Archive for March 2016
illegitimate assertion
Once, you’d tell the operator you wanted to speak to Hunters Point 3342.
– photo by Mitch Waxman
Walter E. Irving opened for business along Newtown Creek’s Dutch Kills tributary in LIC back in 1907, but at first his operation was just another iron and steel works. It wasn’t until 1914 that the company became commonly known as either “Irving Subway Grating” or “Irving Iron Works.”
Their honeycomb steel walkways were offered to both the Subway (as the name would imply) people and to maritime customers. It was the maritime world which made the company rich. Irving, a structural engineer, actually started his business in Astoria in 1902, but it was here on Dutch Kills in “America’s Workshop” that he had both rail and maritime access, and that’s why the company centered its operations in LIC.
Here’s a shot of the place from back in 1915.
– photo by Mitch Waxman
Back then, and by then I mean 1914, 51st avenue was called Third Street, and 27th street was called Creek Street.
There was no Long Island Expressway or Midtown Tunnel, and railroad freight tracks snaked around on every street. If you’re in the neighborhood today, you can still find a lot of those old tracks blistering up through the modern day asphalt. There’s “Belgian Blocks” paved streets here in what I’ve long referred to as “the empty corridor” as well. Belgian Blocks are colloquially referred to as “cobblestones.”
– photo by Mitch Waxman
At its height, when their patented honeycomb steel lattice plates were being installed on merchant and naval ships, and into factorys and industrial boiler rooms, Irving’s facility commanded some 22,000 square feet of the most valuable industrial bulkheads in America here in LIC.
It remains one of the largest properties along Dutch Kills to this day, but as you’ve noticed by now, Irving Subway Grating has left the proverbial building.
– photo by Mitch Waxman
In the early 20th century, Irving employed a staff of about 300, and the facility produced something like 50,000 feet of the honeycomb flooring material a month. The value of the grating was that water, light, and air could move through it – making it perfect for the exterior decking and ladder steps on ships – and that while it had the same strength as a plate of steel, it weighed a significant amount less. It was also appropriate for use in boiler rooms and other industrial applications due to its permittance of ventilation.
Irving also found a place for his products in the steel decking on vehicle and rail bridges, and the United States military would lay his grating down into sand and soil to create stable runways for aircraft in battle zones. Irving received accolades from the War Dept. for his industrial contributions to the Aliied forces’s victory during the Second World War. The NY Subway system, as the name of the product would imply, ate Irving’s products as fast as he could make them. If you work in Manhattan’s Flatiron district, the Tenderloin, or Herald Square, you’re probably already familiar with Irving.
Build a better mouse trap, I guess.
– photo by Mitch Waxman
A Mexican conglomerate called HARSCO bought Irving, and its portfolio of patents, back in 1966. Irving continues as their IKG Industries division today, and they still manufacture those steel grids. I cannot seem to determine exactly when the Irving Plant at Dutch Kills was shut down, nor accurately ascertain the current owners of the property beyond some LLC holding company. There was an enormous fire here in 2009, which burnt away a lot of what was left of the site.
Here’s what I saw of the pre fire Irving Works back when I first starting getting into this whole Creek thing, in a post that clearly illustrated my neophyte status back in 2009.
– photo by Mitch Waxman
Over the last seven years, I’ve watched the Irving site being slowly harvested by metal collectors – The Crows – who have grabbed every inch of copper and aluminum that they can reach. There’s a security fence with a giant hole cut in it along 27th street, but the chained up shopping carts and well fed cat colony nearby the hole indicate that somebody is living here in the ruins.
As I was by myself when these shots were gathered… well… let’s just say it’s not a great idea to barge into a homeless camp in LIC when you’re all alone, so I stuck to the front of the site nearby the hole in case I had to exit quickly. Next time I have a chum along with me, however, I plan on doing a bit more exploring – mainly because there is a lot of cool graffiti in there I want to check out.
– photo by Mitch Waxman
Scenes familiar, and loved, in Long Island City.
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potential responsibility
Creek Week continues, in today’s post.
– photo by Mitch Waxman
After visiting the Kosciuszko Bridge project, 57th avenue, and then Railroad Avenue, a humble narrator’s dogs were barking and a generally homeward course was adopted. As usual, that meant swinging down Borden Avenue and cutting over to Skillman Avenue on the way back to raven tressed Astoria.
My favorite sections of Newtown Creek to photograph are found in LIC, along this particular tributary of the troubled waterway – called Dutch Kills.
It’s something about the light, I guess.
– photo by Mitch Waxman
I haven’t been around here in a few weeks, and I discovered that a formerly fenced in section of the shoreline adjoining the Borden Avenue Bridge had been cleared away, which offered a few points of view which would have formerly required illegal trespass to capture.
Given such an opportunity, a humble narrator will always take it.
– photo by Mitch Waxman
Looking west, towards what I call the “empty corridor” found under the Long Island Expressway truss.
The LIE is some 106 feet high in this spot over Dutch Kills, and was built so to accommodate the stacks of ocean going vessels which were headed for the Degnon Terminal Turning Basin which is about a half mile away. The Federal War Dept. also required this particular height for the possibility of installing warships in the canal in order to protect the industrial sector in case of foreign invasion forces entering New York Harbor (a real worry, prior to the Atomic Bomb).
– photo by Mitch Waxman
Looking eastwards, you see the sort of scene most life long Queensicans would associate with the words “Newtown Creek.” Still, check out that tuney old truck – cool, huh?
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consequential consistencies
It does seem to be Creek Week, doesn’t it?
– photo by Mitch Waxman
In yesterday’s post, I told you about Deadman’s Curve in Maspeth, and we explored 57th avenue – the former “Creek Street.” The shot above looks eastwards towards Deadman’s Curve from the former Penny Bridge LIRR stop at Review Avenue. The water facing property is currently owned by John Quadrozzi Jr., who is a major land holder in the Red Hook and Gowanus areas. The property seems to be mainly used for storage and maintenance of heavy construction equipment these days.
As the name of the LIRR stop would imply, this is also the former location of Penny Bridge, which connected Brooklyn’s Meeker Avenue to Queens’s Review Avenue. Additionally, the Roman Catholic Church used to run a ferry service from Manhattan to Calvary Cemetery which docked nearby.
– photo by Mitch Waxman
Review Avenue, the stretch of it that runs along Calvary Cemetery, is where the first large scale petroleum refinery in the United States was founded – Abraham Gesner’s North American Kerosene Gas Light Company, which would become first the New York Kerosene Gas Light Company and then be acquired by Charles Pratt and Standard Oil and rechristened it as the Queens County Oil Company. Queens County Oil’s bulkheads are the ones that the Blissville Seep oozes petroleum into Newtown Creek from.
If you follow Review to the west, you’ll find the Greenpoint Avenue Bridge and a pair of roads which descend downhill on either side of it. They take you to, and from, Railroad Avenue.
– photo by Mitch Waxman
The eastern side of railroad avenue was formerly the home of the Van Iderstine company, who had their own rail spur down here which was populated with Van Iderstine’s distinctive black tank cars. As the name of the street – Railroad Avenue – would imply, it’s all about the tracks down here and on the western side of the Greenpoint Avenue Bridge you’ll find the LIRR’s Bliss Tower and Blissville Yard.
Welcome to DUGABO – Down Under the Greenpoint Avenue Bridge Onramp.
– photo by Mitch Waxman
Van Iderstine was a nightmare of a company, incidentally, or at least their occupation was. They were renderers, which means that pack animals, butcher scrap, rotten eggs, barrels of abattoir blood – even dead circus elephants – would be brought here to be broken down into components. What exited the factory was tallow.
Believe it or not, they weren’t the most ghastly operation along this stretch of the Lower Montauk tracks, just the smelliest. I can tell you stories about the yeast distilleries…
– photo by Mitch Waxman
Speaking of smelly, the modern occupation of the Blissville Yard is garbage. That’s the Waste Managemnt garbage train you see above, which is shipped around and about by the New York and Atlantic freight line. NY&A services two Waste Managemnt facilities on the Creek – one here in Blissville and the other in Brooklyn’s East Williamsburg along Newtown Creek’s English Kills tributary.
Something like 30-40% of all of NYC’s putrescent (black bag) waste comes to Newtown Creek to be processed and shipped off in green boxes such as the ones above.
– photo by Mitch Waxman
Railroad Avenue is one of those cul-de-sac streets along the Creek where there’s only one entrance or exit and which – if you get in trouble or hurt, it’s going to be damned difficult to explain to the 911 operator where you are. At the west end of the street is Sims Metal Management’s Newtown Creek dock, on the east you’ll find Waste Management’s Green Asphalt works, the same company’s putrescent waste transfer station, and the Marlyn industrial park which hosts such luminaries as LeNoble Lumber and A&L Cesspool. Personally, I’d call Sims for help, as they’re closer than any hospital and I know a couple of guys who work there.
This is, incidentally, some of what you’ll find located between Review Avenue, the Lower Montauk tracks, Railroad Avenue, and Newtown Creek.
– photo by Mitch Waxman
The Blissville Yard connects to the DB Cabin railroad bridge, which connects Blissville Yard to the Wheelspur and Hunters Point Yards in Hunters Point, and which crosses the Dutch Kills tributary of Newtown Creek. There’s also a connection to the M Cabin bridge which leads to the abandoned Montauk Cutoff tracks and Sunnyside Yards.
Freight traffic on Newtown Creek heads east into Maspeth and to the Fresh Pond Yard, eventually meeting the switch to the New York Connecting Railroad through Woodside and Astoria, which leads to the Hell Gate Bridge.
– photo by Mitch Waxman
Down towards the end of Railroad Avenue, one encountered this immolated automobile.
As mentioned multitudinous times, I cannot resist this sort of thing.
– photo by Mitch Waxman
This car wasn’t just burned up, it was thoroughly incinerated.
– photo by Mitch Waxman
That’s the sort of stuff you’ll see on Railroad Avenue, here in DUGABO, in the Blissville section of Queens, along the lugubrious Newtown Creek.
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trammeled less
A bit of the Newtown Creek which I’ve oddly enough never shown you – in today’s post.
– photo by Mitch Waxman
There’s a bunch of streets around the Newtown Creek which are cul-de-sacs, as in there’s only only way in and one way out. One of these cul-de-sacs in Queens is just beyond “Deadman’s Curve” in industrial Maspeth, on the LIRR Lower Montauk Branch tracks, which these days are freight only. The street is either called 57th Avenue or Galasso Place, and I’m not entirely sure if it’s a private or public way. The property to the south, I’ve always been told, belongs to the Galasso Trucking people, but I can’t pronounce that for certain.
If I was trespassing, I can’t say or not.
– photo by Mitch Waxman
There’s a rail spur that leads off of the Montauk Line on the rail bed, and the roadway to the north – Rust Street – follows the ancient property line of the LIRR tracks. I always say that when you find a street that exhibits a long arcing curve, you’ve found a relict of the locomotive city.
The 20th century “automotive city’s” streets follow straight lines, the 19th century’s “locomotive city’s” are all parabolas.
– photo by Mitch Waxman
This is looking back to the west where you can see the old spur leaving the main Lower Montauk tracks. That’s the end of “Deadman’s Curve” you’re looking at. It’s called that because of “The Berlinville Railway Disaster,” and because laborers at Phelps Dodge used to run across the tracks here, and once upon a time, this was a VERY busy rail center that saw long freight trains moving back and forth between Long Island City and points east.
Lots and lots of people got killed during the dash across the tracks, but they were willing to take their chances rather than clock in a minute late and lose an entire hour of pay.
– fire insurance map from Belcher Hyde “Newtown, 1916”
As you can see in the 1916 map above, which is a fire insurance map, the shoreline of this area was VERY different a century ago than it is today, and the only thing which hasn’t changed one little bit is the pathway of the Lower Montauk Branch tracks. There’s nowhere near the number of rail spurs there used to be of course, but then again there’s nowhere even close to the amount of industry present that there was back then.
Modern day 57th avenue corresponds to “Creek Street (Hanover Avenue)” and these shots were gathered in the region which once hosted the now demapped Berlin Avenue back to Munich Street. That’s the 19th century street grid you’re looking at, lords and ladies, before the United States Army Corps of Engineers did their thing to the shorelines and bulkheads of Newtown Creek during the First World War.
– photo by Mitch Waxman
Just beyond the property between the 57th avenue and the water is Newtown Creek’s intersection with its tributary Maspeth Creek. I couldn’t resist focusing in on this banged up construction equipment, incidentally. It’s a weakness of mine, can’t resist this sort of thing.
– photo by Mitch Waxman
There were a few pieces of such heavy equipment laying around back here, all exhibiting broken windows. This is one of the most out of the way and remote spots in Western Queens… can’t imagine somebody coming here to just vandalize the odd machine, it’s weird.
– photo by Mitch Waxman
There was quite a bit of construction debris in the area visible from the road.
– photo by Mitch Waxman
This is the spot at which I might have stepped off the public way, or not? 57th avenue had a bit of sewer work going on at the unfinished and unpaved end, which terminated at a barbed wire fence. It seemed as if this fenceline was the western side of the plot occupied by a plumbing supply company which borders most of the length of Maspeth Creek whose street entrance is found on 49th street, but I could be wrong.
– photo by Mitch Waxman
The rail spur actually had a chain link fence built over it, which was kind of interesting for a couple of reasons. Partially, it was because the rest of the fence is pretty much gone.
– photo by Mitch Waxman
If I’m reading the old maps correctly, this entire area – about half of the length of 57th avenue – is the former footprint of National Enameling and Stamping company, as you’ll notice in the map above. There was all sorts of nasty happening along this stretch a century back, including a phosphates works.
For those of you not in the know, a phosphate mill was in the fertilizer and gunpowder business, and in the business of mining nitrogen out of manure and animal carcasses. It was considered a “low” profession, as the workers in this sort of industry picked up a horrible stink from particulates that became embedded into their skin, and you couldn’t bathe it out nor perfume it away.
A lot of Union supporters found their jobs at more attractive industrial occupations dry up after they announced their intentions to organize, and phosphate mills ended up being their only option. They were called “stinkers,” and weren’t allowed into saloons or church due to the reek. Nobody would want to associate with them, lest they share their fate.
– photo by Mitch Waxman
Now, as to the reason why you don’t see many posts from a humble narrator exploring the cul-de-sacs around the Newtown Creek. The simple reason is that I’m on foot, rather than vehicle or bicycle. If something goes wrong back here – whether it be guard dogs or somebody offended at the idea of a photographer wandering through, I’m hosed. There are places along the Creek in which you want to tread softly, this is one of them.
Could you explain to a 911 operator where you were, if you break a bone or get chewed on by a Rottweiler, on what was formerly Creek Street?
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wholesome pursuits
Checking in on the Kosciuszko Bridge project, in Today’s Post.
– photo by Mitch Waxman
Several progress reports have been offered on the NYS DOT’s Kosciuszko Bridge replacement project. I seem to be the only person In New York paying any attention to the project, and there’s been a series of prior posts on the bridge presented at this – your Newtown Pentacle – chronicling the project.
To start – this 2012 post tells you everything you could want to know about Robert Moses, Fiorella LaGuardia, and the origins of the 1939 model Kosciuszko Bridge. Just before construction started, I swept through both the Brooklyn and Queens sides of Newtown Creek in the area I call “DUKBO” – Down Under the Kosciuszko Bridge Onramp. Here’s a 2014 post, and another, showing what things used to look like on the Brooklyn side, and one dating back to 2010, and 2012 discussing the Queens side – this. Construction started, and this 2014 post offers a look at things. There’s shots from the water of Newtown Creek, in this June 2015 post, and in this September 2015 post, which shows the bridge support towers rising.
– photo by Mitch Waxman
At the end of 2015, I got to visit the work site in Brooklyn with the DOT folks, as described in this post, and this one. I also walked the Queens side back in December. Today’s post contains images from the last weekend of February in 2016, and takes a look at the Queens side, at the border of Blissville and West Maspeth.
In the first shot, I’m exiting an arch at 43rd street which leads to Laurel Hill Blvd., which leads to the spot shown in the second. If these shots look similar to the ones which have been embedded into prior posts, btw, it is quite intentional.
Construction equipment is everywhere at this point. Part of the Kosciuszko Bridge replacement project involves the redesign of the cloverleaf exchange with the Long Island Expressway, and since the bridge plus it’s approaches involve an astounding 2.1 miles of structure – this is one of the biggest capital projects in NYC that’s happened in my lifetime, and certainly a huge moment in the history of my beloved Creek.
– photo by Mitch Waxman
The odd spiral walkway over the highway which allows pedestrian and bicycle access (and which is surprisingly well used) is going to be rebuilt as a part of the project as well.
– photo by Mitch Waxman
Down on Laurel Hill Blvd., heading south towards Review Avenue and Newtown Creek. Calvary Cemetery is on the right, or west, side of the street. The red brick approach structures on the left are going to be demolished when traffic is rerouted onto the new span.
– photo by Mitch Waxman
Looking east along 54th avenue, which has been closed to traffic.
– photo by Mitch Waxman
Looking south along Laurel Hill Blvd., towards Brooklyn and Newtown Creek, at 54th road.
– photo by Mitch Waxman
Poking the lens through a hole in the fence under the current Kosciuszko Bridge, at what used to be the NYPD’s towing impound lot for Queens, but is now the staging area and offices of the DOT. .
– photo by Mitch Waxman
Over on “used to be 43rd street,” and looking in a southwestern direction, you can see the new bridge’s roadway rising alongside the 1939 model.
– photo by Mitch Waxman
Looking west towards Manhattan and Calvary Cemetery at 55th avenue.
– photo by Mitch Waxman
There was a lot of activity underway while these shots were captured, with construction workers and union guys moving heavy equipment around and doing all sorts of stuff. Welding, moving cranes about, working with concrete – that sort of thing.
– photo by Mitch Waxman
Closer to the Newtown Creek, and looking over the former site of the Phelps Dodge company – a multi acre property deemed too toxic to be used as a parking lot for trucks. An early chemical factory – Nichols, later General Chemical, predated the Phelps Dodge copper refining operation which was once here.
– photo by Mitch Waxman
A better view of the Queens side ramp under construction.
– photo by Mitch Waxman
Looking across the Newtown Creek to Brooklyn, where the roadway ramp is nearly finished and the concrete towers which the cable stays that will support the span over the water will be tied up to are practically complete.
– photo by Mitch Waxman
Back on Review Avenue/56th road, looking south towards Brooklyn.
– photo by Mitch Waxman
Same spot, but looking north towards Sunnyside and Astoria from Review Avenue/56th road.
As a note – this stretch of road, which begins at Borden Avenue – is Review Avenue until the K Bridge, then it becomes 56th road until meeting 56th street whereupon it becomes Rust Street, which it remains until its terminus at Flushing Avenue.
– photo by Mitch Waxman
Whatever you want to call it, the engineers of the NYS DOT have spanned the street with a new roadway.
– photo by Mitch Waxman
The DOT plan focused attention on the Brooklyn side first, given how densely packed that section of DUKBO was, and how much more work that entailed. The Queens side, which has a lot more “elbow room” was always meant to be handled several months behind it on their schedule.
– photo by Mitch Waxman
Looking back east, from the intersection of Laurel Hill Blvd. and Review Avenue, at the border of LIC’s Blissville and West Maspeth (or Berlin) in Queens’s DUKBO at the fabulous Newtown Creek.
The term “House of Moses” keeps on going through my head whenever I think about this project, incidentally. Every living New Yorker lives in the house that Robert Moses built, after all, and a big chunk of his early work is getting replaced. Luckily, I’m there to get shots of the show.
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The Newtown Pentacle 