Posts Tagged ‘photowalk’
dormant organs
Sure is nice outside, except if you meet the Queens Cobbler.
– photo by Mitch Waxman
The single shoe phenomena has recently kicked back into gear around Wetsern Queens, which suggests to me that the Queens Cobbler is again active. The “Queens Cobbler,” as I’ve christened this licentious stealer of souls (or soles), is the name I’ve assigned to a probable serial killer who leaves behind a single shoe – a calling card that has been plucked from his or her unfortunate victim. Above, a single shoe found displayed on Astoria’s Broadway, quite recently.
– photo by Mitch Waxman
Flip or flop, or some combination thereof, the inefficiencies of this model of footwear are well known. It is virtually impossible to run when wearing these “pool” or “shower” shoes – if shoes they be and not sandals. This cerulean trimmed model was just left in the open on Austell Place in the fabulous Degnon Terminal section of Long Island City.
This Queens Cobbler really gets around.
– photo by Mitch Waxman
A break in the pattern, perhaps the work of a copy cat, was revealed back in Astoria near Steinway Street. Three matching pairs of shoes were observed in one spot. One hopes that the 114th precinct has assigned a squad of their crack Detectives to investigating this matter, and the killer(s) amongst us.
– photo by Mitch Waxman
Our Lady of the Pentacle and myself have learned to stoutly lock our windows and doors at night, and seldom venture out without exhibiting a quick pace and alert posture. Terrors such as only the mind can hold accompany thoughts of the Cobbler’s ghoulish activities. A palpable pall of pestilential fear lurks about Queens, and all watch their steps.
Hopefully, the Cobbler won’t join forces with the Sunnyside Slasher, Ridgewood Ripper, Woodside Whomper, or the Mad Gasser of Blissville and form so,emleague of evil. The streets would be littered with shoes.
Upcoming tours and events:
“Brooklyn Waterfront – Past & Present” boat tour
with Working Harbor Committee, Thursday, September 15th from 6:00 to 8:00 p.m.
Click here for tickets.
“13 Steps around Dutch Kills” walking tour
with Atlas Obscura, Sunday, September 18th from 11:00 a.m. to 2:00 p.m.
Click here for tickets.
“First Calvary Cemetery” walking tour
with Brooklyn Brainery, Saturday, October 8th from 11:00 a.m. to 1:00 p.m.
Click here for tickets.
“follow” me on Twitter- @newtownpentacle
little polyhedron
Street photography, literally, in today’s post.
– photo by Mitch Waxman
Every little facet of Western Queens is endlessly fascinating to one such as myself. The section of Jackson Avenue which was refashioned into Northern Blvd. in the early 20th century (a puzzling nomenclature, as it runs east/west, and both Ditmars and Astoria Blvd. are further north), which I’ve long referred to as the “Carridor” has a distinctive look and feel. On the western end of it, the Real Estate Industrial Complex has finally broken through the barrier presented by the southern end of 31st street and large scale tower production is under way. It won’t be long before the Manhattan skyline views which Western Queens is known for will be completely obfuscated by the glass boxes being hurled at the sky.
Let’s face it, a used car lot has a huge footprint, and the Real Estate shit flies are rapacious when the subject of Sasquatch property lots arises. Thing is, this used car lot strains the Municipal infrastructure a whole let less than a block of apartments.
– photo by Mitch Waxman
Over on 43rd street, a longish roadway that leads from Newtown Creek to the south to a northern terminus at Bowery Bay and which transverses Astoria, Sunnyside, and Blissville that used to be called Laurel Hill Blvd., there’s a window on the world of tomorrow which can be observed by looking over the Sunnyside Yards at the western horizon. In Tolkien’s epics, it’s the west that the elves disappeared into. Coincidentally, the same mythology is presented as relating to the Decadent Dutch colonials who fled the “English” through Western New York and New Jersey by the literature of Washington Irving, H.P. Lovecraft, and many others. In Western Queens, the Real Estate Industrial Complex has stolen the western sky, as evinced by the shield wall of luxury apartment buildings rising from the filled in swamps of Long Island City pictured above.
Legend has it that the Dutch will return someday, when we need them most, but we won’t see them coming anymore.
– photo by Mitch Waxman
The same shield wall of construction is visible from the eastern side of Skillman Avenue in Sunnyside, which rises from the elluvial flood plains of Newtown Creek’s Dutch Kills tributary nearby Skillman’s intersection with Thomson Avenue. The intersection of two communities is nearby, on a sloping hill which hosts both a “Woodside” and a “Sunnyside.” The Woodside, my reading suggests, was heavily forested with deciduous speciation in its aboriginal state, and the Sunnyside was more of grassland interspersed with coniferous trees that graduated into what would best described as an environment resembling the Louisiana Bayous.
The Sunnyside of the hill sloped down to the swampy lowlands of what’s now Queens Plaza, Dutch Kills (neighborhood), and the Degnon terminal area. This condition, which bred what was contemporaneously described as a “pestilential number of cholera and typhus carrying mosquitoes,” largely persisted in Queens until the early 20th century when the Sunnyside Yards, Degnon Terminal, and Queensboro Bridge construction projects included a fair bit of land reclamation and swamp drainage.
Upcoming tours and events:
“Brooklyn Waterfront – Past & Present” boat tour
with Working Harbor Committee, Thursday, September 15th from 6:00 to 8:00 p.m.
Click here for tickets.
“13 Steps around Dutch Kills” walking tour
with Atlas Obscura, Sunday, September 18th from 11:00 a.m. to 2:00 p.m.
Click here for tickets.
“First Calvary Cemetery” walking tour
with Brooklyn Brainery, Saturday, October 8th from 11:00 a.m. to 1:00 p.m.
Click here for tickets.
“follow” me on Twitter- @newtownpentacle
hung about
More experimentation with my new lens, in today’s post.
– photo by Mitch Waxman
My pal, Jiminy the Parrot, is a ham. He’s also a great and cooperative subject when I’m trying to crack out some shots. Jiminy also hosts a wealth of fine detail in the green suit he always seems to be wearing, which makes him an excellent subject as far as testing out how a lens might perform as as far as rendering detail and color. It seems every piece of glass that you stick on your camera sees the world in its own way, and learning the way that my new Sigma 50-100 thinks and visualizes things is integral to the decision about whether or not it is a permanent addition to my kit.
At the moment, I’m loving the thing although it is damned heavy and there has been a bit of a learning curve as to how to best employ it. The lens itself weighs nearly four pounds, which is the equivalent of at least a couple of parrots. Add in the camera, and I’m waving about 5-6 pounds of gear around for hours at a pop. Doesn’t sound like much, but over the course of an average day – it adds up.
– photo by Mitch Waxman
As mentioned last week, the Sigma “art” series lenses have a real predilection towards rendering colors in a hyper saturated manner which can be somewhat reminiscent of the four color world of comic books. This fits my visual sensibility, but for those of you out there who prefer muted color and heavy saturated blacks in your shots, this might be a deal breaker. That’s Astoria’s Broadway in the shot above, just east of Steinway Street, if you’re curious. The lens isn’t “all the way” open, instead it’s at f2.8. I could have doubled the ISO and narrowed the lens down to f5.6 to create a bit more of an “infinite” hyper focal range, but wanted to see what a shallower depth of field would do.
Going back to the “heavy” issue, I had been carrying the thing around all day and noticed that a slight fatigue tremor was present in my right arm. The good news, of course, is that I can use the extra exercise. The bad news is that my right arm is going to tone up to accommodate the extra carry while my left hangs there uselessly and will end up looking like a little tyrannosaur limb in comparison. Guess I’ll have to just carry around a gallon of milk or something with the left as I wander about.
– photo by Mitch Waxman
The virtue of this device, of course, is in the wide open side of it for usage in low light situations. The shot above is handheld and captured at ISO 800 at f1.8. It’s also Broadway in Astoria, and depicts the corner that HQ is found on. Since the night shots are what I’m interesting in pursuing this fall and winter, rather than brightly lit daytime shots of Jiminy the Parrot, the shot above is pretty promising as far as what this piece of glass is capable of.
Weather permitting, I’m planning on making a late night pot of coffee pretty soon and putting on one of my orange safety vests in preparation for an “all nighter” wandering around the industrial zones and concrete devastations surrounding that legendary exemplar of Municpal neglect known as the Newtown Creek.
“follow” me on Twitter- @newtownpentacle
so special
A busy week arrives.
– photo by Mitch Waxman
A humble narrator has been somewhat less than fully engaged with my normal round for the last couple of weeks, simply in the name of enjoying the last couple of weeks of August. Uncharacteristic of me, periodic downtime is nevertheless a “necessary.” One believes that all true wisdom can be gleaned from 1970’s “prog rock” lyrics and as the band “Yes” proferred in their anthem “Roundabout” – don’t surround your self with yourself, move on back to square.
Ruts can be depressing, as are the daily demands of the world.
– photo by Mitch Waxman
This week, I’ve got a fairly major Newtown Creek event going on (not a public event, unfortunately) which has been increasingly all consuming, that will play out on Wednesday evening. Suffice to say, it takes place on a boat, and that one has been tremulously watching the quite changeable weather reports that have accompanied the path of Hurricane Hermine up the eastern seaboard.
As soon as the event has passed, which will be after Wednesday evening, I’ve got a few new offerings for the general public as far as walking tours and so on that I’ll tell y’all about.
– photo by Mitch Waxman
The aquatic excursion will be a Newtown Creek event, onboard and co hosted by the Fireboat John J. Harvey, which I’ve been describing to invitees as a “Community Conversation about Newtown Creek with the Newtown Creek Community.” The event will bring together community representatives, business leaders, environmentalists, and government employees with the goal of discussing the future. I’m proud too say that one of the goals of the trip – to engage neighborhood people and organizations from the eastern section of the Creek (Maspeth, East Williamsburg, Bushwick) seems to have been accomplished. The event has been underwritten – in the name of full disclosure – by Connective Strategies and the Newtown Creek Group, who represent the “potentially responsible parties” named in the Superfund declaration.
Cross your fingers, as this should be a rather productive conversation. We are nearing the interval in which the post superfund future of Newtown Creek will be decided upon, and it’s one of my goals to ensure that everybody’s voice and concerns be addressed. As I’ve told multiple people – there’s a path which I think is the right one, but it’s not up to me to tell Maspeth what it needs. That’s what City Hall does, and unlike the Mayor I happen to believe in Democracy.
– photo by Mitch Waxman
As an aside, the probable serial killer whom I’ve christened the “Queens Cobbler” seems to have returned to the area, and resumed their nefarious work – as evidenced by a sudden dearth of “single shoe” occurrences.
“follow” me on Twitter- @newtownpentacle
rational position
I really need a vacation.
– photo by Mitch Waxman
Part of the fun involved with buying a new lens is testing it out. Doesn’t matter how good or bad the device is, there’s “sweet spots” and contradictory failings which the itinerant wanderer needs to be familiar with if the thing is part of the daily carry. The B&H folks have a fairly generous return and exchange policy, and in my experience, the window in which you can hand them back the lens is a crucial interval for the investment. Accordingly, one has been shooting everything, and everywhere.
I can tell you this, the sigma 50-100 is one hell of a portrait lens, but I’ve had unequal results in certain circumstances. My effort at the moment is to discover where and when those failings occur, rendering them predictable.
– photo by Mitch Waxman
One of the places this lens absolutely sings is in the dark. The shot above is “wide open” and was captured while I was waiting for the train at 59th street recently. I’ve been saying it for a while, but the subway system is an absolutely fantastic photography workshop. Worst case scenario lighting, with a reflective subject moving at speed through darkness.
I don’t often “open the hood” on the process I use to produce shots for Newtown Pentacle, but since a bunch of you asked after yesterday’s post…
– photo by Mitch Waxman
The shots above were captured at f2.2, with the lens dialed out to 94mm at ISO 5000. I’ve got a few other “bright lenses” but the sigma 50-100 really does a beautiful job drinking in the lurid shimmerings of pale light, and it literally outshines the other specimens in my “dark” kit. You can discern the lens’s aperture blades in the hot spots surrounding the R train’s headlights, incidentally.
Shots like these subway images are dependent, in my experience on shooting posture. There are US Army sniper rifle manuals out there which discuss shooting postures, and the body posture process which riflemen use to steady and focus their fire on targets is quite appropriate for the capture of light through a lens, IMHO.
– photo by Mitch Waxman
From a different commute, the shot above was captured at Queens Plaza, and also depicts an R line train entering the station. There’s a bright, almost cartoony quality to the way that sigma’s “art” series lenses renders primary colors which required some adjusting on the saturation slider when I was working on the shot in Photoshop’s “camera raw” window.
For those not in the know, RAW format is essentially an uncompressed digital negative which allows a great deal of fine tuning to the captured shot as the file contains ALL of the information which the sensor saw, whereas JPEG is an image which is compressed and all the decisions have been made for you by the camera. Those decisions include color temperature, depth of shadows/highlights and so on. Every RAW shot can therefore receive a bit of a tweak, and I always shoot in that format.
– photo by Mitch Waxman
One of the things I engage in when testing a lens is trying to push it to fail. Architectural detail does not work well with a wide open lens, due to the shallow depth of field. Even an infinity focus will produce unacceptable “bokeh” in this context, or at least it’s unacceptable to my eye. I want to see every rivet.
Saying that, the two shots of the Manhattan Bridge in today’s post were shot at f2.2 on a sunny afternoon.
I think I’m going to keep this lens.
“follow” me on Twitter- @newtownpentacle
The Newtown Pentacle 