The Newtown Pentacle

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Posts Tagged ‘New York City

terrible enough

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Happy Boxing Day, Queensicans.

– photo by Mitch Waxman

Astoria, Queens offers visitors and residents alike a cornucopia of visual stimuli – all you have to do is be observant. There’s occult altars, weird neighbors, even puzzling tableaus like the one presented above. Saying that, its always a relief to come back from wherever one might have wandered to.

– photo by Mitch Waxman

After my sojourn into the Shining City last week, a parked truck drew my attention. It seemed to be employed by some sort of concrete or construction company, this unit. Nothing extraordinary about it, really, but one was drawn in by a logo on one of its components.

– photo by Mitch Waxman

Putzmeister, I’m told, is a German company that specializes in manufacturing concrete pumping equipment which is quite successful. Putzmeister, I understand, literally translates to “pump master.” Still, one finds himself chuckling at the name “Putzmeister” as my emotional maturity is that of a 12 year old boy.

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Written by Mitch Waxman

December 26, 2014 at 11:36 am

resplendent aura

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A short encounter with the Saw Lady, in today’s post.

– photo by Mitch Waxman

Recently, while moving through the Subway system, as one paid his fare with a Metrocard Swipe, an oddly familiar sound penetrated through my headphones. Plucking the tiny speaker out of my ear confirmed it, the Saw Lady was nearby. Looking around and following my ears, I soon found Natalia Paruz busking.

from wikipedia

Natalia ‘Saw Lady’ Paruz is a New York City-based musical saw and novelty instruments player and busker. She is the founder and director of the annual Musical Saw Festival in New York City. She also organized the musical saw festival in Israel. She is a columnist of the ‘Saw Player News’ and a judge at international musical saw competitions.

– photo by Mitch Waxman

The Saw Lady, as Natalia calls herself, plays the musical saw with a sort of passion that others can only aspire to. I first met her around 4-5 years ago at a holiday party she was performing at here in Astoria, and most recently she and I were part of a nocturnal Atlas Obscura event that played out over in Greenwood Cemetery. Let me tell you, if you think the sound of a musical saw bouncing around a Subway station is ethereal, you should hear what it sounds like when played inside of a tomb.

– photo by Mitch Waxman

Natalia Paruz maintains a website at sawlady.com, where you can check out and purchase her recordings, or learn more about the ethereal sound produced by the unique instruments. She’s a Guinness World Record holder, incidentally, having assembled the largest orchestra of musical saw players together, an event which happened right here in Queens.

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Written by Mitch Waxman

December 25, 2014 at 1:26 pm

chlorate cube

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Merry Festivstmas Kwaazannukah, yo.

– photo by Mitch Waxman

After my experiences at the camera shop, which were described yesterday, a series of emails indicated that one needed to cut his visit to the Shining City short and return to the grind back at HQ in Astoria. Originally, plans to do some shooting along the Hudson were on the menu, but there you go. Down in the sweating concrete of the subterranean transportation bunkers, I decided to do some “shooting from the hip” to pass the time while waiting for my train to arrive.

– photo by Mitch Waxman

“Shooting from the Hip,” as I define it, is when the camera is pre focused to a certain depth of field and held away from the face. Technically, you’re shooting “blind” and operating the camera sheerly on instrumentation and by obliquely pointing it at things. Also, I usually hold the camera upside down for some reason. Many of the shots gathered this way are useless, some are “happy accidents” like the first shot in today’s post, or conventionally spotted and captured as in the portrait oriented shot above.

– photo by Mitch Waxman

As is my habit, arriving trains were catalogued. Suddenly the fellow in the shot above appeared in my diopter, and he proceeded to begin staring me down. My first instinct was that he might be some sort of law enforcement officer, and that we were about to begin a dance which would start with “what are you taking pictures of.” My answer would be “trains.” Then he’d say “why are you taking pictures of trains” which would be answered with a memorable quip, which I’d tell with a certain Brooklyn inflection noticeably present in my voice, followed by “comma sir.” Usually, being polite to law enforcement is the smart guys way to stay out of trouble, but that’s me. Thing is, the fellow (I’d say Gentleman but I don’t know if he’s landed or gentry – what am I, psychic?) in the shot just stood there and kept staring at me as the train came in. Never stepping forward or even blinking. Cops are a lot of things, but shy and or reticent ain’t on their list of traits. I started to get creeped out, what if this guy was some sort of ideologue or anarchist?

I wondered if, hoped actually, there might be a Cop nearby.

– photo by Mitch Waxman

A theory hatched in my fevered thoughts that this fellow might be some sort of Bolshevik or something, sent to the 34th street Subway station to subvert or just observe the American way. His unwavering, unblinking posture, coupled with the odd wires arrayed about his neck, led me to theorize that this might be some sort of time traveling android sent back to our age – Terminator style – as an intelligence drone gathering historical data. Before I could ask if there might be a sequence of numbers handy for playing the lottery, this “Staring at me (possible) Bolshevik Drone from the Future Guy” stepped into a passing crowd and disappeared. Pfft – gone.

That was a close one, I guess. I really fricking hate being in Manhattan. It looks great from the outside, but once you’re inside of that thing – yikes!

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Written by Mitch Waxman

December 24, 2014 at 12:52 pm

golden valley

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Free is free, McGee.

– photo by Mitch Waxman

One of my photographer buddies, the notorious John Skelson, emailed me to inform that Chrysler Camera would be performing free camera maintenance and checkups over at BH Photo (I’ve always thought that the BH stands for Beards and Hats, it doesn’t) on 34th street last week. As my rig spends most of its time swinging about in a superfund situation, or out on the brackish waters of NY Harbor, this sounded pretty good to me. Negotiations resulted in a plan for us to meet up over in the shining city from our respective corners of the world at the camera shop.

– photo by Mitch Waxman

As is my habit and curse, one arrived a bit too early and I decided to saunter around the hellish neighborhood surrounding Penn Station and Madison Square Garden for a bit. Hellish? Why, yes it is. This neighborhood has to host one of the largest accumulations of scabby, boil you down to sell you for elements, old school junkies left in in Manhattan. My footsteps carried me, however, over to a largish construction site. While there, I observed an enormous piece of construction equipment at work – which I understand as being called a “beam launcher.”

– photo by Mitch Waxman

The purpose and operation of this device is explained succinctly in this constructionspecifier.com post, which also offers the story of the various challenges faced by the Real Estate Industrial Complex regarding the exploitation of this parcel of midtown Manhattan at 33rd and 9th. Happily, the endemic junkies and scalliwags who populate the streets here will soon have a brand new and baked in population of office workers and condominium dwellers to prey upon when the project is completed.

– photo by Mitch Waxman

My viewpoint on the neighborhood surrounding “Beards and Hats” is based on personal experience, incidentally, not out of some dilettante distaste or opinion and it sure as hell ain’t “politically correct.” There are two areas in Midtown where I’m actively looking over my shoulder for fear of getting jumped. The 34th street zone around 9th and 10th, and the 40’s around 11th avenue are well populated with a criminal underclass of indigents, addicts, and good old fashioned criminals. The residential populations of affluent New Yorkers who have been moving into this former industrial zone along the Hudson look upon this group with pitying and sympathetic eyes, and will tell me to “lighten up, they’re just homeless and down on their luck. They just need a helping hand.” If you believe that, then this malign grouping has already made a mark out of you.

In the end, however, my camera came out of its maintenance session clean and shiny and I headed back to the rolling hills of almond eyed Astoria, where I belong. Christ almighty, do I hate Manhattan or what?

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Written by Mitch Waxman

December 23, 2014 at 10:55 am

mellow gleams

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FDR Four Freedoms Park, in today’s post.

– photo by Mitch Waxman

The recent travelogue offered here, describing a recent visit to Roosevelt Island, concludes today with a visit to the southern terminus of that East River island where the brand new FDR Four Freedoms Park is found. Originally conceived and designed by Pratt University’s Louis Kahn in 1972 and completed by Mitchell | Giurgola Architects three decades later, the park is some four acres in size and honors the memory of Franklin Delano Roosevelt and commemorates the “Four Freedoms” speech he offered the nation in 1941.

– photo by Mitch Waxman

Roosevelt was, of course, the 32nd President of these United States, after having served as the 44th Governor of New York State (amongst other jobs including appointments like Assistant Secretary of the Navy and lower elected offices). The convoluted history of how this park got built, a process which stretched out over three decades, is not what this post will attempt to describe – I would suggest a trip over to wikipedia for the whole story of that one. Suffice to say that a whole lot of money and ego found their way into the masonry of this place. Pictured above is a list of the various donors who financially supported the place, which reads like a “who’s who” of NYC’s modern day Real Estate and Non Profit Industrial Complexes.

– photo by Mitch Waxman

The park itself is quite an interesting spot, and quite reminiscent of other modern monuments. A series of massing shapes set at an angle against the horizon, with leading lines and sparse plantings. The grand entrance offers a set of shallow steps at its entrance. Unfortunately, or not, my arrival at the Park was in the mid afternoon during the month of December, a time of year when the burning thermonuclear eye of god itself hangs languid and wan in the winter sky offering little warmth.

– photo by Mitch Waxman

Instinct often carries me off to the less traveled side, but whenever one visits a “grand design” for the first time an attempt is made to follow the path intended. Knees groaning, one climbed the relatively short flight of steps, stepping over the inscribed names of the donors. This carried me to the apex of the stairway, and the main plaza of the place.

– photo by Mitch Waxman

The leading sight lines are directed at a monumental bust found at the extreme south end of the park, but I couldn’t help but notice that what it was pointing directly at was east 23rd street’s East River “Gas Light district” frontage near Stuyvesant Town, and those brutalist residential towers found between 24th and 30th streets. An odd coincidence, given the less than friendly relationship of the Roosevelt family with the Rockefellers (Stuyvesant Town was a Rockefeller project).

– photo by Mitch Waxman

The true monument to FDR happens to be across the river in Manhattan, a building which also happens to be a Rockefeller project, the United Nations Building. Famously, Eleanor Roosevelt was a primal factor in the creation of the global congress. I’m sort of a fanboy for Eleanor Roosevelt, incidentally, and am always reminded of one of her many, many quotable lines – “we all do better when we’re all doing better” during the recitation of modern political discourse by present day ideologues.

– photo by Mitch Waxman

An odd choice in statuary, the floating bust of Roosevelt seems sad. In his lifetime, the man went out of his way to always appear chipper and smiling in public. Reticence seems to be the mood projected by this object, tinged with regret, and it’s based on portraits of the President from late in his life. This is the face of a man who had just commissioned the construction of two atomic bombs, rather than the countenance of the man who delivered one of the primal speeches of the 20th century that defined “the American way.”

Tomorrow, which is Festivus by the way, some of the things recently witnessed over in the Shining City of Manhattan.

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Written by Mitch Waxman

December 22, 2014 at 11:42 am