The Newtown Pentacle

Altissima quaeque flumina minimo sono labi

Archive for the ‘Astoria’ Category

Project Firebox 41

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– photo by Mitch Waxman

It has become a surprisingly rare thing to spot the once ubiquitous “It’s a pleasure to serve you” blue and white coffee cup in the wild these days, despite the design’s iconic status. Luckily, one does to have to look much further than the raven haired hillocks of Astoria, where this hapless firebox has been converted into a convenient waste receptacle by some enterprising soul. Give a hoot, don’t pollute.

Written by Mitch Waxman

April 21, 2012 at 12:15 am

vast enclosure

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– photo by Mitch Waxman

When you cut things down to the bone, and ask yourself the question “Who was the New Yorker that most profoundly changed the City?” it always comes back to one fellow. Ray Kelly or Mike Bloomberg would vie for the crown in modernity, in the long view of history Alexander Hamilton, DeWitt Clinton, Boss Tweed, or the Roebling clan have major claims on the title. Robert Moses would tell you that it was himself, and arguably, so would Osama Bin Laden.

In the opinion of a humble narrator, the crown belongs to one man- a Swedish immigrant named Othmar Ammann, and today is his birthday.

from wikipedia

Othmar Hermann Ammann (March 26, 1879 – September 22, 1965) was a American structural engineer whose designs include the George Washington Bridge, Verrazano-Narrows Bridge, and Bayonne Bridge.

– photo by Mitch Waxman

Brooklyn Bridge has the fame, Williamsburg Bridge the infamy, Manhattan Bridge is overlooked. The bridges of Othmar Ammann, however, are the ones which shaped the modern megalopolis and allowed the expansion and diaspora of New York’s laborers from the tenement neighborhoods of the five boroughs to the suburban satellites of modernity. The vast populations of Long Island and New Jersey and Westchester who commute into the city on a daily basis would have never achieved their current size, were Ammann removed from the story.

As a side note, and just to toot my own horn for a moment, the shot above was published last year in the New York Times- check it out here

Also from wikipedia

Othmar Ammann designed more than half of the eleven bridges that connect New York City to the rest of the United States. His talent and ingenuity helped him create the two longest suspension bridges of his time. Ammann was known for being able to create bridges that were light and inexpensive, yet they were still simple and beautiful. He was able to do this by using the deflection theory. He believed that the weight per foot of the span and the cables would provide enough stiffness so that the bridge would not need any stiffening trusses. This made him popular during the depression era when being able to reduce the cost was crucial. Famous bridges by Ammann include:

  • George Washington Bridge (opened October 24, 1931)
  • Bayonne Bridge (opened November 15, 1931)
  • Triborough Bridge (opened July 11, 1936)
  • Bronx-Whitestone Bridge (opened April 29, 1939)
  • Walt Whitman Bridge (opened May 16, 1957)
  • Throgs Neck Bridge (opened January 11, 1961)
  • Verrazano Narrows Bridge (opened November 21, 1964)

– photo by Mitch Waxman

Othmar Ammann was a bit of an artist, his bridges achieving a rare thing for engineering projects, which is the elevation of a functional structure to the sublime. A prevailing theory in fine art and graphic design which emerged in the 20th century is “less is more”, and Ammann’s spans are manifestations of this concept in steel and cement.

from smithsonian.com

By the early 1960s, when the George Washington’s lower deck was added (as specified in the original plans), Ammann had all but eclipsed his mentor. Ammann’s other 1931 creation, the Bayonne Bridge connecting Staten Island and New Jersey, was until 1977 the world’s largest steel arch bridge — more than 600 feet longer than the previous record holder, Lindenthal’s Hell Gate Bridge.

Months before his death in 1965, Ammann gazed through a telescope from his 32nd-floor Manhattan apartment. In his viewfinder was a brand-new sight some 12 miles away: his Verrazano-Narrows suspension bridge. As if in tribute to the engineering prowess that made Ammann’s George Washington Bridge great, this equally slender, graceful span would not be surpassed in length for another 17 years.

– photo by Mitch Waxman

Eclipsed by the vain and power seeking during his sunset years, Ammann is one of the forgotten few who crafted the connections between the individual components of the archipelago islands of New York Harbor. Mighty Triborough or the graceful arch of the Bayonne Bridge speak to his sense of esthetic, and indicate that he was in touch with some higher imperative than merely moving automobiles from one place to another.

from nytimes.com

His works soar above the water, spanning the city’s rivers and connecting New York to the rest of the country. But who has heard of Othmar H. Ammann?

Donald Trump hadn’t, at least not back in 1964 when he was a high school student and his father took him to the dedication ceremony for the Verrazano-Narrows Bridge. ”It was a sad experience,” Mr. Trump recalled. ”For years, various politicians had fought the bridge. Now that it was built, I watched as these same people all got up and took credit for it, congratulating themselves and introducing one another. The only one not introduced was the man who made the bridge, Othmar Ammann.

shutters attached

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– photo by Mitch Waxman

Portents and other warnings are manifest everywhere in the Newtown Pentacle- informing, catechizing, and warning. Some instruct the reader to beware, others caution against, some merely advise, while several specifically forbid. A belief exists that if one posts a missive on a signboard, it indicates “due diligence” or extends the authority and regulations of a certain property owner onto the public thoroughfare.

– photo by Mitch Waxman

Some, like this one, speak to impermanence and suggest broad strokes of demographic inspiration and desire. Spotted on the streets of Astoria, the services offered might allow my neighbors to address me as “Mitch” rather than “Mits”, “Midge”, “Meetche”, or “Meedzeche”.

– photo by Mitch Waxman

Relict, and perhaps a half century old, signage found along the gates of Mt. Zion Cemetery adjures passerby from violating the sanctity of this ancient place where the Maspeth Gypsies once camped.

hilltop pavement

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– photo by Mitch Waxman

It is not impossible that your humble narrator was conceived in the back seat of a car like the one pictured above, observed recently on Northern Boulevard here in Astoria- or at least I hope I was. A 1966 Ford Mustang, lovingly cared for, and sporting the sort of style which defined the industrial supremacy of American auto manufacturing in the 20th century.

from Wikipedia

The first-generation Ford Mustang is the original pony car, manufactured by Ford Motor Company from 1964 until 1973.

It was initially introduced as a hardtop and convertible with the fastback version put on sale the following year. At the time of its introduction, the Mustang, sharing its underpinnings with the Falcon, was slotted into a compact car segment.

– photo by Mitch Waxman

From nearly every perspective, whether it be safety or fuel economy or pure comfort- a modern car is preferable in a straight comparison to a vintage ride like this one. However, if you’ve never felt the volcanic rumble of a 1960’s muscle car starting up, or been pressed back into the seat by the acceleration…

from themustangsource.com

Not much changed for Mustang in 1966. The grille design changed a bit–the 1966 models had the running pony inside the corral free-floating on horizontal grille bars. The side trim was slightly revised and a restyled gas cap completed the exterior changes.

On the interior, the instrument panel was redesigned with five round gauges, replacing the panel borrowed from the Ford Falcon for previous model years. Ford broke the 1,000,000 Mustang mark in 1966–18 months after its introduction. To celebrate, Ford released the Sprint 200 Mustang. They were mechanically identical to other six-cylinder Mustangs, but had a chrome air cleaner and a special engine decal which read “Mustang powered Sprint 200.”

– photo by Mitch Waxman

Few cars are as iconic as the early Mustangs, there’s the GTO and Trans Am of course, but the Mustang just screams rock and roll. Driving this car without “The Doors” playing would just be a crime.

from dmv.ny.gov

Standard series historical plates for passenger or commercial vehicles display either:

  • a five-digit number followed by the letters HX (for example, 99999HX), or
  • the letters HX followed by a five-digit number (for example, HX22222).
  • Standard series historical motorcycle plates display the letters HM followed by three numbers.

Personalized Historical plates for any historical vehicle or historical motorcycle are now available. For an additional fee, registrants can order personalized letter/number combinations of up to eight characters (includes spaces and/or a silhouette of New York State) or 6 characters/spaces (no state silhouette available) for a motorcycle. Personalized Historical plates have the word “HISTORICAL” along the bottom of the plate.

– photo by Mitch Waxman

The dashboard exhibits classic form over function, with scores of knobs and sharp edges that would cut you to ribbons in an accident. This isn’t the design of modernity, overly concerned with what could happen, rather this is a can of Budweiser between your legs and a pack of Marlboro Red on the dash kind of design. Braggadocio on wheels, the chariot of a youthful culture manufactured before everything went so terribly askew.

Compare to the modern variant here: ford.com/cars/mustang/

Written by Mitch Waxman

March 15, 2012 at 12:15 am

unseen material

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– photo by Mitch Waxman

A recent walk took me up Vernon Avenue… why is it that walking towards Hells Gate always feels like “up” and towards Long Island City “down”? There is an actual change in grade, as Astoria is actually built on ground physically higher in altitude than the eluvial plain that LIC stands on- yes- but that’s not it.

Anyway, Vernon at Broadway, where once the 96th street and 86th street ferries from Manhattan met the Broadway trolleys at Hallets Cove. Right by Costco and Socrates Sculpture Garden, if you require modern landmarks.

Here’s a post from February of 2010 that described the area in some detail.

– photo by Mitch Waxman

There is a large amount of construction going on here, and fairly large scale buildings are hurtling up and out of the mud. It’s been a few months since my path has brought me in this direction, and it was startling to see how fast these structures are forming up.

Not too long ago, there was a massive fire at the little factory that used to exist at the bottom left of the shot above, the round sign that says “Alpine” is all that’s left.

– photo by Mitch Waxman

The cool thing about the very large building which is going up on the corner of 12th street, other than the enormous footprint of a structure which will feature 199 apartments…

– photo by Mitch Waxman

…is that the whole thing is being built by just one guy.

– photo by Mitch Waxman

As you may have heard, American worker productivity is at an all time high, and no where more so than in Queens.

– photo by Mitch Waxman

It seems hard to believe, but this fellow holds every possible license and certification that the building code demands of its employees, rumor has it that he’s also the principal financier.

– photo by Mitch Waxman

It can’t be easy building things by yourself, there no one to take a coffee break with, and car pooling is out of the question entirely.

– photo by Mitch Waxman

I look forward to the day when the 199 new families unpack, and join with the rest of us. Enjoying our comfortable and never crowded mass transportation, learning that they can rely on the presence of modern and top notch hospitals, and that their children can look forward to a rewarding and full scholastic life in local schools.

– photo by Mitch Waxman

Always a selling point for Queens, multicultural experiences will abound. The nearby Queensboro, Ravenswood, and Astoria projects will satisfy anyone’s desires to learn about new and interesting cultures that have their roots in exotic foreign lands.

– photo by Mitch Waxman

Welcome to Queens.

Written by Mitch Waxman

March 9, 2012 at 12:15 am