Archive for the ‘DUGABO’ Category
hideous complexity
– photo by Mitch Waxman
Just a quickie today, a shot taken from some point in space which straddles the borderline of Brooklyn and Queens (although this one is slightly more in Brooklyn) taken from the Greenpoint Avenue Bridge. Apologies for the brevity, but a humble narrator is busy staggering across the boroughs today, and in the midst of preparing for a series of meetings and presentations. Be back tomorrow with something more substantial.
strange delicacies
– photo by Mitch Waxman
Fascination with the once upon a time community known as Blissville haunts my dreams.
Unaccountably, given the corrupted environment and largely abandoned to industry character of this corridor in western Queens, there are still proud and ancestral residents of this neighborhood which borders the sanguine Newtown Creek. First Calvary consumed most of the neighborhood in the late 19th and early 20th centuries, as it grew by acquisition and through the action of wills and estate transfers.
Greenpoint Avenue, as is slouches roughly toward the Newtown Creek, is the central artery of the place.
– photo by Mitch Waxman
Traffic choked, this part of Greenpoint Avenue was once home to fine hotels and numerous inns, public houses, and bars. The teeming multitudes of largely Catholic Lower Manhattan, whether denizens of the fabled “Five Points” or from the savory upscale districts in New York, came here for funerary rites at First Calvary. Before embarking on the long journey back to Manhattan, a major endeavor involving ferries and horse drawn trolleys, they would often tilt a glass to their fallen comrade or family.
The last of these comfort stops is still in operation, the Botany Bay public house at Bradley Avenue.
– photo by Mitch Waxman
There were two major “trolley” roads (not steam or electric at first, but rather horse drawn) which serviced this area, providing access for the New Yorkers to arrive at Blissville. The Greenpoint based one would find its passengers at a ferry stop which connected Grand Street in Manhattan with the foot of Greenpoint Avenue in Brooklyn. This is the reason why Greenpoint avenue is so wide, it originally carried two lanes of traffic with the center given over to the “road”.
It’s also the reason why GPA near the East River hosts so many grand and significant structures, it was a sort of “Parisian Avenue”.
– photo by Mitch Waxman
The second “road” followed Borden Avenue from its foot at the Long Island Railroad ferry in Long Island City to its intersection at Greenpoint Avenue. A point of interest about this line was that it was owned and operated by the notorious Mayor of Long Island City, Patrick J. Gleason, known as Battle Ax. The LIRR ferry connected the line with Turtle Bay in Manhattan, but the Brooklyn based one was far more popular.
Obviously, the Catholic population around Manhattan’s Grand Street was quite a bit larger than that of the less populated area around 34th street.
– photo by Mitch Waxman
There are quite a few run down relicts found along this stretch of road, an area that time seems to have forgotten. Worm eaten pilasters and hints of former glory adorn these structures, some of which date back to the years directly following the Civil War. Modern structures are strictly utilitarian, boxes of brick and rebar.
Sources in the construction industry, some who are even responsible for erecting these architectural abominations, have hinted to me in the past that jobs in this area always yield surprise and sometimes engender astonishment. Foundations of much earlier structures, unknown pipelines, and even underground voids of astonishing size and workmanship.
Credulous, I must accept the descriptions offered to me that the whole area is thoroughly tunneled out. Sometimes I wonder, and tremble at the suggestions made by anonymous sources that some of these tunnels are quite freshly dug, however.
arduous detail
– photo by Mitch Waxman
On Friday the 13th of January, your humble narrator was drawn inextricably to the Newtown Creek Wastewater Treatment Plant’s Nature Walk. A friend, who is a faculty member of a CUNY institution familiar to all residents of Queens, had reported that she (and her students) had witnessed an extant slick of petroleum product while at the location.
So, despite inclement weather and biting cold, your humble narrator crossed the Pulaski from Queens to infinite Brooklyn to investigate.
– photo by Mitch Waxman
Just to be clear, the NCWWTP (oft referred to as the Temple of Cloacina) has nothing to do with petroleum. The mission of this futurist facility deals with a sticky black substance of entirely manmade origin, its collection and eventual disposition, but definitively not petroleum.
The Nature Walk, which is the subject of ironic humor and contextual mirth for many, is a lovely amenity required by the City’s “1% for art” rules. Designed by architect George Trakas, the NCWWTP Nature Walk offers panoramic views and public access to the nation’s most polluted waterway, and provides an island of calm for a section of Greenpoint sorely lacking in open space.
– photo by Mitch Waxman
My friend, as mentioned, serves as a faculty member at the CUNY institution in Queens. For several years, she has been conducted a census and study of the micro organisms which find themselves swept into Newtown Creek on the shallow tide offered by the estuarine East River. Her findings are surprising, as observation and scientific method has revealed that a startling diversity of life somehow finds a way to organize and sustain their existence in the troubled waterway.
Pictured above are the “steps” at the Nature Walk during happier times.
– photo by Mitch Waxman
Witnessed on this day in January were the tell tale leave behinds of the event, painted upon the self same steps illustrated in the shot above. Eyewitness description and anecdotal memories described the slick as both viscous and opaque, and occupying no small acreage of water.
Reports of floating “tar balls” accompany the tale of the slick, which was described as moving eastward- up the creek- with the rising tide from the East River.
– photo by Mitch Waxman
As a note, the tidal action of the surrounding waters doesn’t really flow into the Newtown Creek so much as it forces the waterway to rise and fall in a vertical rather than lateral manner. This why the sedimentary process along the Creek is so onerous, as there is no “flushing action”.
Once something enters the Newtown Creek, it never leaves.
warnings and prophecies
2011’s Greatest Hits:
– photo by Mitch Waxman
In January of 2011, while walking along in knee deep snow, your humble narrator happened across this enigmatic and somehow familiar item sitting in a drift at the NYC S.E.M./Signals Street Light Yard of the DOT at 37th avenue near the Sunnyside and Astoria border. It looked familiar to me, but I didn’t recognize it for what it was until sharp eyed reader TJ Connick suggested that this might be the long missing Light Stanchion which once adorned the Queensboro Bridge’s Manhattan landing.
These two posts: “an odd impulse“, and “wisdom of crowds” discuss the discovery and identification in some detail.
Some good news about this iconic piece of Queens history will be forthcoming, but I’ve been asked to keep it quiet for the moment.
– photo by Mitch Waxman
In February of 2011, “Vapour Soaked” presented a startling concurrence of comparitive detail for the discerning viewer, when the shot above was presented in contrast with a 1920’s shot from The Newtown Creek industrial district of New York City By Merchants’ Association of New York. Industrial Bureau, 1921″, (courtesy Google Books).
Admittedly, not quite as earth shaking as January’s news, but cool nevertheless. I really like these “now and then” shots, expect more of the same to come your way in the future.
– photo by Mitch Waxman
In March of 2011, “first, Calvary” discussed the epic (for me) quest to find a proverbial “needle in a haystack” within First Calvary Cemetery- the grave of its very first interment, an Irish woman named Esther Ennis who died in 1848. I have spent an enormous amount of time searching for this spot, where Dagger John Hughes first consecrated the soil of Newtown.
– photo by Mitch Waxman
In April of 2011, the world lost one of its best people and my official “partner in crime”, Bernard Ente.
He was ill for awhile, but asked me to keep the severity of things quiet. He passed in the beginning of April, and one of the last requests he made of me (along with “taking care” of certain people) was to continue what he had started along the Newtown Creek and all around NY Harbor.
This was when I had to step forward, up my game, and attempt to fill a pair of gargantuan boots. Frankly, I’m not even half of who he was, but I’m trying. That’s when I officially stepped forward and began introducing myself as a representative of Newtown Creek Alliance, and joined the Working Harbor Committee– two organizations which Bernie was committed to. I’m still trying to wrap my head around his loss.
– photo by Mitch Waxman
In May of 2011, while attempting to come to terms with my new roles in both organizations, it was decided that a fitting tribute to our fallen comrade would be the continuance of his annual “Newtown Creek Cruises” and the date of May 21 was set for the event. An incredible learning experience, the success of the voyage would not have been possible without the tutelage of WHC’s John Doswell and Meg Black, NCA’s Katie Schmid, or especially the aid of “Our Lady of the Pentacle” and the Newtown Pentacle’s stalwart far eastern correspondent: Armstrong.
Funny moments from during this period included the question “Whom do you call to get a drawbridge in NYC to open for you?”.
During this time, I also became involved with Forgotten-NY’s Kevin Walsh and Greater Astoria Historical Society’s Richard Melnick and their ambitious schedule of historical tours.
– photo by Mitch Waxman
In June of 2011, the earliest Newtown Creek Chemical Factory which I’ve been able to find in the historical record, so far, was explored in the post “lined with sorrow“- describing “the Bushwick Chemical Works of M. Kalbfleisch & Sons”.
Additionally, my “Newtown Creek Magic Lantern Show” was presented to a sold out and standing room only crowd at the Greater Astoria Historical Society.
This was also the beginning of a period which has persisted all year- in which my efforts of behalf of the various organizations and political causes which I’m advocating for had reduced my output to a mere 15 or fewer postings a month.
All attempts are underway to remedy this situation in 2012, and apologies are offered.
– photo by Mitch Waxman
In July of 2011, another Newtown Creek boat tour was conducted, this time for the Metropolitan Water Alliance’s “City of Water Day”. The “Newtown Creek Magic Lantern Show” was also performed at the Admiral’s House for a packed room.
Additionally, my so called “Grand Walk” was presented in six postings. This was an attempt to follow a 19th century journey from the Bloody Sixth Ward, Manhattan’s notorious Five Points District, to Calvary Cemetery in Queens. Once, this would have been a straightforward endeavor involving minimal connections of Trolley and Ferry, but today one just has to walk. These were certainly not terribly popular posts, but are noteworthy for the hidden and occluded horde of forgotten New York history which they carry.
From the last of these posts, titled “suitable apparatus“- “As the redolent cargo of my camera card revealed- this “Grand Walk”, a panic induced marathon which carried your humble narrator across the East River from St. Patrick’s Old Cathedral in Manhattan into Williamsburg and up Grand Street to Maspeth and the baroque intrigues of the Newtown Creek– wound down into it’s final steps on Laurel Hill Blvd.”
– photo by Mitch Waxman
In August of 2011, “the dark moor” presented intriguing aerial views of the Newtown Creek Watershed, and “sinister exultation” shared the incredible sight of an Amtrak train on fire at the Hunters Point Avenue station in Long Island City. “revel and chaff” explored the aftermath of Hurricane Irene in LIC’s Zone A, and an extraordinary small boat journey around Dutch Kills was detailed in: “ponderous and forbidding“, “ethereal character“, “pillars and niches“, and “another aperture“.
This was an incredible month.
– photo by Mitch Waxman
In September of 2011, a posting called “uncommented masonry” offered this declaration:
” By 1915, there approximately 40,000 automotive trucks plying the streets of New York City.
What’s surprising is that 25% of them were electric.
Lords and ladies of Newtown, I present to you the last mortal remains of the General Electric Vehicle Company, 30-28 Starr Avenue, Long Island City– manufacturer of a substantial number of those electrical trucks.”
I’m particularly fond of this post, as this was a wholly forgotten moment of Newtown Creek and industrial history which I was able to reveal. Organically born, it was discovered in the course of other research, and I believed at the time that it was going to be the biggest story that I would present all year about Blissville.
– photo by Mitch Waxman
In October of 2011, a trio of Newtown Creek Tours (two public and one for educators) were accomplished. The public tours were full to capacity, as were the Open House New York tours I conducted on the 15th and 16th of that Month. Also, the Metropolitan Water Alliance invited me to photograph their “Parade of Boats” on October 11th, and I got the shot below of the FDNY Fireboat 343.
– photo by Mitch Waxman
– photo by Mitch Waxman
In November of 2011, a visit to Lovecraft Country in Brooklyn was described in “frightful pull“, and “vague stones and symbols” came pretty close to answering certain mysteries associated with the sky flung Miller Building found at the foot of the Greenpoint Avenue Bridge in Brooklyn.
– photo by Mitch Waxman
A December 2011 post titled “An Oil spill… in Queens” broke the news that petroleum products are seeping out of the bulkheads of Newtown Creek, this time along the Northern shoreline, which lies in the Queens neighborhood of Blissville.
Rest assured that your Newtown Pentacle is on top of the story of “the Blissville Oil Spill”, lords and ladies of Newtown, and will bring you breaking news as it develops in 2012.
abominable iniquity
– photo by Mitch Waxman
The “Psalm 53, verse 3” which is referred to in the graffiti scrawl above, as recently observed, is offered by the King James variant of the Bible as: “Every one of them is gone back: they are altogether become filthy; there is none that does good, no, not one.”
A passing truck blotted out the background of the scene, and although it is a little hard to make out, the writer included an affirmation of love for the christian godhead just below the main credo.
from readersandrootworkers.org
Hoodoo psychic readers, spirit workers and root doctors who recite Psalms on behalf of clients may work with Psalm 53 during altar work and prayers to protect the client from enemies, both known and unknown. If the client is beset by enemies, this Psalm can be used to keep them safe.
– photo by Mitch Waxman
After the truck passed, it becomes- to careful observers- obvious that this lamp post is on Greenpoint Avenue in Brooklyn, and one begins to wonder about an intended contextual meaning for the scrawl.
Just for the heck of it, here’s the way that the whole 53rd Psalm reads, and most biblical scholars indicate that the legendary King David was the author- although most agree that David probably just got credit for it.
To him that presides upon Machalath; an instructive Psalm of David.
- The fool has said in his heart, There is no god. They are corrupt, they have done abominable iniquity; there is none that does good.
- God has looked down from heaven upon the sons of man, to see if there were any that is intelligent, that seeks god.
- Every one is gone back; together are they become corrupt: there is none that does good, not even one.
- Have the workers of iniquity no knowledge, who eat up my people as they eat bread, and call not upon god?
- Then shall they, who had no fear, be greatly afraid; for god will scatter the bones of them that encamp against you; you shall put them to shame, because god has rejected them.
- O that the salvation of Israel were come out of Zion! When god shall bring back the captivity of his people, Jacob shall rejoice, and Israel shall be glad.
from over at bible.cc, where they’ve got a few different interpretations of what these apparent song lyrics mean, as well as differing translations of the thing.
53:1-6 The corruption of man by nature. – This psalm is almost the same as the 14th. The scope of it is to convince us of our sins. God, by the psalmist, here shows us how bad we are, and proves this by his own certain knowledge. He speaks terror to persecutors, the worst of sinners. He speaks encouragement to God’s persecuted people. How comes it that men are so bad?
– photo by Mitch Waxman
As mentioned, this missive adorned a lamp post on Greenpoint Avenue, one which is directly across the street from the high temple of Cloacina, known to most as the Newtown Creek Wastewater Treatment Plant.
One wonders, and more than wonders…
from jamesbradfordpate.wordpress.com
What does “Mahalath” (or, actually, “Machalath”) mean? It could be an instrument, or even a dance, for E.W. Bullinger associates the term with the Hebrew word mecholoth, which refers to dances (Judges 21:21; Psalm 149:3; 150:4), and Bullinger speculates that this Psalm relates to David’s dance after God had brought David through difficulties. Jewish and Christian interpreters have related the term to the Hebrew word machalah, which means “sickness”
The Newtown Pentacle 