The Newtown Pentacle

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Monday

– photo by Mitch Waxman

A few more shots from the Greenpoint section of Brooklyn in today’s post. As described, this is one of the areas I’ve been avoiding throughout the pandemic months due to population density. During this interval, an enormous real estate feeding frenzy has taken place and the north western section of the ancient neighborhood has been rendered utterly unrecognizable as compared to its former state.

For context, this shot looks across Newtown Creek at the Hunters Point section of Long Island City where a similar frenzy has occurred.

– photo by Mitch Waxman

While shooting these, the tug Sea Fox thrust rudely into my point of view, and I just cannot help myself from cracking put a few shots in such circumstance.

I was mainly using two zoom lenses for capturing these images, both of which were outfitted with ND or Neutral Density filters. This sort of filter acts as a sunglass for the lens and offers a great deal of creative control over the final appearance of the photo. This sort of device is critical for challenging environments like the foggy and misty afternoon of August 1st.

– photo by Mitch Waxman

The filters also allow me to “slow down” the exposure settings, which is how you get the smoothed out water with a somewhat misty character along its tide line. Surreal, I say, surreal.

There’s a new public space along this waterfront, dubbed the Greenpoint Landing Esplanade, which offers commanding views of the Manhattan skyline and Long Island City.

– photo by Mitch Waxman

Of all the new construction, the one project I find architectural interest in is this pair of cantilevered buildings. The development is called 227 West Street, and those are 30 and 40 story towers. My usual critique of the banal luxury towers in this “zone” sounds like this: glass rhombuses thrust rudely at the sky. This cantilever deal is visually interesting.

Given all of the recent construction in the area, and the huge investments involved from both private and governmental entities, it’s a shame that there’s only one project hereabouts where you say “hey, look at that.”

– photo by Mitch Waxman

Just before the burning thermonuclear eye of god itself descended behind New Jersey, the fog and mist suddenly began to break up and rise into the clouds.

I cracked out a few more exposures with the camera set up for the prior foggy atmospherics and then prepared to move on with the gear set up for handheld “photo walk” mode.

– photo by Mitch Waxman

You could actually see the humidity rising up out of Manhattan’s canyons and forming into low clouds.

More tomorrow.


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Written by Mitch Waxman

August 29, 2022 at 11:00 am

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Friday

– photo by Mitch Waxman

A low lying deck of clouds and fog had accompanied the arrival of a cold front in the superheated atmosphere of August 1st. NYC had been in the grip of a heat wave for the week prior, and a second interval of high temperature and humidity was forecast to begin within 24 hours.

I cannot resist a foggy or misty day, as it makes for interesting photography weather.

– photo by Mitch Waxman

My strategy for the last few years has been to avoid crowded places where the human infestation is impossible to avoid. Accordingly, while I’ve been avoiding crowds, Greenpoint’s Western shoreline has been transformed by the real estate people.

Honestly, it’s shocking how much has changed here. That’s Commercial Street pictured above, looking west towards Franklin Avenue and the East River. There’s even a new series of waterfront paths and esplanades that have accompanied this new construction. The development scheme is called “Greenpoint Landing.”

– photo by Mitch Waxman

Looking across Newtown Creek at Long Island City from one of these new paths, that construction site will be a new hospital. Just kidding, it’s going to be more luxury apartment buildings.

That construction area used to be a thriving Asian supermarket warehousing business, the home of “God’s Love We Deliver” which collected unused restaurant food and redistributed it to the needy, and the garages for NBC Television News’ broadcast vehicle fleet. We need more luxury housing, they say, which will cause the wealthy to move out of tenement buildings and thereby free up those spaces for the less wealthy.

Trickle down real estate.

– photo by Mitch Waxman

Did you know that the United States destroys millions of gallons of dairy milk annually in order to keep the dairy industry and milk prices from collapsing under their own industriousness and over supply? In light of that, has the price of milk ever gone down in your lifetime, despite the abundance of supply? Just saying.

That’s a new luxury tower rising on the former site of the Jack Frost sugar factory in Queens, right at the intersection of current superfund site Newtown Creek and future superfund site East River.

– photo by Mitch Waxman

It’s all so depressing.

I should mention that it’s a real pickle capturing this sort of misty and foggy atmosphere, photography wise.

– photo by Mitch Waxman

Every few minutes, a bank of fog would crack open and piss down a few rain drips. Drips, not drops.

Saying that, as I was shooting, it was growing brighter and brighter and a mild bit of breeze began to pop up. More next week, at this – your Newtown Pentacle.


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Written by Mitch Waxman

August 26, 2022 at 11:00 am

judging from

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Thursday

– photo by Mitch Waxman

The weather forecast on August 1st wasn’t promising anything pleasant for the days immediately following it, and there was a lot of fog and mist in the air…

How can a humble narrator be expected to ignore atmospheric diffusion? Pfah. One shlepped over to the N train, and away I went.

– photo by Mitch Waxman

At Queens Plaza, I transferred my allegiances from the N to the 7, and took that line two stops to Hunters Point Avenue.

I had a plan in mind for the foggy afternoon, one which would find me over in Brooklyn’s Greenpoint section.

– photo by Mitch Waxman

DUPBO – Down Under the Pulaski Bridge Onramp – was part of my plan. In the late afternoons during weekdays, the Long Island Railroad people deploy a train set about every half hour from the Hunters Point Yard. The trains move under the Pulaski Bridge, cross Borden Avenue, and then go off to parts that are unknown but fairly guessable.

My plan involved crossing the Pulaski Bridge on foot, of course, but I wouldn’t be “me” if I didn’t crack out a few shots of a passing locomotive.

– photo by Mitch Waxman

Y’know, I know – intellectually – that they’re going to blow the train horn when they approach a grade crossing. Doesn’t change the fact that I’m startled by the sound each and every time they do it.

It’s what’s known as an autonomic reaction to environmental stimuli.

– photo by Mitch Waxman

After getting my LIRR shots, and then inspecting the waterside area under the bridge, I headed over to the steep and well traveled stairs of the Pulaski Bridge.

I guess that about 20 minutes had elapsed while I was wandering around down there.

– photo by Mitch Waxman

Just as I got to the top of the stairs, a second train was released into the wild by the LIRR an I was lucky enough to get another shot.

Pedantic? Maybe? Fun? Yes.


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In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.

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Wednesday

– photo by Mitch Waxman

Whenever I try to say what kind of a bird a bird is, I get it wrong, so I just make up names for them. Thereby, that’s an Old Republic Throat Chewer in the shot above.

As described yesterday, I spent a bit of time at Newtown Creek’s Dutch Kills tributary on Saturday the 30th of July right about sunset.

– photo by Mitch Waxman

The vertical tide of Dutch Kills was rising while I was shooting these. The design of the canal, coupled with its distance from the East River and lack of water flowing in from its banks, negates horizontal flow of the water. The water here goes up and down, rather than exhibiting a laminar pattern like a natural waterway.

The material spilling into the water from the collapsing bulkhead seems to forming spirals, which is fascinating.

– photo by Mitch Waxman

There’s some of the timber structure I described to you yesterday, which forms the underpin framework of what we perceive as being the land of Queens.

The light began to decline as the burning thermonuclear eye of god itself descended behind New Jersey. I packed up the kit and moved on.

– photo by Mitch Waxman

One stopped at his various “stations of the cross” at Dutch Kills.

My favorite tree is doing pretty well this year, have to say.

– photo by Mitch Waxman

There were a bunch of big white birds, which I’d call “Non Striped Juvenile Uncle chasers” but which were likely Snowy Egrets, in position over the water waiting for some slimy dinner to appear in the water under them.

The water was teeming with tiny fishies called “Mumichaugs” which are colloquially referred to as “Killie Fish.” There’s also predator fishies in there, Bunkers and the like.

– photo by Mitch Waxman

The tripod section of my evening’s excursion was at an end after capturing this shot along the Borden Avenue Bridge. A quick walk would take me to the Jackson Avenue stop on the 7 line in Hunters Point, which would in turn carry me to Queens Plaza and an assignation with an Astoria bound N train.

Something somewhat different tomorrow.


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In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.

Written by Mitch Waxman

August 24, 2022 at 11:00 am

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Tuesday

– photo by Mitch Waxman

So… I was in a quasi “ok” place for these, after a handshake with the property manager who handles this particular location on Dutch Kills. Nothing in writing, mind you, but a handshake. Still, I felt like I was doing something naughty. It was a Saturday night, after all. Wasn’t exactly the “naughty” of illegal street racing for pink slips on Fountain Avenue during the 1980’s, but there you are.

This one looks towards the Hunters Point Avenue Bridge, and a different view of that Tree of Paradise growing up from under a factory eave which has been the focus of so many shots over the years.

– photo by Mitch Waxman

When Newtown Creek’s Dutch Kills tributary was canalized at the start of the 20th century, a “T” shape was built into its terminus which is meant to act as a “turning basin” for maritime traffic. This created a stagnant dead end, which has had horrific effects on the environment. Somebody abandoned two oil barges here sometime in the dim past. They’ve been here since I showed up around fifteen years ago, and my buddy Bernie Ente told me that the two barges had been in this spot for twenty years before that. So, approximately 35 years… leave your car double parked for 5 minutes and you get a ticket, but abandon oil barges in an industrial canal? Nada.

I showed up at Dutch Kills on the 30th with a light kit bag, and then got busy with the camera with an ND filter and the tripod.

– photo by Mitch Waxman

One arrived at this spot about twenty minutes prior to sunset. By “light kit,” I mean that I was carrying the two lenses – a 35mm and an 85mm – which I usually use for night photography. Full kit involves a second bag with a couple of longer reach zoom lenses in it. Sometimes I like to travel light, especially when it’s warm out.

I made it a point of really taking my time with these.

– photo by Mitch Waxman

The point of the ND filter, which is basically a sunglass for the camera, is to “slow” the shot down and allow for longer exposures in daylight condition. I use this sort of filter a lot for these kind of shots. It’s why the water attains that mirror surface, as all of the distracting ripples and movement get smoothed out over the 15-30 seconds of an individual exposure.

The technical issues introduced by the filter include the color cast of the filter glass itself. You can spend a thousand bucks on one of these filters and you still get a color cast, so instead I spent about fifty bucks on one and then I figured out a set of settings for the development process in photoshop which neutralize it.

– photo by Mitch Waxman

That’s the collapsing bulkhead associated with Long Island City’s 29th street which all of the recent hullabaloo is about. When the canal was created a hundred years ago, state of the art for “land reclamation” involved building a latticework of timber boxes whose structure was formed by dock piles driven into the saturated soil and mud of wetlands. Once you had the wooden framing done, you filled the “box” with rock and soil.

At the start of the 20th century, massive amounts of money and labor filtered through Western Queens in pursuit of this sort of land reclamation. More than one Queens Borough President was convicted on corruption charges because of these efforts, and much of the land we walk on today – which is between six and ten feet higher than the tidal zone – was created using the reclamation technique described above. One of Dutch Kills’ tendrils used to snake all the way to 31st street at Northern Blvd. for instance.

– photo by Mitch Waxman

The term I’ve encountered time and again in late 19th and early 20th century reports and literature about this section of Long Island City is “waste meadows.” This refers to grassy tidal lowlands which would flood with the East River tidal cycle. Depending on where you’re talking about, these waste meadows were either swamps or marshes or even Juniper tree lined waterways. Every account I’ve read speaks about lots and lots of deer, waterfowl, shellfish, and the sort of critters who make their living in this sort of environment. In fact, when the Dutch arrived in the 1640’s, they talked about problems arising from an abundance of wolves.

That’s pretty interesting, actually. According to the “wolf people,” an adult wolf of breeding age needs a minimum of nearly 4 pounds of meat a day to survive. That’s a minimum, and whereas Wolves don’t necessarily eat everyday, a breeding age wolf prefers about 10 pounds of meat a day. If you’ve got a “wolf problem,” which indicates a large population of these top predators, you’ve got to do the math on this, regarding the prey animals that fed them. Ten wolves – 100 pounds of meat, 100 wolves – 1,000 pounds, etc. Wolf problem? That’s a whole lot of meat.

This used to be a highly productive ecosystem, these waste meadows.


“follow” me on Twitter- @newtownpentacle

Buy a book!

In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.

Written by Mitch Waxman

August 23, 2022 at 11:00 am