The Newtown Pentacle

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Posts Tagged ‘Grand Central Station

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– photo by Mitch Waxman

It’s been a long time since I was inside of Grand Central Station, I tell you. After my visit to the Times Square Ferris Wheel, detailed in last week’s postings, a quick walk found a humble narrator heading towards the 7 train which allowed some quiet time for contemplation. In recent months, I’ve been avoiding listening to music or audiobooks through my headphones in the name of pure paranoia and wanting to ensure that my auditory “early warning system” was and is in no way impeded.

The streets ain’t so friendly these days, especially at night in the relatively deserted and depopulated midtown business districts of Manhattan. I mean… that photo above is Grand Central on a Monday night at about 8 o’clock. Outside, it was like a zombie movie, only with groups of teenagers riding around on bikes and texting each other after they rode past you.

– photo by Mitch Waxman

My plan for getting out of dodge involved taking the 7 line subway back to Queens and then transferring over to an Astoria bound N train. What I was contemplating in this particular interval isn’t for public consumption quite yet, but there are weighty decisions being weighed behind my eyeglasses, even while you’re reading this post.

The saturated color profiles of today’s photos were intentional, incidentally. Always playing around with look and feel, me.

– photo by Mitch Waxman

Descending into Manhattan’s depths, it was absolutely bizarre moving through this particular space in solo fashion. Grand Central is defined by crowds and masses, and unending hordes of the human infestation. It’s beyond odd to be solitary anywhere in this building, let alone riding an escalator designed to carry thousands every hour all by yourself.

The 7 station here is very, very deep.

– photo by Mitch Waxman

My pal Hank the Elevator Guy will expound endlessly about how deadly escalators can be. He points out that the actual mechanism of an escalator is fundamentally the same as that of an industrial meat grinder. It apparently doesn’t take much in the way of mechanical malfunction for the stairs to open up and pull you inside.

Most of that electronic sign’s messaging equipment in the shot above is burnt out, but the surviving LED’s on it say “Children should.” It doesn’t say what the children should, it just says they should. It is, after all, the MTA.

– photo by Mitch Waxman

The most terrifying of MTA’s escalators are on the 7, incidentally. The Grand Central ones are just claustrophobic and deep, but it’s the ones at Hudson Yards that are actually vertigo introducing. Many have been the times that I worried about falling down a set of these moving stairs to an ignominious death.

I don’t mind the thought of dying. I mind the thought of dying in a stupid or comical way. Having an air conditioner fall out of a window on me, or down a flight of steps, or in some ironic circumstance. “Yeah, you heard what happened to Waxman? He died in a vat of molten wax at a candle factory.” At the beginning of Covid, I swore that I wouldn’t get sick as I couldn’t take a chance on dying at the Javitz Center. That’s a punk place to check out, yo.

– photo by Mitch Waxman

At the 7 platform, deep under Grand Central, the IRT Flushing Line – or 7 train – arrived just as I ran into a friend from LIC whom I haven’t seen since New Years of 2020. Good times, taking the subway.

Back tomorrow with something entirely different at this, your Newtown Pentacle.

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In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at for $30.

Written by Mitch Waxman

September 6, 2021 at 11:00 am

Hermes Trismegistus

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– photo by Mitch Waxman

Jules-Felix Coutan designed “Glory of Commerce” for Grand Central Terminal in 1911. A neat contemporaneous account of the construction of this statuary, which was carved in Long Island City I would add (by the firm of William Bradley & Son, 547 Vernon Avenue, which I suspect to have been located somewhere around Queensbridge Park), and can be accessed at

from wikipedia

The Hermetic literature added to the Egyptian concerns with conjuring spirits and animating statues that inform the oldest texts, Hellenistic writings of Greco-Babylonian astrology and the newly developed practice of alchemy (Fowden 1993: pp65–68). In a parallel tradition, Hermetic philosophy rationalized and systematized religious cult practices and offered the adept a method of personal ascension from the constraints of physical being, which has led to confusion of Hermeticism with Gnosticism, which was developing contemporaneously.

As a divine source of wisdom, Hermes Trismegistus was credited with tens of thousands of writings of high standing, reputed to be of immense antiquity. Plato’s Timaeus and Critias state that in the temple of Neith at Sais, there were secret halls containing historical records which had been kept for 9,000 years. Clement of Alexandria was under the impression that the Egyptians had forty-two sacred writings by Hermes, encapsulating all the training of Egyptian priests. Siegfried Morenz has suggested (Egyptian Religion) “The reference to Thoth’s authorship…is based on ancient tradition; the figure forty-two probably stems from the number of Egyptian nomes, and thus conveys the notion of completeness.” The Neo-Platonic writers took up Clement’s “forty-two essential texts”.

The Hermetica, is a category of papyri containing spells and initiatory induction procedures. In the dialogue called the Asclepius (after the Greek god of healing) the art of imprisoning the souls of demons or of angels in statues with the help of herbs, gems and odors, is described, such that the statue could speak and engage in prophecy. In other papyri, there are recipes for constructing such images and animating them, such as when images are to be fashioned hollow so as to enclose a magic name inscribed on gold leaf.

Written by Mitch Waxman

January 21, 2012 at 12:15 am

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