lambent nimbuses
Friday
– photo by Mitch Waxman
Since I’m all vaxxed up, riding the subways is something I can do again. I’ve been seriously pursuing an “iconic” shot of the IRT Flushing Line entering Queens Plaza with the sun setting behind it. The shot above isn’t it, rather it’s part of a series of similar shots which I’m going to keep on cracking away at until I get the magic one. One of the features which drew me into adopting the new camera – Canon EOS R6 – was a fairly revolutionary set of autofocus technologies baked into the thing. Saying that, during the pandemic months, I didn’t use “face and eye” or “subject tracking” at all since almost everything I was pointing the lens at was static.
Subject tracking, which is what I’m using while pursuing my “iconic” shot, allows me to tell the camera to focus on a certain thing and then the electronics onboard will follow that object through the frame while constantly adjusting focus as it moves. It also looks for human faces in frame and ensures they are in focus as well. There’s a lot of nuance to how this works, which has been fun to learn.
– photo by Mitch Waxman
I’ve always considered the MTA Subway system to be an excellent workshop for photographers to figure their devices out. You’ve got all of these “worst case scenarios” going on. Shiny metallic objects moving at a decent clip through badly lit spaces, lots of harsh contrast, random behavioral offerings from the ridership.
Something I started doing a few years ago involves walking somewhere distant and then hopping on the train to get back home. That divides my photowalk time up and keeps things interesting. On the particular night these shots were gathered, I had scuttled over to LIC and visited Dutch Kills and then jumped onto the 7 at Hunters Point Avenue pursuing a connection to the Astoria line trains at Queens Plaza.
– photo by Mitch Waxman
Subsequently, last week I left the house and my answer to Our Lady of the Pentacle’s query as to where I was heading towards was “I’m feeling lazy so I’m just going to go ride the elevated subways for a bit and take some pics.”
The only issue I can report to y’all about the new autofocus system is that I am tending to overshoot while using it. I’ll burst out fifty shots of a train entering or leaving the station when all I need is one. That slows me down on the developing side of the operation, since I’ve got to pick just one.
Saying that, it’s bloody fantastic to be able to use the Transit System again. Now, if I only had some place to go…
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subtler properties
Thursday
– photo by Mitch Waxman
During a moon lit night at Dutch Kills, one found himself feeling kind of minimalist. This isn’t so easy in an environment as visually complicated as the Newtown Creek watershed. One found himself fascinated by ambient lighting, cast colors, and vibe.
The shot above is looking eastwards along the Borden Avenue Bridge, towards Review Avenue, with the eye of Hecate sitting swollen and glowing in the spring sky. This was a supermoon, by the way, one of several we will be experiencing between now and autumn.
– photo by Mitch Waxman
The Montauk Cutoff is pictured above, drenched in automotive brake light. One of the reasons behind my upgrade of camera equipment in the last six months revolves around being able to capture this sort of scene minus the usage of tripods or other camera support.
This shot is also from Borden Avenue in Long Island City, for the curious.
– photo by Mitch Waxman
That’s also the Montauk Cutoff in the shot above, with the point of view changed to the “Empty Corridor” under the Long Island Expressway.
Back tomorrow with more at this – your Newtown Pentacle.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
hidden legacy
Wednesday
– photo by Mitch Waxman
These shots are from Monday the 26th of April, and collected during an evening walk from Astoria to Long Island City’s hinterlands. The route I walked was largely my “stations of the cross” walk, perpetrated regularly during the pandemic year, with the notable difference being that since I’m fully vaccinated these days the walk took place right around sunset.
Perihelions at this time of year, given the relative angling of the burning thermonuclear eye of god itself relative to the street grids of NYC, are efficacious. Within 4-6 weeks, the light simply won’t be as good. That’s the Northern Blvd. Shield Wall of the Sunnyside Yards, incidentally.
– photo by Mitch Waxman
My walk from Astoria sees me scuttling southwards over the truss bridges spanning Sunnyside Yards, to Skillman Avenue which carries my bloated meat suit down to the Degnon Terminal section of Long Island City where Dutch Kills is found. Over at Dutch Kills, a tributary of the gruesome extravaganza known as the Newtown Creek, I spotted a bird.
Given that every time I try to describe a bird, its speciation, common name – whatever – I’m inevitably wrong, I now just make up invented names for them. That’s a Two Fingered Butter Hawk, I’d say. This is part of why the Audubon Society hates me. You should see their faces when I advocate for feral cats as an alternative for chemical pesticides for rodent control on industrial sites.
– photo by Mitch Waxman
There’s a bit of maintenance work being performed on Dutch Kills by contractors for the NYC DOT. They’re specifically working on the wood pile “dolphins” protecting the Hunters Point Avenue Bridge from non existent maritime traffic.
The barge they’re using is interesting, and something I haven’t seen before. There are multiple snap together sections of the thing. I guess it was chosen as a work platform because of that non functioning MTA rail bridge at the head of the canal. You need something you can unload from a truck and assemble directly in the water, presumptively.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
particularly alien
Tuesday
– photo by Mitch Waxman
It was quite an afternoon for a long walk, Sunday the 25th of April was, here amongst the rolling hills of Astoria. Speaking of, 21st Avenue at 43rd street seems to be the highest “natural” prominence on the north side of the neighborhood. Someday, I’d love to see a 3D topographical map of Astoria sometime. It’s fairly flat, yes, but there’s a series of shallow hill and valley formations encountered after crossing Astoria Blvd. while heading north. I like to imagine that they’re ridges of mud and stone deposited hydrologically in some unrecorded era of yore. I’ve never seen this elevation change between 20th Avenue and Astoria Blvd. described on a map, but there has to be a 40-50 foot differential.
That’s Astoria’s Luyster Creek pictured above. It’s also sporadically described in maps. A friend of mine who is an expert in the cartographic arts has been looking into the subject of this particular waterway for me, which has been immensely helpful.
– photo by Mitch Waxman
After scuttling from HQ on the other side of the neighborhood, a humble narrator found himself next wandering about at Hells Gate nearby Astoria Park. For once, I was lucky enough to get there just as a train was passing over the eponymous bridge spanning this, the Hells Gate section of the East River.
Based on the reactions of passerby, my appearance must be shocking. Old ladies were clutching at their pearls, children cried, dogs growled. I saw a group of older Hellenic men preparing torches.
One decided to get out of the area quickly. The Greeks invented “peasant mob chases monster with torches” along with most other things.
– photo by Mitch Waxman
While escaping the attentions of the mob, one noticed this particularly weathered fire alarm box mounted on a pole. The graffiti would indicate that this is a silent alarm… get it? Omertà… silence…
I have fun.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
hieroglyphed dial
Monday
– photo by Mitch Waxman
The Green Asphalt company operates out of a property in the Blissville section of Long Island City, along the inscrutable Newtown Creek. Green Asphalt is in the recycling business, ultimately. When the NYC DOT or its contractors are resurfacing a road, milling machines are brought in first, which scratch away the top layers of “road armor” which are collected in dump trucks. That road armor is asphalt, which is an admixture of concrete and petroleum oil and tar. It seems that asphalt can be renewed, rather than dumped, using an industrial process involving very hot steam and lots of machinery.
Green Asphalt operates within the regulatory framework of NYC’s 2010 Solid Waste Management policy. They divert literally millions of tons of asphalt from expensively going into landfills. They also employ a lot of Unionized Blue Collar employees. Win.
– photo by Mitch Waxman
That’s some of the equipment they have deployed over in Blissville. My colleagues and I from Newtown Creek Alliance were invited to attend a presentation and open site day the company offered. There was a neat shwag bag on offer, and they gave us coffee and sandwiches during the event. The Deputy Borough President of Queens attended, as did a few of the other “powers that be” here in the World’s Borough.
Overall, some pretty nice people run the show over there, working in an ecologically important role. It’s a heavy industry, yes, and one that’s currently entirely truck based (they’re going to be expanding use of their maritime bulkhead along the Creek soon) but before companies like Green Asphalt came along, NYC used to pay through the nose for dumping asphalt in landfills located in distant places.
– photo by Mitch Waxman
This post, by the way, is where the “adventures of vaccinated Mitch” really start. Like a bat let out of a cage is how I’d describe the last few weeks of activity. These photos were gathered at the end of April, shortly after the second shot had fully soaked in. I’ve been in 4 of the 5 Boroughs just in the last few weeks, traveling on boats and trains and of course by foot.
What’s been really weird for me has been being awake during the daylight hours after the long nocturnal interval.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
The Newtown Pentacle 