The Newtown Pentacle

Altissima quaeque flumina minimo sono labi

Archive for the ‘Blissville’ Category

fear eclipses

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– photo by Mitch Waxman

The warmth was welcome, but the mists and fog were not. Multiple journeys into and out of the concrete devastations of the Newtown Creek watershed in recent weeks have garnered nothing but terror for your humble narrator. What unknown things, too small to notice, might have been carried aloft by those vapors? After all, if you can smell something… you are breathing it in.

That thing which cannot possibly exist in the cupola of the Sapphire Megalith was surely unaffected by those whose flapping and flopping might be observed only with the aid of microscopy, in its perch high above the mists.

I’m all ‘effed up.

from wikipedia

Delusional parasitosis, also known as Ekbom’s syndrome, is a form of psychosis whose victims acquire a strong delusional belief that they are infested with parasites, whereas in reality no such parasites are present. Very often the imaginary parasites are reported as being “bugs” or insects crawling on or under the skin; in these cases the experience of the sensation known as formication may provide the basis for this belief.

The alternative name of Ekbom’s syndrome derives from Swedish neurologist Karl Axel Ekbom, who published seminal accounts of the disease in 1937 and 1938. This term is also used interchangeably with Wittmaack-Ekbom syndrome, another name for restless legs syndrome (RLS). Although delusional parasitosis and RLS were both researched by Ekbom, and RLS sufferers sometimes describe some of their symptoms as if they have, for example, “ants in my veins”, they are distinctly different disorders. RLS is a physical condition with physical causes, whereas delusional parasitosis is a false belief.

– photo by Mitch Waxman

Intimate associates and clandestine confidants have been acting oddly since those foggy days during the third week of March, leading me to experience entirely uncontrollable and unpermissive pulsations of paranoid wondering. It was so odd, experiencing the weather of early summer at this stage of the year, imparting a sensation to me that we had all somehow skipped ahead a month or two in time according to the whim of some extra dimensional overlord- but only for a short interval.

Perhaps time itself has come undone.

from wikipedia

The Capgras delusion theory (or Capgras syndrome) is a disorder in which a person holds a delusion that a friend, spouse, parent, or other close family member has been replaced by an identical-looking impostor. The Capgras delusion is classified as a delusional misidentification syndrome, a class of delusional beliefs that involves the misidentification of people, places, or objects. It can occur in acute, transient, or chronic forms. Cases in which patients hold the belief that time has been “warped” or “substituted” have also been reported.

– photo by Mitch Waxman

Mayhaps it was was the influence of whatever it was that arose on the billowing fog that caused my reason to falter and imaginings to take on a sinister cast. The miasmic clouds which blanketed and caressed could not have been anything more than mere humidity, not some noxious atmosphere of industrial exhaust and foul microscopic life clinging to those tiny water droplets hanging suspended in the air. Such wonderings are merely paranoia, but one wonders… and more than wonders…

from wikipedia

Between people of different faiths, or indeed between people of the same faith, the term omnipotent has been used to connote a number of different positions. These positions include, but are not limited to, the following:

    • A deity is able to do absolutely anything, even the logically impossible, i.e., ( 2 ) pure agency.
    • A deity is able to do anything that it chooses to do.
    • A deity is able to do anything that is in accord with its own nature (thus, for instance, if it is a logical consequence of a deity’s nature that what it speaks is truth, then it is not able to lie).
    • Hold that it is part of a deity’s nature to be consistent and that it would be inconsistent for said deity to go against its own laws unless there was a reason to do so.
    • A deity is able to do anything that corresponds with its omniscience and therefore with its worldplan.

Under many philosophical definitions of the term “deity”, senses 2, 3 and 4 can be shown to be equivalent. However, on all understandings of omnipotence, it is generally held that a deity is able to intervene in the world by superseding the laws of physics, since they are not part of its nature, but the principles on which it has created the physical world. However many modern scholars (such as John Polkinghorne) hold that it is part of a deity’s nature to be consistent and that it would be inconsistent for a deity to go against its own laws unless there were an overwhelming reason to do so.

– photo by Mitch Waxman

Your humble narrator must simply be drinking too much coffee.

from wikipedia

Caffeine overdose can result in a state of central nervous system over-stimulation called caffeine intoxication (DSM-IV 305.90), or colloquially the “caffeine jitters”. The symptoms of caffeine intoxication are comparable to the symptoms of overdoses of other stimulants: they may include restlessness, fidgeting, anxiety, excitement, insomnia, flushing of the face, increased urination, gastrointestinal disturbance, muscle twitching, a rambling flow of thought and speech, irritability, irregular or rapid heart beat, and psychomotor agitation. In cases of much larger overdoses, mania, depression, lapses in judgment, disorientation, disinhibition, delusions, hallucinations, or psychosis may occur, and rhabdomyolysis (breakdown of skeletal muscle tissue) can be provoked.

ALSO:

Your humble narrator will be narrating humbly at this year’s Obscura Day event on April 28th, leading a walking tour of Dutch Kills. The tour is already a third booked up, and as I’m just announcing it, grab your tickets while you can.

“Found less than one mile from the East River, Dutch Kills is home to four movable (and one fixed span) bridges, including one of only two retractible bridges remaining in New York City. Dutch Kills is considered to be the central artery of industrial Long Island City and is ringed with enormous factory buildings, titan rail yards — it’s where the industrial revolution actually happened. Bring your camera, as the tour will be revealing an incredible landscape along this section of the troubled Newtown Creek Watershed.”

For tickets and full details, click here :

obscuraday.com/events/thirteen-steps-dutch-kills-newtown-creek-exploration

Project Firebox 38

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– photo by Mitch Waxman

The ignominy of metallic pallor disguises this guardian of the public good as it hangs in vigil amongst the myriad ecstasies of Blissville in Queens. Deep below the cement and soil of this ancient village surge the ground waters of the Newtown Creek, and in nearby Greenpoint titan industries form the energy and wastewater backbone of New York City. Never quiet, Greenpoint Avenue is its home and the hoary byway is ennobled by its long and thankless service.

Written by Mitch Waxman

March 31, 2012 at 12:15 am

inner horrors

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– photo by Mitch Waxman

I’ve been fascinated by this structure in West Maspeth, or Berlin if you’re of a certain mind, for some time. It’s 4411 54th avenue, and it looks as if things have taken an ominous turn for this old girl. According to the public record, this is a 2,030 ft. multi family dwelling which was erected in 1915. Real estate industrial complex sources price it at around a half million bucks, which is an incredible number given its neighborhood of heavy industry, highways, cemeteries, and a nearby superfund site. Additionally, the Kosciusko Bridge reconstruction will be happening just a block away, which promises ample nighttime noise due to construction.

– photo by Mitch Waxman

The hill of Laurels, literally covered in Laurel trees, was what Calavry cemetery was carved into in a period between (roughly) 1848 and 1860. The modern day Laurel Hill Blvd, and the present Kosciusko travel through the shallow valley which separated it from the next hill- Berlin Hill. This house on 54th avenue was built in a time when the area was still called that, before the first world war made such nomenclature less popular. I’ve heard the neighborhood referred to as either West Maspeth (or just plain Maspeth) by people who live here, so I guess that’s good enough for me.

– photo by Mitch Waxman

Personally, I always think of western Maspeth as the area around the Clinton Diner, with DeWitt Clinton’s mansion and St. Saviours and the town docks nearby at the head of Maspeth Creek which was at one of those tripartite corners you can find only in Queens- 56th and 56th and 56th. At any rate, this building has one of those fire department boxed hash marks painted on its wall, the one that says don’t risk a life trying to save this place. It’s a shame, really, imagine what this shunned house on the hill must have looked like “back in the day”.

Written by Mitch Waxman

March 30, 2012 at 12:15 am

raptured vision

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– photo by Mitch Waxman

My habit is to be early to appointments, public meetings, or gatherings. On this particular day, a Newtown Creek Alliance meeting was set to occur in hoary Greenpoint at the modern Newtown Creek Wastewater Treatment Plant, and a humble narrator decided to make use of being better than an hour early by strolling through the engineered hillocks of First Calvary Cemetery here in Queens.

Late afternoon was giving way to sunset, and my path took me from the secondary gates near the former Penny Bridge toward the main entrance at Greenpoint Avenue.

– photo by Mitch Waxman

Unlike many of my sojourns around the place, no goal governed my steps- I wasn’t “looking for someone”. Instead, a peaceful and contemplative mood governed my steps and allowance was made for serendipity. That’s the spire of St. Raphael’s on Greenpoint Avenue in the distance, by the way.

Amongst the marble and granite, however, a surprising monument was discovered.

– photo by Mitch Waxman

Weathered and unmarked, this anonymous cruciform was found. Appearing to be a wooden cross with white bronze worked onto its surface, it was frankly a stunning moment for me to discover this artifact here. Partially because of its modest and quite staid appearance- understatement and tasteful discretion hardly define the monuments at Calvary- but mostly because of the incredible value that the metal would bring to the Crows (metal collectors and scrappers) who harvest such materials for sale to the scrap industry.

It was stunning to find such a thing can remain hidden in this place which has suffered so much from their attentions.

lashing waves

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– photo by Mitch Waxman

Frustration marks this posting, which focuses in on the Moore Newman monument at First Calvary Cemetery here in Queens, at the very heart of the Newtown Pentacle. Stylish even after a century has passed, the monument consists of a central obelisk with figurative statuary at its apex and a series of foot stones demarcating the borders of the family plot.

It was also here in 1876, long before its two principal occupants ended their New York stories in the early 20th century.

from The visitor’s guide to Calvary cemetery, with map and illustrations (1876), courtesy archive.org

This is a most substantial double monument, the shaft being divided by a deeply cut line, as is also the die. It presents with the inclosure a very neat and pleasing appearance, displaying much taste in its design andi construction. It stands about twenty-one feet in height, is of Egyptian order of architecture, and of the best Quincy granite.

On the shaft, inclosed in palm wreaths, are the monograms ” M.— N.”

– photo by Mitch Waxman

Obviously people of certain means and social standing- the tenement poor of New York City didn’t get 21 foot granite monuments- there seems to be little or no record of Mary A. Moore or Michael James Newman. Passing references to a Tammany functionary named Michael J. Newman offer hints that this might be the fellow buried here, but nothing definitive can be ascertained. Additionally, a Mary A. Moore, referred to as “a widow” have popped up here and there.

Unfortunately, these were very common Irish names in the 19th century.

from Wikipedia

Granite is classified according to the QAPF diagram for coarse grained plutonic rocks and is named according to the percentage of quartz, alkali feldspar (orthoclase, sanidine, or microcline) and plagioclase feldspar on the A-Q-P half of the diagram. True granite according to modern petrologic convention contains both plagioclase and alkali feldspars. When a granitoid is devoid or nearly devoid of plagioclase, the rock is referred to as alkali granite. When a granitoid contains less than 10% orthoclase, it is called tonalite; pyroxene and amphibole are common in tonalite. A granite containing both muscovite and biotite micas is called a binary or two-mica granite. Two-mica granites are typically high in potassium and low in plagioclase, and are usually S-type granites or A-type granites. The volcanic equivalent of plutonic granite is rhyolite. Granite has poor primary permeability but strong secondary permeability.

– photo by Mitch Waxman

The usage of Quincy Granite for construction of the stelae also indicate the social standing of the couple, as this particular mineral is the gold standard for permanence and has always been an expensive option as far as building materials goes. Quincy is a famous quarry town in Massachusetts, and the mining of Quincy Granite gave rise to one of the first industrial uses of rail in the United States.

from Wikipedia

The Granite Railway was one of the first railroads in the United States, built to carry granite from Quincy to a dock on the Neponset River in Milton. From there boats carried the heavy stone to Charlestown for construction of the Bunker Hill Monument. The Granite Railway is popularly termed the first commercial railroad in the United States, as it was the first chartered railway to evolve into a common carrier without an intervening closure. The last active quarry closed in 1963; in 1985, the Metropolitan District Commission purchased 22 acres, including Granite Railway Quarry, as the Quincy Quarries Reservation.

– photo by Mitch Waxman

Enormous effort was undertaken to discover the identity of the Moore-Newman’s, who seem to have disappeared into history. The antecedents on the Moore side of the family are listed here, but it is doubtful that their remains lie in Calvary. A standard practice of Irish New Yorkers in the 19th century was to list long lost family members as an “In memoriam” on their own stone. Often the parents were buried at one of the churchyards or private cemeteries which Manhattan once hosted, like the 9th street Catholic Cemetery, at their own plots after Calvary was established in Blissville in 1848.

from wikipedia

Taphophilia is a passion for and enjoyment of cemeteries. The singular term is a taphophile.

Taphophilia involves epitaphs, gravestone rubbing, photography, art, and history of (famous) deaths. An example of an individual’s expression of taphophilia is the character Harold in the movie Harold and Maude (1971).

Taphophilia should not be confused with necrophilia, which is a sexual attraction to corpses.

– photo by Mitch Waxman

An understandable lack of documentation exists about the process by which, after the Rural Cemeteries Act was passed, the exhumation of thousands of internments and concurrent transportation of the remains to Calvary were accomplished. Understand that the somewhat tribal nature of New York City in the mid 19th century, marked by internecine warfare between religious denomination and nationalist creeds, made for a lack of record keeping. If the church offered a public record of its activities, the Protestant Anglophiles at newspapers like the NY Times would have pilloried them for one reason or another. Catholics were a favorite target of that culture, which still considered protestant England the apogee of civilization, and viewed the “Papists” as a fifth column to be feared and despised.

– photo by Mitch Waxman

Oddly, given other societal norms which we 21st century New Yorkers would find odious- specifically the role and rights of females- it’s the voice of Mary A. Moore which persists through time. An obituary notice preserves her grief over the loss of her husband, whom she would shortly follow into the emerald devastations of Calvary Cemetery.

from ancestry.com

In ever present sorrow of my devoted husband, Michael James Newman, who passed away Sept. 17, 1903. “Not gone from memory, not gone from love.”