The Newtown Pentacle

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Posts Tagged ‘Pickman

mystery attacks

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Just a short one today.

– photo by Mitch Waxman

Recently, an excursion upon the fabled Newtwon Creek with the Anchor QEA folks (they’re the scientists studying the Creek for the Superfund process) and the Newtown Creek CAG Steering Committee (which I’m a member of) was cut short by threatening weather. Anchor has all sorts of frammistats onboard which warn them of the approach of lightning, and all the gizmos began to go off as a powerful thunderstorm was approaching. The shot above is from roughly 2.5 miles back from the East River, and depicts the DUGABO side of Brooklyn as the storm blew in. We made it back to dock, but not before the first curtain of rain and hail began to pummel the Creek.

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Upcoming Tours –

July 12th, 2015
Glittering Realms Walking Tour
with Newtown Creek Alliance, click here for details and tickets.

all signs

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All we have to fear is fear itself, and I’m pissing my pants.

– photo by Mitch Waxman

Like many Queensicans, when it was announced that this year’s July 4th fireworks would be taking place in the East River just off the coast of LIC, a humble narrator grew excited. Then one began to read about frozen zones (pretty much from 11th street to the East River) and homeland security. My enthusiasm for the event began to wane as the Terror Warriors descended from their Manhattan aeries, discussed throwing down cordons, announcing entry checkpoints, and throwing a cage over the entire neighborhood. One “gets it” of course, as our enemies from “east austral Asia” specifically target public events that draw media attention, which is the very definition of what the July 4th fireworks show is.

The thing is, and I’ve been pointing this out for years, is that there is very little actual “homeland security” going on the rest of the year around these parts, and the Terror Warriors spend most of their time in Manhattan offices dreaming up scenarios which could only be accomplished by Nation/States with vast combined weapon system resources and functionally unlimited budgets. If we were at war with the United States or the People’s Republic of China, for instance, I’d be pooping my pants.

– photo by Mitch Waxman

One is not so irresponsible to point the actual vulnerabilities out in any detail, as some moron out there might decide to exploit them (do your own research), but if you see graffiti along a train track or in a subway tunnel – that’s called time and opportunity. It should be impossible, literally, to sneak into a train yard or even get close to a moving train nearly two decades into the Terror Wars.

Problem is that our security personnel tend to focus on the outlandish notion that non state actors, who are basically mafiosos, can not only maintain but deploy complicated weapons systems that most nation states cannot even hope to possess. Jackass sappers like the Boston Marathon bombers, whose presence and intentions are THE real threat, just don’t fire the imagination or finger the purse strings of Congress.

It’s all a show, ultimately, designed to assuage the nagging truth that some jerk pulling the pin on a dud hand grenade while riding on the 7 train would be sufficient to shut the entire Subway system down for weeks while the Terror Warriors installed metal detectors and biometric sensors on every turnstile.

– photo by Mitch Waxman

I think I’m just going to go up on my roof this year on the 4th of July, photographing the fireworks at a distance from almond eyed Astoria. One is not interested in being part of a compacted herd of spectators, who are all potential suspects, in LIC. I’ll be out and about on the 5th of July, and will wager that I won’t see a single cop or security contractor protecting the vital infrastructure found hereabouts. To me, that’s terrifying.

The big show will be over by then, and the Terror Warriors will be worrying about space based laser systems at BBQ’s on Long Island and in Westchester County. They’ll muse whether or not ISIL has perfected a tractor beam that can pull asteroids down on targets (that’s called a mass driver, btw.) or developed a neutron bomb.

“follow” me on Twitter- @newtownpentacle

Upcoming Tours –

July 12th, 2015
Glittering Realms Walking Tour
with Newtown Creek Alliance, click here for details and tickets.

Written by Mitch Waxman

July 1, 2015 at 11:05 am

tricky twists

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Part of America’s Maritime Super Highway, Newtown Creek is.

– photo by Mitch Waxman

Some of my friends in the “human powered boating” community (kayakers, but they prefer the “human powered” nomen, and trust me on this – don’t argue with the kayak people, as they are kind of like a cult) had an event a couple of weeks back. Long Island City Boat House and Metropolitan Waterfront Alliance, and a few Queens based organizations including Green Shores, paddled from Anable Basin on LIC’s East River frontage over to North Brooklyn Community Boat Club on Newtown Creek in Greenpoint and they asked me to get shots of them doing so.

Me, I’m a maritime industrial guy. Kayak shots ain’t my kind of thing, but if a friend asks for a favor…

After capturing their departure from Anable Basin, I headed over to the Boat Club in Brooklyn’s DUPBO (Down Under the Pulaski Bridge Onramp) and along came the tugboat Dory. Whew, praise Superman.

– photo by Mitch Waxman

A 1978 vintage tug, Dory is owned by Coastal Gulf and Marine Transport of Syossett, New York. You can find out all the details on her prior owners, tonnage, and onboard capabilities at the excellent tugboatinformation.com site. Dory was towing an empty barge eastward along the barge, and I would hazard the guess – based on the sort of barge unit employed – that they were heading for either Brooklyn’s Allocco recycling or Queens’ SimsMetal recycling.

– photo by Mitch Waxman

The Kayak Crew arrived, and the sun set over DUPBO. Pictured above is the Pulaski Bridge, and as the North Brooklyn Boat Club folks acted hospitably towards their guests from the North the sky grew dark.

– photo by Mitch Waxman

Luckily, just as a humble narrator was packing up the lenses and camera, Dory returned and was towing a flat top barge while headed westerly towards the East River. Score!

As a note, it’s referred to as towing whether the tug is pushing or pulling.

– photo by Mitch Waxman

Also, as a note, this whole environmental craze – epitomized by a tree growing from the Brooklyn side of the fabled Newtown Creek – tends to be ruinous in certain shots. Freaking nature, occluding the Empire State Building. Bah!

“follow” me on Twitter- @newtownpentacle

Upcoming Tours –

July 12th, 2015
Glittering Realms Walking Tour
with Newtown Creek Alliance, click here for details and tickets.

Written by Mitch Waxman

June 30, 2015 at 11:00 am

public building

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Sunnyside Yard, in today’s post.

– photo by Mitch Waxman

Everybody always asks me how I get these shots, or about certain qualities in them. Simple answer is that I’m always experimenting with the camera, and when I come up with some protocol for “how to get this or that” my next move is usually to reverse it and see what happens.

How do you get to Carnegie Hall? Practice, my friend, practice.

The setting: Recently, an evening meeting carried one up the hill from the elluvial flatlands of Southern Astoria to the heights of the ridge which Sunnyside was built into. Between these two neighborhoods, there’s a former tidal swamp into which the Sunnyside Yard was embedded back in the first decade of the 20th century. Once the largest rail coach yard on earth, the Yard still hosts the busiest rail junction found on the continent, the so called Harold Interlocking. The busy part is due to the frequent passage of Long Island Railroad commuter rail trains, which share the switches and rails with Amtrak.

– photo by Mitch Waxman

The conditions: Sunset to the west, which I was going to be shooting right into. The weather was humid, and a bit misty. The point of view is surrounded by steel plated chain link fencing whose purpose is to deny observation of vulnerable infrastructure (I’m told that this fencing was installed during the first decade of the Terror Wars). One such as myself has a vast catalog of fence holes and gaps which are dearly held, and since my meeting in Sunnyside would carry one past an entire series of these occluded viewpoints, a point was made to pocket one of my lenses small enough to fit into while leaving HQ. I also brought some chewing gum, but that’s not important.

My “good lenses,” which are used in particularly high rotation, have a circumference too large for these cracks in the walls around the Sunnyside Yard – so a “decent” lens which has a decidedly smaller diameter was employed.

– photo by Mitch Waxman

The “decent lens” mentioned is the so called “nifty fifty” offered by Canon. It’s far and away my most inexpensive tool, and allows wide open apertures which would make it handy for night time shots but for its persnickety focusing mechanics. The term for what it does, autofocus wise, is called “hunting.” What that means is that it noisily rolls through the range of focus and never quite settles itself into a lock. My usual habit with this sort of thing is to use autofocus to “get it close” and then switch the thing over to manual focus for final adjustment.

The optic formula of the lens also renders things a bit less “contrasty” than I’d like, but you can’t really complain about camera equipment which retails for around a hundred bucks – especially when it fits through fence holes.

– photo by Mitch Waxman

The methodology: For those of you not in the know, as to how cameras and lenses work – a “bright lens” will allow you to operate it at wide apertures (f1.8 in the instance of the nifty fifty). Wide apertures create a tremendous “depth of field” effect, which means that the area which is in focus will appear sharply delineated and everything else will be blurred. Higher aperture settings – the “f-stops” as it were – will create a hyperfocal range in which everything in frame will be sharply defined. The lower the “f-stop” the more light enters the camera, and the higher ones allow less light to get to the sensor. You balance the shot using shutter speed and ISO settings. Night shots and interior spaces require you to use the lens “wide open,” with slow shutter speeds, and higher ISO settings – all of which introduce certain quality issues to the captured image.

The shots in today’s post were consciously captured with the desire to have “everything” in focus, with a minimum of motion blur as well, and to record a full range of color and tone. Difficult to do with the sun behind the scene, and in a setting where everything is made of contrasting reflective surfaces.

My formula was to actually reverse my night shooting protocol on 2/3rds of the exposure triangle, using a very narrow f-stop and fairly fast shutter speed, but with a high ISO setting for tone and color sensitivity (f10, 1/1250th of a second, ISO 800). Sometimes, particularly during the summer, the problem isn’t that there enough light – there’s actually too much of it and some methodology needs to be employed to control it. Experimentation and failure often emanate from screwing around with your normal shooting habits, but sometimes it pays to mix things up a bit.

“follow” me on Twitter- @newtownpentacle

Upcoming Tours –

July 12th, 2015
Glittering Realms Walking Tour
with Newtown Creek Alliance, click here for details and tickets.

idly digging

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Another odd occult altar encountered, this one in Maspeth.

– photo by Mitch Waxman

Involuntarily marching about in Queensican DUKBO (Down under the Kosciuszko Bridge Onramp) recently, on my way over to East Williamsburg to conduct an iteration of the “Insalubrious Valley of the Newtown Creek” walking tour, an occult altar was encountered not far from the bridge. It was at the grade crossing of the Haberman rail siding, nearby the intersection of 49th street and 56th road in Maspeth.

– photo by Mitch Waxman

This area has been observed, in the past, hosting some odd activity. The very same spot is where the “3 Headless Chickens” described in this 2012 post were found.

– photo by Mitch Waxman

The ceramic plate was filled with what looked like corn meal or some other roughly ground grain. The liquor bottle was white rum, and there was a considerable amount of the stuff in the bottle. The fact that it hasn’t been scooped up and consumed is noteworthy.

– photo by Mitch Waxman

The eight arranged dark shapes seemed to be yams or sweet potatoes. There was some sort of shape impressed into the “corn meal” which reminds me of some skinny or tiny person’s naked butt, or possibly those tablets which Moses brandished about.

Entirely likely that there’s a missing piece to this altar which was swept aside by rail traffic passing over it, imho.

“follow” me on Twitter- @newtownpentacle

Upcoming Tours –

July 12th, 2015
Glittering Realms Walking Tour
with Newtown Creek Alliance, click here for details and tickets.

Written by Mitch Waxman

June 25, 2015 at 11:00 am