Posts Tagged ‘Parade’
Manhattan Bridge Centennial Parade 1
– photo by Mitch Waxman
So, on October 4th, a parade and fireworks show was produced for the Manhattan Bridge Centennial by the NYC Bridge Centennial Commission.
Having been involved with the Queensboro Centennial at the start of the summer, when I was asked to help out, I jumped at the chance and suddenly- I was a parade marshall. Several of my friends were drafted into service as well, including the redoubtable Mike Olshan (who is the safety vested and distant photographer seen in the shots above and below).
from wikipedia
The Manhattan Bridge is a suspension bridge that crosses the East River in New York City, connecting Lower Manhattan (at Canal Street) with Brooklyn (at Flatbush Avenue Extension) on Long Island. It was the last of the three suspension bridges built across the lower East River, following the Brooklyn and the Williamsburg bridges. The bridge was opened to traffic on December 31, 1909 and was designed and built by Polish bridge engineer Ralph Modjeski with the deflection cables designed by Leon Moisseiff, who later designed the infamous original Tacoma Narrows Bridge that opened and collapsed in 1940. It has four vehicle lanes on the upper level (split between two roadways). The lower level has three lanes, four subway tracks, a walkway and a bikeway. The upper level, originally used for streetcars, has two lanes in each direction, and the lower level is one-way and has three lanes in peak direction. It once carried New York State Route 27 and later was planned to carry Interstate 478. No tolls are charged for motor vehicles to use Manhattan Bridge.
– photo by Mitch Waxman
A relict of the countercultural milieu of the 60’s and 70’s (as I am an atavist survival of the 70’s and 80’s), amongst other things, Coney Island Mike is the Newtown Pentacle’s go-to man on all things Red Hook and is associated with one of Forgotten-NY’s great finds- the Yellow Submarine at Coney Island Creek. This isn’t why I call him “Coney Island Mike”, the real reason lies in a filthy and obscene series of office jokes which are not worth repeating. A nocturne like myself, Mike was lured into the early morning sunlight by a promise of photographic access to a traffic free bridge before and upon completion of our function as Marshalls.
from nycroads.com
PLANNING “SUSPENSION BRIDGE NUMBER 3”: The Manhattan Bridge was first planned as a traditional wire-cable suspension bridge to be used exclusively by trains. In 1892, elevated railway magnate Frederick Uhlmann proposed this span just north of the present site of the Manhattan Bridge. The bridge was planned in conjunction with another one of his proposals, the Williamsburg Bridge. While Uhlmann’s railroad bridge was never constructed, the Williamsburg Bridge was approved in 1895 to handle mixed traffic.
– photo by Mitch Waxman
Marshall duties are loosely defined as “keep people away from the edge of the bridge”, “keep the crowd moving on schedule”, and “if you have a problem, hand it over to NYPD”. This is the second time that I’ve witnessed how the City organizes this sort of event- the elaborate choreography of the DOT, NYPD’s matter of fact event scheduling, and the thousands of bureaucratic details which were handled by the Bridge Committee’s capable directors.
from nyc.gov
Daily, the bridge accommodates some 75,000 vehicles, 320,000 mass transit riders and 3000 pedestrians/bicyclists between Manhattan and Brooklyn. It supports seven lanes of vehicular traffic as well as four subway tracks upon which four transit train lines operate.
– photo by Mitch Waxman
The Parade is still an hour or so off, and everyone you see gathered in the shot above is either a Parade Marshall, NYPD, DOT, or one of the dignitaries marching in the Parade. Also, 2 “classic cars” were arranged to carry either Political Leaders or members of the podium presentations who were unable to walk the steep incline of the bridge due to age or infirmity.
from nymag.com
On July 23, a two-minute time-lapse video of the Manhattan Bridge, undulating under traffic, appeared on YouTube. It got 140,000 hits in the first week, and the media, always short on engineering majors, gave it lots of play. WPIX news aired a clip, and Morning Joe played it to uneasy oohs and aahs from its co-hosts. The website Gawker posted it under the headline “The Manhattan Bridge Is Falling Down” (later clarifying that it had been a joke). In fact, suspension bridges are supposed to move, in multiple dimensions. The century-old Manhattan Bridge is in the final stages of a rehab that began in 1982, when it was actually in danger of collapsing. It’ll bounce, without incident, for years to come.
– photo by Mitch Waxman
The crowd began to thicken around Canal street at the corner of Bowery. Complicating the Marshall duties would be the large number of Senior Citizens from Chinatown, who- we were told- would speak absolutely no english at all. Nobody could tell me how to say “stay away from the edge of the bridge” in Cantonese. Concurrently, gathering steam on the Brooklyn side of the bridge, the other half of the parade was just beginning their journey, but our trip to the podium was shorter than theirs, so we left a bit later.
from gothamist.com
A helicopter and police boat rushed to the East River near the Main Street section of Brooklyn Bridge Park this afternoon, where a man miraculously survived after jumping from the Manhattan Bridge. A firefighter at the scene in DUMBO told us it was believed to be a suicide attempt, but it was unclear how the man had survived the fall into the icy waters and was still able to walk to a waiting ambulance.
– photo by Mitch Waxman
Finally happened. There’s my shadow, dead center, in the above shots. Photographic evidence that I exist, or at least that I’m really still alive and not just some disembodied “point of view” floating around New York. It’s an odd thing, I can take a photo of a totally reflective surface and not appear in the shot, but I don’t do it on purpose. In all of these shots I post, such shadows or reflections appear in maybe 5 shots, only once on purpose (I needed an “about the artist” shot for something, and shot my shadow draping over an LIC sewer).
from timeout.com
It has no song celebrating a groovy stroll across its length, nor has it inspired literary reflections (although it is a popular suicide spot in Steve Martin’s 1984 movie The Lonely Guy). The Manhattan Bridge may lack the lore of the Brooklyn and Queensboro, but viewed from a flattering angle, the sweeping steel suspension bridge is undeniably beautiful. The impressive stone archway on the Manhattan side, modeled on the 17th-century Porte St-Denis in Paris, was designed by New York Public Library architects Carrère and Hastings, while the Brooklyn approach once boasted allegorical statues representing the two boroughs designed by Lincoln Memorial sculptor Daniel Chester French (they now reside in the Brooklyn Museum).
(full disclosure- above shot was from a couple of days earlier) – photo by Mitch Waxman
The last paragraph actually sounds crazy to me, can’t imagine what speculations it unleashes in you- Lords and Ladies of Newtown. As I’ve mentioned in the past, your humble narrator is all ‘effed up, and the Manhattan Bridge has some actual personal history associated with it. I will admit that I was honored to be part of this event, and happy that I got to share it with several friends, old and new.
Then, the drums rolled…
from nycsubway.org
The Manhattan side of the subway tracks originally were connected as follows: The north side tracks to the BMT Broadway Subway at Canal Street; the south side tracks to the BMT Nassau Street subway north of Chambers Street. The south side tracks were used mostly during rush hour for services provided via the Nassau Street loop (which connected the BMT 4th Avenue and BMT Brighton Line to Manhattan via the Manhattan Bridge on the north end and the Montague Street tunnel on the south end). The configuration of the tracks at the Manhattan side was changed in 1967 as part of a large project known as the Chrystie Street connection. This project severed the connection to the under-used Nassau Street line on the south side. The south side tracks were then connected to the BMT Broadway Line, and the north side tracks connected via new construction to the IND 6th Avenue Line.
– photo by Mitch Waxman
And, this being my second Parade, I can be confident in saying- when the drums roll and the band (in this case the NY Chinese School Marching Band) marches, the Parade is begun.
More tomorrow…
and- just as a note- today is the anniversary of the Ratification of the United States Bill of Rights in 1791.
Chinatown Lion Dance
– photo by Mitch Waxman
An admission- Chinatown scares the hell out of me. Its not an anti chinese thing, its the crowds and urban density. Naturally timid, emotionally stiff, and physically cowardish- the close contact and intimate quarters of these older parts of New York City amplify my natural inclinations and compel flight from such circumstances for want of those open skies and long urban horizons found across the river in the Newtown Pentacle.
Forced by obligation, however, to conquer my timorous nature and attend a meeting of Manhattan Bridge Parade Marshals (I’ll talk about that in a later post) in Chinatown- I came across this Lion Dance on Elizabeth Street.
from chinatown-online
New York City’s Chinatown, the largest Chinatown in the United States—and the site of the largest concentration of Chinese in the western hemisphere—is located on the lower east side of Manhattan. Its two square miles are loosely bounded by Kenmore and Delancey streets on the north, East and Worth streets on the south, Allen street on the east, and Broadway on the west. With a population estimated between 70,000 and 150,000, Chinatown is the favored destination point for Chinese immigrants, though in recent years the neighborhood has also become home to Dominicans, Puerto Ricans, Burmese, Vietnamese, and Filipinos among others.
Chinese traders and sailors began trickling into the United States in the mid eighteenth century; while this population was largely transient, small numbers stayed in New York and married. Beginning in the mid nineteenth century, Chinese arrived in significant numbers, lured to the Pacific coast of the United States by the stories of “Gold Mountain” — California — during the gold rush of the 1840s and 1850s and brought by labor brokers to build the Central Pacific Railroad. Most arrived expecting to spend a few years working, thus earning enough money to return to China, build a house and marry.
As the gold mines began yielding less and the railroad neared completion, the broad availability of cheap and willing Chinese labor in such industries as cigar-rolling and textiles became a source of tension for white laborers, who thought that the Chinese were coming to take their jobs and threaten their livelihoods. Mob violence and rampant discrimination in the west drove the Chinese east into larger cities, where job opportunities were more open and they could more easily blend into the already diverse population. By 1880, the burgeoning enclave in the Five Points slums on the south east side of New York was home to between 200 and 1,100 Chinese. A few members of a group of Chinese illegally smuggled into New Jersey in the late 1870s to work in a hand laundry soon made the move to New York, sparking an explosion of Chinese hand laundries.
– photo by Mitch Waxman
One of my companions, whose origins are found in the oceanic far east, claimed that the lion dance was being performed by what would most probably be an “ethnic society”. I am fairly ignorant about these deeper facets of Chinese Society, and will accept many apocryphal stories as fact- but in this case the source is a trusted observer with a long history of rectitude.
from wikipedia
The traditional borders of Chinatown are:
Canal Street in the North (bordering Little Italy)
The Bowery in the East (bordering the Lower East Side)
Worth Street in the South
Baxter Street in the West
– photo by Mitch Waxman
A dense crowd congealed around me as I neared the scene, which set me off into one of my specious moods. Reeling from the unfamiliar melodies of the percussionists interspersed with the crowd, your humble narrator managed to gain a clear vantage. Confetti rained.
also from wikipedia
The housing stock of Chinatown is still mostly composed of cramped tenement buildings, some of which are over 100 years old. It is still common in such buildings to have bathrooms in the hallways, to be shared among multiple apartments. A federally subsidized housing project, named Confucius Plaza, was completed on the corner of Bowery and Division streets in 1976. This 44-story residential tower block gave much needed new housing stock to thousands of residents. The building also housed a new public grade school, P.S. 124 (or Yung Wing Elementary). Since new housing is normally non-existent in Chinatown, many apartments in the building were acquired by wealthy individuals through under-the-table dealings, even though the building was built as affordable housing.
– photo by Mitch Waxman
It is not an uncommon experience in New York City to stumble upon ancient rites being enacted beneath neon signs and satellite dishes. Back during the summer, I witnessed and photographed a parade that looked like a Roman mural come to life in the DUTBO neighborhood of Astoria.
another from wikipedia
Chinese lion dances can be broadly categorised into two styles, Northern (北獅) and Southern (南獅). Northern dance was used as entertainment for the imperial court. The northern lion is usually red, orange, and yellow (sometimes with green fur for the female lion), shaggy in appearance, with a golden head. The northern dance is acrobatic and is mainly performed as entertainment. Sometimes, they perform dangerous stunts.
Southern dance is more symbolic. It is usually performed as a ceremony to exorcise evil spirits and to summon luck and fortune. The southern lion exhibits a wide variety of colour and has a distinctive head with large eyes, a mirror on the forehead, and a single horn at center of the head.
The Lion dance is often confused with the Chinese Dragon Dance, which features a team of around ten or more dancers. The Lion Dance usually consists of two people.
– photo by Mitch Waxman
The Lion costumes represent a significant material investment, if the prices at this website are typical for the genre. There’s a video at youtube which kind of conveys the feeling of being in this sort of crowd, albeit the far larger commotion and anarchic mood of that film was captured during the raucous Chinese New Year celebrations.
– photo by Mitch Waxman
From my superficial research on the Lion Dance, discernment of a competitive sort of sport has emerged, some kind of a gymnastic exhibition with elaborate scoring based on presentation and performance. For instance, were one to have found oneself in Guangzhou on February 9th, a plethora of Lion Dancers converged on the Guangzhou Lion Dance Contest and Gala for Lantern festival.
from chinatownology.com, which has a pretty cool page with video
During a lion dance performance, 2 performers co operate to “become” a lion. The Lion’s body consists of a lion head with movable ears, eye lids and mouth and a highly decorated body. The performers wear a t-shirt with the lion dance association’s logo and a special pair of pants designed to look like lion’s feet and in matching color and design with the lion’s body.
One of the performers takes the front position and assumes the front body of the lion. He controls the lion’s eye lids, ears and the mouth while his legs moves represent the front legs of a lion. The second performer arches forward to form the back of the lion, controls its tail and his legs represents the hind legs of the lion.
Lion dance performances are often accompanied by drum and gong players so that whenever there is a lion dance performances, the drum and gongs help to “inform” everyone around the area drawing crowds. The lion dance can occur with one or a group of lions and sometimes together with a Dragon Dance.
At the end of each performance, the Lion may leave a display of orange petals for audience to decipher the lucky numbers from the formation. Pastries such as prosperity cakes 发糕 are also used as props because of its auspicious symbolism.
The Newtown Pentacle 