The Newtown Pentacle

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Posts Tagged ‘East River

from Hells Gate, loosed upon the world

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– photo by Mitch Waxman

The Friday of memorial day weekend, your humble narrator stumbled into the wilds of Astoria, headed for Astoria Park. Astoria Park is at the western end of Queens, and adjoins the East River, hosting parts of both the mighty Triboro Bridge and the sublime exemplar of bridge engineering called Hellgate. Named for the section of the East River it crosses, Hellgate was my intended destination and subject, and I was hoping for some visually interesting rail traffic to be crossing the great bridge. Frustrated by a gray and humid day, the Acela and other Amtrak traffic was observed, as well as a curious CSX double engine. Then…

from nycgovparks.org

Astoria Park, on the west shore of Queens, extends from south of the Triborough Bridge to north of the Hell Gate Bridge. With a panoramic view of the skyscrapers of midtown Manhattan in the south to the Hell Gate channel in the north, the scenery presents the diverse landscape of New York City. The Hell Gate channel, formed by faults deep underground, contains some of the deepest water in New York Harbor. Its treacherous reefs bear picturesque names such as “Hen and Chickens,” “Pot Rock,” “Bread & Cheese,” and “Bald Headed Billy.”

Throughout the centuries the stunning natural beauty of this location has attracted visitors and settlers. Before the arrival of European colonists, a trail passed by the site, and an Indian village flourished at Pot Cove. Local inhabitants grew maize on the shores, fished in Hell Gate, and drew water from Linden Brook, a small stream that still flows under Astoria Park South. In the mid-1600s the Dutch parceled out this land to various owners, including William Hallet whose grant embraced hundreds of acres. During the American Revolution, several British and Hessian regiments were stationed in the area. On November 25, 1780 the frigate Hussar and its five-million-dollar cargo sank to the bottom of Hell Gate, where despite some removal of cannons, the treasure still remains.

– photo by Mitch Waxman

I’ve become pretty familiar with NY Harbor in the last year, and can identify some of the common types of ships that cross its waters. Every now and then, however, a mysterious craft- an unidentified floating object or UFO if you will- crosses in front of me. Proceeding south, this catamaran (actually a trimaran) was nearly devoid of markings- which is remarkable in itself- and moving at a tremendous clip. Its “colorway” and hull shape instantly said “military” to me, but I could not recognize its specie.

from wikipedia

The first trimarans were built by indigenous Polynesians almost 4,000 years ago, and much of the current terminology is inherited from them. Multihull sailboats (catamarans and trimarans) gained favor during the 1960s and 1970s. Modern recreational trimarans are rooted in the same homebuilt tradition as other multihulls but there are also a number of production models on the market. A number of trimarans in the 19–36-foot lengths (5.8–11 m) have been designed over the last 30 years to be accommodated on a road trailer. These include the original Farrier – Corsair folding trimarans – and original John Westell swing-wing folding trimaran (using the same folding system later adopted also on Quorning Dragonfly) and like trimarans. Many sailboat designers have also designed demountable trimarans that are able to be trailered (like the SeaCart 30 by Oceanlake Marine).

The trimaran design is also becoming more widespread as a passenger ferry. In 2005 the 127-metre trimaran (417 ft) Benchijigua Express was delivered by Austal to Spanish ferry operator Fred. Olsen, S.A. for service in the Canary Islands. Capable of carrying 1,280 passengers and 340 cars, or equivalents, at speeds up to 40 knots, this boat was the longest aluminum ship in the world at the time of delivery. The trimaran concept has also been considered for modern warships. The RV Triton was commissioned by British defence contractor QinetiQ in 2000. In October 2005, the United States Navy commissioned for evaluation the construction of a General Dynamics Littoral Combat Ship (LCS) trimaran designed and built by Austal.

– photo by Mitch Waxman

Evocative, as on one hand it resembled a radar dodging stealth aircraft for the odd angles and aerodynamic shape, on the other it suggested a modern combat tank with its armor designed to deflect rather than defeat ballistic weapons.

The ship, nevertheless, was kicking up a huge wake and was shooting water behind it- some 10-20 feet high- as it rocketed down the East River.

from wikipedia

The littoral zone refers to that part of a sea, lake or river that is close to the shore. In coastal environments the littoral zone extends from the high water mark, which is rarely inundated, to shoreline areas that are permanently submerged. It always includes this intertidal zone and is often used to mean the same as the intertidal zone. However, the meaning of “littoral zone” can extend well beyond the intertidal zone.

There is no single definition. What is regarded as the full extent of the littoral zone, and the way the littoral zone is divided into subregions, varies in different contexts (lakes and rivers have their own definitions). The use of the term also varies from one part of the world to another, and between different disciplines. For example, military commanders speak of the littoral in ways that are quite different from marine biologists.

The adjacency of water gives a number of distinctive characteristics to littoral regions. The erosive power of water results in particular types of landforms, such as sand dunes, and estuaries. The natural movement of the littoral along the coast is called the littoral drift. Biologically, the ready availability of water enables a greater variety of plant and animal life, and the additional local humidity due to evaporation usually creates a microclimate supporting unique types of organisms.

The word “littoral” is used both as a noun and an adjective. It derives from the Latin noun litus, litoris, meaning “shore”. (The doubled ‘t’ is a late medieval innovation and the word is sometimes seen in the more classical-looking spelling ‘litoral’.)

– photo by Mitch Waxman

The “colorway” and camouflage of the craft suggested that the futurists of Britain still have modern adherents, long after the last of the “dazzle ships” were launched.

For those of you not in the know, the Dazzle Ships were an experiment in “breaking up the shape” of large combat vessels against the horizon, an attempt to reduce the visual profile of capital ships and reduce the ability of submariners to target vital areas of said ships. Dazzle works best at distance, which is what modern naval combat is all about.

from wikipedia

At first glance Dazzle seems unlikely camouflage, drawing attention to the ship rather than hiding it, but this technique was developed after the Allied Navies were unable to develop effective means to disguise ships in all weather.

Dazzle did not conceal the ship but made it difficult for the enemy to estimate its type, size, speed and heading. The idea was to disrupt the visual rangefinders used for naval artillery. Its purpose was confusion rather than concealment. An observer would find it difficult to know exactly whether the stern or the bow is in view; and it would be equally difficult to estimate whether the observed vessel is moving towards or away from the observer’s position.

Rangefinders were based on the co-incidence principle with an optical mechanism, operated by a human to compute the range. The operator adjusted the mechanism until two half-images of the target lined up in a complete picture. Dazzle was intended to make that hard because clashing patterns looked abnormal even when the two halves were aligned. This became more important when submarine periscopes included similar rangefinders. As an additional feature, the dazzle pattern usually included a false bow wave to make estimation of the ship’s speed difficult.

– photo by Mitch Waxman

As mentioned, my computer was down for the holiday weekend, but Our Lady of the Pentacle allowed me to use her laptop and I managed to get a few of these images out to that clandestine and anonymous network of maritime enthusiasts and quasi governmental experts who advise, comment, or offer corrections to your Newtown Pentacle. Credit for identifying this craft goes out to them, and I wish that they would allow me to sing praise publicly, but certain conflicts of interest or oaths of secrecy demand that they must always be referred to as “anonymous sources”. In this case, the ultimate sources will be referred to as Daidalos and Icaros (hey, it is Astoria Park).

from wikipedia

It is in images, not in texts that Daedalus is seen with wings; many Greek myths appear to have been invented to make sense of known but inexplicable images. The most familiar literary telling explaining Daedalus’ wings is a late one, that of Ovid: in his Metamorphoses (VIII:183-235) Daedalus was shut up in a tower to prevent his knowledge of his Labyrinth from spreading to the public. He could not leave Crete by sea, as the king kept strict watch on all vessels, permitting none to sail without being carefully searched. Since Minos controlled the land and sea routes, Daedalus set to work to fabricate wings for himself and his young son Icarus. He tied feathers together, from smallest to largest so as to form an increasing surface. The larger ones he secured with thread and the smaller with wax, and gave the whole a gentle curvature like the wings of a bird. When the work was done, the artist, waving his wings, found himself buoyed upward and hung suspended, poising himself on the beaten air. He next equipped his son in the same manner, and taught him how to fly. When both were prepared for flight, Daedalus warned Icarus not to fly too high, because the heat of the sun would melt the wax, nor too low, because the sea foam would soak the feathers.

– photo by Mitch Waxman

Daidalos was actually stumped when the photos arrived, and neither of us could make any sense of the only marking- a string of tiny numbers on the hull- of this unidentified floating object. High flying, Icaros received the shots from the latter, and contacted high ranking members of a certain governmental entity. This entity- let’s just say that they have lots of boats and planes, and boats that are airports, and boats that carry nuclear missiles and stay underwater for months at a time, and a lot of the people who work for it wear white dress uniforms– claimed the ship as theirs!

from wikipedia

From the time of its inception, the military played a decisive role in the history of the United States. A sense of national unity and identity was forged out of the victorious Barbary Wars, as well as the War of 1812. Even so, the Founders were suspicious of a permanent military force and not until the outbreak of World War II did a large standing army become officially established.

The National Security Act of 1947, adopted following World War II and during the onset of the Cold War, created the modern U.S. military framework; the Act merged previously Cabinet-level Department of War and the Department of the Navy into the National Military Establishment (renamed the Department of Defense in 1949), headed by the Secretary of Defense; and created the Department of the Air Force and National Security Council.

The U.S. military is one of the largest militaries in terms of number of personnel. It draws its manpower from a large pool of volunteers; although conscription has been used in the past in various times of both war and peace, it has not been used since 1972. As of 2010, the United States spends about $692 billion annually to fund its military forces, constituting approximately 43 percent of world military expenditures. The U.S. armed forces as a whole possess large quantities of advanced and powerful equipment, which gives them significant capabilities in both defense and power projection.

– photo by Mitch Waxman

What you have just seen, lords and ladies, shooting down the East River at high speed was described as a (JHSV) Joint High Speed Vessel.

A JHSV can comfortably carry 300 fully armed MARINES, or up to 600 in a pinch. Alternatively, it can move multiple main battle tanks- the astounding M1 Abrams. Just so you understand, 600 is near the low end of Battalion strength, and 600 U.S. Marines could probably claim a beachhead in Hell itself if they were asked to. It also has a landing pad for a helicoptor.

This ship is huge… but a helicoptor pad?

from navy.mil

Description

The JHSV program is procuring high-speed transport vessels for the Army and the Navy. These vessels will be used for fast intra-theater transportation of troops, military vehicles and equipment. The JHSV program merges the previous Army Theater Support Vessel (TSV) and the Navy High Speed Connector (HSC), taking advantage of the inherent commonality between the two programs.

JHSV will be capable of transporting 600 short tons 1,200 nautical miles at an average speed of 35 knots. The ships will be capable of operating in shallow-draft ports and waterways, interfacing with roll-on/roll-off discharge facilities, and on/off-loading a combat-loaded Abrams Main Battle Tank (M1A2). Other joint requirements include an aviation flight deck to support day and night air vehicle launch and recovery operations.

JHSV is a commercial-design, non-combatant transport vessel, and does not require the development of any new technology. JHSV is being built to American Bureau of Shipping (ABS) High Speed Naval Craft Guide. Systems onboard will be based on commercial ABS steel vessel rules. As such, it does not require the survivability and ability to sustain damage like the LCS. It has no combat system capability and no ability to support or use LCS mission modules. It will leverage non-developmental or commercial technology that is modified to suit military applications. Select military features include Aviation; Command, Control, Communications, Computers, and (Military) Intelligence; and Firefighting for the Mission Bay. NVR does not apply to any part of JHSV.

As a non-combatant sealift ship, the Navy variant of JHSV will be crewed by civilian mariners, either employed by or under contract to the Navy’s Military Sealift Command. U.S. Army vessels will be crewed by Army craft masters. Both versions will require a crew of approximately 22-40 people, but will have airline style seating for more than 300 embarked forces and fixed berthing for approximately 100 more.

  • Primary Function: The JHSV Program will provide high speed, shallow draft transportation capability to support the intra-theater maneuver of personnel, supplies and equipment for the U. S. Navy, Marine Corps, and Army.
  • Builder: Austal USA
  • Propulsion: Water Jet
  • Length: 103 Meters (338 feet)
  • Beam: 28.5 meters (93.5 feet)
  • Displacement: 600 short tons
  • Draft: < 15 feet (4.57 meters)
  • Speed: 35-40 knots
  • Range: 1,200 nautical miles
  • Crew: 22-40 civilian mariners/U.S. Army craft masters
  • Homeport: No homeport – construction has yet to begin.
  • However… This is not a JHSV!!!

    This here is the M80 Stiletto.

    – photo by Mitch Waxman

    Check out this video at youtube which explains the Stiletto’s potential in great detail, and supplies 3D animation for operational scenarios.

    from defenseindustrydaily.com

    With the formal roll-out of the 88-foot Stiletto stealth ship and its cutting-edge “M-Hull” wave-damping design, that legacy takes another step forward. The Stiletto is part of Project WolfPac, which aims to test new concepts of shallow-water and riverine warfare organized around swarms of smaller, affordable ships linked by communications. The Stiletto can slip into shallow waters, launching inflatable boats and even UAVs while serving as a communications hub via its “electronic keel.” Best of all, the M-Hull significantly reduces the pounding its occupants take from waves – poundings that often result in back injuries that cut careers short, or leave sailors with lingering disabilities in later life.

    and from wikipedia

    The 88-foot (27 m) long vessel has a notable hull design, an M-shaped hull that provides a stable yet fast platform for mounting electronic surveillance equipment or weapons, or for conducting special operations. The hull design does not require foils or lifting devices to achieve a smooth ride at high speeds in rough conditions. Its shallow draft means the M80 Stiletto can operate in littoral and riverine environments and potentially allows for beach landings.

    The M80 Stiletto is equipped with four Caterpillar, Inc. C32 1232 kW (1652 HP) engines yielding a top speed in excess of 50 knots (90 km/h) and a range of 500 nautical miles (900 km) when fully loaded. It can be outfitted with jet drives for shallow water operations and beaching.

    It has a topside flight deck for launching and retrieving UAVs and a rear ramp that can launch and recover an 11-meter rigid-hull inflatable boat (RIB) or Autonomous Underwater Vehicle (AUV).

    It weighs 45 tons unloaded, light enough that it can be hoisted onto a cargo ship, while still able to carry up to 20 tons of cargo in the 1,996 square feet (200 m2) of usable interior space. The ship is 88.6 feet (27.0 m) in length, with a width of 40 feet (12 m) and a height of 18.5 feet (5.6 m), yet has a draft of only 2.5 feet (0.8 m).

    The M80 Stiletto is the largest U.S. naval vessel built using carbon-fiber composite and epoxy building techniques, which yields a very light but strong hull. The prototype M80 Stiletto is expected to be in use in less than one year. Ships are expected to cost between $6 and $10 million

    MV Red Hook at Brooklyn Bridge

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    – photo by Mitch Waxman

    Our Lady of the Pentacle suffers much for my obsessions with the municipal sewage infrastructure of the City of Greater New York. Endless hours of monotone exposition greets her whenever a significant appliance or facility is encountered, and today you- lords and ladies- will share her pain. That’s the M/V Red Hook sludge boat soldiering down the East River, and passing beneath the Brooklyn Bridge.

    from wikipedia

    Contemporaries marveled at what technology was capable of and the bridge became a symbol of the optimism of the time. John Perry Barlow wrote in the late 20th century of the “literal and genuinely religious leap of faith” embodied in the Brooklyn Bridge … “the Brooklyn Bridge required of its builders faith in their ability to control technology.”

    References to “selling the Brooklyn Bridge” abound in American culture, sometimes as examples of rural gullibility but more often in connection with an idea that strains credulity. For example, “If you believe that, I’ve got a bridge to sell you.” References are often nowadays more oblique, such as “I could sell you some lovely riverside property in Brooklyn …”. George C. Parker and William McCloundy are two early 20th-century con-men who had (allegedly) successfully perpetrated this scam on unwitting tourists. The 1949 Bugs Bunny cartoon Bowery Bugs is a joking reference to Bugs “selling” a story of the Brooklyn Bridge to a naive tourist.

    – photo by Mitch Waxman

    Speculative destinations for the Red Hook could include storied Greenpoint, where the product of the Temple of Cloacina might require transport, or the Wards Island facility where the syrupy product of New York’s human infestation will be dewatered and processed into cakes of concentrated nightsoil.

    from nyc.gov

    Sludge treatment

    The following are typical stages of the sludge treatment process.

    Thickening

    The sludge produced by primary and secondary treatment is approximately 99% water and must be concentrated to enable its further processing. Thickening tanks allow the sludge to collect, settle and separate from the water for up to 24 hours. The water is then sent back to the head of the plant or to the aeration tanks for additional treatment.

    Digestion

    After thickening, the sludge is further treated to make it safer for the environment. The sludge is placed in oxygenfree tanks, called digesters, and heated to at least 95 degrees Fahrenheit for between 15 to 20 days. This stimulates the growth of anaerobic bacteria, which consume organic material in the sludge. Unlike the bacteria in the aeration tanks, these bacteria thrive in an oxygen-free or “anaerobic” environment. The digestion process stabilizes the thickened sludge by converting much of the material into water, carbon dioxide and methane gas. The black sludge that remains after digestion has the consistency of pea soup and has little odor. This is called digested sludge.

    Methane gas is often used as an energy source at the City’s wastewater treatment plants. The gas may be used in engines to produce electricity or directly drive plant equipment. Gas is also used in boilers to provide heat for digestion and plant-wide buildings. Currently, DEP and the New York Power Authority (NYPA) have jointly installed fuel cells at four of the City’s water pollution control plants; 26th Ward, Red Hook, Oakwood Beach and Hunts Point. Fuel cells convert the methane gas and carbon dioxide into heat and electricity that is then used to operate the plants. This technology contributes to New York City’s efforts to enhance clean air operations at its facilities. There is a significant reduction in air emissions as a result of using fuel cells.

    Digester sludge is pumped from sludge storage tanks to a dewatering facility. At some treatment plants, where there are no dewatering facilities on site, the sludge is transported for processing through a pipeline or by a sludge boat to a plant that has a dewatering facility.

    shining city

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    – photo by Mitch Waxman

    Gantry Plaza State Park, along the waterfront in the Tower Town section of Long Island City, offers fine panoramas of the shield wall of Manhattan’s east side. Some of my friends tell me that Long Island CIty is best exploited photographically in the early morning, when the burning thermonuclear eye of god itself is still in the east, illuminating the Shining City. For me it’s sunset.

    from nysparks.state.ny.us

    Gantry Plaza State Park is a 12-acre riverside oasis that boasts spectacular views of the midtown Manhattan skyline, including the Empire State Building and the United Nations. Enjoy a relaxing stroll along the park’s four piers or through the park’s manicured gardens and unique mist fountain. Along the way take a moment to admire the rugged beauty of the park’s centerpieces – restored gantries. These industrial monuments were once used to load and unload rail car floats and barges; today they are striking reminders of our waterfront’s past. With the city skyline as a backdrop and the gantries as a stage, the park’s plaza is a wonderful place to enjoy a spring or summer concert or to enjoy the Macy’s Fourth of July fireworks display.Recreational facilities include basketball courts, playgrounds, handball courts, and a fishing pier with its own cleaning table.

    – photo by Mitch Waxman

    The funny thing, of course, if that if a 19th century citizen of the independent cities of Long Island City or Manhattan were to observe the modern scene- their first question would be “What happened to all the ships and factories?”.

    from fordham.edu

    Shipyards lined both the Manhattan and Brooklyn banks of the East River. In the heyday of New York’s port, the ships being built were primarily square-rigged crafts made of wood, especially oak. The raw materials for ships were readily available on the mainland and the labor force in New York did not lack members, especially during the 19th century, when immigrants were pouring in from Europe en masse. While Europeans experimented with the building of iron ships, Americans perfected the art of building the wooden ship.

    Renowned for the quality and style of the ships it manufactured, the Port of New York was also known for the sheer quantity of ships that were built there. The East River was the most concentrated area of shipbuilding in the United States. The three greatest shipyards of the East River were probably the Webb-Eckford yard, the Bergh-Westervelt yard, and the Brown-Bell yard. These produced some of the most famous ships and made a fortune in the business, but they represent only a small fraction of the multiple and diverse shipyards dominating the East River.

    Commercial yards made up a vast majority of the East River shipbuilding industry, but the government also took advantage of the area to establish a shipyard. The New York Naval Shipyard was established on the site of a former mercantile shipyard, located on the Brooklyn bank, in 1801. It built and outfitted approximately 100 vessels during the War of 1812 and was called upon again during the Civil War to build nine-gun steam sloops and eight-gun side-wheel double-enders. Established by John Quincy Adams, the New York Naval Shipyard continued to build ships well into the 20th century, until it was finally abandoned in 1966.

    – photo by Mitch Waxman

    The East River was once bursting with industry, and was lined by docks. Famously dangerous, the docks of New York and its corollary municipalities were the first melting pot. When a ship’s cargo was being unloaded and a new one loaded, a process that might take as long as a week, the crews of itinerant sailors would pass the time in flophouses and bars which lined the waterfront. Established society shunned the waterfront, with its temporary populations of tattooed sailors and the mongrel contagion of ideas and exotic possibilities they carried with them.

    from earlysda.com

    At about 8 o’clock P. M., two lines of people were formed to march each side of the street. Wax candles, about three inches in circumference and four feet long, were now lighted, and given into the hands of each man in the procession. The corpse, which was richly dressed, and adorned with fresh flowers, was placed in a little basket with four handles, four little boys carrying it. It looked like a sweet little child asleep. The procession, with the priest ahead of the child in the middle of the street, and two long lines of men with lighted candles on each side, was rather an imposing sight in the dark night. The walk was about one mile and a half, to an ancient-looking stone church in the upper town. As we passed into the church I saw one of the flagging stones of the floor raised up, and a small pile of bones and dirt beside it. The consul told me the little child was to be put in there. The child was set down by the altar. The priest occupied but a few moments in speaking, then took up a long-handled cup or ball, perforated with holes like a grater, through which, as he uttered a few words, he sprinkled the child with what they call holy water, some of which, whether by accident or otherwise, feel on us who stood at the head of the procession. After this part of the ceremony, all but the child returned in order with the procession. Mr. Harden, the consul, on returning, told me how the child would be disposed of. Two black slaves would strip it of all its clothing, cover it with quick-lime to eat off its flesh, then pound it down in that hole with the other bones and dust, until the stone would lie in its place again. They would have its clothing for their labor. Thus, in this dilapidated charnel-house, and place for divine worship, they disposed of their dead. I was told that Paraiba was one of the oldest towns in South America, being of nearly three hundred years’ standing.

    After disposing of our cargo here, we invested our funds in hides and skins, and sailed for New York. After a pleasant and prosperous passage of some thirty days, with the exception of cold, freezing storms on our coast, we arrived at the quarantine ground several miles below the city of New York about the last of March, 1826. As we had no sickness on board, I was allowed the privilege on Sunday of taking my crew with me to hear service at the Dutch Reformed church. This was the first religious assembly I had met with since I covenanted to serve God, and I enjoyed it much. It seemed good to be there. In a few days we were relieved from quarantine, and I was made glad in meeting my companion and sister in New York. My brother F. took my place on board the Empress for another South American voyage, and I left for Fairhaven, to enjoy for a season the society of my family and friends, after an absence of some twenty months.

    Written by Mitch Waxman

    May 22, 2010 at 5:00 am

    Like something from the 19th century…

    with one comment

    – photo by Mitch Waxman

    Big Allis from the Roosevelt Avenue bridge on a cold and humid day, belching Dickensian clouds of steam out over the East River.

    from wikipedia

    Big Allis, formally known as Ravenswood No. 3, is a giant electric power generator originally commissioned by Consolidated Edison Company (ConEd) and built by the Allis-Chalmers Corporation in 1965. Currently owned by Transcanada Corp., it is located on 36th Avenue and Vernon Boulevard in western Queens, New York.

    During 1963, Allis-Chalmers announced that ConEd had ordered the “world’s first MILLION-KILOWATT unit…big enough to serve 3,000,000 people.” This sheer scale helped the plant become popularly known as “Big Allis”.

    At the time of its installation, it was the world’s largest energy generating facility. It is located on the Ravenswood site, consisting of Units 1, 2, 3 and 4, as well as several small Gas Turbines (GTs), and an oil farm. The site overall produces about 2,000 MW, or approximately 16% of New York City’s current energy needs. The current installed capacity of Big Allis is around 980 MW.

    The Ravenswood, Queens site also includes a steam generation plant consisting of four B&W boilers, commonly known as “The A House”, owned by Con Edison but run by employees of Transcanada. It helps in the supply of steam to Manhattan.

    Written by Mitch Waxman

    May 22, 2010 at 12:05 am

    The Hermetic Hungarian responds

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    Down under the Hell Gate Bridge Onramp- DUHGBO – photo by Mitch Waxman

    A recent posting- Hungry Ghosts– detailed the lengthy and pedantic debate over the merits of Film vs. Digital photography enjoyed by myself and that erudite Manhattanite known to long time readers of this Newtown Pentacle as the Hermetic Hungarian.

    The Hungarian responds:

    32. Not 22. Two times 16. And they are all great. Ain’t gonna scan ’em. Projected ’em from my 2-1/4″ slide projector. Dee-lish.

    And it’s not that I dislike digital, it’s that there is no digital equivalent of black & white. A photo-chemical process which leaves traces of its origins throughout the process. Palimpsests. Ghosts.

    I’m probably gonna get a G-11 or used G-10 (it was the stupid human interface that put me off the S-90, not to mention Adobe’s brain-dead policies) to fool with while I wait for version 2 of Leica’s digital M-9 to come out. Upon which I will then be able to attach all but two of my 14 Leica lenses. (To be fair, one of my lenses can only go on my vintage 1948 Leica IIIf due to the extreme distance the rear element projects into the body. It would kill a modern body with a built-in meter).

    –Légmentesen Magyar AKA “HH”

    Review Ave. trucking – photo by Mitch Waxman

    Back on track tomorrow, with a proper posting, did you realize we’re in the midst of the Lemuralia?

    Written by Mitch Waxman

    May 11, 2010 at 1:01 am