The Newtown Pentacle

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Posts Tagged ‘Pickman

rose oddly

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Halloween sights from the Times Square of Astoria, 2015.

– photo by Mitch Waxman

As has become our holiday tradition – Our Lady of the Pentacle and myself, along with a small group of people who can tolerate my presence for short intervals, headed over to the local corner pub and sat down with a few buckets of candy on Halloween. Our Lady and the others distribute the sweet stuff to the mobs of costumed “yutes” and after I check with and get the permission of parent or guardian to do so, I take some photos.

The ones in today’s post were my favorites, but if you want to check out the whole set – here’s the link to them on flickr.

– photo by Mitch Waxman

Sugar skulls and “Dias de Los muertes” iconography is a growing theme for Astoria costumers, as you’d suspect, given our growing and welcome population of Mexican and Central Americans. I love the visual style of this particular folk tradition.

– photo by Mitch Waxman

The superhero costumes available in shops these days are light years beyond what was available when I was a kid, back in the ’70’s, when the Don Post company offered plastic smocks with the characters name on them and weird PVC face masks that always seemed to have sharp edges on mouth and eye holes.

Check out that kid in the lion costume.

– photo by Mitch Waxman

A lot of Jokers were out and about, but this young lady was clearly the most “all in.”

– photo by Mitch Waxman

Our Lady had many, many customers for her candy. There were times when it felt like a relentless horde of zombies were attacking her.

– photo by Mitch Waxman

A bunch of the very young kids had literally no idea what was happening, but knew something involving candy was afoot. The toddler pictured above came very close to winning Halloween.

– photo by Mitch Waxman

Astoria is all about family, and as you can see in the shot above, in some units – every member of the clan was done up in holiday dress for Halloween.

– photo by Mitch Waxman

Yep, adorable.

– photo by Mitch Waxman

As it grew dark, the crowds continued to throb about. A weird thing about Astoria, or my section of it at least, is that the kids don’t trick or treat on the side streets at private homes.

They mainly stick to the avenues (like Broadway), and trick or treat at the mom and pop shops. I’m told that it’s part of the modern day fear of “stranger danger” and the parent’s assumption that every adult male whom the child encounters is likely a pervert or child molester.

– photo by Mitch Waxman

As the night moved on, the grown ups began to exhibit. This group of happy footed Penguins seemed to be on the way to a party. The chill of the night air, and the fact that we had spent something like six hours at the Doyle’s Corner Bar, contributed to a general agreement amongst my group that it was time to cut things off and head back to HQ to order a pizza.

– photo by Mitch Waxman

Last call, and it was time to head on home with camera and Our Lady in tow. That’s Hank the Elevator Guy in the shot above, incidentally, an oft mentioned but seldom pictured resident of this – your Newtown Pentacle.

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Written by Mitch Waxman

November 2, 2015 at 12:30 pm

breathing marble

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Greenwood Cemetery, at night, in today’s post.

– photo by Mitch Waxman

Last weekend, Atlas Obscura produced the “Into the Veil” event which was hosted at Brooklyn’s Greenwood Cemetery. Your humble narrator wormed his way onto the guest list, packed up the whole camera kit in preparation for some night shooting, and headed on over.

– photo by Mitch Waxman

Ethereal tones were pulsing out of several of the Mausolea, as Atlas Obscura had set up several performance spots. One particular tomb, the Morgan, had a familiar set of sounds pulsing out of it. When I hear musical saws playing, I know that I’ve found my pal and Astoria neighbor Natalia Paruz – the Saw Lady – at work. The shot above is a long exposure, which rendered Natalia in a ghostly blur of musical motion.

– photo by Mitch Waxman

One of my goals at the event was to “turn night into day.” I won’t bore you with all the technical details and camera settings, but suffice to say that the shots above and below are well beyond the range of human vision and that I was literally shooting blind. It was night time dark, with an overcast sky.

– photo by Mitch Waxman

Tripods are a must for this sort of thing, as are remote releases for the shutter (have to minimize camera shake, after all). The funny thing is that people were wandering around in the dark, literally moving through the frame as the shot was being captured, but because of the length of time that the exposure required – they are rendered invisible unless they stood still as a statue for 20-30 seconds. Random hotspots and reflections on the monuments, as seen in the shots above, emanate from distant flash lights carried by the crowds.

– photo by Mitch Waxman

In situ, all I could see clearly were the monuments in the foreground, and even they were cloaked heavily in shadow. As mentioned, my goal was to “turn night into day” with these photos. The sky and tree line were barely visible to my eye when I set the exposure.

– photo by Mitch Waxman

Physically speaking, these kind of shots are fairly arduous to capture, due to “the carry” of the amount of gear required. My normal “walk around” kit weighs about 6-8 pounds (depending on what I’m doing that day), but the full on night rig weighs closer to 20 pounds. Doesn’t sound like a lot, but Greenwood is a fairly “physical” environment with lots of steep hills. A light sheen of perspiration, combined with the cool night air, creates another set of circumstances to deal with – ensuring that the moisture on your skin doesn’t migrate to the glass and metal surfaces of the camera.

– photo by Mitch Waxman

Being old, I didn’t stay till the bitter end, but was pretty satisfied with what I captured. Hand held, as is the first shot in this post, one last photo of the gates of Greenwood was captured as I left. Both of the bookend shots are “truer” to the eye, and representative of human perception. Personally, I really dig the “night into day” stuff. How about you, Lords and Ladies?

Note: Saturday will see Halloween occur here in Astoria. A humble narrators plan entails assuming my regular station at the Times Square of Astoria – 42nd and Broadway – at the Doyle’s Corner pub. I will be photographing all costumed comers who agree to pose, masked passerby, and of course – the alcoholic antics of the Burrachos.

My plan is to get there around 2 and stay until the early evening, so if you’re in the neighborhood and costumed, stop on by and get yourself photographed. Unless the weather is ungodly, I’ll be sitting at an outdoor table right by the door. If the shot turns out nice, you might just find yourself published at this – your Newtown Pentacle.

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Written by Mitch Waxman

October 30, 2015 at 2:15 pm

neither plan

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The day of days of nearly upon us.

– photo by Mitch Waxman

The other night, one met this fellow at the corner of Steinway and Broadway. He was howling mad about bicyclists running red lights, and admonished the delivery guys when they ignored the intentions of egress and pause offered by the corner based signal lights of the NYC DOT. I asked if he was going to a party, to which he replied “No, why do you ask?”

– photo by Mitch Waxman

The Food Bazaar on Norhern Blvd. is having a bit of concrete work done – filling in the cracks, grinding the edges lifted by tree roots, and fixing those weird rough spots that develop as the stuff weathers. Amidst the maze of safety tape adorning the project, whose screed “caution” is something that most everybody hereabouts abandons with some regularity, this barrier was spotted. I like a good sign as much as the next guy, but the proximity of the pavement to the sign is over the top. Obviously, the sidewalk is close.

– photo by Mitch Waxman

The burning thermonuclear eye of God itself hung itself in the sky right behind this lamp post when I was out getting lunch the other day, allowing for a fairly smooth gradation of light across the afternoon sky. Got me to thinking about the latent dread I’m experiencing regarding the day that the DOT gets around to replacing Astoria’s current sodium bulb lamps with those new fangled LED ones which have started turning up in the tonier sections of Brooklyn and Manhattan. Luckily, Astoria is in Queens, which means that we will be the last priority for the City, just as with everything else.

– photo by Mitch Waxman

Saturday will see Halloween occur here in Astoria. A humble narrators plan entails assuming my regular station at the Times Square of Astoria – 42nd and Broadway – at the Doyle’s Corner pub. I will be photographing all costumed comers who agree to pose, masked passerby, and of course – the alcoholic antics of the Burrachos.

My plan is to get there around 2 and stay until the early evening, so if you’re in the neighborhood and costumed, stop on by and get yourself photographed. Unless the weather is ungodly, I’ll be sitting at an outdoor table right by the door. If the shot turns out nice, you might just find yourself published at this – your Newtown Pentacle.

“follow” me on Twitter- @newtownpentacle

Written by Mitch Waxman

October 28, 2015 at 2:15 pm

gently heaving

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Tis the Season.

– photo by Mitch Waxman

Recently, one found himself headed towards DUGABO in Greenpoint for a Newtown Creek Alliance event. My intentions were merely to photograph and record the occasion, but as a humble narrator is cursed with the attention span of a house fly, I soon became distracted by a calvalcade of death.

– photo by Mitch Waxman

Mysteriously, an abandoned DSNY property in the area is littered with animal bones. It is actually difficult to trespass on the property without crunching the most intimate of internal organs beneath your booted foot.

– photo by Mitch Waxman

A good number of these ossuarial remains are cut, in the manner which a butcher might employ. All are sun bleached, and whereas the vast majority are definitely avian in character, the higher animals are clearly represented as well.

– photo by Mitch Waxman

Of interest is the fact that you mostly find limb bones, with nary a skull nor pelvis apparent.

– photo by Mitch Waxman

Oddly, a floppy disc was observed at the site. Once ubiquitous, this sort of device has been obsolete for a generation, and it is odd to spot one. Who can know what information it might have once held?

– photo by Mitch Waxman

There are fresher remains to be found all over DUGABO, this ex rat was spotted on the Queens side of DUGABO whilst one was in transit to Brooklyn. Truly, DUGABO seems “death magnetic.”

– photo by Mitch Waxman

The views from this dead end, as is the case all over my beloved Creek, are spectacular.

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Written by Mitch Waxman

October 27, 2015 at 3:10 pm

viewless aura

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Blissville, in today’s post.

– photo by Mitch Waxman

Blissville, for those of you not in the know, is the section of Long Island City which the Greenpoint Avenue Bridge connects to. One refers to this area as DUGABO – Down Under the Greenpoint Avenue Bridge Onramp – as I like to stay ahead of the Real Estate Guys on this sort of thing. DUGABO is an M1 zone, meaning that it is zoned for heavy industry. A couple of blocks to the north, it becomes a “mixed use” zone, and there’s a scattered series of homes and commercial storefronts in the area – a lot of the building stock actually dates back to the 19th century.

The LIRR trackways run along the coast of Newtown Creek, and you’ll find several bits of railroad infrastructure along the shoreline. In focus today, the Blissville Yard, which has found new occupation.

– photo by Mitch Waxman

The Blissville Yard is a series of trackways designed for storage of rolling stock. It connects to the Hunters Point tracks via a rail bridge that crosses Dutch Kills, and there used to be a connection to the Sunnyside Yards and the Degnon terminal railway spurs via the Montauk Cutoff which is no longer an active track. The modern use of the Blissville Yard is governed by the New York and Atlantic company, which is a private corporation that handles freight services for the Long Island Railroad. If you see a black and emerald colored engine operating along the LIRR tracks, that’s them.

– photo by Mitch Waxman

Not too long ago, the Waste Management company, which enjoys a profitable relationship with NYC’s Department of Sanitation, opened a new facility on the Queens side of the Newtown Creek. Waste Management handles the exit from our municipality of the putrescent or “black bag” garbage collected by the municipal DSNY. The company has been operating for several years out of an enormous facility on Varick Street in what should be called Bushwick, but is referred to in modernity as East Williamsburg.

At Varick Street, Waste Management and New York and Atlantic operate the so called “garbage train” along the Bushwick Branch of the LIRR. Now, in Queens, they are operating another garbage train out of the Blissville Yard and the newish Review Avenue Waste Transfer Station – which is across the street from Calvary Cemetery. Those green box cars in the shot above?

That’s the Garbage Train.

– photo by Mitch Waxman

DUGABO proper, the street where you’ll find the at grade crossings for the garbage train is appropriately called Railroad Avenue. To the west, you’ll find the Blissville Yard and the SimsMetal company. SimsMetal handles the recyclable materials collected by DSNY and others. To the east, you’ll find other new arrivals (new as in the last decade, which isn’t even yesterday to “historian me”) like Waste Managements “Green Asphalt” facility.

This little roadway alongside the Greenpoint Avenue Bridge has become a locus point for heavy trucks, literally thousands of heavy trucks loaded down with garbage, on a daily basis.

– photo by Mitch Waxman

The putrescent waste is processed at Waste Management, and loaded into these green boxes, which are then positioned onto rail cars. The garbage train(s) proceed eastward to the Fresh Pond yard. From Fresh Pond, they begin a long and circuitous journey which sees them leave Long Island via the Hell Gate Bridge and head north through the the Bronx via the Owls Head yard. Leaving NYC, they head most of the way to Albany, where another rail bridge allows them to cross the Hudson and enter the continent. Where they go after that seems to be a state secret, although I’ve been told that there are a series of tapped out coal mines in Pennsylvania and West Virginia which are gradually being filled back up.

Future archaeologists are going to love us, I tell you.

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