Archive for the ‘Pickman’ Category
avoided acquaintenances
Taking chances, with the Vampires of Queens Plaza.
– photo by Mitch Waxman
As mentioned in past postings, the “thing” which I’m currently into is taking photos at night. On Tuesday last, one attended a meeting of the estimable Hunters Point Civic group in LIC, and joined with some friends for a few drinks afterwards. A humble narrator had brought along a tripod and a few other pieces of required gear for low light and long exposure work, and after bidding adieu to the lords and ladies of Tower Town headed off in the general direction of Astoria.
It was well after midnight, which is the interval during which the vampires known to inhabit the overhead steel rafters of the elevated subways and bridge off ramps of the Court Square and Queens Plaza zones are off making their nightly attempt on the Blood Center over on Vernon, so I liked my odds of not being exsanguinated.
– photo by Mitch Waxman
These sort of shots sound a lot simpler to produce than they actually are. The biggest issue one encounters in this sort of pursuit has nothing to do with the photography angle, actually, it’s the management and “carry” of all the various bits and bobs. The lens I use for this sort of shot is inappropriate for general low light usage, so first there’s a changing of the glass. The tripod I have is pretty manageable, but is still a heavy and clumsy thing that needs to be unfolded and deployed. There’s also a wired cable release that needs to be attached to the camera, which can be quite “fumbly.”
You also have to factor in the fact that – for some of the people inhabiting Queens – spotting somebody carrying a camera around seems to have the same effect on them as witnessing somebody carrying an assault rifle. As a note, in at least one instance, the street pictured above is the cinematic setting in which Bruce Wayne’s parents were shot and killed, giving birth to the Batman of Gotham.
– photo by Mitch Waxman
For years, one has been working on whittling down the “night kit.” I’ve got two versions of it which I carry, one which is designed around handheld and high ISO shots. That involves so called “bright lenses” which have wide apertures. The vast majority of night shots I produce use this particular toolkit, but the image quality in those shots is degraded due to the noise and grain inherent to the approach. Saying that, if I want to “freeze” motion, that’s the way to go.
The shots in today’s post were produced using a “dark lens” (and the forementioned tripod) which was set to fairly narrow apertures and the lowest ISO settings which my device offers. The exposures are in the 20-30 second range, with field adjustments for lighting temperature and other factors dialed in on a case by case basis.
– photo by Mitch Waxman
One of the things I like about the long exposure stuff is the way that it captures a longer interval of time than the traditional fractional slivers of reality afforded by daylight. When the exposure is 1/1000th of a second, you can freeze the motion of a bird’s wing or capture the dripping of water. You also run into a portraiture problem, however, and need to be concerned with the capture of “micro expressions.” Shoot at a fast shutter speed and you’ll soon learn that people don’t necessarily blink their eyes in tandem and often make odd shapes with their mouths when speaking.
Long exposure work smooths all that out, but also introduces its own set of quirks.
– photo by Mitch Waxman
The red and white streaks, even the ghostly afterimage of the automobile at the right hand side of the shot above, are typical of the pursuit. For the thirty seconds or so that the cameras shutter was open, vehicles and all sorts of moving objects pass in front of the lens, leaving behind spectral trails. Those thirty seconds are also hellacious for the humble narrator standing behind the setup, as a note, as he twists his neck around constantly scanning for approaching threats.
You’ve got all of these angry drivers whizzing around, vampires stalking from above, and drunken humans stumbling about staring at their little rectangles of glowing glass.
– photo by Mitch Waxman
“Like the sea, Queens is eternal and we are just the latest people passing through it” or “all is transitory,” you can ascribe whatever high falutin artsy fartsy phraseology to the shots in today’s post that you’d like to for all I care. In a gallery space you’d need to talk “art,” which usually means the usage of that sort of language. To me, everything is just a challenge.
This section of Jackson Avenue, leading out of Queens Plaza towards the transmogrification point where it becomes Northern Blvd. is the worst part of the Vampire infestation, as a note. You want to be very careful around this darkest section of the “Carridor,” lest you be snatched up and inculcated into the pallid horde.
– photo by Mitch Waxman
One thing that I’d mention are the bits of gear which haven’t been described. It was literally freezing, temperature wise, when these shots were captured, and it was well after midnight. One was insulated in the normal fashion with a hooded fleece sweatshirt, buttoned up filthy black raincoat, and gloves. Even with these precautions, it was freaking cold. Luckily, my tripod has a couple of foam grips on it, but handling it drained the blood from my fingers on every setup.
Given the vast physical repulsion people generally manifest in response to me, I wasn’t carrying a rape whistle.
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private collector
These pants are too tight.
– photo by Mitch Waxman
As mentioned in prior posts this week, a walk over to the Bushwick side of the fabulous Newtown Creek was recently endeavored upon. As I often mention, this time of the year is never a good interval for a humble narrator, who often finds himself staring out the window wishing that it wasn’t quite as rainy or snowy or cold as the winter season typically is in New Yrok City. Atmospheric hurdles notwithstanding, one nevertheless found himself standing on the Scott Avenue footbridge over the Bushwick Branch tracks contemplating his problems while capturing a lovely winter sunset on a chilly night.
As a note, that’s the garbage train you see on the tracks below. By garbage, I mean the “black bag” or “putrescent” waste stream, which is containerized up by the Waste Management company at a couple of spots along Newtown Creek, and which will be “disappeared” out of the City by a rail outfit called the New York and Atlantic.
– photo by Mitch Waxman
The other day, in a post congratulating the Grand Street Bridge on its 115th birthday, I mentioned the Grand Avenue Bus Depot in Maspeth but didn’t show it. The shot above rectifies that, and it’s one of the few times that I’ve grabbed a shot of the place without being hassled by MTA’s “rent a cop” security. I don’t argue with the septuagenarian security guards there anymore, instead I write complaint letters to MTA HQ in Brooklyn, asking about exactly when the MTA decided it was kosher to abrogate my rights.
I’m becoming quite crotchety in my old age.
– photo by Mitch Waxman
Buses have been increasingly focused on in recent months for one reason or another. Like a lot of the other municipal stuff which we are surrounded by, these vehicles pass by unnoticed and uncommented. They sort of blend into the background of the City and roll on by. I’ve become fascinated by them, in the context that buses are basically giant boxes of light moving along the darkened streets of the hive, and can be somewhat difficult to photograph. I like a challenge.
That’s the Q104, heading east along Astoria’s Broadway. As is the case with many of the bus routes of Queens, a part of the Q104’s replicates that of an old and forgotten trolley route. For the modern day residents of Astoria, myself included, it’s provides a vehicular connection to the Costco retail operation next door to Socrates Sculpture Garden.
– photo by Mitch Waxman
That’s the Q102 on 31st street in Astoria, another line which I’ll periodically use when I’m returning from Newtown Creek and lazy sets in while I’m marching up Northern Blvd. About 800 million rides occur on MTA’s roughly 5,700 buses annually. Depending on the model of bus, which have an average life span of about 12 years on the streets of New York City, MTA pays out anywhere between $450,000 and $750,000 for EACH one of its diesel buses, and the hybrid models pictured above can add about $300,000 to the price tag for a new unit. You read that right, btw.
A lot to spend on a big box of light, no?
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luring skylines
Only the lonely…
– photo by Mitch Waxman
Girt in filthy black outer wear, with camera dangling, recent endeavor found a humble narrator scuttling in the general direction of Bushwick from Astoria. Crossing the Newtown Creek at just the right spot is critical, as the various street grids of the ancient communities which surround it are often at odds with each other and can be described as dangerously heterogenous. Walk over the wrong bridge and you could have easily added a half hour to the journey.
In the case of walking from Astoria to Bushwick, the best path to follow is actually one through Sunnyside, Woodside, and Maspeth. You want to aim yourself at the Grand Street Bridge, where you’ll get a nice view of the Koscisuzcko Bridge if you get there at the right time of day.
– photo by Mitch Waxman
Using knowledge of the old municipal grids which signified the borders of the independent towns and villages, one threw himself inexorably south and east. Crossing the former Thomson Avenue, now called Queens Blvd., nearby its intersection with Greenpoint/Roosevelt Avenue vouchsafed me passage out of the street pattern of the Middleburgh section of Long Island City now known as Sunnyside. The natural turn one would make at this point is about ten blocks eastwards at 58th street nearby the so called “Big Six” buildings, which is less than pedestrian friendly and visually “meh.”
– photo by Mitch Waxman
Instead, one cut through the funereal properties of the Roman Catholic Church called “Second Calvary Cemetery,” a path which guaranteed one a bit of quietude and solace. One always feels at home amongst the tomb legions, for their condemnations and judgment are always silent. There are four Calvary Cemeteries, by the way, which share common supervision under an organization called “the Trustees of Old St. Patrick’s cathedral.” The local manager – over the groundskeepers, interments, office, and all other existential issues is provided by a fellow named Joe.
– photo by Mitch Waxman
As is the case with many cemeteries in Queens, a highway bisects the property. In this case, it’s the Brooklyn Queens Expressway, and although the local street below it has no street signs or other demarcations – it’s Laurel Hill Blvd. The Calvary’s on the southern extent of the highway are Calvary #’s three and four. You end up on 58th street anyway, at the end of this street, where a southern or right turn is exacted. You’re still in Woodside at this point, incidentally.
The sidewalks stop about halfway between 58th street’s two corners, and it’s a long block between the BQE and the Long Island Expressway, I tell ya, and there ain’t no sidewalks for most of it.
– photo by Mitch Waxman
Along 58th, on the east side of the street, is Mount Zion cemetery. Third Calvary is across the road, on the west side. Mount Zion is a Jewish cemetery, and was primarily set up for folks who lived on the crowded Lower East side of lower Manhattan. This graveyard uses every possible square inch of space for interments.
– photo by Mitch Waxman
It was on 58th street, along the wrought iron gates of Mount Zion Cemetery, that the latest trophy of the Queens Cobbler was observed. The Queens Cobbler is – of course – a local serial killer who leaves behind single shoes as ghastly trophies of his or her nefarious activities.
One couldn’t linger though, as a particular form of psychological torment was awaiting me in Bushwick and I didn’t want to be late.
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hitherto denied
Happy 115th birthday, Grand Street Bridge.
– photo by Mitch Waxman
At a cost of $174,937, the newly constructed Grand Street Bridge – spanning the fantastic Newtown Creek – officially opened on this day in 1903 (although it had already been unofficially open to traffic since December of 1902). The Grand Street Bridge connects Maspeth in Queens with East Williamsburg/Bushwick in Brooklyn, and when it was built they had horse driven traffic in mind, as well as electric streetcars or trolleys. The City of Greater New York, with its familiar five boroughs and Manhattancentric political orientation was only a few years old at this point in time. Grand Street was part of a spate of bridge building that occurred in the years following municipal consolidation, both major and minor, which allowed the newly created Borough Presidents a chance to… ahem… share the wealth with their supporters.
The 1903 model, pictured above, is the third Grand Street Bridge. There were 1875 and 1890 models as well, but the historic record describes them as being shabbily constructed and “dilapidated.” The 1903 model has stood the test of time, although it did receive a bit of work and a fresh coat of paint during a rehabilitation project back in 1973.
– photo by Mitch Waxman
Grand Street is the demarcation line between the so called “East Branch” tributary and the main stem of Newtown Creek. The intersection with another tributary, English Kills, is nearby. That’s part of the East Branch, pictured above. As a note, when Grand Street crosses northwards into Queens, it becomes Grand Avenue.
My understanding is that the 1890 model Grand Street Bridge was operated by hand cranking winches. It’s also my understanding that the presence of a nearby wharfage in this area (called White’s Dock) narrowed the navigational channel significantly, and that it was pressure from various Brooklyn based merchants and manufacturing associations which drove the Federal War Department into condemning that iteration of the bridge – and Whites Dock- setting the stage for the construction of the current model and the shaping of the modern bulkheads surrounding it.
– photo by Mitch Waxman
End to end, Grand Street Bridge is nearly two hundred and twenty seven feet and one half inch in length. Horizontally it’s meant to be just over thirty two feet wide, with two lanes of vehicle traffic squeezing into a very tight nineteen feet and eight inch area. There are two sidewalks which are meant to be just under six feet wide, according to the NYC DOT, but that number sort of conflicts with my perception of them. Those tight lanes of traffic mean that anything bigger than a passenger car has to wait for traffic coming from the other side to cross over the bridge before they can do the same. This creates backups on both sides of the thing.
I think the sidewalks measurement must include the box girders visible in the shot above, which is actually from below.
– photo by Mitch Waxman
The Grand Street Bridge is a swing bridge, which means that the whole structure sits on a mechanical palette and can rearticulate itself ninety degrees to allow maritime traffic to pass to and fro. It’s a crying shame that there aren’t any customers in the East Branch who would require the presence of barge and tug, since the City is obligated to maintain the machinery here in functional order by the orders of the United States Coast Guard.
The DOT spends a bunch of money every year doing so, and the City has been petitioning the USCG to “delist” the East Branch for navigability, and to allow them to replace the 1903 Grand Street Bridge with something more appropriate for modern traffic needs – a static and far wider truss bridge – since at least 2002. The USCG remains adamant in its position, however, that all of Newtown Creek is a “SMIA” or Significant Maritime Infrastructure Area and all of its bridges must be maintained and be “moveable” on the waterway.
This brings up the questionable status of the MTA’s rail swing bridge “DB Cabin” on the Dutch Kills tributary of Newtown Creek, but that’s another story.
– photo by Mitch Waxman
The last time I checked the numbers, Grand Street Bridge carried just under ten thousand vehicle trips a day. That was in 2011, it should be mentioned, and supposedly only 7% of that traffic was defined by DOT as being “trucks.” As always, you need to learn how to speak “government” when reading things like that. They mean heavy tonnage trucks – garbage, semis, tankers – not box trucks, pickups, or delivery vans which everybody else would call “trucks.” A significant causality of traffic congestion in both Maspeth and East Williamsburg/Bushwick, the Grand Street Bridge is structurally far too narrow for modern day needs.
Modern needs include accomodating the traffic generated by the MTA’s gargantuan Grand Ave Bus Depot & Central Maintenance Facility, which is found on the Maspeth side of the bridge. The entire bus company unit serving Brooklyn crosses this bridge at least once a week for cleaning, inspection, and maintenance.
– photo by Mitch Waxman
One such as myself always has his ear to the ground, or is probing away at the elected or appointed lords of the local vicinity in hope of gleaning some knowledge of their secretive plans for us all. The general impression gathered is that were there money available right now to replace the Grand Street Bridge with a newer model, construction would begin forthwith.
I’ll be sorry to see the old girl go when they find the cash, as the Grand Street Bridge is one of my favorite bridges found along the lugubrious Newtown Creek. At any rate, Happy Birthday, old lady.
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declared studies
When you live on an archipelago, you see a lot of bridges.
– photo by Mitch Waxman
As mentioned recently, a humble narrator has been trying to make some sense of the photographic archives which he’s been assembling for the last decade or so. Separating wheat from chaff, as it were. Something which has been noticed is that my eye is continually drawn to the “night shots” of the infrastructure which the municipal leaders of the past erected around our great urban hive. Pictured above is mighty Queensborough, as seen from LIC.
– photo by Mitch Waxman
Certain points of view in my archive don’t exist anymore, or have been removed from public accessibility by the ravenous appetites of the Real Estate Industrial Complex. The former is the case with this shot of the East River/Brooklyn and Manhattan bridges at night, which was gathered from a landing at a former South Street Seaport structure. That landing was demolished along with the rest of the building, and has been replaced by yet another glass box which will – when opened – restrict the view to those who can afford the price of admission.
– photo by Mitch Waxman
The Kosciuszcko Bridge replacement project has been a particular pleasure to photograph, and no moment brought me more excitement than the lowering of the central span of its 1939 iteration. What a show, man.
A recent bout of Flu has left a humble narrator a bit worse for wear, and short on new content this week. Accordingly, shots from the archives have been pulled and will be presented thusly, as this – your Newtown Pentacle.
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The Newtown Pentacle 