Archive for the ‘Calvary Cemetery’ Category
constantly consulting
– photo by Mitch Waxman
Gilman, Gilman, Gilman.
Idiotic, your humble narrator cannot break loose of the compulsion which drives me toward destruction, which will be the result of locating a certain grave amongst Calvary Cemetery’s emerald devastations. Weak of will and enslaved by fevered thoughts, once more do my feet fall upon a carpet of grass fed by a morbid nutrition, stumbling across and into the city of the dead. On the subject at hand, which is the attempt to locate a tiny needle in a gigantic hay stack- a needle not even certain to still exist in this age- let’s recap:
As mentioned in the post “Searching for Gilman“:
“Somewhere in the viridian depths of Calvary Cemetery lies an unremarked merchant from Massachusetts, who died in an accident along the delirious Newtown Creek in 1931. No obituary I can find discusses him, and Gilman slid unnoticed into the hallowed loam of Calvary’s charitable sections. His anonymity came to an end when, according to neighborhood sources and contemporary diarists, a relict 3 masted schooner arrived at the Penny Bridge docks and ordered an eccentric monument be erected on Gilman’s resting place. The captain of that black ship, a leathery bastard named Marsh, collected Gilman’s belongings and sailed via Newtown Creek to the East River, turning North toward Hell Gate- ultimately disappearing into the mists of Long Island Sound heading for New England.”
from epa.gov
The first survey of Newtown Creek was completed by Dutch explorers in 1613-1614, and the Dutch acquired the area from the local Mespatches tribe shortly thereafter. Initially, the Newtown Creek area was used primarily for agriculture, but following the Revolutionary War, it became industrialized with glue and tin factories, rope works, tanneries, and the Sampson Oil Cloth Factory operating along Newtown Creek and its tributaries. There was a shift to shipbuilding in the Pre-Civil War Period. Following the Civil War, textile manufacturing and oil refining replaced shipbuilding along Newtown Creek and its tributaries.
– photo by Mitch Waxman
It has been established, circumstantially, that the accident which claimed Gilman was definitively in Blissville, and happened westward of Penny Bridge but east of the Greenpoint Avenue crossing. Additionally, disturbing intonations that the packs of feral dogs which were contemporaneously described as endemic to the area avoided the cadaver, but that the local rodent population did not find itself constrained from feasting.
from the posting “A World Yet Inchoate“:
“Enigma, my search for the elusive final resting place of the Massachusetts based dealer in far eastern art has taken me to distant and forgotten sections of the City of Greater New York. I have consulted with asiatic mystics in Manhattan’s Chinatown, visited a heretical Kabbalist in Brooklyn, and have drawn the ire of certain extant allies of the dead man whose influence and reach extend into the federal government and modernity itself who wish me to remain silent on the subject.”
from 1892’s History of the Catholic Church in the United States, By John Gilmary Shea – courtesy google books
The burial place for the Catholic dead of the great city now required, apparently, a vast extent of ground. The little plot around St. Peter’s Church had been the first, but a nook in Trinity Church yard held, and still holds, some Catholic dead. Then the ground around St. Patrick’s Cathedral was used, and in time a cemetery was purchased on Eleventh Street. These had all proved insufficient. Bishop Hughes looked beyond the limits of the city for a spot not likely to be reached for many years by the rapid growth of population, yet comparatively easy of access. Thirty acres of the Alsop farm, on Newtown Creek, Long Island, were purchased, and the ground was solemnly blessed by Rt. Rev. Bishop Hughes, as Calvary Cemetery, July 27, 1848, and in a few days the first interment took place. The cemetery has been enlarged by subsequent purchases, till it now contains more than a hundred acres.
– photo by Mitch Waxman
Problematic in locating even a general area to search within, for the obsequious and gauche monument which the eponymous Capt. Marsh installed within the cemetery in remembrance of the fallen Gilman would have been in one of the so called “poor sections” of the polyandrion. Imagine, the sheer volume of dead bodies shipped out from Manhattan in that era, reported at the time as nearly one hundred on an average day (and far higher in times of fever, plague, and riot). These poor, or charity, sections saw hundreds of interments per week. Could it be possible that the monument to Gilman actually adorned his own grave, or that it might somehow still exist within the walls of Calvary?
from the posting “marble glories”
“Of course, this is a Roman Catholic cemetery, which suggests that the multitudes who lie here were sealed off- magickly- by the sacrament of “Extreme Unction” from suffering such macabre experiences as walking about the earth seeking living victims in some post mortem half life. The heritage of the Catholics extends back through time to the Dagon devotees of Syria and the tomb worshipping Etruscans, and the Romans spent enough time in Egypt and North Africa to have picked up and incorporated many of the Magicks they found into the syncretic system of beliefs and rites known as and inherited by modernity as Catholicism. The mysteries of the church are many, and varied, and more has been forgotten or lost over the centuries than any single lifetime can recover.”
from 1890’s HOW THE OTHER HALF LIVES, By JACOB A. RIIS –courtesy google books
Life in the tenements in July and August spells death to an army of little ones whom the doctor’s skill is powerless to save. When the white badge of mourning flutters from every second door, sleepless mothers walk the streets in the gray of the early dawn, trying to stir a cooling breeze to fan the brow of the sick baby. There is no sadder sight than this patient devotion striving against fearfully hopeless odds. Fifty “summer doctors,” especially trained to this work, are then sent into the tenements by the Board of Health, with free advice and medicine for the poor. Devoted women follow in their track with care and nursing for the sick. Fresh-air excursions run daily out of New York on land and water; but despite all efforts the grave-diggers in Calvary work over-time, and little coffins are stacked mountain – high on the deck of the Charity Commissioners’ boat when it makes its semi-weekly trips to the city cemetery.
dared consciously
– photo by Mitch Waxman
Loathsome, the only place one such as myself can truly feel at peace is amongst the emerald devastations of First Calvary Cemetery, in the company of the tomb legions. Lousy, my thoughts grow increasingly unordered and chaotic, as melancholy and regret rule my every step. Lost, revelation is sought, as I struggle not to say that forbidden name.
And over all, the thing which cannot possibly exist in the Sapphire Megalith watches bemusedly.
– photo by Mitch Waxman
Morose, peregrinations of primal fear rack my mind, remembering that “as above, so below” can have many meanings. Monstrous, the consequences of uttering those hateful syllables eat at my thoughts in the manner and urgency of an addiction. Montresor would understand the compulsion, and the nagging hunger to abandon all caution and restraint.
Perhaps I should join with some cult of Arabian Hasish eaters, or develop a taste for the distillates of the poppy, just in the name of finding some relief.
– photo by Mitch Waxman
Violent and horrible, the reprisals for resuming the quest would be Jovian in character, striking from the heights with demoniac fury. Vengeance, previously forsworn by those powers and potentates who conspire and corrupt as they sail the endless sea, will undoubtedly be horrible. Victory for them would come if their overt warnings and admonitions were ignored.
The spring has brought violets to the surface, here in Calvary, and their nepenthe like perfume has emboldened me to take a foolish chance.
– photo by Mitch Waxman
Let them come, for I care not anymore. Lovers of that unholy thing which cannot possibly persist in the cupola of the Sapphire Megalith, these unholy acolytes can stay my tongue no longer with their threats. What can they take which has not already been lost, stripped away, or erased? At long last, the question must be asked out loud, and damned be the consequences.
Also, from newtowncreekalliance.org
– photo by Mitch Waxman
Earth Day BYO Picnic Lunch at the Newtown Creek Nature Walk
Sunday, April 22nd at 1 p.m.
Come join in for this casual celebration of the victory that is the Newtown Creek Nature Walk. Bring your own brown bag lunch and join the Newtown Creek champions who worked hard for years to win this unique waterfront park.
Sunday, April 22nd at the Newtown Creek Wastewater Treatment Plant Nature Walk between 1pm – 2pm.
Finally,
Obscura Day 2012, Thirteen Steps around Dutch Kills
April 28th, 10 a.m.
Your humble narrator will be narrating humbly at this year’s Obscura Day event on April 28th, leading a walking tour of Dutch Kills. The tour is already two thirds booked up, so grab your tickets while you can.
“Found less than one mile from the East River, Dutch Kills is home to four movable (and one fixed span) bridges, including one of only two retractible bridges remaining in New York City. Dutch Kills is considered to be the central artery of industrial Long Island City and is ringed with enormous factory buildings, titan rail yards — it’s where the industrial revolution actually happened. Bring your camera, as the tour will be revealing an incredible landscape along this section of the troubled Newtown Creek Watershed.”
For tickets and full details, click here :
obscuraday.com/events/thirteen-steps-dutch-kills-newtown-creek-exploration
raptured vision
– photo by Mitch Waxman
My habit is to be early to appointments, public meetings, or gatherings. On this particular day, a Newtown Creek Alliance meeting was set to occur in hoary Greenpoint at the modern Newtown Creek Wastewater Treatment Plant, and a humble narrator decided to make use of being better than an hour early by strolling through the engineered hillocks of First Calvary Cemetery here in Queens.
Late afternoon was giving way to sunset, and my path took me from the secondary gates near the former Penny Bridge toward the main entrance at Greenpoint Avenue.
– photo by Mitch Waxman
Unlike many of my sojourns around the place, no goal governed my steps- I wasn’t “looking for someone”. Instead, a peaceful and contemplative mood governed my steps and allowance was made for serendipity. That’s the spire of St. Raphael’s on Greenpoint Avenue in the distance, by the way.
Amongst the marble and granite, however, a surprising monument was discovered.
– photo by Mitch Waxman
Weathered and unmarked, this anonymous cruciform was found. Appearing to be a wooden cross with white bronze worked onto its surface, it was frankly a stunning moment for me to discover this artifact here. Partially because of its modest and quite staid appearance- understatement and tasteful discretion hardly define the monuments at Calvary- but mostly because of the incredible value that the metal would bring to the Crows (metal collectors and scrappers) who harvest such materials for sale to the scrap industry.
It was stunning to find such a thing can remain hidden in this place which has suffered so much from their attentions.
lashing waves
– photo by Mitch Waxman
Frustration marks this posting, which focuses in on the Moore Newman monument at First Calvary Cemetery here in Queens, at the very heart of the Newtown Pentacle. Stylish even after a century has passed, the monument consists of a central obelisk with figurative statuary at its apex and a series of foot stones demarcating the borders of the family plot.
It was also here in 1876, long before its two principal occupants ended their New York stories in the early 20th century.
from The visitor’s guide to Calvary cemetery, with map and illustrations (1876), courtesy archive.org
This is a most substantial double monument, the shaft being divided by a deeply cut line, as is also the die. It presents with the inclosure a very neat and pleasing appearance, displaying much taste in its design andi construction. It stands about twenty-one feet in height, is of Egyptian order of architecture, and of the best Quincy granite.
On the shaft, inclosed in palm wreaths, are the monograms ” M.— N.”
– photo by Mitch Waxman
Obviously people of certain means and social standing- the tenement poor of New York City didn’t get 21 foot granite monuments- there seems to be little or no record of Mary A. Moore or Michael James Newman. Passing references to a Tammany functionary named Michael J. Newman offer hints that this might be the fellow buried here, but nothing definitive can be ascertained. Additionally, a Mary A. Moore, referred to as “a widow” have popped up here and there.
Unfortunately, these were very common Irish names in the 19th century.
from Wikipedia
Granite is classified according to the QAPF diagram for coarse grained plutonic rocks and is named according to the percentage of quartz, alkali feldspar (orthoclase, sanidine, or microcline) and plagioclase feldspar on the A-Q-P half of the diagram. True granite according to modern petrologic convention contains both plagioclase and alkali feldspars. When a granitoid is devoid or nearly devoid of plagioclase, the rock is referred to as alkali granite. When a granitoid contains less than 10% orthoclase, it is called tonalite; pyroxene and amphibole are common in tonalite. A granite containing both muscovite and biotite micas is called a binary or two-mica granite. Two-mica granites are typically high in potassium and low in plagioclase, and are usually S-type granites or A-type granites. The volcanic equivalent of plutonic granite is rhyolite. Granite has poor primary permeability but strong secondary permeability.
– photo by Mitch Waxman
The usage of Quincy Granite for construction of the stelae also indicate the social standing of the couple, as this particular mineral is the gold standard for permanence and has always been an expensive option as far as building materials goes. Quincy is a famous quarry town in Massachusetts, and the mining of Quincy Granite gave rise to one of the first industrial uses of rail in the United States.
from Wikipedia
The Granite Railway was one of the first railroads in the United States, built to carry granite from Quincy to a dock on the Neponset River in Milton. From there boats carried the heavy stone to Charlestown for construction of the Bunker Hill Monument. The Granite Railway is popularly termed the first commercial railroad in the United States, as it was the first chartered railway to evolve into a common carrier without an intervening closure. The last active quarry closed in 1963; in 1985, the Metropolitan District Commission purchased 22 acres, including Granite Railway Quarry, as the Quincy Quarries Reservation.
– photo by Mitch Waxman
Enormous effort was undertaken to discover the identity of the Moore-Newman’s, who seem to have disappeared into history. The antecedents on the Moore side of the family are listed here, but it is doubtful that their remains lie in Calvary. A standard practice of Irish New Yorkers in the 19th century was to list long lost family members as an “In memoriam” on their own stone. Often the parents were buried at one of the churchyards or private cemeteries which Manhattan once hosted, like the 9th street Catholic Cemetery, at their own plots after Calvary was established in Blissville in 1848.
from wikipedia
Taphophilia is a passion for and enjoyment of cemeteries. The singular term is a taphophile.
Taphophilia involves epitaphs, gravestone rubbing, photography, art, and history of (famous) deaths. An example of an individual’s expression of taphophilia is the character Harold in the movie Harold and Maude (1971).
Taphophilia should not be confused with necrophilia, which is a sexual attraction to corpses.
– photo by Mitch Waxman
An understandable lack of documentation exists about the process by which, after the Rural Cemeteries Act was passed, the exhumation of thousands of internments and concurrent transportation of the remains to Calvary were accomplished. Understand that the somewhat tribal nature of New York City in the mid 19th century, marked by internecine warfare between religious denomination and nationalist creeds, made for a lack of record keeping. If the church offered a public record of its activities, the Protestant Anglophiles at newspapers like the NY Times would have pilloried them for one reason or another. Catholics were a favorite target of that culture, which still considered protestant England the apogee of civilization, and viewed the “Papists” as a fifth column to be feared and despised.
– photo by Mitch Waxman
Oddly, given other societal norms which we 21st century New Yorkers would find odious- specifically the role and rights of females- it’s the voice of Mary A. Moore which persists through time. An obituary notice preserves her grief over the loss of her husband, whom she would shortly follow into the emerald devastations of Calvary Cemetery.
from ancestry.com
In ever present sorrow of my devoted husband, Michael James Newman, who passed away Sept. 17, 1903. “Not gone from memory, not gone from love.”
mural history
– photo by Mitch Waxman
Wandering around Calvary Cemetery is often a revelatory experience, and while perambulating through the hallows of Section 9 the other day, the shock of sudden recognition nearly laid me low. While scanning the monolith studded landscape for certain things which cannot be mentioned, the name of one of history’s most famous New Yorkers suddenly appeared before me.
Steve Brodie… The man who jumped from the Brooklyn Bridge and lived to talk about it.
Steve Brodie, photo courtesy Wikipedia
also from wikipedia
Steve Brodie (December 25, 1861 – January 31, 1901) was an American from New York City who claimed to have jumped off the Brooklyn Bridge and survived on July 23, 1886. The resulting publicity from the supposed jump, whose veracity was disputed, gave Brodie publicity, a thriving saloon and a career as an actor.
Brodie’s fame persisted long past his death, with Brodie portrayed in films and with the slang terms “taking a Brodie” and “Brodie” entering the language for “taking a chance” and “suicidal leap.”
– photo by Mitch Waxman
There weren’t just three major newspapers in 1886, there were hundreds, and the proto “media” ate up Steve Brodie’s story, turning him into a celebrity. From all accounts, Brodie found every advantage offered by fame- opening a swank saloon on the Bowery and starring in a popular play about his exploits.
He would always be known as the “bridge jumper”.
from nytimes.com
A tall, slim man, who looked very much like an overgrown street boy, stood talking to a young woman at the New-York end of the Brooklyn bridge a little after 2 o’clock yesterday afternoon. He bade her good-bye and kissed her.
– photo by Mitch Waxman
The scourge of the 19th century was “consumption”, or as we call it “tuberculosis”, and Brodie took ill. Like other “lungers”, it was thought that the dry air of the southwest would aid him in fighting the affliction and he packed off for San Antonio in Texas.
That’s where he died.
from nytimes.com
The body was taken to Calvary Cemetery for burial. A crowd of 500 or 600 men, women, and children, attracted by curiosity remained in the streets during the services at the house, and many of them followed the funeral cortege to Ninety Second Street Ferry on its way to the cemetery.
– photo by Mitch Waxman
It is a real shame that someone has decided to pry the probable white bronze marker from the monument, which would have occurred in the empty oval space directly above the names and dates which remain. Such is the case though, and there are many instances of such theft not just at Calvary but at all the cemeteries which comprise the cemetery belt of western Queens.
It’s pretty low to steal from the dead, in one humble narrators opinion.
An interesting analysis of whether or not Mr. Brodie actually made his jump was published by “The Day” in 1986. Click here for the article by Larry McShane.
Steve Brodie, photo courtesy Wikipedia
ALSO, this Friday:
My own attempt at presenting a cogent narrative and historical journey “up the creek” is up coming as well-
Your humble narrator will be narrating humbly on Friday, February 24th at 7:30 P.M. for the“Ridgewood Democratic Club, 60-70 Putnam Avenue, Ridgewood, NY 11385” as the “Newtown Creek Magic Lantern Show” is presented to their esteemed group. The club hosts a public meeting, with guests and neighbors welcome, and say that refreshments will be served.
The “Magic Lantern Show” is actually a slideshow, packed with informative text and graphics, wherein we approach and explore the entire Newtown Creek. Every tributary, bridge, and significant spot are examined and illustrated with photography. This virtual tour will be augmented by personal observation and recollection by yours truly, with a question and answer period following.
For those of you who might have seen it last year, the presentation has been streamlined, augmented with new views, and updated with some of the emerging stories about Newtown Creek which have been exclusively reported on at this- your Newtown Pentacle.
For more information, please contact me here.
What: Newtown Creek Magic Lantern Show
When: Friday, February 24th at 7:30 P.M.
Where: Ridgewood Democratic Club, 60-70 Putnam Avenue, Ridgewood, NY 11385





























