundreds of shots of interesting things I’d encountered. The Manhattan walk resulted in about 15 shots.
Above, a film crew at work nearby Union Square Park, is included simply because it’s part of a larger series of “Photographing Photographers while they’re Photographing.”
– photo by Mitch Waxman
Thankfully, after a clean bill of health was pronounced by the professional staff at my Doctor’s office, a chariot back to the bountiful vistas of Queens arrived at the Subway station just as I did. The best part of visiting Manhattan is leaving it behind.
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no idea
Squirrel!
– photo by Mitch Waxman
As is occasionally the case, a humble narrator needs to take a short break. As is my custom, single images will greet you this week, as is the case with the one above illustrating a Squirrel whom I encountered at Astoria Park.
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deserved imprisonment
A few shots from the Shining City, in today’s post.
– photo by Mitch Waxman
While on the way to Old St. Pat’s for the Irish language mass a week or two ago, a bit of my spare Manhattan time was filled by wandering about. Over in the East Village, one of my favorite bits of historical neon – the Block Drugs sign – was observed and recorded.
– photo by Mitch Waxman
One had taken the 7 from Queens to Manhattan, which deposited me in midtown. I had elected to walk down Park Avenue for one reason or another. One of the reasons was that since Park is a bit wider than most of Manhattan’s north south streets – there would be available light rather than perpetual shadow.
Don’t worry, the Mayor’s new Mandatory Inclusionary Housing rules and zoning changes will soon eliminate any shard of pesky sunlight which might strike the ground.
– photo by Mitch Waxman
Always on the lookout for something “iconic,” this early morning lineup of taxis at Grand Central Terminal caught my eye as I scuttled forth from the 7 train’s exit.
Have a good Friday, all.
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detail to
Oy gut to visits mit das Goyem again!
– photo by Mitch Waxman
My friends at St. Patrick’s Old Cathedral allowed me to photograph their 2016 Irish Language Mass, over in Lower Manhattan’s Bloody Sixth Ward on the corner of Mott and Prince, which occurred on Saturday the 12th of March. This isn’t the first time I’ve shot this event – check out “wildest speculations” and “luminous aether” for my earlier efforts.
One thing you’ll pick up on is that this year is that the House of Dagger John – St. Patrick’s Old Cathedral – looks a bit different. There is an enormous amount of construction going on within the building, as there’s a restoration project underway meant to prepare the Church for an upcoming historical anniversary and return her to the splendor of an earlier era.
– photo by Mitch Waxman
As is my habit, I got there early, way before any of the parishioners showed up. During the ceremony itself, my preferred spot to shoot from is alongside the organist, which is on a catwalk that sits what must be thirty or feet over the floor. The image above is from ground level, at the center of the aisle between the pews, looking straight at the altar.
I presume they’re called “pews,” and that the ceremonial center is called the “altar,” incidentally. I’m Jewish, so what do I know? If you’re Roman Catholic, and I’m calling out “something” as something it’s not, please offer corrections in the comments section below rather than getting offended.
– photo by Mitch Waxman
Speaking of the pipe organ, there is one, and it’s a magnificent thing.
– photo by Mitch Waxman
The altar area at the front of the basilica has also enjoyed a bit of restoration. The carved wooden statues of the Saints (presumptively) or Apostles on the ornate screen have received quite a bit of artistic attention since my last visit here. The big oil painting that used to act as a centerpiece has been replaced by a model of the Cathedral which encloses the host.
– photo by Mitch Waxman
The Cruciform has also been cleaned and its paint restored, and has been relocated from its former position behind the carved altarpiece. It’s now suspended from the roof by thin wires.
– photo by Mitch Waxman
This shot looks back towards the organ from the front of the Basilica, up on the altar itself. The stained glass which normally adorns the windows has been removed, and been sent off to an artisan glass shop for restoration. There’s a fabricated construction material that looked like Tyvek covering the windows, and you’ll notice there’s a scaffold set up in the lower left hand corner of the shot. Just about everywhere I looked, there was something going on, repairs wise.
I was informed that this Mass is the first time in many, many months that the Cathedral has been open to the public due to these construction and restoration efforts.
– photo by Mitch Waxman
The Irish language mass got going, and it was in celebration of St. Patrick’s day. Naturally, it started with bagpipes, and most of the attendants whom I spoke with were indeed of Hibernian descent. There were a couple of important people who spoke, in Irish… can’t really tell you what they were saying as I’m not fluent in Gaelic. The ceremony itself went on, and the priests performed their devotions. Actually, the guy on the left is Pastor of this church and is a Monsignor.
As a note, I LOVE photographing this event, and am honored that I’m asked to attend and record it.
– photo by Mitch Waxman
Part of my awe, of course, is that this was the church of Archbishop John Hughes – who is my nominee for the most important but largely forgotten New Yorker of the 19th century.
Dagger John, as he was known in his time, is the founder of Calvary Cemetery along my beloved Newtown Creek in Queens, and he actually officiated the very first funeral that was held there. It was also because of Dagger John, and his creation of an entirely free Parochial School system for the children of the poor (including Protestants) that the Protestant elite of NYC created a Public School system which must NEVER mention a god or offer religious instruction.
If you don’t think about the Protestant/Catholic conflict when discussing 19th century NYC, you probably don’t know anything about the Bowery B’Hoys or the Bloody Sixth Ward. McGurk’s Suicide Parlor was a couple of blocks away from here, not far from McSorley’s and Cooper Union. A few blocks east, German and Ukrainian Socialists conspired to oppose the bosses over on first, and just a few blocks further east was an area referred to as “The Jew Ghetto.” Lame Duck was the king of Doyers Street and its opium parlors to the south, and to the north west at Union Square – a political organization which called itself “Tamanend” was just beginning to flex its electoral muscles.
Back in the 1830’s and 40’s the Catholic Church was considered to be a threat by the old line Protestant “powers that be” and the Pope was referred to as (and was the de facto) King of Italy. NYC was boiling with racial tension in that era, with ethnic militias making war upon each other on the streets. A Nativist Mob once marched on this very church intending to burn it down, and were greeting by Irish gunmen manning the fences along Mott, Mulberry, and Prince Streets.
It’s hard to imagine, I know. Back then, the concept of race wasn’t just black and white, it included National origin. Back then, the Irish were considered a degenerate and primitive race, separate and lesser than the other pale skinned Europeans. Reading the NY Times archives from back then on the subject of Irish emigration, and the growing population of Catholics in the United States, can be a startling experience for modern eyes.
– photo by Mitch Waxman
The Mass played out, and the two priests brought the host down for the congregants.
On a technical front, I was constantly swapping lenses throughout the ceremony, and rotated through my entire kit several times. The camera was set up on a tripod, with a remote shutter release cable installed. The “architectural” shots were narrow aperture and low ISO (to gather all the ornate details available within the hyperfocal distance available between f8 – f22 and “infinity”) and a shutter speed which floated around in the neighborhood of 2-6 seconds.
The shot above, if I recall correctly, was a high ISO (2,000, maybe) with the aperture set at f7.1 and the shutter open for 1/60th of a second. There were several exposure triangles which were quickly gleaned for usage on various types of shots, suffice to say, and that all of the “technical” sort of night shooting I’ve been doing is growing increasingly useful.
– photo by Mitch Waxman
I wanted to get a bit “arty” in the shot above and blur the moving people a bit while leaving the Church and its ornamentation tack sharp. The aperture went down to f22 and then I lowered the ISO to 100 so as to cut down on as much light as possible from hitting the sensor, and then opened the shutter up for 30 seconds. Anything moving in the shot became ghostly and was blurred into a motion trail.
The arty part was to try and suggest the impermanent condition of the living in the context of a sacred space which has seen the fortunes of New York City rise and fall several times over, or something.
– photo by Mitch Waxman
If you click through to the flickr set these photos are a part of, (just click the image) there’s lots more of Old St. Patrick’s and the ceremony to check out in there. I hope that when the restoration is done I can get my camera back into the House of Dagger John.
Eyn loshn iz keynmol nisht genug!
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