The Newtown Pentacle

Altissima quaeque flumina minimo sono labi

Archive for September 2012

ruined palaces

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– photo by Mitch Waxman

Attempts to “take it easy” for a week or two at the end of the summer, coupled with the puzzling virus which hampered all egress to joy, have left your humble narrator in a state of quivering misery. Downtrodden by vast physical inadequacies, failing organs, and a certain sense of ennui- nowhere is nepenthe to be found. Truly- I’m all ‘effed up. Crises, both existential and supranormal, abound.

from wikipedia

Within the framework of the post-Classic cycle of thirteen katuns (the so-called ‘Short Count’), some of the Yucatec Books of Chilam Balam present a deluge myth describing the collapse of the sky, the subsequent flood, and the re-establishment of the world and its five world trees upon the cycle’s conclusion and resumption. In this cosmic drama, the Lightning deity (Bolon Dzacab), the Earth Crocodile (Itzam Cab Ain), and the divine carriers of sky and earth (the Bacabs) have an important role to play. The Quichean Popol Vuh does not mention the collapse of the sky and the establishment of the five trees, but focuses instead on a succession of previous mankinds, the last of which was destroyed by a flood.

– photo by Mitch Waxman

A very bad thought, the sort of tormenting suspicion which instructs and informs madness, infects my mind. There are certain questions which should never even be asked, lest they be answered. Forbidden knowledge is prohibited for a reason, there are some things you cannot unlearn- like what the term “sediment mounds” connotes. The actions of others, with their unknowable motivations, rain random and unpredictable consequences into my days.

from wikipedia

There is a long philosophical and scientific history to the underlying thesis that reality is an illusion. This skeptical hypothesis (which can be dated in Western thought back to Parmenides, Zeno of Elea and Plato and in Eastern thought to the Advaita Vedanta concept of Maya) arguably underpins the mind-body dualism of Descartes, and is closely related to phenomenalism, a stance briefly adopted by Bertrand Russell. In a narrower sense it has become an important theme in science fiction, and recently has become a serious topic of study for futurology, in particular for transhumanism through the work of Nick Bostrom. The Simulation Hypothesis is a subject of serious academic debate within the field of transhumanism.

In its current form, the Simulation Argument began in 2003 with the publication of a paper by Nick Bostrom. Bostrom considers that the argument goes beyond skepticism, claiming that “…we have interesting empirical reasons to believe that a certain disjunctive claim about the world is true”, one of the disjunctive propositions being that we are almost certainly living in a simulation. Bostrom and other writers postulate there are empirical reasons why the ‘Simulation Hypothesis’ might be valid. Bostrom’s trilemma is formulated in temporal logic as follows:

“A technologically mature “posthuman” civilization would have enormous computing power. Based on this empirical fact, the simulation argument shows that at least one of the following propositions is true:

The fraction of human-level civilizations that reach a posthuman stage is very close to zero;

The fraction of posthuman civilizations that are interested in running ancestor-simulations is very close to zero;

The fraction of all people with our kind of experiences that are living in a simulation is very close to one.

If (1) is true, then we will almost certainly go extinct before reaching posthumanity.

If (2) is true, then there must be a strong convergence among the courses of advanced civilizations so that virtually none contains any relatively wealthy individuals who desire to run ancestor-simulations and are free to do so.

If (3) is true, then we almost certainly live in a simulation.

In the dark forest of our current ignorance, it seems sensible to apportion one’s credence roughly evenly between (1), (2), and (3).

Unless we are now living in a simulation, our descendants will almost certainly never run an ancestor-simulation.”

– photo by Mitch Waxman

Instead of allowing the intangible to complicate an already tenuous circumstance, and in the name of the annual “it’s September, so time to double down on the work” season, your humble narrator is retreating to the Creeklands. This is, after all, where one such as myself belongs- amongst the discarded and the decayed.

A long black raincoat hangs in my closet, awaiting the coming of another equinox, here in the Newtown Pentacle.

from wikipedia

In the near future, anthropogenic extinction scenarios exist: global nuclear annihilation, overpopulation or global accidental pandemic; besides natural ones: bolide impact and large scale volcanism or other catastrophic climate change. These natural causes have occurred multiple times in the geologic past although the probability of reoccurence within the human timescale of the near future is infinitesimally small. As technology develops, there is a theoretical possibility that humans may be deliberately destroyed by the actions of a nation state, corporation or individual in a form of global suicide attack. There is also a theoretical possibility that technological advancement may resolve or prevent potential extinction scenarios. The emergence of a pandemic of such virulence and infectiousness that very few humans survive the disease is a credible scenario. While not actually a human extinction event, this may leave only very small, very scattered human populations that would then evolve in isolation. It is important to differentiate between human extinction and the extinction of all life on Earth. Of possible extinction events, only a pandemic is selective enough to eliminate humanity while leaving the rest of complex life on earth relatively unscathed.

20th annual Great North River Tugboat Race

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Last Sunday, the race was run on the Hudson River. Your humble narrator was onboard the “officials” boat and the following slideshow is what was captured on the day of. How’s that for a “Maritime Sunday”?

doorless corridor

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– photo by Mitch Waxman

I’ve probably been walking past this sign for better than a year. Never actually took the time to notice it, let alone grab a shot or two. Just the other day, a casual glance caused me to register its message and delightful usage of the English language, and frozen in his tracks was a humble narrator. I can almost work out the accent of the guy who made this sign.

– photo by Mitch Waxman

To start with, I really like the idea of an inconvenience station, even if it is spelled in a rather creative fashion. Not only is the idea of a centralized location wherein one may be inconvenienced an extremely New York City sort of thing, and especially a “Queens thing”, but this might be a great- albeit “temperory”- addition to the new Queens Plaza.

Written by Mitch Waxman

September 8, 2012 at 12:15 am

Things to do…

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– graphic from newtowncreekarmada.org

What are you kidding, as if I wouldn’t be drawn to this like a lemming?

Can’t tell you how many emails I received this week asking if I’d be attending this event. Nate Kensinger and Sarah Nelson Wright are friends, and I think I’ve met Laura Chipley a couple of times as well. This is such a neat idea, and it will be playing out at the Newtown Creek Wastewater Treatment Plant Nature Walk on Paidge Avenue in Greenpoint.

“The Newtown Creek Armada will be open 1-4pm on Saturday and Sunday this weekend, weather permitting.”

They’ve even posted a sample video from their testing period here.

A

from newtowncreekarmada.org

The Newtown Creek Armada is an art installation that invites the public to explore the past, present and future of a contaminated New York City waterway. The Newtown Creek, a Superfund site bordering Brooklyn and Queens, is one of the most polluted bodies of water in the United States. Visitors to The Armada will pilot a fleet of artist-made, miniature, remote-controlled boats along the surface of the Newtown Creek while documenting the hidden world of its waters using waterproof cameras and microphones.

– graphic from forgotten-ny.com

Your humble narrator will not be able to attend this week’s Forgotten NY tour, unfortunately, as I’ll be conducting a Newtown Creek Tour for a group of students from Cornell. Why not spend some time with the intrepid duo of Kevin Walsh and Richard Melnick, who will be marching through DUMBO?

“Meet outside York Street IND station on Jay Street near York, DUMBO, 12 noon, Sunday, September 9th.
Beginning in the late 1990s, the dark, Belgian-blocked streets between the Brooklyn and Manhattan bridges, commonly known asDUMBO, or “Down Under the Manhattan Bridge Overpass” were transformed into a vibrant neighborhood with pricey condominiums, delis, hardware stores, pizzerias, and even gourmet chocolatiers.”

Check back on www.astorialic.org or www.forgotten-ny.com for developing tour details.

Fee: $15.00 to GAHS members, $20.00 non-members (rain date Sept 16

RSVP to info@astorialic.org or fny@astorialic.org.

– photo by Mitch Waxman

Finally, the Working Harbor Committee is conducting a fundraiser at Pier 66 Maritime, West 26th Street & Hudson River, New York City on Wednesday the 12th of September (6 pm to 8:30 pm). All proceeds from the event will assist the Working Harbor Committee in fulfilling its mission to educate residents, visitors and youth on the vitality and importance of our working harbor and help fund its educational programs to introduce youth to opportunities in the maritime world.

The Special Honoree of the party will be Andrew Genn- Sr. Vice President, Ports & Transportation, New York City Economic Development Corporation. The award will be presented by Helena Durst, President of New York Water Taxi and Circle Line Downtown.

This will be a party, not a boat ride, it should be mentioned. A great opportunity to meet some of the movers and shakers on New York Harbor, let your hair down and have a drink or two, and it benefits a great non profit operation. Click here for tickets.

max impact

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– photo by Mitch Waxman

Moving through the squamous and tourist choked streets of accursed Lower Manhattan, and heading for a rendezvous with a boat trip at South Street Seaport, a rhythmical thumping began to filter through my headphones.

The closer I got to Pier 16, the louder it became, and that’s when I encountered Max Impact.

from usafband.af.mil

Max Impact is the premier rock band of the United States Air Force. Commissioned in 2005, the band’s seven members perform exciting original music, rock, country, patriotic favorites as well as classic and current pop hits. In addition to entertaining military and civilian audiences in the United States, Max Impact has thrilled troops with their hard-rocking energy and amazing musical versatility at forward deployed locations including Iraq and Afghanistan.

– photo by Mitch Waxman

A military band, Max Impact was playing a medley of rock anthems to an interested crowd of European and Chinese tourists which didn’t quite know what to make of a group of American military personnel performing Journey’s “Don’t Stop Believing”.

Your humble narrator too, found this a bit odd, but no less so than any of the other bizarre allocations that my tax dollars go to.

also from usafband.af.mil

Technical Sgt. Matthew R. Geist is a guitarist with Max Impact, The United States Air Force Band, Washington, D.C. In addition to his performing duties, he serves as music director for his flight. Originally from Chicago, his career in the Air Force began in 1995 when he served in the Band of the West, Lackland AFB, Texas. From 2004-06 he served with the Band of Liberty, Hanscom AFB, Mass.

– photo by Mitch Waxman

They were actually pretty good- technically precise- in the manner of studio musicians. They didn’t miss a beat, and were perfectly in tune with each other. Of course, this is what soldiers do. Max Impact is officially part of the United States Air Force Military Band.

It seems there are several “units” within the band, specialized into music genre or style operations- classical, jazz, country etc.

also from usafband.af.mil

Master Sgt. Shani Prewitt is a vocalist with the Max Impact, The United States Air Force Band, Washington, D.C. In addition to her performance duties, Sergeant Prewitt is the assistant noncommissioned officer in charge of the Singing Sergeants. Originally from Staunton, Va., her career in the Air Force began in 1990.

Before joining the Air Force, Sergeant Prewitt was a vocalist at Kings Dominion, Busch Gardens, Opryland and Disneyland.

– photo by Mitch Waxman

A little online research afterward revealed that this unit performs for troops deployed oversea and here at home, and seems to be particularly popular with front line soldiers. In the case of the Air Force, front line means their Special Operations tactical units (analogous to other Special Forces like the Green Berets or Seals in the Army or Navy).

from usafband.af.mil

Master Sgt. Ryan L. Carson is a vocalist with Max Impact, The United States Air Force Band, Washington, D.C. In addition to his performance duties, Sergeant Carson is the Air Force District of Washington/11th Wing protocol liaison for the Band’s Outreach office. He is originally from Rapid City, S.D.

A 1999 graduate of the University of Wyoming, Sergeant Carson earned a Bachelor of Music degree, specializing in voice performance. While there, he garnered a first place award at the Colorado/Wyoming National Association of Teachers of Singing Competition, and was also named Outstanding Male Vocal Jazz Soloist at the University of Northern Colorado Jazz Festival. Sergeant Carson was also a Distinguished Graduate and Commandant Award Finalist at the Non-Commissioned Officers Academy in 2003.

– photo by Mitch Waxman

They went from playing pop music over to their own compositions, which were a bit edgier.

You already paid for them, so might as well download a sampling of Max Impact’s recordings, which can be accessed at this page

additionally, here’s a Max Impact video produced for the Air Force Special Operations Command (AFSOC.)

Written by Mitch Waxman

September 6, 2012 at 12:15 am