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Tuesday

– photo by Mitch Waxman

It’s important to acknowledge, when viewing a place or person for the final time, the gravity of the moment. I don’t plan on coming back to NYC anytime soon, and by soon I possibly mean “ever.” People have asked – is it the politics? Are you leaving because of rising crime, or the unaffordable cost of living, or what? It’s all of those things, and none of those things. It’s about “Act 3” and wanting something better for Our Lady of the Pentacle and myself in our declining years.

I would mention that this is the second version of this post you’re reading. Version 1 strayed into exactly the sort of soliloquy about NYC that I’ve sworn I wouldn’t write or publish. Suffice to say that New York is a City for the young and wealthy to enjoy and that I’m neither of those things.

– photo by Mitch Waxman

Speaking of not being young, all of the exertions of the move to Pittsburgh have taken a toll. Shortly after arriving in Pennsylvania after my twice back and forth 1,600 miles of driving, one contracted a wicked cold with a productive cough (not Covid), and one of the many small wounds on my hands (from carrying boxes, packing boxes, unpacking boxes etc.) has developed a sweet infection. An actual Google search I conducted this morning was “What is Pus”? This led to an interesting internet rabbit hole which included medieval medical thought and theory.

Turns out the stuff is composed of white blood cells and other immune system bits. According to the medical consensus from the days before the germ theory of disease became generally accepted – if it’s white pus, you’re probably going to be ok. Yellow, or green, or god forbid black pus, you likely want to get your self bled by a doctor and do it quick. That’s what the Google tells me, anyway. Luckily, I already unpacked the box that had the Duane Reade triple antibiotic topical goo in it.

Overall, I feel like I got into a bar fight at the moment, and have lost badly to several large and sadistic men. That’s officially the end of me whining about how tired and depleted I feel right now. It’ll be ok in a couple of days. I need a whole lot of regular sleep coupled with proper meals.

– photo by Mitch Waxman

On the way to Pittsburgh, one drove the Mobile Oppression Platform (my pet name for the car) through some extremely rural areas wherein fealty to a former President – you know, the orange one who tried to overthrow the Government – runs strong. I saw a hand painted sign on a decaying barn along route 28 south that read “Biden bad, he spend you earn, no socialism.” I’m not sure what these people think “socialism” means, nor where they learned basic grammar. Personally, I roll with what the dictionary says words mean, rather than what some bloke with a busted down barn which he’s doing voluntary advertising for a NYC landlord on, alongside a highway in rural Pennsylvania, thinks.

I actually blame the school system’s cowardice, in terms of discussing modern day political issues, for this era we live in. When I was in public school in the 70’s and 80’s, history officially ended at World War 2 since they didn’t want to tread into all of the “controversial Civil Rights or Cold War stuff.” You get the same thing on the other side of the political fence, with a misunderstanding or misrepresentation of the word “socialism” means in particular, but also with popular usage of “progressive” or “liberal.”

Bah!

– photo by Mitch Waxman

At any rate, back on the NYC Ferry, which is where I was before I started rambling on about how beat up I am and the weird things I’ve seen here in Pennsylvania – which I’m still working on being able to reliably spell…

My pal Val and I rode the Astoria line of the service to the Pier 11 Wall Street stop over in Lower Manhattan. We had a brief lay over while waiting for the Soundview line boat to arrive. Soundview is a great ride, heading up the west side of the East River towards 34th street, and then past Roosevelt Island where it makes a stop nearby Gracie Mansion at East 90th street. From there it proceeds north through Hells Gate to Bowery Bay and ultimately to Soundview in the Bronx, which is where the footings of the Whitestone and Throgs Neck Bridges sit.

– photo by Mitch Waxman

One had timed the trip for late afternoon, hoping to catch some orange and gold light for this – my last ferry ride.

For the journey north, I deployed a long lens which allowed a 70-300 mm zoom range. It’s not my best piece of glass, this unit, but it does allow for a great deal of reach. On the way south, I had used a wider 24-105 mm zoom lens.

– photo by Mitch Waxman

The hoped for light show started just as the Soundview bound ferry debarked from Pier 11, as predicted. We were heading north, and this ended up being the last time I’d be seeing or taking a photo of the Manhattan Bridge. Bwah!

More tomorrow, at your Newtown Pentacle.


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Written by Mitch Waxman

December 20, 2022 at 11:00 am

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Tuesday

– photo by Mitch Waxman

Normally, when I show you a picture of the Brooklyn Bridge, it’s the full sized one and it’s overflying the East River. Instead, having driven some 400 miles from NYC to the Pittsburgh area, and then to one of its smaller neighbors – Saxonburg – I encountered this version of the “Great Bridge” at the John A Roebling House and park. There’s an 1832 vintage wooden cabin preserved there which the great engineer used as a workshop, and Roebling was one of the founders of the town.

No matter how far away you go, there’s a chunk of NYC waiting there for you. Inescapable. Saxonburg was a lovely, lovely town, overall. It looked just like a Norman Rockwell painting, or the setting of a Frank Capra movie. We found a coffee shop on their Main Street, and after getting fueled up with caffeine, headed back in the direction of Pittsburgh.

– photo by Mitch Waxman

Luckily for me, the return trip to the City of Pittsburgh was My Pal Max’s turn to drive, and I got to shoot out of the car windows as he did so. We stopped off on the way to check out a few other spots on the route. Pittsburgh hosts 73 distinct neighborhoods, and many them are wildly different from the one “next door.” There’s a few picture perfect suburbs, several lightly populated exurbs, dense urbanity – you name it, and they’ve got an example to show you.

Everything here is connected via a network of expressways, highways, and secondary arterial roads. There’s a light rail system in the center of the city, and a network of bus routes which all converge on the downtown area. The buses are venous, as in they all go the heart of the City from the outlying areas. Unfortunately, if you want to transfer from one line to the next, you’d need to go all the way into town to do so, or so I’m told. Observationally, there’s a lot of neighborhood level bike riding, but getting from place to place is largely accomplished by driving a motor vehicle.

– photo by Mitch Waxman

Crossing the Allegheny River, where the skyline of Pittsburgh suddenly rears up. That curvy roofed structure is the Pittsburgh Convention Center, and the black rail bridge in front of it was actively conveying a freight train over the water.

These shots were gathered right around “rush hour” in Pittsburgh. Traffic was moving slowly, at maybe 25 mph, during the rush.

– photo by Mitch Waxman

The highway we were on was going to carry us through the downtown area to another bridge crossing, one over the Monongahela River.

Along the way, I kept on clicking the shutter.

– photo by Mitch Waxman

I’ve always been fascinated by the parabolas and massing shapes of highway ramps, even as a kid. There’s something sublime about them, and it’s always impressive to me that something this utilitarian can be visually interesting. Might as well make it look good too, right?

They used to care a lot more about this sort of esthetic impact in the early 20th century than they do now, the Civil Engineering types.

– photo by Mitch Waxman

On the Monongahela River, I spotted this tug towing several barges of minerals – presumptively coke or coal. These river tugs are configured quite a bit differently than the harbor or ocean going units I typically see. They also tow the cargo differently in this region, with multiple barges stacked up in front of the vessel.

More tomorrow.


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In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.

Written by Mitch Waxman

October 4, 2022 at 11:00 am

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Monday

– photo by Mitch Waxman

May 9th, after spending a day riding on the NYC Ferry back and forth across the harbor, one set up his tripod in Lower Manhattan at sunset in the vicinity of the Brooklyn Bridge. On both sides of the river, you’ll notice photographers agglutinating along the fences about an hour before the burning thermonuclear eye of God itself descends.

I had a funny encounter with some kid who doesn’t understand the way things work – etiquette wise – in photo circles.

– photo by Mitch Waxman

Part of my “get there early and stay late” thing revolves around claiming a vantage spot which I’ve chosen. In the unspoken etiquette of the picture taking community, that means that if I got there before you – you have to find another spot. This kid, who was in his late teens or early twenties, says to me “excuse me, are you doing a time lapse” and then indicates that his goal is to shoot such a sequence of images. I say “no” and he asks me to move so that he can. Now… I am pretty amenable to helping a guy out, but since he was being a dick…

I say to him “just to get this straight, you’re telling me you want me to get out of your way because you couldn’t be bothered to be here earlier.” The kid says “yes.” I say to him “Tell you what, I’m going to be a nice guy and move two steps over, but you do realize how special an asshole you are, and that you should seek medical advice about this malignant narcissism you display, right?” Being a child of his generation, he said “yes,” not understanding what I was saying to him. He didn’t care, he got what he wanted.

I stepped two side steps to the right so that he could have his time lapse position, and just stared directly at him with my heat vision eyes until his soul curdled and he sulked away. He didn’t shoot a time lapse during this interval, instead he waved his little Sony A3 with a kit lens on it at the river like the camera was a little flag. Guarantee he was set to “auto” or “program” mode, as not once did he adjust his settings.

– photo by Mitch Waxman

Take my word on this one… for the sorts of shots you commonly see here at Newtown Pentacle, the difference of a few yards right or left in terms of the “POV” is seldom an issue. It’s the Manhattan Bridge you’re looking at there, and said mega infrastructure offers one several POV locations. The notion that this kid had to be standing exactly in the spot I occupied was simply annoying, and its positional unimportance as compared to another spot two steps away is staggering.

There’s a few “narrow” POV spots which I wouldn’t abandon once I’d already set up the tripod… but here? At the edge of South Street Seaport? This isn’t even the best view of the Brooklyn and Manhattan bridges, I just didn’t want to head any further uptown from Pier 11, and end up having to take the subway instead of the ferry home to Astoria.

– photo by Mitch Waxman

Speaking of the NYC Ferry, I boarded the Astoria bound boat shortly after the sunset ebbed away into dusk. My lenses were swapped – day kit stored away and night kit deployed – and I kept on shooting.

The nice thing about shooting digital is that you can just keep on going, experimenting, shooting until either the battery is spent or you’ve run out of storage space on the camera’s memory cards. I’ve got two spare batteries in my bag, and an empty set of backup memory cards with me at all times. Last summer, I managed to shoot for four straight dawn to dusk days without having to install the backup cards, and seldom if ever needed to do a battery change in the field.

– photo by Mitch Waxman

Logistical issues abound, however, when returning from a day long photo expedition like this. Night shots, captured from a moving boat and depicting highly detailed scenery like the Manhattan skyline and Brooklyn Bridge above, have a fairly high failure rate. By failure, I mean they’re not optimally sharp or the focus landed on the subject in an unanticipated fashion. Thereby, I’ll crack out nine or ten exposures of the same basic shot and choose one to keep. The rest get trashed.

Again, the benefit of shooting digital. I came home this particular night (after riding the ferry all day between Astoria, Manhattan, Rockaway, and back to Astoria) with something like a thousand shots on my memory cards. My habit is to do the first pass on a set of images the same day I shoot them, and before I went to bed the group had been reduced down to about 250. By the next evening, I had edited out all but 130. Something like 100 ended up getting uploaded to Flickr.

– photo by Mitch Waxman

If you click through to see the original of the photo above at Flickr, you’ll be able to see the structure of the steel of the Queensboro Bridge in the shot, which was captured at f2 at ISO 128,000 from a moving ferry boat at night. Because of the f2/High ISO you can’t quite see the rivets and this image is also heavily cropped in on. Still, you do what you can with where you are when you can.

“Are you shooting a time lapse”…


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In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.

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June 27, 2022 at 11:00 am

ivied antique

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Tuesday

– photo by Mitch Waxman

As mentioned yesterday, one set the camera up along the Brooklyn waterfront on a warm evening in late March and got busy with the clicking and the whirring.

Special attention was paid to the Brooklyn Bridge, and to the weird lighting which descended on the East River at dusk.

– photo by Mitch Waxman

It had been overcast and rain was threatening all day, but once the burning thermonuclear eye of god itself disappeared, the sky was dark but colored with electric blues. This only lasted a few minutes, but wow.

I had been out of sync with the ferry schedule all day, perpetually arriving at a dock just as a ferry was pulling away from it. Given that it was growing late, I intended on being on time for the boat that would be visiting this particular stop nearby Fulton Landing before heading north on the river towards Long Island City.

– photo by Mitch Waxman

While waiting for the boat to arrive, I converted the operation away from its “landscape/tripod” configuration over to the “handheld/low light” one. I’ve described this in the past, it’s mainly swapping out certain lenses for other ones and safely tying off the tripod onto my knapsack.

The boat arrived, I flashed the ticket on my phone to the deckhand, and soon I was snugly ensconced on the NYC Ferry heading north.

– photo by Mitch Waxman

If you haven’t ridden the ferry at night… well, I don’t care, you should get out more and watch less television.

The real world is so much more interesting than fiction, if you ask me.

– photo by Mitch Waxman

Last stop before Long Island City’s “LIC Landing” stop is 34th street in Manhattan, where you get to see the shot above.

What is it with all the people who move into the newly constructed condos along the East River who don’t seem to have drapes, curtains, or Venetian blinds? Conspicuously consume much, you oligarchic fucks?

– photo by Mitch Waxman

Speaking of no drapes, I wonder if they don’t have carpets either (drum shot, please). As you might be able to discern right now, I’m just dripping with sarcasm and hatred at the moment. Something about edging towards a Civil War in a country that’s as armed to the teeth as we are just sets me off.

More tomorrow.


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Buy a book!

In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.

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Monday

– photo by Mitch Waxman

March 22nd. That’s what we’re up to in today’s post! Finally getting a bit caught up, and I won’t be running the risk of showing you photos in June that have snow on the ground. As mentioned – one has been unusually prolific in 2022 – which is likely a reaction to all of the lockdown dealies and restrictions from the last couple of years, and thereby the posts here at Newtown Pentacle have been carrying double the normal number of photos.

So, on March 22nd, I was riding on the ferry again and decided to get off the thing nearby the Brooklyn Bridge.

– photo by Mitch Waxman

It was going to be about an hour before the burning thermonuclear eye of God itself tucked itself away behind New Jersey, so I set up my tripod and claimed a spot. There were a few other shooters at the waterfront park where I did my “set up.”

Most of them seemed to be packing Sony camera systems, and from the look of what they were up to – shooting time lapse sequences.

– photo by Mitch Waxman

Personally, I wasn’t there with anything specific – shot wise – in mind. Catch as catch can days are my favorites, as a humble narrator enjoys serendipity.

Over to the southwest, a bit of a hullabaloo seemed to be underway in Jersey…

– photo by Mitch Waxman

I later found out that a plastics recycling plant in Bayonne experienced a pretty serious fire, which is unfortunately a pretty common occurrence for recycling plants in Bayonne.

Remember when the Chlorine Bleach factory in Jersey City was burning during the winter? I called my buddy in Kearny that night, and gave him very specific instructions to follow should he notice a greenish mist wafting along the streets. Chlorine gas is heavier than the normal atmospheric gases, so if you find yourself in the path of some, get up to the second or third floors and wait it out. Whatever you do, do not turn on the water faucet. The gas and liquid will instantly combine and form a cloud of hydrochloric acid, which will dissolve you and yours.

– photo by Mitch Waxman

Who else watches the YouTube channel for the National Chemical Safety Board? What? Just me? Sheiste.

The sky started getting interesting, but didn’t go all crimson and orange as I had hoped it would.

– photo by Mitch Waxman

Regardless, the scenery was still pretty choice, especially when the lights started coming on for the Brooklyn Bridge and Manhattan behind it. I decided to hang around, and blow off some stupid Zoom meeting that I was supposed to attend.

Apparently, and this is a direct response to my realization that “Nothing Matters and Nobody Cares,” I no longer give any shits whatsoever.


“follow” me on Twitter- @newtownpentacle

Buy a book!

In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.

Written by Mitch Waxman

May 16, 2022 at 11:30 am

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