Archive for May 2022
ugly trifles
Tuesday
– photo by Mitch Waxman
Nothing matters. Nobody cares.
One has been keeping an eye on the collapsing bulkheads of Newtown Creek’s Dutch Kill tributary along 29th street in LIC for a while now. We’ve activated the politicians and officialdom. Right now, they’re arguing over which agency is at fault, and the land continues to crumble into the water and undermine the roadway.
– photo by Mitch Waxman
I’ve been wondering, what if I was to buy a few cans of green paint and fake a bike lane here? That would get some action out of the powers that be, I imagine. Bike lane, after all…
Is there some way to spin a collapsing street as racist, or phobic about sexual orientations?
– photo by Mitch Waxman
There was something alive in that hole, incidentally. It was hissing and growling at me while I was shooting these. No, really.
Probably a mama raccoon or something, or at least I hope that’s what it was.
– photo by Mitch Waxman
It’s all so god damned depressing. This City has a budget larger than the GDP of most nation states, and NY State’s annual budget is competitive with those of countries with significant military footprints. With all that cash flying around, they can’t even swing putting out a few bollards and some caution tape of the road side of this.
Nothing. Matters. Nobody. Cares.
– photo by Mitch Waxman
Bah. One continued one with his long walk along a short creek. I headed over to Hunters Point Avenue and its eponymous bridge.
I was operating the camera entirely handheld, incidentally, as I didn’t want to slow myself down while “futzing” about with gear.
– photo by Mitch Waxman
At least my beloved little tree of paradise still stands, and continues to stretch towards the sky from under a factory wall.
More tomorrow.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
titanic chisel
Monday
– photo by Mitch Waxman
Back home in Queens, after my day trip to Philadelphia, and I’m sorry to report two things. First, a combination of obligation and precipitation conspired against me taking a single picture for a week after the 7th. The second is that the obligations took the form of an endless series of Zoom meetings which just happened to occur on the few days when it wasn’t raining in the second week of March.
The only good news about this series of Newtown Creek related, or non profit advocacy group focused, or Community Board meetings I participated in is that while the “blah blah blah” and virtue signaling was happening, I was developing all the shots from Philadelphia that you’ve seen over the last couple of weeks on a different screen.
Multi tasking!
– photo by Mitch Waxman
On the 14th of March, a Monday, a very long walk was undertaken. My pathway involved first crossing the Sunnyside Yards, and then scuttling along the Skillman Avenue corridor which follows the southern side of the vast Federally owned railroad coach yard.
Famously, a humble narrator has a catalogue of every hole in the fences which is large enough to allow a lens sized point of view. After a spate of outings during the winter months, ones which saw me going out in the early hours of the morning in pursuit of the rising of the burning thermonuclear eye of god itself, this was the first of several spring outings timed for the recession of the fiery orb to its receptacle somewhere behind New Jersey.
– photo by Mitch Waxman
“Hole reliable” is actually two holes. They appear to be surveyor’s points, and they are cleanly cut apertures punched out of the steel plate fences. There’s four kinds of fencing around the yards, with three of them being absolutely disastrous in terms of photos – save for these rare surveyor points.
The funny thing about the so called “security” situation here are the rail cops sleeping in their cars alongside wide open gates, contrasted with an abundance of “block the view” or “unclimbable” fences.
– photo by Mitch Waxman
This shot was gathered while lingering, unchallenged, at one of those open gates. There was a cop sleeping in his car directly behind me, with a tablet playing a TV program in his passenger seat.
I literally could have done anything I wanted here – walked right down to the tracks and waved at passing trains. Anything. It’s all theater – security kabuki.
– photo by Mitch Waxman
That’s the 7 line subway heading eastwards out of Queens Plaza towards Sunnyside pictured above. The tracks it travels on are suspended high above the ground level tracks used by Long Island Railroad and Amtrak. In between, there’s a truss bridge which carries vehicle traffic into and out of Queens Plaza, where the travel lane approaches to the Queensboro Bridge are found.
I moved on, the cop never woke up. Maybe he was dead.
– photo by Mitch Waxman
Luckily, just as I arrived at my first actual destination, the sky lit up with oranges and yellows. I miss the old days in Long Island City, before big real estate crossed the river from Manhattan and stole the sky.
More tomorrow, from Long Island City, at this – your Newtown Pentacle.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
jump downward
Friday
– photo by Mitch Waxman
One arrived back at where my day had truly begun – Philadelphia’s 30th street Station, with a good 40-50 minutes to spare before my trip on Amtrak back to NYC was scheduled to occur.
I set myself up for a few long exposure shots while I was waiting, using the “Ultrapod” camera support system which is little bit less conspicuous than the tripod is.
– photo by Mitch Waxman
The junkies of Philadelphia seem to gather here at night, which is something I observed the last time I was passing through. These are “professional junkies,” sly and scheming creatures of the street who see everyone – including their own – through a lens of exploitation. If they thought they could get away with killing you and then boiling the body down to sell off the elements you’re composed of, they would.
While marinating in a paranoid 360 degree hyper awareness of my surroundings, and tracking every living human within ten steps of my immediate location, I got busy.
– photo by Mitch Waxman
You can say what you want, and be as free thinking and liberal as you desire to be, but where that shit all falls apart is on the street. If you don’t spend time on the streets alone at night, just shut up, you don’t understand what you’re talking about.
There were a lot of eyes watching me. Two or three different people approached, asking for change or whatever. They weren’t interested in coinage, rather they were sizing me up to see what they could get away with. Of course, these junkies are from Philadelphia. I, on the other hand, am from Brooklyn. For one such as myself, all I have to do is stare deeply into their eyes and repeat whatever they say to me back at them in a loud monotone, and they soon realize that there is easier prey which will be found elsewhere.
– photo by Mitch Waxman
I’m not saying that I’m some sort of tough guy, incidentally. I’m not. However, the Brooklyn way is the Brooklyn way, and this is freaking Philadelphia – America’s consolation prize. The city you remember to mention after you’ve rolled through San Diego, Minneapolis, and Denver. Christ, I think Toronto is a tougher town than Phillie is.
Freaking junkies…
– photo by Mitch Waxman
Finally, it was time to head down to the tracks, and Amtrak arrived only about five minutes late. I was tired, having woken up at 4:45 a.m. and spent the day marching about while operating the camera.
Other than the thunderstorms which had arrived in Philadelphia about 5:30 p.m. following me home, the trip was uneventful.
– photo by Mitch Waxman
We got to NYC more or less on time, and a quick breath of maskless air was gulped on 8th Avenue before I boarded a Queens bound E train. A quick transfer at Queens Plaza soon saw me scuttling about in Astoria.
Our Lady of the Pentacle had made a lasagna, and a hearty meal greeted me back at HQ. Next week – something different, at this – your Newtown Pentacle.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
dancing forms
Thursday
– photo by Mitch Waxman
The return to 30th Street Station section of my March 7th trip to Philadelphia took the form of a “photowalk” rather than the sort of “composed” photos which I’d been capturing most of the day. What that means is that I had a vague idea of where my destination was, but no route. This carried me through several mixed use and residential neighborhoods along the way.
Looks a lot like Bushwick used to look like, I thought.
– photo by Mitch Waxman
Disturbingly, observed evidence along my route suggested that I’m not the only resident of Queens to have visited Philadelphia recently.
Could the Queens Cobbler be operating here as well? Is this where the Cobbler disappeared to during the pandemic months? Can’t be…
– photo by Mitch Waxman
The fires of gentrification, fueled by locally grown wood and spewing artisinal smoke, burn hotly in Philadelphia – I’m told. Real Estate, real estate. Notice the signage on this construction project promising “Luxury Living” alongside the elevated expressway.
What a view, huh?
– photo by Mitch Waxman
Ok, this was when it started to get weird. It can’t be, can it?
Given that it was “rush hour” while I was heading to the presumptive west, I just kept on walking.
– photo by Mitch Waxman
There’s lovely historic architecture everywhere you look in Philadelphia. Again, one of the weird things for me as a New Yorker was a paucity of street level shops. No bodegas to be found, but I did eventually find a 711 storefront, where I snagged a coffee and a bottle of Gatorade to boost my fading energy. All told, according to the phone, I had covered about ten miles over the course of the day. A tiny corner of a huge city.
Scuttling, forever scuttling, I continued on my way.
– photo by Mitch Waxman
What the hell, Philadelphia?
The Queens Cobbler and I seem to haunt the same corridors.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
cloudless peak
Wednesday
– photo by Mitch Waxman
The long heralded storm which had been forecast to hit Philadelphia in the late afternoon finally set up, and whereas a humble narrator had an umbrella attached to his pack – shelter was required. Right alongside the Benjamin Franklin Bridge is the Cherry Street Pier (Municipal Pier No. 9), which is a former maritime industrial doohickey that has been converted over to public open space usage. They have caged artists in residency there, and they imprison them on display in converted shipping containers, no doubt to keep their intellectual contagion from infecting the youth.
When researching the trip, I had spotted this facility, and knowing that thunderstorms were forecast, was ready to duck in there for some cover. It was neat, and my “just in case” plan was successful. Another bit of advice for the traveling photographer – always have a “rain plan” you can alter your course into.
– photo by Mitch Waxman
Back to photographing the colossal Benjamin Franklin Bridge, for me, thereby. The roof is missing on the section of the pier I was on, but there was just enough up there to mostly vouchsafe the camera and lens from getting “spotted” by raindrops.
My ambitious shot list for the day in Philadelphia had already been heavily redacted, and most of what I had to drop wasn’t terribly exciting – touristy shots of the historic districts where, you know, the United States was imagined and drawn up. Liberty Bell, etc.
– photo by Mitch Waxman
The one thing I regretted having to drop, due to weather and time, was walking up onto the Benjamin Franklin Bridge’s pedestrian path and blasting out a few photos from the prominence. As mentioned – Thunderstorms – and a humble narrator doesn’t mess with high wind and lightning if he has a choice.
Next time, I guess. The Port Authority’s website offers fairly explicit instructions for photographers who want to shoot from on high, and suggests introducing yourself to the security personnel at the entrance to the pedestrian path before heading up there.
– photo by Mitch Waxman
Since I was sheltered from the worst of the rain on the pier, advantage was taken. That’s the Delaware River, with New Jersey’s Camden waterfront on the horizon. It seems that wherever New Jersey touches the major city of another state, there’s a pretty awful circumstance. Newark in the north, Camden in the south. Newark is comparatively a paradise as opposed to its southern counterpart, I’m told.
My time in Philadelphia was growing short, and it was nearly time to begin heading back towards the 30th street Station to catch an Amtrak train back to “home sweet hell.”
– photo by Mitch Waxman
Across the river, and I had to use a super zoom lens for this one, the Battleship New Jersey operates as a museum vessel. Couldn’t avoid taking this shot, despite the conditions.
A general reordering of the camera bag(s) occurred at this point. My current system involves carrying a backpack with foam inserts to protect the gear, and attached to its exterior are my tripod and an umbrella. I also carry a messenger style sling bag on my hip which is similarly outfitted with foam inserts. In general, I carry four lenses on these sorts of excursions. Two of them, the zoom lenses, are “daylight” oriented. The other two are prime lenses, and are “lowlight” specialists. There’s a whole lot of other crap in the bags – batteries, a loop of paracord, gaff tape, gum – all sorts of stuff I might need or want.
– photo by Mitch Waxman
The lenses I’m using circumstantially and in the moment – zooms for daylight, for instance – are carried in the sling for easy access. When the circumstance changes, so does the carrying order. The zooms go into the backpack, and the low light primes come out. One is on the camera, the other in the sling bag. When you walk as much as I do, even a single pound of weight in the camera bag can slow you down incrementally, and by photographer standards – my kit is a wonder of efficiency.
Don’t forget, with the exception of an hour in the late afternoon when I had a meal, I had been in continuous motion since 7:30 a.m. The shot above was captured at 5:22 p.m. My return trip to NYC was scheduled to leave at 8:01 p.m. Given that I was in unfamiliar territory, and definitely wanted to arrive in advance of the train, my toes were pointed away from the river and back towards Center City.
Seriously, why don’t these cheesesteak eaters just call it freaking “downtown?”
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
The Newtown Pentacle 