Archive for the ‘Manhattan’ Category
sand stirring
“follow” me on Twitter at @newtownpentacle
– photo by Mitch Waxman
Were one not as emotionally damaged and physically inadequate as your humble narrator, and were I not fearful of offending the unknowable gods, a statement might be offered that it has been very nice to be moving about the world in the relative comfort of warmer climes. The joys, horrors, and splendors of the megalopolis have all presented me with more than just a little entertainment in recent weeks.
– photo by Mitch Waxman
Repeated nightmarishly, travels forth and back to the Shining City of Manhattan have caused me no end of grief. Luckily, a few opportunities to wave the camera around have presented themselves and accordingly- more than just a few interesting moments have been recorded and captured.
– photo by Mitch Waxman
Despite the odd and photogenic sights which one encounters in this center of the human infestation called Manhattan, a yearning reigns within for another place which is not far away. This locale, this Shining City of towers holds little charm for me, as it has become staid and boring. Even these helicopter landings and departures are merely part of a crass tourist operation with preternaturally high prices. To me, little more than a subject to photograph, in a clinical manner. One desires to stride through a true place whose facade not so shiny.
Also: Upcoming Tours!
13 Steps around Dutch Kills– Saturday, May 4, 2013
Newtown Creek walking tour with Mitch Waxman and Atlas Obscura, tickets now on sale.
Parks and Petroleum- Sunday, May 12, 2013
Newtown Creek walking tour with Mitch Waxman and Newtown Creek Alliance, tickets on sale soon.
The Insalubrious Valley- Saturday, May 25, 2013
Newtown Creek walking tour with Mitch Waxman and Atlas Obscura, tickets on sale soon.
Hidden Harbor: Newtown Creek tour with Mitch Waxman – Sunday, May 26,2013
Boat tour presented by the Working Harbor Committee,
Limited seating available, order advance tickets now. Group rates available.
troubled jottings
“follow” me on Twitter at @newtownpentacle
– photo by Mitch Waxman
The scenes depicted in today’s shots actually didn’t actually look very much like these presented photo. In general, I screw around with every shot a little bit- push or pull the exposure and midpoints of dark and light, alter the color temperature to neutralize and compensate for sodium or fluorescent lights, drop an exposure gradient into a sky or on the water to compensate for glare. I’ll do the occasional tilt shift here and there, but largely strive for the ability to do it “in camera” more than anything else. Nothing major is altered, by “retoucher” standards, who would define such adjustments as merely “helping” the photo.
– photo by Mitch Waxman
These photos, however, have had a whole bag of hammers thrown at them. One of the things I’m trying to eliminate from my mind these days is any fealty to the metaphor of film in creating a digital photograph. Even the term “photograph” is somewhat disingenuous as what these images actually “are” is a 23 megabyte computer file compiling the data captured by a sophisticated sensor. There is more information in the original file than is needed for reproduction, and the process of outputting the final image always involves a bit of photoshop editing work- deciding what to throw away, and that’s where the artsy fartsy stuff happens.
Losing this metaphor, the film one, leads one down the odd path of the so called “Uncanny Valley.” This term refers to a human perception bias which can instantaneously determine if something is artificially contrived, using CGI techniques to simulate a human face for instance. What I was “going for” in developing the shots as they are was a sort of old timey hand colored thing accomplished by a severely limited but quite saturated color range and an extremely high contrast regarding the black and white ratio. It’s a “formula” or “look” I’ve been asked to apply to other people’s files in my advertising life, by the way, usually for sports marketing stuff.
It beggars a certain question though- If it’s not a faithful rendition of the scene, a photograph by definition, what is it?
Also: Upcoming Tours!
Glittering Realms– Saturday, April 20, 2013
Newtown Creek walking tour with Mitch Waxman and Atlas Obscura, tickets now on sale.
13 Steps around Dutch Kills– Saturday, May 4, 2013
Newtown Creek walking tour with Mitch Waxman and Atlas Obscura, tickets now on sale.
Parks and Petroleum- Sunday, May 12, 2013
Newtown Creek walking tour with Mitch Waxman and Newtown Creek Alliance, tickets on sale soon.
The Insalubrious Valley- Saturday, May 25, 2013
Newtown Creek walking tour with Mitch Waxman and Atlas Obscura, tickets on sale soon.
Hidden Harbor: Newtown Creek tour with Mitch Waxman – Sunday, May 26,2013
Boat tour presented by the Working Harbor Committee,
Limited seating available, order advance tickets now. Group rates available.
Project Firebox 67
“follow” me on Twitter at @newtownpentacle
– photo by Mitch Waxman
While visiting the Shining City of Manhattan recently, this decapitated Firebox was encountered along Broadway in the west 50’s. A policy of so called benign neglect and reduced maintenance budgets, which betray the anti Firebox prejudices of a certain Mayoral administration, have resulted in the startling condition of what appears to be an early 20th century Gamewell alarm box. Perhaps the stalk and husk of the sentinel can be used to display a touch screen, of some kind, which could be used to direct tourists towards designated shopping centers or the nearest Shake Shack.
Also- TOURS:
Glittering Realms– April 20, 2013 Newtown Creek walking tour with Mitch Waxman and Atlas Obscura, tickets now on sale.
13 Steps around Dutch Kills– May 4, 2013 Newtown Creek walking tour with Mitch Waxman and Atlas Obscura, tickets now on sale.
Hidden Harbor: Newtown Creek tour with Mitch Waxman presented by the Working Harbor Committee, departs Pier 17 in Manhattan May 26,2013 at ten a.m. Limited seating available, order advance tickets now. Group rates available.
great suddenness
“follow” me on Twitter at @newtownpentacle
– photo by Mitch Waxman
The spectacle of the FDNY deployment on 59th behind me (as detailed in yesterday’s posting), while descending into the underground bunkers of concrete and steel which house the subway platforms, a commonly photographed view of Central Park was laid out before me.
It was decided, as part of my “doing a Costanza” experiment, to break one of my primal rules and go for the “easy meat.” This is where all of the night shooting that I’ve been engaging in all winter , accomplished in the preternatural darkness of Queens, begins to pay off.
from wikipedia
George returns from the beach and decides that every decision that he has ever made has been wrong, and that his life is the exact opposite of what it should be. George tells this to Jerry in Monk’s Cafe, who convinces him that “if every instinct you have is wrong, then the opposite would have to be right”. George then resolves to start doing the complete opposite of what he would do normally. He orders the opposite of his normal lunch, and he introduces himself to a beautiful woman (played by Dedee Pfeiffer) who happens to order exactly the same lunch, saying, “My name is George. I’m unemployed and I live with my parents.” To his surprise, she is impressed and agrees to date him.
– photo by Mitch Waxman
It sounds simple, really.
Open your aperture and increase the iso speed, drop the exposure time.
Hand held shots in the dark, however, are not just how the camera is set. There’s a whole series of things to remember, such as breathing out while depressing the shutter, and shooting in short bursts- which are actually military sniper techniques. I’ve even found that a different hand posture is required to hold the camera as well. The great thing about photography is that there is always some new mountain to climb.
Mine happens to be in NYC, and it is badly lit.
from howto.wired.com
The first thing pros will suggest is to ratchet up your camera’s ISO or “light sensitivity” setting. Traditionally, high speed film (ISO 800 and higher) was better suited for low light photography. Unfortunately, where high speed film produced enlarged grain, which could often be used for artist effect, higher ISOs on digital cameras tend to just produce color noise — little specks of red green and blue scattered across your image.
– photo by Mitch Waxman
Were I to have the opportunity to do this shot “right,” a tripod would certainly be employed. There would also be around 10-15 flashes on radio triggers at various points around the scene- especially a few up in the trees. I’d have my lens set to a small aperture to control the flares around the street lights, and my iso speed would be at 100. This would be a fifteen to 20 second exposure under such conditions. Unfortunately, all I own are two flashes and no radio trigger, so this is a purely intellectual exercise.
I keep wondering about that guy in the shot above, what’s he doing in Central Park all by himself in the dark?
People walk around like they’re safe or something these days…
from ghosttheory.com
An assistant-manager at a certain hotel that overlooks the park, Barry told me that on the day in question – which was a sunny weekday in either June or July 1997 – he was strolling through the park, while on his lunch-break from his then-job as a store-worker.
All was utterly normal until, as he approached one particularly tree- and bush-shrouded area, he was shocked to the core when, out of nowhere, an unknown animal burst wildly through the foliage.
Barry claimed to me that the creature was man-like in shape and covered in hair of a distinctly rusty color – but, unlike the towering Bigfoot of the west-coast, was little more than three-feet in height. Little-Foot might have been a far better term to use, I mused, as I listened to the very odd tale.
Barry could only watch with a mixture of shock and awe as the diminutive man-beast charged across the path in front of him at a distance of no more than about twenty feet, came to a screeching halt for a couple of seconds to stare intently into his eyes, and then headed off at high speed again, before finally vanishing: beneath a small bridge inside the perimeter of the park, no less.
breathing body
“follow” me on Twitter at @newtownpentacle
– photo by Mitch Waxman
Before leaving Manhattan to transit back to the blessed soils of ancient Astoria, while walking down West 59th street (or Central Park South, as the well off would prefer) the other night, one was was suddenly confronted with a corruption of the ordinary scene when the FDNY showed up in no small numbers.
From what I could surmise, one of the many hotels along the edge of Central Park was in the midst of an emergency which demanded their presence.
from wikipedia
Central Park South is the portion of 59th Street that forms the southern border of Central Park in the borough of Manhattan in New York City. It runs from Columbus Circle at Eighth Avenue on the west to Grand Army Plaza at Fifth Avenue on the east. Entry into Central Park is provided at Scholars Gate at Fifth Avenue, Artists Gate at Sixth, Artisans Gate at Seventh, and Merchants Gate at Eighth Avenue.
Central Park South contains four famous upscale hotels: the Plaza Hotel, the Ritz-Carlton (Central Park), which is the flagship of the Ritz-Carlton chain, the Park Lane, and JW Marriott Essex House. Central Park South is one of the most cosmopolitan streets in the world, and is located steps away from Fifth Avenue and Madison Avenue shopping, the Time Warner Center, and Carnegie Hall. Some of the most expensive apartments in the United States are found here.
– photo by Mitch Waxman
No concern whatsoever possessed me for the actual emergency, of course. Normal human empathy is an under developed organ in my emotional quiver, and the fate of Manhattan’s upper class visitors is well beyond any threshold at which my meager talents and abilities would be measurably effective. Like one of the anonymous ghouls that populate popular cinematic fiction, flesh eating and mindless, I was attracted by the tumult of flashing lights and sirens and stumbled forward.
from wikipedia
The flesh-hungry undead have been a fixture of world mythology dating at least since The Epic of Gilgamesh, in which the goddess Ishtar promises:
I will knock down the Gates of the Netherworld, I will smash the door posts, and leave the doors flat down, and will let the dead go up to eat the living! And the dead will outnumber the living!
– photo by Mitch Waxman
The whole event was very exciting, with strangely attired people carrying esoteric equipment about. A great sense of urgency, along with an omnipresent flow of vehicular traffic which snaked along the street negotiating the narrows formed by the gargantuan service trucks employed by fire fighting personnel. Multiple vehicles all were flashing their lights, and I counted at least one ladder and two other units as well as a couple of Ambulances. That’s a lot of light on a fairly dark street.
The German tourists were positively agog.
from wikipedia
Most of the engines in FDNY’s fleet are Seagrave Commander II’s and Seagrave Marauder II’s and include 500 gallon water tanks and either 1000 or 2000 gallon per minute pumps. The 2000gpm pumps are primarily located in the high-rise districts and are considered high pressure pumpers. With the loss of apparatus which occurred as a result of the September 11 attacks, FDNY began to use engines made by other companies including Ferrara and E-One. The FDNY is making the move from a fixed cab to a “Split-Tilt” cab, so the Seagrave Marauder II Pumper will fill the FDNY’s new order for 69 new pumpers.
Truck companies are generally equipped with Seagrave aerials. Ladder length varies and often depends on the geographic area to which the unit is assigned. Those in the older sections of the city often use tiller trucks to allow for greater maneuverability. Before Seagrave was the predominant builder, Mack CF’s built with Baker tower ladders were popular. Most FDNY aerials are built with 75’, 95′ or 100′ ladders. Tiller ladders, rear mount ladders and mid-mount tower ladders are the types of trucks used. In 2010, a new contract was issued for 10–100′ rear-mount ladder trucks to Ferrara Fire Apparatus, using a chassis and stainless steel cab custom-designed to FDNY specifications. Delivery of the first of these new trucks is anticipated in the 1st quarter of 2011.
– photo by Mitch Waxman
Then the cops showed up.
I’ve always obeyed a singular rule in the Shining City of Manhattan, which is to depart and quit any location currently occupied once the cops show up. Following this dictum has kept your humble narrator from experiencing several unpleasant moments over the years, and kept my relations with the Police at an absolute minimum.
Accordingly, one spun upon his well worn heels and headed east toward the subway, which would carry me away from the Shining City towards the rolling hills of raven haired Astoria via its deeply buried tunnels.
from wikipedia
The FDNY, the largest municipal fire department in the United States, and the second largest in the world after the Tokyo Fire Department, has approximately 11,080 uniformed officers and firefighters and over 3,300 uniformed EMTs and paramedics. It faces extraordinarily varied firefighting challenges in many ways unique to New York. In addition to responding to building types that range from wood-frame single family homes to high-rise structures, there are many secluded bridges and tunnels, as well as large parks and wooded areas that can give rise to major brush fires. New York is also home to one of the largest subway systems in the world, consisting of hundreds of miles of tunnel with electrified track. The multifaceted challenges they face add yet another level of firefighting complexity and have led to the FDNY’s motto, New York’s Bravest.


















