Archive for the ‘Calvary Cemetery’ Category
New Calvary
– photo by Mitch Waxman
While scuttling away from that ribbon of malefic neglect called the Newtown Creek one fine day, on my way home to the yellow brick splendors of far off Astoria, your humble narrator suddenly had the sensation of being observed and followed by malign forces. Such paranoia is a failing of mine, of course (I’m all ‘effed up), as I’m given to wild flights of imagination and illogical conjecture about everyday and ordinary experiences which are mundane occurrences for everyone else. The impression that I think I’m somehow special would be erroneous however, as this is more curse than blessing.
Simply put, your humble narrator lives very much in his own self defined world- which in this case, framed by the steel overpass of the Long Island Expressway and the cyclopean walls of New Calvary Cemetery. A narrow and neglected sidewalk carried me toward an aperture in its high iron gates.
Calvary Cemetery is owned and managed by the Archdiocese of New York. It consists of four cemeteries and has about 3 million interred:
First Calvary Cemetery: full by 1867, located betw the Long Island Expressway & Review Ave.
Second Calvary Cemetery: located on the west side of 58th St betw Queens Blvd & the Brooklyn-Queens Espressway, land acquisition ended in 1888
Third Calvary Cemetery: est. 1879, located on the west side of 58th St, between the LIE & the BQE
Fourth Calvary Cemetery: est. 1900, located on the west side of 58th St, betw the LIE & 55th Ave
Mailing address: Calvary Cemetery, 49-02 Laurel Hill Blvd., Flushing NY 11377-7396
– photo by Mitch Waxman
New Calvary Cemetery isn’t “special” in the way that nearby Mount Zion and FIrst Calvary are- in terms of historic significance or psychic impression. The latter locations impart a sense of devastating loneliness upon their visitors, evoking a sensation of walking sanctified ground- while New Calvary is actually a very nice and quite pleasant place.
Far larger than the other “suburban cemeteries” New Calvary stretches out in a vast trapezoid of manicured grounds that extend from Queens Blvd. to 55th avenue (north to south) and 49th-58th streets (west to east), is trisected by both the BQE and LIE, and there are far worse places to visit on a sunny afternoon. It abuts Mount Zion Cemetery on 58th street.
from wikipedia
The Rural Cemetery Act was a law passed by the New York Legislature on April 27, 1847, that authorized commercial burial grounds in rural New York state. The law led to burial of human remains becoming a commercial business for the first time, replacing the traditional practice of burying the dead in churchyards and on private farmland. One effect of the law was the development of a large concentration of cemeteries along the border between the New York City boroughs of Queens and Brooklyn.
– photo by Mitch Waxman
note:
There are many new interments, every day, at New Calvary (roughly 60,000 people die in New York City during an average year) – the recently dead and their families are everywhere. Newtown Pentacle “policy” on such matters is still in a state of evolutionary flux, but for the present, focusing in -with or without significant obfuscation of identifying information on the grave marker – on the monuments of the recently deceased is something I’m a little “squirrely” about. Feedback is appreciated, by the way, on this subject and its ethical implications. On the one hand- there it is, out in the open in public. On the other, no one wants to see their dad’s name on some blog. What do you think? Leave a comment, if you dare…
– photo by Mitch Waxman
First Calvary, whose altitude is at a remarkably lower declination than New Calvary, drapes nearby Laurel Hill, but is isolated by the vast complexes of highway bridges which span and overpass the area from its younger sibling.
A visit to New Calvary is actually a very pleasant experience, although the vast majority of the markers here are mundane and mass produced owing to their production during the middle and late 20th century. Such generic markers are utilitarian and seem to be weathering well, but discovery of iconic and unique statuary in the tradition of the O’Brien or Doherty monuments at First Calvary eludes me in here.
If you decide to enter this place, there’s a “no trespassing” rule- which is seldom enforced unless you’re acting like a jerk. You may get told to leave, I once had a groundskeeper keep a very close eye on me but wasn’t confronted. Reason being is that there are active funeral rites being performed. Be cognizant of the feelings of others if you bring your camera with you… another reason I prefer First Calvary is that its mostly full and nearly empty of the living.
– photo by Mitch Waxman
Do not mistake my deep affections for the venerable Calvary as an attempt to make its younger offshoot seem facile or cheap. This is a very impressive place, with subtle landscaping and gentle hills. Surreal, one has the impression of perambulating a technicolor movie set, dressed with grass that is “too green” and statuary strategically painted with moss and nitre. The bronze door above is actually from a mold, as I’ve seen other examples of it all over the cemetery belt.
– photo by Mitch Waxman
Lucky for me, this notion of paranoid pursuit that had caused me to enter Third Calvary brought me there at the apex of the autumnal sun, the so called “golden hour”. When lighting conditions are such, one tends to just shoot and shoot, as they will pass quickly. The sunlight become orange gold and the shadows assume a blueish hue. Such complimentary reactions of color are pleasing to the human eye, evoking the wild theories of the radical painter and art theorist Josef Albers.
– photo by Mitch Waxman
The grave markers in New Calvary point to lessons learned in the older cemetery, with long concrete foundations providing stable ground for the stones to rest upon. The disturbing subsidence common at the older facility is not seen as often here, probably due to the differing hydrological qualities of the substrate soil.
– photo by Mitch Waxman
I’ve learned that many of the Mausoleums found in the Newtown Pentacle are designed with a window of stained glass and a small altar within. The deceased are held in the crypts which lie on either side of this space. The site orientation of most of these mausoleums is east/west and the stained glass was calculated to be illuminated by either sunrise or sunset. The ornate designs revealed during such intervals is remarkable, and if you happen across Calvary at this time of day, look for such ephemera.
– photo by Mitch Waxman
This is a curious optical artifact I’ve been referring to as “me and Jesus”. The reflection on the right side is me. You can just make out my hand holding the camera, the collar of my filthy black raincoat, a specular highlight on my sunglasses, and the outline of my black fedora. On the left is the shadow pattern of a bearded man with long hair. The obvious explanation is that the backlit stained glass is projecting an image on the tomb glass I’m focusing past… but the image in the artwork is not wearing a crown of thorns, and the image on the left is.
Weird.
– photo by Mitch Waxman
Hey, you never know what you’re going to find at Calvary.
Tales of Calvary 9- A Pale Enthusiast
– photo by Mitch Waxman
Amateurish and lazy explorations of Calvary Cemetery and the Greater Newtown Pentacle, with associated blog postings foisted upon an unsuspecting public and amplified by a never ending barrage of self promoting debasements of all that is true, have revealed many strange things to your humble narrator, and by extension- to you my gentle lords and ladies of Newtown. Today, the Doherty monument in First Calvary gets its turn. There is nothing “odd” about the monument, in fact the reason I call attention to the thing is the supernal beauty of its working. This is one uncanny bit of carving, and unfortunately these photos do not do it justice (still adjusting to the new camera).
Art school faculty, turtlenecked and smoking french cigarettes, would probably describe it as “Sophia, goddess of wisdom- in the form of a christian angel, sitting within a Roman structure, crowned by a cross- representing an agglutination of civilized democratic-christian progress advancing since the time of the Greeks and the Roman Republic and ultimately manifested as The United States. The angel casts her eye skyward, vigilant, with a sword in her hand. A pacific and expectant expression suggests the nearness of the second coming and resurrection of the dead.”
Such imperious and hyperbolic thinking was very much in vogue in the years between 1900 and the first World War.
– photo by Mitch Waxman
Eugene Doherty and his wife Mary J. Doherty are buried here. Their headstones have bas reliefs of palm fronds draped across them. The little flags are planted at the graves of military veterans in New York Cemeteries on national holidays to honor their service. I found no evidence of Doherty serving in the military, but that probably just means I didn’t know where to look.
After all- I’m just some ‘effed up lunatic who spends his spare time scuttling around trash dumps, toxic waste sites, and cemeteries who gets his kicks bad mouthing the past- Right?
– photo by Mitch Waxman
Mr. Doherty, it seems, was a man of some reknown. He was a leading member of the Irish community on both sides of the Newtown Creek, and stood shoulder to shoulder in prestige alongside Battle-Ax Gleason in the eyes of his countrymen.
A manufacturer of rubber, Doherty specialized in the sort of material demanded by “turn of the 20th century” Dentists for the manufacture of dentures. His heavily advertised (see sample at bottom) Samson Rubber was a standard component for the manufacture of false teeth. The factory, incorporated as Eugene Doherty Rubber Works, Inc., was located at 110 and 112 Kent Avenue which is in Greenpoint (or Williamsburg, depending on whether or not you’re trying to hard sell a building).
rubber, from wikipedia
The major commercial source of natural rubber latex is the Para rubber tree (Hevea brasiliensis), a member of the spurge family, Euphorbiaceae. This is largely because it responds to wounding by producing more latex.
Other plants containing latex include Gutta-Percha (Palaquium gutta),[1] rubber fig (Ficus elastica), Panama rubber tree (Castilla elastica), spurges (Euphorbia spp.), lettuce, common dandelion (Taraxacum officinale), Russian dandelion (Taraxacum kok-saghyz), Scorzonera (tau-saghyz), and Guayule (Parthenium argentatum). Although these have not been major sources of rubber, Germany attempted to use some of these during World War II when it was cut off from rubber supplies. These attempts were later supplanted by the development of synthetic rubbers. To distinguish the tree-obtained version of natural rubber from the synthetic version, the term gum rubber is sometimes used.
A neat image of the the Doherty Rubber Works building late in its heyday (1920) can be found at trainweb.org, if you can believe anything I say, and they have a great description of the whole scene in context here. I warn you though, you’re going to learn about the Brooklyn Eastern District Terminal!
Also, in a completely unrelated coincidence, NAG is located at 110 Kent in modernity. Here’s the place on a google map, click “streetview” to compare to the 1920 shot above
– photo by Mitch Waxman
Eugene Doherty died in 1906, his wife Mary in 1914. Luckily for Mary, the denture business was a lucrative one, and her years of mourning were spent in material comfort. At her death, she bequeathed the staggering sum of $621,148 to her heirs.
$621,148 in 1914, mind you, and federal income tax had just become a reality in 1913. That’s at least $10,000,000 in modern coine.
– photo by Mitch Waxman
Life sized, if you’re a 5 foot tall woman, the statue itself is disarming and has weathered existence in the corrosive atmospheric miasmas extant about the nearby Newtown Creek for 94 years, only losing a thumb. The colour, oddly, doesn’t stain sanctified Calvary. Xanthian skill representative of true artistry went into the shaping of this stone, but I haven’t been able to find the name of the sculptor in public record.
If you see it, stand close and look into its eyes, then leave when the chills begin. Whatever you do, don’t look back over your shoulder at it afterwards, lest an adjusted hand hold on the sword, or the impression that the angle of its head has shifted might be seen. Remain an observer- in Calvary- ever the pale enthusiast- ever an Outsider.
Hey, you never know what you’re going to find at Calvary Cemetery.
Also, just as a note- today, January 13th, is Clark Ashton Smith’s birthday, and St. Knut’s Day as well.
Eugene Doherty Rubber Inc. - Late 19th/Early 20th century Advertising
Tales of Calvary 8- the Abbot
– photo by Mitch Waxman
While wandering through Calvary Cemetery recently, I came upon a curious monument whose sculptural elements included a life sized portrait, and whose dedication was meant to honor a man named Florence Scannell. The stone additionally bore a curious screed- “The Abbot”. “Dedicated to the memory of Florence Scannell by his brother John J.” is displayed prominently on its face. This stirred a sleeping memory, and I tried to remember why the name Scannell is so important. I said it out loud- John J. Scannell?
Wait a minute… John J. Scannell was the first chief of the NYFD, grand sachem of Tammany Hall, and a notorious turn of the century raconteur who became “king of the hill” in the often violent political world of 19th century New York City politics.
Bare knuckled, the electoral system back then resembled modern gang wars. Bearded men were paid to vote, taken to a barber shop for a shave and a shot of whiskey, and then paid to vote again. Paid armies of volunteers rousted saloons and bars that supported their political enemies. With political bosses paying the tab, taverns became organizing points for local “get out the vote” efforts. The poor didn’t care, for a day they could drink enough to forget and even eat a real meal- with meat, and all they had to do was vote the way they were told. The bosses were the bosses, and your place in “the line” could be revoked at any time if you fell out of favor with them. There was no “safety net”, so you had to just “go along”. Sometimes the other party would send gangs of street toughs into their opponents establishments- “bar busting”.
For more on the milieu of political life for the working class of the 19th century, I would suggest a gander at “The Jungle” Upton Sinclair’s “progressive” propaganda piece, or taking a peek at Jacob Riis’s “How the Other Half Lives“.
The Scannell brothers are described as having been engaged in such “bar busting” activities in 1869, when brother Florence ran for Alderman from the 18th ward against a Tammany candidate. At 23rd st. and second avenue, on Dec. 3rd, a Tammany man named Thomas Donaghue ran afoul of the Scannells, who were employed to “clean out” and “bust” the saloon he owned and operated.
from pbs.org
The year 1898 ushered in a new era of firefighting. On midnight of January 1, 1898, Greater New York was formed by uniting the five boroughs, Manhattan, Brooklyn, Queens, the Bronx, and Staten Island. The Board of Fire Commissioners was replaced by a single Commissioner, John J. Scannell, who had been head of the Board since 1894 and was appointed by Mayor R.A. Van Wyck. All of the area’s volunteer departments were to be replaced by the FDNY, and Chief Hugh Bonner assumed control of three paid departments: New York, Brooklyn, and Long Island; 121 engines, 46 trucks, one horse wagon, and a water tower; in all, 309 square miles of firefighting territory.
– photo by Mitch Waxman
The Scannells and a dozen of their men produced weapons and engaged in a fierce battle with Donaghue’s own crew of toughs. Gunfire erupted and Florence Scannel was shot in the back, the bullet embedding itself in his spinal column. Rushed to the nearby Bellevue Hospital, Florence suffered a lingering death, finally passing on July 10, 1870, with his brother John at his side. John J. Scannell swore an oath to avenge his brother, and kill the man who shot him in the back– the Tammany man, Thomas Donaghue.
Donaghue’s handlers fixed things up with the courts, and he returned to his familiar Saloon on 23rd st. and second avenue.
On Sept. 19th, at the corner of 17th and third, an odd looking man wearing a slouched hat and fake beard stepped out of the shadows and blasted a hole in Donaghue’s chest with a derringer pistol. Donaghue ultimately survived this attempt on his life, and Scannell discarded his disguise as he escaped his pursuers fleeing through Irving Place and Union Square. John J. later surrendered to a Police Sgt. after taking refuge on Long Island, and was indicted by a Grand Jury for the crime, but was never charged and released on $10,000 bail.
That’s $10,000 in 1870…
In November of 1872, Donaghue was attending an auction at the Apollo Theatre on 28th street, and a man wearing a cloak and slouch hat approached him. A large caliber pistol was produced and the middle of Donaghue’s face disappeared. Four more shots, three in the face, were pumped into the now prostrate Donaghue. The killer fled and was apprehended by a Police Captain named McElwain, who immediately identified the assassin as John J. Scannell. Such quick identification of Scannell was possible only because the arresting officer had been the one who arrested him for the the earlier attempt on Donaghue, when he was a Sgt.
The event was seminal, for as John J. Scannell sat in a gaol called “The Tombs”, another sat beside him. That night, John J. Scannell met Richard Croker. Someday, they would become “The Big Two” at Tammany Hall and rule over New York City.
– photo by Mitch Waxman
John J. Scannell was born on the lower East Side of Manhattan and found early work as a horse dealer- moving on to Saloon Keeper and then Professional Gambler. Charged with the murder of Donaghue, he pled insanity, and after a 3 month stint in an asylum in Utica, returned to local politics. He owned horses and raced them on the national circuit, as did Richard Croker. Rising in Tammany with his partner Croker, Scannell ran the 25th electoral district in Manhattan for many years, and desired the post of NYFD commissioner in that newly unified pile of gold called “the City of Greater New York”. Protests were recorded citywide, but Mayor Van Wyck appointed him chief of the newly unified citywide firefighting brigades. He served in that capacity until 1901, and fought corruption charges associated with his appointment until 1906 in court. At 67, in 1907, Scannell was sued for $15,000 for kissing the daughter of his housekeeper 3 times without consent.
Scannell died at 78 in Jamaica, Queens- far from his retirement estate in Freeport, L.I.
The Abbot, as it turns out, is a Horse.
– photo by Mitch Waxman
Scannell paid the scandalous amount of $26,500 at a Madison Square auction, the highest ever paid for a single Horse to that time, to purchase the Abbott.
That’s $26,500 in 1900…
The obituary for the Horse is actually longer than the one for the owner. The fact that Scannell engraved a Horse’s name on the monument to his dead brother, and his own eventual grave marker, shows the esteem felt by Scannell himself for the animal. Oddly enough, and this is a rare thing for Calvary Cemetery, The NYTimes once did an article on the raising of this monument which happened in 1914.
Hey, you never know what you’re going to find at Calvary Cemetery.
Tales of Calvary 7
– photo by Mitch Waxman
I just can’t sit on this one anymore. After a spree of “all cemetery” postings in November and December, I decided to take a step back from the grave, but I just can’t stop myself…
Promises would be offered to you, lords and ladies of Newtown, not to spend too much time amongst the dead in these first days of the new year, but I’d probably break them.
Paper fades, buildings fall, but Calvary is eternal and undying. Dripping in its centuried silence and nitre choked glory, the emerald desolations of Calvary Cemetery offer a pastoral transit between tumultuous neighborhoods in the Newtown Pentacle, and that weird old man in the filthy black raincoat you might glimpse as you drive by is often your humble narrator.
– photo by Mitch Waxman
On this particular day, a sunny Saturday (Thanksgiving weekend in 2009), I wasn’t transiting Calvary.
I had come here with a definite purpose, searching for the grave of a man who died in the early 30’s rumored to have been involved with the illegal smuggling of strange statuettes into the United States in the 1920’s from some impossibly remote pacific island. This man, a Massachusetts merchant named Gilman, was killed in a freak nocturnal accident, apparently by a bale of paper which had fallen out of some warehouse window along the Newtown Creek. His oddly deformed body was found by workmen the next morning, and the Coroner pronounced the death accidental. The victim was buried in Calvary’s public section as an act of charity, and under the assumption that Gilman was an Irish name. His belongings and personal valuables, made from some queer kind of gold sculpted into wild and heretical forms, were collected by a schooner captain whose three masted ship appeared unbidden at the Penny Bridge docks one night during an unnaturally thick fog. The Captain, a Massachusetts trader named Marsh, paid for a custom and eccentric grave marker to be erected for this Gilman fellow somewhere in Calvary. It remains elusive, but I shall find it- I found Al Smith!
As is often the case, my befuddled and inept investigations were swept wildly off course by a highly suggestible and credulous nature which makes me vulnerable to wild flights of shivering cowardice and shameful paranoia. Such timidity does not suit one who stands and stares into whatever abyss happens to be before him, and what I saw chilled me with its wild possibilities. It was Thanksgiving weekend, and Calvary was as quiet as… well… a tomb.
– photo by Mitch Waxman
As seen in the above shots, the overgrown monument with its vine covered cupola intrigued and drew my attention. In accordance with usual methods, the object was photographed from many angles, and my path led me widdershins around it. As mentioned in the last paragraph, thanksgiving weekend had evinced a general evacuation of the area surrounding that bulkheaded duct of urban horror called the Newtown Creek, and like their counterparts in the spires of Manhattan it would seem that the workers of Calvary got off early on the previous Wednesday. Just dropped their shovels, as it were.
That’s when I saw it, said “oh. oh… no… just keep walking… don’t take any pictures of…”. Unfortunately, my finger was already depressing the button on my camera. I had lost all control, and still can’t stop myself from posting about it weeks later… I’m all ‘effed up.
– photo by Mitch Waxman
In the interest of full disclosure, the names on the two grave markers are obscured as they were modern burials. If a grave is at least older than me, I feel fine about publishing a photo or talking about who it holds. If it’s an early 1900’s burial- fair game. (note: a cool thing happened recently- a sepulchral portrait, randomly chosen and published in the Mt. Zion series of postings, resulted in a certain Pentacle reader seeing his grandmother’s face for the first time) These interments, however, date from the early 1990’s and later. The context of this post demands some discretion, and censoring the names of the deceased whose graves are seen is definitely the right thing to do.
Now on to something you don’t normally see… and I am cognizant that the presentation of the following is vulgar and in very bad taste. I just can’t stop myself… Its like some alien thing is controlling me…
– photo by Mitch Waxman
There is a limited amount of time that one can tolerate solitary exposure to Calvary Cemetery, as the marble crown of Laurel Hill is a sort of psychic Chernobyl. It preys upon you- this place- in subtle ways, and comes at you in a manner not unlike the gradual stupefaction brought on by liquor. On New Year’s Eve, someone offered me three plots here for free, and withdrew the offer when I explained what a gravesite in Old Calvary is actually worth. Coincidence? hmmm… The place has noticed me, and it is trying to draw me further in…
Like ionizing radiation, whose damage to healthy living flesh is calculated by a multiplex of intensity and duration, whatever it is that lurks in the aether of Calvary is invisible, insidious, and real. Looking into an open grave like this, in this place, carries the comparable psychic risks of unshielded exposure to the thermonuclear eye of god itself.
– photo by Mitch Waxman
What I can’t do, is use my favorite catch phrase. The “who can guess…” one. Horrors too horrible for the graves holding lurk into the abyss, and loathsomeness waits below, but…
That’s what I was thinking as I passed out, again, in a dead faint. Luckily I fell backwards.
Calvary Cemetery Section
I’ve done so many posts on the place that I thought a catch-all page was in order- This will live in the menus to the right of the screen, and will be added to as more posts on the place are added.
Walking Widdershins to Calvary
-photo by Mitch Waxman
Click here to preview this photowalk in a google map
Hunters Point avenue intersects with the ancient course of Greenpoint Avenue at the degenerate extant of Long Island City. The Queens Midtown Expressway also comes back down to earth here, feeding Manhattan vehicular traffic to all points east. This is a very busy intersection, so be mindful of traffic, as fellow pedestrians are rare.
As with anyplace else in Queens you’d want to see, Forgotten-NY has been through here before. Click here for their page on Blissville and Laurel Hill.
– photo by Mitch Waxman
Addled as we are by the manipulations of the political class during the 20th century, with its “ism’s” and “movements“, Newtownicans have lost sight of the fact that the Newtown Creek was the center of the world for those who dwelt here in the 19th century. Before the American Civil War, the banks of the Newtown Creek were lined with homes built to the highest aesthetic standard, and peppered with grand hotels which catered to the sportsman and recreational fisherman. It was into this pastoral wildrness that the Calvary Cemetery was embedded in 1848, and which it sought to blend into with its fine arboreal stock and tasteful mastery of the art of landscaping.
It seems odd to us- sitting in our comfortable climate controlled and fully electrified homes and offices, to put a cemetery like this- with its ornate stonework and elaborate masonry, so close to the polluted industrial zones of the nearby Newtown Creek. Calvary spreads atavistically across a deserted and blasted landscape in our 21st century, surrounded by the trampled nest and discarded remnants of the industrial revolution.
Calvary Cemetery at 48th street – photo by Mitch Waxman
As one proceeds up the glacier carved hillocks that define northwestern Queens- climbing away from the terrors of Laurel Hill and leaving the malefic secrets of Maspeth and the Newtown Creek behind, the intrepid pedestrian will pass under and above an arcade of highways and find second Calvary.
Old Calvary is the original cemetery- second, third, and fourth Calvary are the metastasized and sprawling additions to the venerable original- and a significant portion of the Cemetery Belt.
-photo by Mitch Waxman
Just across the street from the site of the former LIRR Penny Bridge station. Easily accessed via the street, upon crossing the gates of Calvary, one will find a staircase carven into the hill by whose ascent the Newtown acropolis may be obtained. Cresting over the surrounding neighborhoods, and soaring over the Newtown Creek’s former wetlands, Calvary Cemetery keeps its secrets buried in centuried silence. Looking south toward Brooklyn, the Kosciuszko bridge approach of the Brooklyn Queens Expressway looms over its passage, carrying millions of vehicles over and across the necropolis of New York City.
Tales of Calvary 1 – The O’Briens
– photo by Mitch Waxman
Hallowmas, or All Saints Day, is coincident with the running of the NYC Marathon’s tumult laden course. The secular spectacular merely whets the appetite of your humble narrator for the open skies and sacred vantages found along those unhallowed backwaters of an urban catastrophe called the Newtown Creek.Calvary Cemetery– dripping in centuried glory- sits incongruously in an industrial moonscape stained with aqueer and iridescent colour. It’s marble obelisks and acid rain etched markers landmark it as a necropolis of some forgotten civilization.
Today, I determined to ignore the psychic effects of the graveyard, which are both palpable and remarkable. Resolving to climb to the highest point on this Hill of Laurels, my aim was to discover whose grave would occupy such a socially prominent spot. Secretly, I hoped to discover some celebrity or famous mobster’s resting place. Instead I found the O’Brien’s.
Tales of Calvary 2 – Veterans Day
-photo by Mitch Waxman
21 Roman Catholic Union soldiers are interred amongst the 365 acres of first Calvary Cemetery in Queens, nearby the cuprous waters of the much maligned Newtown Creek.
The wars of the 20th century, terrible in scope and vulgar in effect, cause us to overlook these men whovouchsafed the American Republic in the 19th century as we focus in on the veterans of the second thirty years war which modernity myopically calls World Wars One and Two. Woodrow Wilson proclaimed a federal holiday called Armistice Day in 1919, celebrating the anniversary of the legal end of the first World War in 1918. Congress agreed, seven years later, and then took six years to pass an act which made Armistice day an official United States federal holiday celebrated on November 11 annually.
Ed Rees, a populist Representative from the state of Kansas during the post World War 2 era, spearheaded a successful campaign in 1953 to have “Armistice Day” reclassified as “All Veterans Day” so as to include the veterans of WW2, and the ongoing conflicts fought by our “permanent government” on the world stage.
Tales of Calvary 3 – Rumors and stories
-photo by Mitch Waxman
Swirling, my thoughts.
A vast and byzantine pattern which extends beyond even the coming of the Europeans into the mist of olden days, traced by rail and road, reveals itself step by step as the burning eye of god itself leads me to and fro across the glass strewn Newtown Pentacle.
Bits of information, nuggets of pregnant fact, theosophical themes and mystic iconography obfuscating itstruths and meaning, a maelstrom of barking black dogs crowds my mind. Cowardly and infirm, I run to the grave.
Solace is found amongst the tomb legions, and the nepenthe of their silence.
Tales of Calvary 4 – Triskadekaphobic Paranoia
– photo by Mitch Waxman
Near the crest of one of Calvary Cemetery’s hills, can be found what I’ve described in previous posts as “a tree that is fed by some morbid nutrition”.
A convenient afternoon vantage point for photographing the Johnston mausoleum and a frequent destination, a Hallowmas (nov. 1) stroll through Calvary revealed some interesting goings on beneath the swollen boughs of this loathsome landmark.
Tales of Calvary 5 – Shade and Stillness
– photo by Mitch Waxman
In the past, the desolating loneliness and isolation which define my internal dialogue have been described to you simply – I’m all ‘effed up.
Shunned by those considered normal, my human– all too human- nature forces visceral desires for companionship. Lacking fellowship amongst the the living, one instinctively reaches out for those things which are no longer- or have never been- alive. That odd man in the filthy black raincoat that you might glimpse as you drive past the graveyard, scuttling along taking pictures of sewers and odd boxes in the Cemetery Belt- might very well be your humble narrator.
I was at Calvary Cemetery, intent on investigating the puzzling knots I had observed, beneath a hilltop tree- fed by some morbid nutrition, when I came across the Sweeney monument.
Tales of Calvary 6 – The Empire State Building and the Newsboy Governor.
– photo by Mitch Waxman
Looming, in this place, is the megapolis. Here lies Tammany, gazing eternally upon their work. The city. The great city.
The greatest and last of their projects is promontory above the shield wall of Manhattan, a familiar vista of Calvary Cemetery offered as an iconic representation by most.
The tower called the Empire State building was built, almost as an act of pure will, by a former newsboy from South Street.
The Newtown Pentacle 