Posts Tagged ‘Pulaski Bridge’
professional duty
Friggin Wednesdays…
– photo by Mitch Waxman
One suspects that this will be a seldom read post, given that the vast majority of New Yorkers will be going somewhere else today. I plan on staying in Astoria, just to defend the neighborhood against burglars and sneak thiefs.
I also plan on walking out into the concrete devastations of Newtown Creek a few times, in pursuance of more nocturnal shots like the ones in today’s post.
– photo by Mitch Waxman
The City has been replacing its street light heads with cold colored LED luminaires in recent years, which are meant to provide brighter and more directed light onto roadways. The State is still using the old school sodium lights which produce a warm yellow-orange light.
A humble narrator is often fascinated by the spots where these two different colors of artificial light mix, as in the case of the shots above which is in DULIE – Down Under the Long Island Expressway – here in LIC.
– photo by Mitch Waxman
As it happened, when I surmounted the Pulaski Bridge in pursuance of gathering a shot from the span (a photo which was unfortunately blurry due to the transmitted vibrations of passing traffic), workers from the NYC DOT Bridges unit shooed me back along the walkway so that they could safely open the draw bridge for a passing tugboat.
Wasn’t that nice of them?
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eleventh hour
It remains National Creme Brulee Day, in these United States.
– photo by Mitch Waxman
We’re breaking with normal Newtown Pentacle tradition today, as there were multiple posts sent your way, devoted to the seismic events on Newtown Creek which saw the central truss of the Kosciuszcko Bridge first lowered and then carted away. This second post carries some proper shots of the lowering action. In this morning’s post, a time lapse video of the lowering of the Kosciuszcko Bridge’s central truss was offered. This afternoon’s carried everything else I shot.
Here’s the last one, showing the Kosciuszcko Bridge exiting the Newtown Creek yesterday afternoon.
– photo by Mitch Waxman
One arrived early to the Newtown Creek from “Point A” in Astoria, this time situating myself at the Newtown Creek Waste Water Treatment Plant Nature Walk. While I was waiting for the Kosciuszcko Bridge to show up, the usual maritime industrial show on the Creek was underway with a tug delivering a barge to SimsMetal. The tug cleared out, and few minutes later, the horns on the Greenpoint Avenue Bridge sounded…
– photo by Mitch Waxman
“Thar she blows” cried a humble narrator, as the truss slid into view.
– photo by Mitch Waxman
As mentioned in earlier postings, there were actually two barges with a steel superstructure carrying the thing.
– photo by Mitch Waxman
The sheer scale of all of this was staggering.
– photo by Mitch Waxman
One of the tugs, pictured above, was operating in reverse. There was a second tug on the other side of the truss, and a third accompanying them. The two directly towing the barges were of the “push boat” typology.
– photo by Mitch Waxman
Just as with the lowering procedure, a crowd of people had gathered to watch and photograph the operation.
– photo by Mitch Waxman
The barges with the Kosciuszcko Bridge truss headed west, and the Pulaski Bridge opened up to allow them egress.
– photo by Mitch Waxman
The third tug got involved when they were about to enter the draw of the Pulaski, maneuvering the assemblage into optimal position and centering it in the channel.
– photo by Mitch Waxman
So ended the seventy eight years that this structure has been on Newtown Creek.
– photo by Mitch Waxman
It was built as the New Meeker Avenue Bridge, and formally opened on August 23, 1939. A year later, in 1940, it was renamed Kosciuszcko Bridge to honor the large Polish community found in Maspeth and in Greenpoint. The barges carried the truss out onto the East River, and off to New Jersey where its steel would be harvested for recycling.
The end of an era for the Newtown Creek, and it all occurred on the 25th and 26th of July in 2017.
Documenting this project has been a long standing project of mine – this 2012 post tells you everything you could want to know about Robert Moses, Fiorella LaGuardia, and the origins of the 1939 model Kosciuszko Bridge. Just before construction started, I swept through both the Brooklyn and Queens sides of Newtown Creek in the area I call “DUKBO” – Down Under the Kosciuszko Bridge Onramp. Here’s a 2014 post, and another, showing what things used to look like on the Brooklyn side, and one dating back to 2010, and from 2012 discussing the Queens side – this. Construction started, and this 2014 post offers a look at things. There’s shots from the water of Newtown Creek, in this June 2015 post, and in this September 2015 post, which shows the bridge support towers rising. Additionally, this post from March of 2016 detailed the action on the Queens side. Most recently, here’s one from May of 2016, and one from June of the same year. Here’s one from August of 2016, the December 2016 one, one from March of 2017 which discusses the demolition of the 1939 bridge.
Most recently – a post showing what I saw during a pre opening walk through in early April of 2017, and the fanfare surrounding the opening of half of the new bridge in April of 2017, and a walk through of the Brooklyn side job site in June of 2017. Lastly, here’s some night shots from early July of 2017.
Upcoming Tours and events
The Insalubrious Valley of the Newtown Creek Walking Tour, with Newtown Creek Alliance – Saturday August 5th, 11 a.m. – 1;30 p.m.
Century old movable bridges, the remains of a 19th century highway between Brooklyn and Queens, and explore two of the lesser known tributaries of the troubled Newtown Creek watershed. For the vulgarly curious, Conrad Wissell’s Dead Animal and Night Soil wharf will be seen and described, with NCA Historian Mitch Waxman – details here.
Brooklyn Waterfront Boat Tour, with Working Harbor Committee – Saturday August 12th, 6 p.m. – 8 p.m.
Explore the coastline of Brooklyn from Newtown Creek to Sunset Park, with NCA Historian Mitch Waxman, Andrew Gustafson of Turnstile Tours, and Gordon Cooper of Working Harbor Committee on the narrating about Brooklyn’s industrial past and rapidly changing present. – details here.
The Poison Cauldron of the Newtown Creek Walking Tour, with Newtown Creek Alliance – Sunday August 13th, 11 a.m. – 1:30 p.m.
Explore the hellish waste transfer and petroleum districts of North Brooklyn on this daring walk towards the doomed Kosciuszko Bridge, with NCA Historian Mitch Waxman – details here.
Two Newtown Creek Boat Tours, with Newtown Creek Alliance and Open House NY – Wednesday August 16th, 5 p.m. and 7 p.m.
The neighborhoods surrounding Newtown Creek are home to the densest collection of these garbage facilities anywhere in the city and collectively, the waste transfer stations around and along Newtown Creek handle almost 40% of the waste that moves through New York. Join Newtown Creek Alliance’s Mitch Waxman and Willis Elkins to learn about the ongoing efforts to address the environmental burden that this “clustering” has caused. – details here.
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open window
It’s National Police Day in the Arab Republic of Egypt.
– photo by Mitch Waxman
Continuing a wintry night time walk to Brooklyn, one prepared to surmount the Pulaski Bridge over Newtown Creek. As you’d imagine, one spends quite a bit of his time walking back and forth over this crossing. Not only does the bridge rise to a fairly high altitude which allows for spectacular views of Newtown Creek, East River, and the skyline of the Shining City of Manhattan – the Pulaski Bridge walk is actually pretty good cardio.
– photo by Mitch Waxman
Mentioned in yesterday’s post was the fact that I was employing my “night kit” lenses. Longtime and frequent commenter Georgtheatheist inquired as to the specifics of my kit, and wondered why I carried both the Sigma 50-100mm f 1.8 and a Canon 50mm f 1.8, given that they replicate each other’s range. Accordingly, I’m “lifting the hood” on today’s post, and talking a little bit about how the engine runs here at your Newtown Pentacle.
Short answer is this – the Sigma lens is BIG, and incredibly heavy. Being a large lens, it gathers a lot of attention to itself, which can be problematic when encountering baser members of the street population – that’s part of it. The other is purely ergonomic – as mentioned above it’s quite heavy, and gets in the way when I’m walking along at my usual brisk pace. George asked why I don’t just use an “extender” on the 50mm prime lens, and part of the answer is that I’d have to sacrifice some of the light gathering wide apertures of the lens if I did. The other is that I’ve timed myself and I can do a lens swap, from in the bag to triggering the shutter, in around 15-20 seconds.
There’s also a difference in the esthetic quality and rendering of the shots, as captured by the individual pieces of glass. The first shot in today’s post was captured using the aforementioned 50-100, while the one above was gathered using a wider angle Sigma lens – the 18-35 f 1.8. The one below is from the Canon 50mm. There are minor differences in exposure times on them, but shots 2 & 3 are within 1/75th of a second of each other, with identical ISO sensitivity and aperture. Just because two lenses have the same specifications doesn’t mean that the shots gathered with them look the same.
– photo by Mitch Waxman
The whole point of what I’ve been working on for a while now is to capture a reasonable amount of image fidelity and quality in low light situations without using camera supports like a tripod. These are all hand held shots, gathered in the same manner which I would employ when the burning thermonuclear eye of God itself is bobbing around in the vault of the sky.
That “manner” is basically me walking along and saying “wow, look at that.”
– photo by Mitch Waxman
Where things get weird with this whole night shooting business is in an area described as “color temperature.” The new LED luminaire heads that NYC DOT has been installing around NYC throw off a bluish light that’s officially “4300 Kelvin” but which the camera will render as orange if you set it to that. In Canon camera world, that 4300K is best reset to about 3100K. If you’re in an area which has a monotypical series of these LED’s, the developing scenario is simple.
It’s when you see the old school sodium lamps on the same street as the LED’s that things go “ass over tits.” Check out the blue LED light meeting the orange sodium lamps in Greenpoint’s DUPBO – Down Under the Pulaski Bridge Onramp.
– photo by Mitch Waxman
A digital image is composed of three “plates” which mix and form a color image. RGB as the color space is known, the Red and Green plates are supplying most of the color information to the image above, and the Blue is where the shadows are being formed. Because of the orange sodium light mixing with the “Pulaski Red” paint color of the bridge, when this image came off my camera card it was practically flourescent.
A problem inherent with high ISO images, this one is 6400, is image noise. It’s produced by the sensor itself during the gathering process, and most of it manifests on the red and green plates. Finding the right balance between color temperature at the time of capture versus the time of developing the digital negative – or RAW format – file is important. Beyond the technical stuff, it’s also important to remember what the subject actually looked like while you were shooting.
– photo by Mitch Waxman
The shot above, depicting a NYC DOT truck parked under the Pulaski, was a difficult one. It’s a yellow truck, bathed in orange sodium light, with blue LED street lights peeking in from behind the fences. The original RAW file was basically a study in orange and black. The color temperature was adjusted down, as was saturation and half a dozen other developing options.
Back tomorrow with something completely different, at this – your Newtown Pentacle.
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historical realities
From the Magic Lantern show…
– photo by Mitch Waxman
Welcome to DUPBO, Down Under the Pulaski Bridge Onramp.
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Upcoming Tours –
May 3, 2015 –
DUBPO, Down Under the Pulaski Bridge Onramp
with Newtown Creek Alliance Historian Mitch Waxman, a free tour offered as part of Janeswalk 2015, click here for tickets.
May 16, 2015 –
13 Steps Around Dutch Kills with Atlas Obscura
with Newtown Creek Alliance Historian Mitch Waxman, click here for details and tickets.
May 31, 2015 –
Newtown Creek Boat Tour
with Working Harbor Committee and Newtown Creek Alliance Historian Mitch Waxman, click here for tickets.
unwonted ripples
Ahh, my beloved Creek… she never disappoints.
– photo by Mitch Waxman
Last week, one found himself visiting the Vernon Avenue Street End in the company of a couple of friends who were busy talking shop. I was idle, and interfering with their conversations, and so went to the water’s edge. A fine view of DUPBO was being enjoyed when the NYC DEP’s Port Richmond Sludge Boat appeared.
“Oh happy day” thought I.
– photo by Mitch Waxman
I’m fairly obsessed with the DEP’s Navy, and my interests in the fleet of sludge boats is well known to regular readers of this, your Newtown Pentacle. This is one of three brand new vessels, recently brought online, the Port Richmond. In the shot above, its doing what its designed to do, which is pass under the Pulaski Bridge without necessitating the draw bridge to open.
– photo by Mitch Waxman
Port Richmond was coming from the Newtown Creek Waste Water Treatment Plant’s new dock facility along Newtown Creek’s Whale Creek tributary. It was likely headed for Wards Island, where the “honey” would be pumped out. Said “honey” will be centrifuged to remove as much water as possible, leaving behind sewage solids which have been described to me as having the consistency of wet polenta.
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The Newtown Pentacle 