sentiently over
Wednesdays just drizzle.
– photo by Mitch Waxman
As mentioned yesterday, these photos are criminal in nature. Post 911, a lot of NYC became “no photo” zones. The press photographer’s association actually sued the MTA to guarantee the right to take photos in the subways, and as far as the East River and Hudson bridges go – they’re largely owned by three entities – Port Authority, NYC DOT, and MTA Bridges and Tunnels. PA and DOT were out of the banning photography business by 2008 or so, although you still encounter the odd Cop or Security Guard who’d aggressively inquire “why are you taking pictures”?
MTA, on the other hand never explicitly banned photography, instead they invoke some obscure “NY State Authorities” rule which offers the opinion that facilities like the Triborough Bridge are a) private property, b) that whether you’re on the thing or even around them you must follow all instructions on posted signs – even if the sign is missing or you’re not on “their” property. Technically speaking, everybody who’s taken a photo in Astoria Park of a kid’s birthday party which the Triborough is in the background of is a potential member of Al Quaeda to MTA. Remember them? Haven’t thought about Al Quaeda in years. Who’s the enemy nowadays?
– photo by Mitch Waxman
Now, to my point of view, if the Government – and specifically the political patronage mill section of it called the MTA – doesn’t want you to take pictures of something, that’s precisely what you should be taking pictures of. To wit, you’re looking at the unlit and unmarked pedestrian/bike path of the Triborough above.
In some ways I was kind of hoping a cop would show up and ticket me for this, as I’d make a whole megillah out of it. Glad one didn’t, but if photography is such a burning security issue here where were the MTA cops? One way or another, I’m going to start talking about this with the people who sign MTA’s checks soon.
– photo by Mitch Waxman
There isn’t a splash of glitter paint anywhere near the unlit stairwells which just appear in front of you in the dark. The path is set in such a manner that the headlights of oncoming bridge traffic are at eye level while you’re walking in deep shadow. There’s zero path lighting – a string of xmas LED lights secured to the deck would vastly improve things. Then there’s the section over the East River where the “Suicide Fencing” stops and you’re suddenly experiencing a waist high rail as the only thing standing between you and a 105 foot drop to the waters of Hells Gate…
Yeah, I bet there’s a bunch of reason they don’t want cameras up here.
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assignable colour
Tuesday, it’s a fizzle.
– photo by Mitch Waxman
A bunch of years ago, a humble narrator was employed by an ad agency called Ogilvy & Mather, specifically their Ogilvy Interactive division. The founder of the company was a guy named David Ogilvy, and one of his maxims was that you should use the products you’re advertising. Selling IBM Typewriters? Buy and use one. Buicks? Guess what you should be driving? It’s actually a fairly good thing to do, getting to know the particular frammistat or whatsis or widget you’re working with or for. Over the years I’ve found myself carrying a FirstUSA credit card, wearing shoes from Nike, or Timberlands, and so on. In my life these days, this takes the form of consuming municipal services.
I’m heavily involved with the whole Newtown Creek thing, therefore I interact with the waterway and the people who work and live along it all the time, as well as the regulators of officialdom. A couple of years ago, my pals at Access Queens and I decided to get smarter about the bus system of Queens so I started riding the bus everywhere I went, often eschewing the much faster mode of transit offered by the subway. If you want to truly understand a product or service, you have to be a customer and a consumer of it first.
– photo by Mitch Waxman
For the last year, I’ve been co-chair of the Queens Community Board 1 Transportation Committee. Recently, I noticed a lot of online chatter about the Triborough Bridge’s bike and pedestrian path, and decided to go investigate the situation for myself. If it comes up, I’d like to have, at least, an informed opinion on the matter. Besides, I’d literally never – ever – walked over Triborough. Kind of crazy when you think about it, given how many other bridges I’ve walked over the last decade, but there you go.
After crossing west of 31st street, Astoria Blvd. becomes Hoyt Avenue. At Hoyt Ave. North and 27th street, there’s a stairway which leads up to the aforementioned path. You’ll encounter a neat metallic bas relief map there, describing the Triborough bridge complex and it’s relationship to Queens, Bronx, Manhattan, and Randalls/Wards Islands. Hidden behind a fence was another sign, one which adjures against the usage of camera equipment on the pathway and threatens strict enforcement, but I’ll swear on a stack of bibles that I didn’t see it until I was exiting the path on my way back to rolling hills of almond eyed Astoria.
– photo by Mitch Waxman
There’s a rail for bicyclists to roll their ride down on the stairs, which is in tune with the Triborough Bridge and Tunnel Authority’s rules stating that cyclists need to dismount and walk their bikes over the span. Yes, stairs, on a bike path. Yes, pedestrian and bikes coexisting within a very narrow space…
You want to understand something, use it, Ogilvy indicated.
TBTA, once the crown jewel and center of the “House of Moses,” is now a division of the larger MTA Bridges and Tunnels operation. That’s Moses as in Robert Moses. As much as MTA would enjoy being able to do so, the suspension of First Amendment rights and the specific suppression of photography isn’t something they can do. What they can do is invoke a rule that says “must follow instructions on posted signs.” By their logic, if you encounter a sign that says “jump” and you don’t leap to your death, you’re fair game for prosecution, fines and or tickets. Grrr.
Of course, as mentioned, I didn’t see any posted signs when entering the path since it was hidden and obscured. Ignorance of the law is no defense, they’ll tell you. Thereby – I’m now a villain, a rebel, a pentagenarian delinquent…
Tomorrow – photos from the forbidden zone and my daring foray into the criminal scene of the overworld of the Triborough Bridge, high above Astoria.
“follow” me on Twitter- @newtownpentacle
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“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
inverse geometry
Monday is da shizzle.
– photo by Mitch Waxman
What a busy weekend! This vaccinated thing is going great so far. More on that in a subsequent post.
The first two shots in today’s post were gathered in Long Island City, specifically the stretch of Borden Avenue which the Queens Midtown Expressway truss has positively loomed over since 1940, in the beginning of March. I tell you, lords and ladies, that the normal problem here at Newtown Pentacle is not being able to generate images quickly enough. Since I haven’t had as much to do during the pandemic, one thing I’ve kept busy with is shooting photos. I’m a good month ahead of myself these days, which is neat, but as the world starts back up I plan to get a bit more in sync with the seasons and current events.
Fed-Ex, like the other “last mile shipping” companies including Amazon and UPS, have been extremely busy for the last year. They’re also massively expanding their footprint around Newtown Creek. Newtown Creek Alliance recently worked with a graduate student named Geoff Storr on a policy brief about this expansion – which you can check out by clicking here.
– photo by Mitch Waxman
Wandering around LIC, one of the things that jumps at me is the absolute sin of the wasted space under the Queens Midtown Expressway section of the Long Island Expressway. Specifically, this is the zone between Van Dam Street and the Queens Midtown Tunnel. Empty, used for illegal parking, illegal dumping, ugly.
There’s gotta be a better way!
A humble narrator is in the early stages of annoying an entirely different branch of the Government than the usual ones about this subject. In this case, the agency of record is the New York State Department of Transportation. I figure that since they’re all done with the Kosciuszcko Bridge project they must be looking for something new to do.
– photo by Mitch Waxman
On my way back to HQ on a particularly pleasant evening, this chunk of construction equipment was noticed. This is part of the same operation which I’ve talked about before, who are working out a contract to bring the crosswalks and corners into compliance with the Americans with Disabilities Act. This involves “rekajiggering” the curb, pouring new concrete for the corner, and installing a “rumble strip” pad to provide tactile feedback to sight compromised or wheelchair users.
It provides me with something to take pictures of, so “win.”
Back tomorrow with more.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
blasphemous daring
Friday is back.
– photo by Mitch Waxman
When I’m heading out in the direction of Newtown Creek or industrial LIC, the only way to “there from here” involves me crossing the truss bridges carrying local street traffic over the Sunnyside Yards. Hence, I’ve developed an appreciation and fascination for the place over the years. You commonly see the rolling stock of three different rail companies here – Amtrak (pictured above and below), New Jersey Transit, and Long Island Rail Road. The northern side of Sunnyside Yards is filled almost entirely with Amtrak related trains and maintenance buildings, whereas the southern boundary sees a lot of LIRR activity.
During the last year, a multitude of East Side Access construction related holes have appeared in the fencing of the yards, which has been awesome.
– photo by Mitch Waxman
I have friends who describe their favorite hobby as “railfanning,” meaning that they are fans of rail. I’d describe myself as a fan, but I’m nowhere near as serious as railfans are. A railfan will tell you that the train is using the wrong screw to hold its headlight on, and is possessed of a deep and insightful narrative regarding the various modern rail operations and the historical forebears which laid down the systems that today’s outfits use. Pennsylvania Railroad, NY Central, etc. I can talk history on this topic, but it’s broad stroke. A railfan gets granular.
As a note, the truss bridge you see in the background of the shot above is 39th street, which is where the first shot was gathered from. I was clicking the shutter on the Honeywell Street Truss Bridge for this and the one below.
– photo by Mitch Waxman
I’m actually pretty happy with this one, depicting a LIRR train moving through the Harold Interlocking, right in front of the Harold tower. I’ve taken a million shots of this action from the 39th street truss at a fence hole which I call the “old reliable,” but a brand new fence hole which appeared in just the last few months has materialized at Honeywell. The tracks in the trench at center left are part of the massive East Side Access project, I’m told.
Back Monday with more wonders, at this, your Newtown Pentacle.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
whirling fancy
Thursday has stumbled in again.
– photo by Mitch Waxman
One found himself in the “happy place,” as I refer to industrial Maspeth, during an extremely low tide. Pictured above is Maspeth Creek, with its exposed mounds of Black Mayonnaise. Maspeth Creek is one of the sections of the larger Newtown Creek which I’d like to see “delisted” as a navigable waterway (according to Coast Guard) and reclassified as an “environmental benefit” area. All of us at Newtown Creek Alliance can talk endlessly about the benefits that such a conversion would bring not just to the entire Newtown Creek waterway but also the industrial business zone surrounding it. Essentially, creating a tidal salt marsh environment here would be so beneficial that it could help offset the impact that the many, many truck based heavy industries of Maspeth create. A guy can dream, huh?
It was aromatic, to say the least, when this shot was gathered.
– photo by Mitch Waxman
A few blocks away, at the Maspeth Plank Road site, you can actually see how low this tide was. It looks like you could just walk out and touch the wooden artifacts of the bridge which once crossed the Newtown Creek between Furman Island and Greenpoint’s Maspeth Avenue, but I would have sunk to mid thigh into the mire. Normally, all of that pebbly sediment is sitting under a few feet of water.
Wish I could say that I planned on hitting this low tide, but it was pure luck and coincidence – I was just out taking a long walk in a place with a virtually zero night time population.
– photo by Mitch Waxman
For the photography curious, these are all handheld shots. The newish camera I’m sporting these days, the Canon R6, coupled with a couple of fairly “bright” lenses is allowing me to leave the tripod at home when I don’t intend on doing either long exposures or any of the fancy pants focus stacking stuff. I’m not leaving all that behind, of course, but it’s been great fun to leave HQ with just two prime lenses and a camera in tow.
That, lords and ladies, is your Newtown Pentacle Thursday installment.
“follow” me on Twitter- @newtownpentacle
Buy a book!
“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.



















