Posts Tagged ‘New York City’
mechanically performed
What I’m doing, while you’re asleep.
– photo by Mitch Waxman
Given my particularly nocturnal activities of late, it was a shock to the system when I had to arrive at an assignment on the Greenpoint/Williamsburg border yesterday at 7:30 in the morning. It’s been quite common for the last couple of weeks for me to be retiring to the bed at about 4:30-5 a.m. after returning from scuttles about the Newtown Creek with an image packed camera card. Seldom have I been out that late, rather, I’ll get back to HQ sometime just after midnight and then sit down to handle the developing process on the freshly minted pixels.
Pictured above is the Grand Street Bridge as seen from one of the two arms of the East Branch tributary of Newtown Creek. One of the things I find “neat” about these night shots, long exposures all, are details which the limitations of human night vision occluded while in the field. Those whitish gray arcing streaks in the water are reflected light coming from the scales of fishes in the water, which were invisible to the naked eye.
– photo by Mitch Waxman
A bit further up the Newtown Creek, this time along the English Kills tributary, and the Metropolitan Avenue Bridge is in focus. This sort of shot is possible only because of my long sought knowledge of every possible point of view on the waterway, which I’ve spent hundreds if not thousands of hours walking around when the burning thermonuclear eye of God itself is bobbing about in the sky. That’s why I’d recommend not attempting these sorts of shots “cold,” since daylight observations have revealed to me all the spots where various urban snares and dead falls into the water can be found.
In the case of the shot above, the shoreline surrounding the bridge is decidedly unstable, with soils that are subsiding into the water and held together only by tree roots and subsurface pipes.
– photo by Mitch Waxman
Safe as houses, that’s how I’d describe the location this (rare for me) vertically oriented shot of the new Kosciuszcko Bridge was gathered, at the Maspeth Avenue Plank Road site. As above, so below, at the Newtown Creek.
As I’ve mentioned before, I’ve come to detest the LED lighting used on this and many other structures in modernity. This system of lighting creates an out of gamut series of colors, are far too bright, and give an otherwise nicely apportioned bridge the appearance of a garish Greek coffee shop back here in Astoria.
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immediately arranged
Maspeth Creek, in today’s post.
– photo by Mitch Waxman
There was an unusually low tide last Sunday night, discovered upon my arrival at the Maspeth Creek tributary of the larger Newtown Creek, and if one were to describe the exposed mud flats as being aromatic… that would be a bit of an understatement. Luckily, a humble narrator was alone in the concrete devastations, which provided for an opportunity for derring do and risky behavior. Soon, I found myself perched on a crumbling concrete ledge with a tripod and camera and a two story drop into the stinking mud just one stumble away, with a chain link fence directly behind that my free hand was clutched to. You want to be, always, on the other side of that fence.
This is exactly the sort of thing which I advise others not to do, as it’s stupid and foolhardy, but… I got my shots.
– photo by Mitch Waxman
Once upon a time and just a few blocks away from this spot, DeWitt Clinton sat on his porch and watched a meandering Maspeth Creek flow past his house, when the waterway was navigible half of the way to Elmhurst, and dreamt up the Erie Canal. In the late 19th and early 20th century, Maspeth Creek was described by contemporaries as a “stinking swamp, surrounded by pestilential industries and ugly to the ultimate degree.” By the time WW2 came along, this was where you’d access the bulkheads of the United Enameling and Stamping Co.
In the first quarter of the 20th century, Maspeth Creek was canalized and truncated, with its eastward or landward side being entirely taken over by a large combined sewer outfall concrete vault, and its once upon a time course towards Elmhurst buried into a sewer. In fact, the concrete ledge from which these shots were gathered is the roof of that sewer vault, known to Newtown Creek enthusiasts and Government regulators alike as “NC-077.” This drain reportedly allows about 289 million gallons of untreated wastewater a year to saturate into the tributary and deposit filth into it.
– photo by Mitch Waxman
There were all sorts of critters moving around in the darkness; Geese, Rats, and Raccoons were all personally spotted, but there were other unseen but hinted at forms of life in both the water column and crawling about and along the shorelines. Something fairly large was crashing around in the bush found on the southern bulkheads, but that could have just been some of the Raccoons, or maybe some Opossums. I did not observe anything with tentacles, but I’ve always had certain suspicions about Maspeth Creek, revolving around old Lenape tales suggesting this area as “not being right.”
As far as what might be tunneling, wriggling, or sliding about in the exposed Black Mayonnaise sediment beds… who can guess, all there is, that might be buried down there?
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shattered nerves
English Kills, at night.
– photo by Mitch Waxman
So this is where a humble narrator found himself last evening, but as I had good company with me, one was only mildly terrified by the solemnified majesty of Newtown Creek. This is near the end of all things, where Newtown Creek’s tributary English Kills flows into a sewer which also flows into English Kills. Dichotomies notwithstanding, that’s the Montrose Avenue Railroad Bridge in the left of the shot, which carries the tracks of the Long Island Railroad’s Bushwick Branch over the waterway, and into the luminance of Waste Management’s Varick Street location. It was windy.
This is Brooklyn, roughly 3.7 miles from the East River.
– photo by Mitch Waxman
There were rats.
As my pal Bernie Ente used to advise “the rats at Newtown Creek are well fed and won’t bother you, they don’t care that you’re there, but they might run over your feet.” That didn’t happen, foot wise, but my companion and I did spot a few plump specimens skittering between the shadows. The biggest issue encountered, actually, was when we followed a trod upon path around the borders of the canalized waterway. The brush is still thick, and there were a few fallen trees to contend with, but we were determined to gain access to the spot where the story of Newtown Creek suddenly stops.
That spot has a designation: NC-015.
– photo by Mitch Waxman
The mounds of litter and garbage that mix with and provide firmament to a tangle of self seeded vegetation and fallen trees can simply be described as “a trip hazard,” but there were more than a few spots encountered on the way to this location that could have easily ended with a broken ankle. It was quite dark, being night time, it should be mentioned. A portable light was used to illuminate the foreground in the shot above, but prior to that it was a silhouette against the water.
3.8 miles from the East River, the western facing point of view above is from above Combined Sewer Outfall #NC-015. It’s the 20th largest of the 400 such outfalls in NY Harbor, in terms of volume, releasing 344 million gallons of untreated wastewater into English Kills a year (last time I checked).
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firmly sustained
DUGABO – Down Under the Greenpoint Avenue Bridge Onramp.
– photo by Mitch Waxman
Last night, one ventured forth with two goals; first: get a decent night shot showing as much of the Greenpoint Avenue Bridge as I could get into frame, second: try and get some equally nocturnal shots of the trains moving around on the Queens side in Blissville. While I was shooting the former, the GPA Bridge suddenly opened to allow a tug and barge through, which is how I got those light streaks in the shot above – they’re the running lights of the tug. Yay.
By the time I got to the Queens side, the railroad guys seemed to have done all the moving stuff around they needed to do for a while, but I hung around for about 45 minutes and waved the camera and tripod around at a few things.
– photo by Mitch Waxman
Before you ask, this spot in DUGABO is likely not where Amazon is going to base itself. A humble narrator received several phone calls about the subject yesterday, but I’m as clueless as to that tale as everyone who is not Gubernatorial staff is. The ways of the Dark Prince of Albany are subtle, and manifest in secret. Do not try to peer too deeply at the abyss that the Dark Prince dwells within, for he may notice and fix his gaze upon you. When the Dark Prince reveals his intentions, the children will rejoice, but prior to that only lament will be theirs and ours.
Seriously, not a clue. I’m reading the papers too, that’s all I’ve got. I also have no opinion on “good or bad” yet, since I have no information at all to work with. I’ve asked around as well, and have received a universal “dunno.”
– photo by Mitch Waxman
On my way home, this odd little monument to workplace safety was encountered in Blissville in front of the world’s largest Fortune Cookie Bakery, a distinction which Long Island City has long enjoyed being the home of.
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public sentiment
#twotondeathmachines
– photos by Mitch Waxman
“Two Ton Death Machines” is the term which the bicycle fanatics use when discussing automobiles and their murder happy drivers. If I played guitar and was starting a metal band, Two Ton Death Machine would be what I called the outfit, and my first album would be called #CARNAGE. C’est la vie.
The big project I’ve been alluding to for the last several months, which has been actually been distracting me for more than a year, is beginning to come to fruition. This involves the pulling together of tens of thousands of disparate photos, separating them by typology and subject matter, and then stringing them together into some sort of coherent form. The “Cool Cars” YouTube video above is one of the initial attempts. I’d love to put some sort of soundtrack to it, but as mentioned above, I’m no musician. If any of you are, and would be interested in riffing a track for me to include (I’ve got zero $) I wouldn’t say no.
I’m going to figure out how to include narration on forthcoming videos, as a note, but for now there’s no audio – so, be very quiet, the two ton death machines and their death hungry drivers are rolling about and hunting human victims to squish into the pavement and they might hear you. #vrooom
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