St. Patrick R.C. Church
Tuesday
– photo by Mitch Waxman
A few blocks away from St. Stanislaus Kostka Roman Catholic Church, which Our Lady of the Pentacle and myself got to visit on a walking tour of Pittsburgh’s Strip District offered by the ‘Doors Open Pittsburgh’ organization, is another church called St. Patrick’s. It has an interesting history, one which is detailed at this site.
I was struck, while our guide was describing the place to us, by the accoutrements. Sculpture and stained glass were everywhere, as were several oil paintings of important former Vicars and Priests. The Pieta pictured above was particularly well sculpted, in my opinion.
– photo by Mitch Waxman
I once did a comic that involved the Angels, using Sammael/Lucifer and Michael to fight back an analogous form of Cthulhu, but I interpreted them through a superheroic and pop cultural lens. I’m thinking that’s the Archangel Michael pictured above, as interpreted in the form of stained glass. Patrick is one of the Saints I’ve never seen rendered up like a medieval soldier with wings, which is conventionally how you see Gabriel or Metatron or Michael represented, instead it’s mostly bishop or monk robes for him. The rendering above is a bit more ‘Bible compliant’ than most of the Catholic art related to the Sons of Fire (men are the Sons of Clay), with the multiple sets of wings set into a roundish shape. Read the Book of Ezekiel if you want to know more about that description of God’s Squad.
If this Angel business is a topic that you have any sort of scholarly interest in, there’s an amazing set of books by a fellow named Jeffrey Burton Russell which explores the development of Christian philosophy from prehistoric times into the modern era. The conceit used is eminently Zoroastrian in nature – as in you cannot perceive the light without studying the shadows – so Russell focused in on what individual cultures during the various eras described as being tempting evil to discern what heights they aspired to instead. Russell’s bibliography includes ‘Satan: The Early Christian Tradition (1981),’ ‘Lucifer: The Devil in the Middle Ages (1984),’ ‘Mephistopheles: The Devil in the Modern World (1986)’ and others. Fully footnoted in both Latin and Greek, I would mention. Great stuff.
– photo by Mitch Waxman
The stairs at the bottom of the shot above are a ‘Scala Sancta’ or Holy Stairs, which congregants are meant to ascend only on their knees. This is the ‘sacred space’ chapel area, which is remarkable for its unadorned and plain nature. Normally, Catholic spaces I’ve visited in the United States are more like St. Stanislaus Kostka – ornate and somewhat baroque with paintings and sculptures everywhere. This sort of chapel reminds me of small village churches I’ve seen in Europe.
Back tomorrow.
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St. Stanislaus Kostka R. C. Church
Monday
– photo by Mitch Waxman
That’s the… what do you Goyem call it… altar? The stage? I don’t know, but it’s the centerpiece and point of focus at Pittsburgh’s St. Stanislaus Kostka Roman Catholic Church. My grandmother would have referred to the statuary depicting the crucified Christ rising above a scale model of Rome’s St. Peter’s Basilica at the Vatican simply as “Yuyzel on da cruss.” What can I tell you, I grew up Jewish.
I’ve visited this ‘sacred space’ before, but this time around I was on a walking tour of the surrounding strip district offered by the ‘Doors Open Pittsburgh’ outfit and I got to linger and take a really good look at the place.
– photo by Mitch Waxman
This sculpture caught my attention just because there’s so much going on in the composition. Whom I would presume to be Mary is holding a baby I would presume to be Jesus, and offering the Rosary to the damned. I’m sure that every hand posture and facial expression has some allegorical meaning, as that would be ‘very Catholic.’ It was located behind the rack of votive candles, if that means anything. It probably does.
One of the Lay people who care for the church spoke to our group of lookie loos and detailed the history of the centuried congregation and it’s many trials that have included catastrophic floods and nearby industrial explosions. I couldn’t get a decent shot of the mural on the ceiling vault, which depicts John Sobieski and the boys arriving in Vienna to kick some Turk ass. For those not familiar with the battle, it’s what Tolkien based the ‘Charge of the Rohirim’ at Helms Deep on in his Lord of the Rings epic.
– photo by Mitch Waxman
On our way back out to the street, and we had to leave in an expeditious fashion as the Church’s Priest had appeared in vestment, with a large family in tow and they were preparing to christen a new baby. If you’re ever in Pittsburgh, definitely put this jewel of a church on you list to visit. Pope John Paul 2 did, so why not you?
As a note, I’ve actually done a bit of research on the ritual of Baptism in the past and it is positively ancient. The Canaanites were basically fire worshippers, being connected to the religions of the Phoenicians as they were – with Baal as the central godhead and ritual sites found on the hilltops in wilderness areas – so it’s unlikely that the proto Hebrews picked it up from them. Theoretically, Baptism became part of the portfolio about the same time that Angels first became part of the story, during the ‘Babylonian Captivity.’
Back tomorrow.
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The very air
Friday
– photo by Mitch Waxman
The light is very different here in Pittsburgh, with its river valley atmospherics, than the skies that I used to experience back in the oceanic climes of NYC. It’s been mentioned a few times here, the volatility and changeability of Pittsburgh’s weather. Apparently, it’s the interaction between the flat plains of Ohio and Pittsburgh’s location in the foothills of the Appalachian range, coupled with the corduroy riverine terrain which generates the dynamics above. It could be gray, then raining, then bright sun, and then overcast again all within a couple of hours.
Observationally, Pittsburgh’s specific location is one that causes most of the truly severe weather just blow around it (so, meteorological kudos to George Washington). 50 miles north or south, they’re getting blasted with snow or even tornadoes, and in Pittsburgh it’s just drizzling. I’ve apparently gotten lucky in terms of the move, as this year had a mild enough winter that the TV news meteorologist people have commented on it.
– photo by Mitch Waxman
Thing is, and you may have noticed this in the last few months, is that the sky here is a distinct part of the setting, so I’ve been making it a point of exposing the images in a manner designed to capture the circumstance. Back in NYC, if you wanted to ‘place’ an image it was just a matter of getting a landmark like the Empire State Building in it and no matter what the subject was, the visual subtext indicated ‘NYC.’
I’m working under the theory right now that Pittsburgh’s ‘Empire State Building’ which ‘sets the place’ is the sky itself, with its dynamic stacks of clouds and omnipresent turbulence. When we first moved here, one of the new neighbors advised that Vitamin D supplements would be advisable, given that on average – 2 out of every 3 days in the Pittsburgh region are at least partially overcast. The locals complain about experiencing ‘SAD’ or ‘Seasonal Affective Disorder’ due to a lack of radiate exposure to the burning thermonuclear eye of god itself, and that these supplements help vouchsafe one against the phenomena.
– photo by Mitch Waxman
In general, you’re a lot closer to the sky in this part of the country than you are down on the coastline. The first shot in today’s post depicts UPITT’S Cathedral of Learning in the Oakland section, the second is from the Strip District along the Allegheny River, and the one above was captured while onboard a boat navigating the Monongahela River during a period of fairly heavy rain.
In all three shots, what caught my eye was the sky vault itself, rather than the arrangements along the ground. I don’t know, maybe it’s my imagination. Is any of this real? Where am I? Maybe I’m on a ventilator somewhere and this is all just some fantasy that’s playing out while my brain is dying. Who can tell?
Back next week with more.
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I miss my Tonka trucks
Thursday
– photo by Mitch Waxman
Ok, one more from that long walk, an ‘odds and ends’ post. While walking off Pittsburgh’s Liberty Bridge towards the T Light Rail and my ride back to HQ, I noticed that the action at the concrete factory below me had ceased operations for the day and their equipment was sitting there lit up all pretty like by the burning thermonuclear eye of god itself. Couldn’t resist.
– photo by Mitch Waxman
Wouldn’t it be great to have a crane as your second car? Easy to park, when you think about it, a crane is. If you can’t find a spot, you can make one by hoisting somebody else’s wheels out of the way.
– photo by Mitch Waxman
Just as I was walking over to the T to get back to HQ, the light began to bounce around inside the steel of the Liberty Bridge which I had just walked over. Fun walk, this one was.
Back tomorrow.
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Where, when, what, why, and how
Wednesday
– photo by Mitch Waxman
Welcome to the penultimate post to come out of a fantastic afternoon’s walking experience in Pittsburgh. This one began when a humble narrator debarked the T light rail at its terminal stop on the City’s North Side and marveled at a series of on-ramps. I had crossed the triangle, and was midway across the Liberty Bridge on my way back to another T station on the South Side of the Monongahela River at Station Square.
Thereby, that’s the ‘where.’
The light was absolutely fantastic. It was the 25th of April, a Tuesday. At just about 5 p.m., so that’s the ‘when.’
– photo by Mitch Waxman
The ‘what’ is a little more complicated, but suffice to say that a bit of a constitutional walk was required. As is my habit, the camera was clutched in my hand. This walk saw me bring a lens out of retirement, my Sigma 18-300mm. It’s a ‘crop sensor’ lens, meaning that on my ‘full frame’ camera, I’d be throwing away about 35% of the image and making minor sacrifices in terms of image quality here and there.
Saying that, I’ve really missed this ‘one lens to rule them all’ kind of setup. It’s really nice to be able to go wide to telephoto without having to fiddle about.
– photo by Mitch Waxman
‘Why’ I was using this piece of glass is simple, or rather its simplicity. When I moved my camera operations over from the trusty Canon 7D which I’d been carrying for about a decade to the R6 Mirrorless model I now use, most of my collection of lenses went into the cabinet along with the 7D body. The new camera uses the ‘RF’ Mount, which Canon has not licensed any Third Parties like Sigma to manufacture for. Canon is obviously trying to make as much as they can off we users, but…
Whereas most of the RF glass Canon has released is kind of miraculous, it’s also set at price points that would make even Apple blush. Even worse, most of the stuff they’ve been putting out is aimed squarely at a) wedding and portrait and b) sports photographers. I really don’t need a 6 pound, 13 inch long 100-300mm lens that costs $9,500 to do Newtown Pentacle and if I did need that sort of reach/capability for a gig or something – I’d rent it.
– photo by Mitch Waxman
‘How’ is fairly easily accomplished on the R6, you just change the crop settings in one of the menus and the camera does the rest. I can also shoot squares, or HD TV formatted images using that menu. I have a few ‘native lenses’ that I use all the time which are RF mount – a 24-105mm, a 35mm, and an 85mm. I’ve got an extremely old 70-300mm consumer level lens which I attach to the camera via the usage of an adapter – the same thing I use for any of my EF mount lenses. The 70-300 is pretty unreliable though, and it’s autofocus was crap out of the box when I bought it years ago. After a piss poor performance by the thing recently, I decided that when I need the extra reach or it’s just a ‘photowalk day’ when I’m not trying to get all artsy fartsy the far more reliable Sigma is my ‘go-to.’
That’s the Panhandle Bridge which the T is riding on.
– photo by Mitch Waxman
I’ve been riding this T service a lot, especially on days when I want to keep all my options open. Maybe stop at a bar & inhale a pint, that sort of thing. Stuff I can’t do when I’m driving, basically. Also, I really don’t want to be a ‘car guy’ all the time. Gotta keep scuttling.
Also, as I’ve been quoted saying a million times: ‘you can’t see anything when you’re inside of a vehicle. Even a bike is moving too fast. You need to walk in Cities. Feel them, catch their vibe.’
– photo by Mitch Waxman
The icing on my photowalk cake was finally finding a POV for the Norfolk Southern tracks, which is from the Liberty Bridge. I’ll admit to stopping my forward movement for about 15 minutes, and nearly jumping for joy when I heard it coming from the other side of the tree line. These tracks are on a shelf carved into Mount Washington. I’ve gotten shots from the ground of this scene which I’ve shown y’all in the past.
I feel like I’m starting to catch the vibe here now. Back tomorrow.
“follow” me on Twitter- @newtownpentacle
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“In the Shadows at Newtown Creek,” an 88 page softcover 8.5×11 magazine format photo book by Mitch Waxman, is now on sale at blurb.com for $30.
The Newtown Pentacle 