The Newtown Pentacle

Dutch Kills.

– photo by Mitch Waxman

That’s the Hunters Point Avenue Bridge pictured up there, which has been described in excruciating historical detail in many, many past posts. Saying that, I think this is the first time that this particular view of it has been offered. One of the virtues of a certain lens which I’ve mentioned in the past, the Canon 24mm pancake lens, is that it’s tiny size allows me to exploit otherwise unusable gaps in fencing or other visual obstacles. In the case of the shot above, my tripod was set up to lean in towards a chain link fence, holding the lens maybe an eighth of an inch away from it. It took a bit of wiggling to get the lens’s focal to sit right in the center of one of those diamond shaped openings in a standard chain link or “hurricane fence.”

It’s also three different photos combined into one, using a sort of exposure stacking process which Photoshop allows. This is one of the things I’m playing around with in my quarantine dotage. Also doing a bit of focus stacking work, which is interesting to play around with.

– photo by Mitch Waxman

That’s just a normal long exposure shot, above, captured on Borden Avenue near the intersection with Review Avenue. Anybody who knows me will tell you that an oft repeated opine is “NYC never looks as good as it does when it’s wet.” In other words, you have a puddle? I’m shooting it. I also like when it’s just finished raining.

For the last few weeks, the Empire State Building has been flashing fire engine red to honor the medical people and the ambulance corps dealing with the virus. Accordingly, I’ve been trying to get some shots of it all framed up with Long Island City’s various wonders. That’s how I found myself back on Borden Avenue, after all.

– photo by Mitch Waxman

I shot this one twice, from two different locations. For the alternate view, I used a different lens – the Canon “Nifty” 50mm. Check that out here, if you want.

For some reason, I was having a devil of a time getting the 50mm, which is of significantly older age than the 24mm – design wise – to lock focus on the Empire State. I got it, eventually, but wow did it hunt around a lot. The red lights didn’t register as contrast heavy enough, I’d speculate, or perhaps the IR filter glass inside the sensor was blocking this particular wavelength.

The 24mm found focus almost instantly, in contradiction.

I’m still using the “minimum kit” which I started carrying last year during the broken toe drama – a Canon 7D with an arca rail, a couple of extra batteries and memory cards, a 24mm and a 50mm lens, a cable release, some lens cloths, a safety vest, a rocket blower, a flash light, an ultrapod with a small ball head, and a carbon fiber travel tripod with a ball head. The only other things found in my camera bag at the moment are business cards and a few pieces of chewing gum.

Note: I’m writing this and several of the posts you’re going to see for the next week at the beginning of the week of Monday, April 20th. My plan is to continue doing my solo photo walks around LIC and the Newtown Creek in the dead of night as long as that’s feasible. If you continue to see regular updates as we move into April and beyond, that means everything is kosher as far as health and well being. If the blog stops updating, it means that things have gone badly for a humble narrator.

“follow” me on Twitter- @newtownpentacle

Buy a book!

“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.